P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 7 N. 59+60 1/2003
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ The Rave Foundation' working Scholarship
==========================================
prazo/plazo/deadline: 31 MAR 2003
http://www.ifa.de/f/f3/ef3merk.htm
The Rave Foundation would like to contribute to practical further education in arranging and realizing fine art exhibitions. It therefore awards scholarships to curators restorers museum technicians cultural managers from transformation and developing countries who have arranged a guest period, practical training period or non-paid work at a German museum, a state gallery or in cultural management at a German institution.
The Rave Scholarship is a working scholarship and requires the holder's presence. It includes the following payments
A monthly lump sum of 1,300 Euro for a scholarship period of three to six months
Travelling expenses (to and from Germany)
Married person's supplement if the spouse is present in Germany
Assistance with health insurance (also for spouses)
German course
Conditions
Scholarships will be awarded to applicants who come from a transformation or developing country, who finished their professional training not less than five years previously and not yet over 40. Those still studying or training at the time of application will not be considered for selection, who have found a partner institution in Germany that has agreed to take care of them or agreed to a joint project, who can provide a positive statement from their own country (reference).
Knowledge of one of the three languages German, English or French is a requirement.
Applicants who are not accepted can apply only once more.
Selection procedure:
The Rave Foundation committee will assess all applications. Scholarships are awarded twice per year. About 6 scholarships are awarded per year.
There is no legal claim to the award of a scholarship. The decision will be conveyed to the applicant in writing without stating reasons.
Application documents
Applications are submitted without forms to the
Rave Foundation
c/o Institut fur Auslandsbeziehungen
Charlottenplatz 17
D-70173 Stuttgart
Fax +49.711.2225194
rave-stiftung@...
The application should be accompanied by
a CV, including educational qualifications,
a project sketch about the form of the planned visit to Germany, consent from a German institution to care for the applicant during the scholarship period in Germany, a letter of reference from the home country.
The last application dates are 31 March and 30 September each year.
Selections will be made within two months.
The Rave Foundation is an independent charitable foundation administered by the Institut fur Auslandsbeziehungen (ifa). Ifa is a mediating
organization for German foreign cultural policy.
@ Call for Proposals: Studio XX Residencies
==========================================
prazo/plazo/deadline: n/c
Studio Residencies Deadline: Ongoing
Studio XX is accepting applications for creative, self-directed residencies by women artists and collectives working with new medias and technologies. The residencies are 6 weeks in length (maximum) and offer an a unique opportunity to explore and create new works. Artists are invited to submit a completed application form (available on-line July 25th at www.studioxx.org/residence/residency.html ), including a project description, letter of intent and technical requirements. All proposals are reviewed by a selection committee.
@ Broadcast opp in Australia for independent media makers
==========================================
prazo/plazo/deadline: n/c
Greetings from Australia. We are an independent media group from Melbourne called SKA TV. We produce a 24-minute program in Melbourne called Access News, which airs on community television Channel 31 every week. Though we usually focus on local activist events, demonstrations etc,, during the summer we will be screening a "World Season" in which we hope to source
Boletim Eletronico do Projeto ProArte Brasil
Ano 7 N. 59+60 1/2003
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ The Rave Foundation' working Scholarship
==========================================
prazo/plazo/deadline: 31 MAR 2003
http://www.ifa.de/f/f3/ef3merk.htm
The Rave Foundation would like to contribute to practical further education in arranging and realizing fine art exhibitions. It therefore awards scholarships to curators restorers museum technicians cultural managers from transformation and developing countries who have arranged a guest period, practical training period or non-paid work at a German museum, a state gallery or in cultural management at a German institution.
The Rave Scholarship is a working scholarship and requires the holder's presence. It includes the following payments
A monthly lump sum of 1,300 Euro for a scholarship period of three to six months
Travelling expenses (to and from Germany)
Married person's supplement if the spouse is present in Germany
Assistance with health insurance (also for spouses)
German course
Conditions
Scholarships will be awarded to applicants who come from a transformation or developing country, who finished their professional training not less than five years previously and not yet over 40. Those still studying or training at the time of application will not be considered for selection, who have found a partner institution in Germany that has agreed to take care of them or agreed to a joint project, who can provide a positive statement from their own country (reference).
Knowledge of one of the three languages German, English or French is a requirement.
Applicants who are not accepted can apply only once more.
Selection procedure:
The Rave Foundation committee will assess all applications. Scholarships are awarded twice per year. About 6 scholarships are awarded per year.
There is no legal claim to the award of a scholarship. The decision will be conveyed to the applicant in writing without stating reasons.
Application documents
Applications are submitted without forms to the
Rave Foundation
c/o Institut fur Auslandsbeziehungen
Charlottenplatz 17
D-70173 Stuttgart
Fax +49.711.2225194
rave-stiftung@...
The application should be accompanied by
a CV, including educational qualifications,
a project sketch about the form of the planned visit to Germany, consent from a German institution to care for the applicant during the scholarship period in Germany, a letter of reference from the home country.
The last application dates are 31 March and 30 September each year.
Selections will be made within two months.
The Rave Foundation is an independent charitable foundation administered by the Institut fur Auslandsbeziehungen (ifa). Ifa is a mediating
organization for German foreign cultural policy.
@ Call for Proposals: Studio XX Residencies
==========================================
prazo/plazo/deadline: n/c
Studio Residencies Deadline: Ongoing
Studio XX is accepting applications for creative, self-directed residencies by women artists and collectives working with new medias and technologies. The residencies are 6 weeks in length (maximum) and offer an a unique opportunity to explore and create new works. Artists are invited to submit a completed application form (available on-line July 25th at www.studioxx.org/residence/residency.html ), including a project description, letter of intent and technical requirements. All proposals are reviewed by a selection committee.
@ Broadcast opp in Australia for independent media makers
==========================================
prazo/plazo/deadline: n/c
Greetings from Australia. We are an independent media group from Melbourne called SKA TV. We produce a 24-minute program in Melbourne called Access News, which airs on community television Channel 31 every week. Though we usually focus on local activist events, demonstrations etc,, during the summer we will be screening a "World Season" in which we hope to source
footage from independent producers
around the world.
So far we have covered issues such detention of asylum seekers, involvement in potential wars staged by the US, (such as our hosting of the Pine Gap Spy facility in central Australia), the Reclaim the Streets protest movement, Anti-WTO demonstrations, environmental issues, indigenous issues..You get the picture.
We are seeking any footage, documentaries etc that have a social justice, environmental focus, or any shit that's going down in your region, we want to know about it! We will accept edited footage of 24 minutes (the length of our show) or less, or we can edit it down ourselves if you don't mind us doing so.
Access News has produced quality documentaries and the occasional scoop that has seen our programs screened at festival globally, and earned us a reputation as activist media-makers. For more information visit our
website:
www.skatv.org.au
to hear more about us.
Looking forward to making global contacts,
Access News crew at SKA TV, Melbourne, Australia
-----------------------------------------------------------
SKA TV
Suite 75, Trades Hall
54 Lygon St, Carlton Sth
Victoria 3053, Australia
ph +61 3 9663 6976
SKA TV: http://www.skatv.org.au
access news: http://www.accessnews.skatv.org.au
Channel 31: http://www.channel31.org.au
@ canal de difusion y comunicacion para la comuidade teatral de Iberoamerica
==========================================
prazo/plazo/deadline: n/c
Estimados colegas:
Por medio de la presente la Asociacion Iberoamericana de Teatro Universitario, AIATU, solicita a todos aquellos que tengan informacion a difundir acerca de Funciones, Encuentros, Jornadas, Festivales, Congresos, etc. y que deseen utilizar este medio para que la AIATU colabore y asista en la difusion de dichas actividades, tengan a bien remitirlo al correo electronico de la misma.
La AIATU se compromete en asistir, apoyar y adherir en toda actividad teatral universitaria en Iberoamerica y a la vez se ofrece como canal de difusion y comunicacion entre las distintas instituciones terciarias y universitarias.
La AIATU se encuentra en estos momentos elaborando un Boletin electronico para dar a conocer las distintas actividades teatrales en toda Iberoamerica el que sera enviado por este medio estimamos que a partir de inicios del 2003.
Contando desde ya con sus aportes para poder difundir ampliamente la actividad que nos nuclea, esperamos sus mensajes.
Atentamente.
Arq. Luis Ricardo Asensio
Presidente AIATU
"Asoc. Iberoamericana de Teatro Univ" <aiatu@...>
@ JL Producciones de Cine y TV (Chile) busca guiones
==========================================
prazo/plazo/deadline: n/c
JL Producciones de Cine y TV busca guiones de comedia para unitarios de television de 60 min., y largometrajes de cine de 120 min. para filmar en
Chile. Los guiones deben estar debidamente registrados y en formato Word o RTF.
Informacion:
Juan de Austria 1671, Las Condes,
Santiago, Chile
Telefonos: (56-2)206-7856 - (56-2)228-5849
Fax (56-2)206-7855
<http://www.jlproducciones.cl/>
jlprodch@...
@ CONVOCATORIA AL V SAL N Y COLOQUIO INTERNACIONAL DE ARTE DIGITAL (Cuba)
==========================================
prazo/plazo/deadline: n/c
El Centro Cultural Pablo de la Torriente Brau, con la colaboracion de la Oficina del Historiador de la Ciudad de la Habana, HIVOS, el Consejo Nacional de las Artes Plasticas, el Centro Cultural de Espana y el Instituto Cubano de Arte e Industria Cinematograficos convoca al V Salon y Coloquio Internacional de Arte Digital.
El evento, que sera inaugurado el 16 de junio del ano 2003, se propone continuar mostrando el trabajo que se realiza actualmente en este campo y propiciar el intercambio y la reflexion entre artistas plasticos y demas creadores relacionados con estas nuevas formas de expresion.
Como en la edicion anterior, el Salon comprendera dos areas: el salon nacional que tiene caracter competitivo y la muestra internacional, donde exhibiran sus obras artistas residentes en otros paises.
Toda la informacion referida a esta convocatoria sera difundida por correo electronico: centropablo@...
So far we have covered issues such detention of asylum seekers, involvement in potential wars staged by the US, (such as our hosting of the Pine Gap Spy facility in central Australia), the Reclaim the Streets protest movement, Anti-WTO demonstrations, environmental issues, indigenous issues..You get the picture.
We are seeking any footage, documentaries etc that have a social justice, environmental focus, or any shit that's going down in your region, we want to know about it! We will accept edited footage of 24 minutes (the length of our show) or less, or we can edit it down ourselves if you don't mind us doing so.
Access News has produced quality documentaries and the occasional scoop that has seen our programs screened at festival globally, and earned us a reputation as activist media-makers. For more information visit our
website:
www.skatv.org.au
to hear more about us.
Looking forward to making global contacts,
Access News crew at SKA TV, Melbourne, Australia
-----------------------------------------------------------
SKA TV
Suite 75, Trades Hall
54 Lygon St, Carlton Sth
Victoria 3053, Australia
ph +61 3 9663 6976
SKA TV: http://www.skatv.org.au
access news: http://www.accessnews.skatv.org.au
Channel 31: http://www.channel31.org.au
@ canal de difusion y comunicacion para la comuidade teatral de Iberoamerica
==========================================
prazo/plazo/deadline: n/c
Estimados colegas:
Por medio de la presente la Asociacion Iberoamericana de Teatro Universitario, AIATU, solicita a todos aquellos que tengan informacion a difundir acerca de Funciones, Encuentros, Jornadas, Festivales, Congresos, etc. y que deseen utilizar este medio para que la AIATU colabore y asista en la difusion de dichas actividades, tengan a bien remitirlo al correo electronico de la misma.
La AIATU se compromete en asistir, apoyar y adherir en toda actividad teatral universitaria en Iberoamerica y a la vez se ofrece como canal de difusion y comunicacion entre las distintas instituciones terciarias y universitarias.
La AIATU se encuentra en estos momentos elaborando un Boletin electronico para dar a conocer las distintas actividades teatrales en toda Iberoamerica el que sera enviado por este medio estimamos que a partir de inicios del 2003.
Contando desde ya con sus aportes para poder difundir ampliamente la actividad que nos nuclea, esperamos sus mensajes.
Atentamente.
Arq. Luis Ricardo Asensio
Presidente AIATU
"Asoc. Iberoamericana de Teatro Univ" <aiatu@...>
@ JL Producciones de Cine y TV (Chile) busca guiones
==========================================
prazo/plazo/deadline: n/c
JL Producciones de Cine y TV busca guiones de comedia para unitarios de television de 60 min., y largometrajes de cine de 120 min. para filmar en
Chile. Los guiones deben estar debidamente registrados y en formato Word o RTF.
Informacion:
Juan de Austria 1671, Las Condes,
Santiago, Chile
Telefonos: (56-2)206-7856 - (56-2)228-5849
Fax (56-2)206-7855
<http://www.jlproducciones.cl/>
jlprodch@...
@ CONVOCATORIA AL V SAL N Y COLOQUIO INTERNACIONAL DE ARTE DIGITAL (Cuba)
==========================================
prazo/plazo/deadline: n/c
El Centro Cultural Pablo de la Torriente Brau, con la colaboracion de la Oficina del Historiador de la Ciudad de la Habana, HIVOS, el Consejo Nacional de las Artes Plasticas, el Centro Cultural de Espana y el Instituto Cubano de Arte e Industria Cinematograficos convoca al V Salon y Coloquio Internacional de Arte Digital.
El evento, que sera inaugurado el 16 de junio del ano 2003, se propone continuar mostrando el trabajo que se realiza actualmente en este campo y propiciar el intercambio y la reflexion entre artistas plasticos y demas creadores relacionados con estas nuevas formas de expresion.
Como en la edicion anterior, el Salon comprendera dos areas: el salon nacional que tiene caracter competitivo y la muestra internacional, donde exhibiran sus obras artistas residentes en otros paises.
Toda la informacion referida a esta convocatoria sera difundida por correo electronico: centropablo@...
y publicada en el sitio Cuba / Arte
Digital www.artedigitalcuba.cult.cu / www.artedigitalcuba.org
@ Proyecto SoloCortos
==========================================
prazo/plazo/deadline: n/c
De distintas ideas y proyectos que venimos conversando con la gente de Fundavisual (Venezuela), surgio el planteamiento de la necesidad de unirnos en Latinoamerica para desarrollar proyectos comunes y cooperativos en el ambito de la region. Este tipo de proyectos no es para nada algo facil debido a las continuas crisis y problemas que sufrimos un nuestro continente, pero si es algo posible y necesario para plasmar nuestra identidad e ideas en el arte cinematografico. Aqui en Argentina tenemos muy buenos profesionales en todas las areas como para lograr trabajos en conjunto de calidad profesional. Con SoloCortos.com y Fundavisual planeamos, por ejemplo, el relanzamiento del sitio de Fundavisual disenado desde la Argentina, en colaboracion via e-mail. Proyectos documentales donde en cada region lo filme la gente local para que luego se envie a un sector de concentracion de la informacion son otras ideas que nos dan vuelta en la cabeza. La convocatoria que aqui hacemos es la de que desde toda Latinoamerica nos lleguen los ofrecimientos de colaboracion profesional, para volcarlos en una guia y un boletin que se publicaran en SoloCortos.com y en Fundavisual respectivamente. Sabemos el talento y las ganas de construir que hay en nuestra gente y ese es el porque de la propuesta.
@ Become a Web Broadcaster, Free
==========================================
prazo/plazo/deadline: n/c
Your nine-month-old has just taken his first steps, and you want Grandma to see how precocious he is. Problem is, she lives halfway across the country.
Why not show her in a live QuickTime webcast? If you're a Mac user with a DV camcorder or webcam, you could be broadcasting on the web today. In minutes. For free.
Just download the Apple QuickTime Broadcaster. It sends out a single stream that viewers at one computer (Mac or Windows) can watch using the free QuickTime Player. (For multiple streams, you'll need to set up a streaming server or a multicast-enabled network.)
Once you've installed QuickTime Broadcaster, look in the Help menu for step-by-step instructions on how to set it up.
Better hurry--Grandma's waiting.
http://www.apple.com/quicktime/products/broadcaster/
@ Call for Proposals: Subtle Technologies
==========================================
prazo/plazo/deadline: 15 JAN 2003
Established in 1998, Subtle Technologies is a non-profit arts organization dedicated to investigating the relationships between art, science and technology. Every May we present the Subtle Technologies festival at the University of Toronto. This multidisciplinary event invites
artists, scientists, technologists and theorists to discuss, demonstrate and exhibit their work. The festival is an opportunity to explore areas still searching for definitions, explanations and meaning. It is our goal to have a varied program to provide a forum for the cross pollination of ideas.
2003 Programs Seeking Proposals
General Symposium: Throughout the three days of presentations, we aim to cover a wide variety of subjects. In the past, topics addressed include quantum physics, quantum computing and other unconventional computing technologies, music, dance, consciousness research, holography, animation, genetics, sonic explorations, sensing systems and devices, social systems,complexity theory, and artificial intelligence.The programming of the general symposium is shaped by the submissions of
each year and is meant to broaden the scope ofdisciplines or areas of research for those who attend. People who have attended the conference remark that
although the individual topics at the conference are extremely interesting it is often the threads that are woven between the various presentations made by speakers from varied disciplines that make the conference a unique experience .
We strongly encourage interested applicants to submit proposals that are outside the topics mentioned above if they feel their proposal fits into the general mandate of the festival. Please visit the archives at:
@ Proyecto SoloCortos
==========================================
prazo/plazo/deadline: n/c
De distintas ideas y proyectos que venimos conversando con la gente de Fundavisual (Venezuela), surgio el planteamiento de la necesidad de unirnos en Latinoamerica para desarrollar proyectos comunes y cooperativos en el ambito de la region. Este tipo de proyectos no es para nada algo facil debido a las continuas crisis y problemas que sufrimos un nuestro continente, pero si es algo posible y necesario para plasmar nuestra identidad e ideas en el arte cinematografico. Aqui en Argentina tenemos muy buenos profesionales en todas las areas como para lograr trabajos en conjunto de calidad profesional. Con SoloCortos.com y Fundavisual planeamos, por ejemplo, el relanzamiento del sitio de Fundavisual disenado desde la Argentina, en colaboracion via e-mail. Proyectos documentales donde en cada region lo filme la gente local para que luego se envie a un sector de concentracion de la informacion son otras ideas que nos dan vuelta en la cabeza. La convocatoria que aqui hacemos es la de que desde toda Latinoamerica nos lleguen los ofrecimientos de colaboracion profesional, para volcarlos en una guia y un boletin que se publicaran en SoloCortos.com y en Fundavisual respectivamente. Sabemos el talento y las ganas de construir que hay en nuestra gente y ese es el porque de la propuesta.
@ Become a Web Broadcaster, Free
==========================================
prazo/plazo/deadline: n/c
Your nine-month-old has just taken his first steps, and you want Grandma to see how precocious he is. Problem is, she lives halfway across the country.
Why not show her in a live QuickTime webcast? If you're a Mac user with a DV camcorder or webcam, you could be broadcasting on the web today. In minutes. For free.
Just download the Apple QuickTime Broadcaster. It sends out a single stream that viewers at one computer (Mac or Windows) can watch using the free QuickTime Player. (For multiple streams, you'll need to set up a streaming server or a multicast-enabled network.)
Once you've installed QuickTime Broadcaster, look in the Help menu for step-by-step instructions on how to set it up.
Better hurry--Grandma's waiting.
http://www.apple.com/quicktime/products/broadcaster/
@ Call for Proposals: Subtle Technologies
==========================================
prazo/plazo/deadline: 15 JAN 2003
Established in 1998, Subtle Technologies is a non-profit arts organization dedicated to investigating the relationships between art, science and technology. Every May we present the Subtle Technologies festival at the University of Toronto. This multidisciplinary event invites
artists, scientists, technologists and theorists to discuss, demonstrate and exhibit their work. The festival is an opportunity to explore areas still searching for definitions, explanations and meaning. It is our goal to have a varied program to provide a forum for the cross pollination of ideas.
2003 Programs Seeking Proposals
General Symposium: Throughout the three days of presentations, we aim to cover a wide variety of subjects. In the past, topics addressed include quantum physics, quantum computing and other unconventional computing technologies, music, dance, consciousness research, holography, animation, genetics, sonic explorations, sensing systems and devices, social systems,complexity theory, and artificial intelligence.The programming of the general symposium is shaped by the submissions of
each year and is meant to broaden the scope ofdisciplines or areas of research for those who attend. People who have attended the conference remark that
although the individual topics at the conference are extremely interesting it is often the threads that are woven between the various presentations made by speakers from varied disciplines that make the conference a unique experience .
We strongly encourage interested applicants to submit proposals that are outside the topics mentioned above if they feel their proposal fits into the general mandate of the festival. Please visit the archives at:
http://www.subtletechnologies.com to
acquaint yourself with the history of our programming.
Ground:
This year we will also be presenting a themed session during the conference."Ground? is a program exploring new technologies in architecture and urban planning. Topics may include but are not limited to, intelligent buildings, smart materials, alternative energy systems,
surveillance, the effect of architecture on traffic flow, architecture and its affect on mood,organic architecture and nano-structures.
Criteria
The festival is open to the public and presentations must be accessible to a non-specialized audience.
Each presentation is 40 minutes, followed by a ten minute question and answer period. It is strongly recommended that parties interested in submitting a
proposal visit our archives at http://www.subtletechnologies.com to get a better
idea of our programming. Presenters are responsible for paying for their accomodations and transportation to Toronto. All presenters receive an honorarium and their conference registration fees are waived.
Deadline for Proposals: January 15, 2003.
We prefer to receive proposals by email. Please send proposals to
subtleprogramming@...
@ Call for ideas: Version>03 a.digital.arts.convergence
technotopia vs technopacalypse exploring the multitudes of technology, society, arts, activism and culture
==========================================
prazo/plazo/deadline: 15 JAN 2003
Version>03 a.digital.arts.convergence technotopia vs technopacalypse exploring the multitudes of technology, society, arts, activism and culture
Co-presented by Select Media and the Museum of Contemporary Art Chicago
Chicago March 27-30 2003
Museum of Contemporary Art Chicago and other sites
version>03 will explore the technotopian and echnoapocalyptic visions of the future, past and present through discussion, symposia, workshops, performance,
installations, video and film screenings, and exhibitions. By examining practices, tools and ideas that direct us into the future, we hope to encourage dialogue and direction in this brave new world.
We hope to have conversations/dialogues on topics including identifying the technologies and cultures and economies affecting the creation of singularities
and multitudes, building networks, contestational robotics, alt spaces,developing theories in globalisation, tactical media projects, freenet open source cultures, security culture, border politics, robot armies, direct
action, new tools, strategies for communication and many other subjects.
Current and possible projects we will feature at version>03 include:
artist interface devices, tactical vending, freenetproliferation, gameboy music workshop, skillshare workshops, direct action workshops, robot block, experimental lectures, telepresence, virtual
reality devices, video gaming, streaming media workshops, version>03 Video library, alt.space networking, war driving, more..
Current programs and themes are evolving in several simulataneous threads. Including but in no way limited to:
Tactical media practices
Green/movement actions strategies
Scientific/poltical discourse of the emerging technologies
Sci-Fi or real life technotopic dreams and dystopian nitemare scenarios
Techno topic demonstrations and installations
Multitudes of the Singularity
The MCA will be the location of the majority of programs and presentations.
Other locations will feature additional workshops, installations and post MCA program parties/gatherings.
Specifically we are seeking:
Workshop proposals, Performance proposals, Panel proposals (with speakers and participants flushed out)
New media Installations (multi channel works / kiosk based- other), Papers/articles ,Visual arts work that relates to the themes to be printed and/or exhibited, Film.video new screen projections, Public intervention projects, Writers to present works, interview artists
thinkers/participants
inquries regarding :
editorial submissions, web based works, performance, panels and workshop ideas, installations, film and video submissions will take priority.
Ground:
This year we will also be presenting a themed session during the conference."Ground? is a program exploring new technologies in architecture and urban planning. Topics may include but are not limited to, intelligent buildings, smart materials, alternative energy systems,
surveillance, the effect of architecture on traffic flow, architecture and its affect on mood,organic architecture and nano-structures.
Criteria
The festival is open to the public and presentations must be accessible to a non-specialized audience.
Each presentation is 40 minutes, followed by a ten minute question and answer period. It is strongly recommended that parties interested in submitting a
proposal visit our archives at http://www.subtletechnologies.com to get a better
idea of our programming. Presenters are responsible for paying for their accomodations and transportation to Toronto. All presenters receive an honorarium and their conference registration fees are waived.
Deadline for Proposals: January 15, 2003.
We prefer to receive proposals by email. Please send proposals to
subtleprogramming@...
@ Call for ideas: Version>03 a.digital.arts.convergence
technotopia vs technopacalypse exploring the multitudes of technology, society, arts, activism and culture
==========================================
prazo/plazo/deadline: 15 JAN 2003
Version>03 a.digital.arts.convergence technotopia vs technopacalypse exploring the multitudes of technology, society, arts, activism and culture
Co-presented by Select Media and the Museum of Contemporary Art Chicago
Chicago March 27-30 2003
Museum of Contemporary Art Chicago and other sites
version>03 will explore the technotopian and echnoapocalyptic visions of the future, past and present through discussion, symposia, workshops, performance,
installations, video and film screenings, and exhibitions. By examining practices, tools and ideas that direct us into the future, we hope to encourage dialogue and direction in this brave new world.
We hope to have conversations/dialogues on topics including identifying the technologies and cultures and economies affecting the creation of singularities
and multitudes, building networks, contestational robotics, alt spaces,developing theories in globalisation, tactical media projects, freenet open source cultures, security culture, border politics, robot armies, direct
action, new tools, strategies for communication and many other subjects.
Current and possible projects we will feature at version>03 include:
artist interface devices, tactical vending, freenetproliferation, gameboy music workshop, skillshare workshops, direct action workshops, robot block, experimental lectures, telepresence, virtual
reality devices, video gaming, streaming media workshops, version>03 Video library, alt.space networking, war driving, more..
Current programs and themes are evolving in several simulataneous threads. Including but in no way limited to:
Tactical media practices
Green/movement actions strategies
Scientific/poltical discourse of the emerging technologies
Sci-Fi or real life technotopic dreams and dystopian nitemare scenarios
Techno topic demonstrations and installations
Multitudes of the Singularity
The MCA will be the location of the majority of programs and presentations.
Other locations will feature additional workshops, installations and post MCA program parties/gatherings.
Specifically we are seeking:
Workshop proposals, Performance proposals, Panel proposals (with speakers and participants flushed out)
New media Installations (multi channel works / kiosk based- other), Papers/articles ,Visual arts work that relates to the themes to be printed and/or exhibited, Film.video new screen projections, Public intervention projects, Writers to present works, interview artists
thinkers/participants
inquries regarding :
editorial submissions, web based works, performance, panels and workshop ideas, installations, film and video submissions will take priority.
version>03 is also a contribution to the N5M4 international tactical media festival taking place year round all over the world to culminate in May 2003.
send proposals and ideas to ed marszewski ed@...
january 15 is a deadline to check.
materials to:
version>03
960 w 31st street
chicago ill 60608
usa
Select Media is a sister project to Lumpen
Version>02 was our first experiment in bringing the house down and making some conversations to connect our local scenes with those on the coasts and in between and beyond. Last years program can be downloaded at:
http://www.versionfest.org/
@ WEB3DART 2003: CALL FOR ENTRIES
==========================================
prazo/plazo/deadline: 13 JAN 2003
http://www.web3dart.org
DEADLINE: Monday, 13 January 2003
Submit your on-line 3D works to WEB3DART 2003, for inclusion in an exhibition of completely new works created by internationally regarded artists, architects,
designers, students and creative 3D developers. The selection will showcase the foremost ideas and independent creations in all on-line 3D formats. Submission form is available at: http://www.web3dart.org.
WEB3DART 2003- the official Web 3D Art Show, will premiere at the The 8th International Conference on 3D Web Technology in St. Malo, France, 9 - 12 March,
2003. Sponsored by ACM SIGGRAPH and the Web 3D Consortium, and this year in cooperation with INRIA and Eurographics, the symposium is the most important
venue for 3D creators, and all those devoted to the virtual 3D on-line environment. For more information: http://www.web3d.org/s2003/
The selected works for WEB3DART 2003 will be featured on-line, and as a feature of Lab3D, an exhibition of virtual works in real space, that will connect the public with media and art spaces across the UK and internationally (beginning with a presentation in Vienna at MedienQuartier21). The gallery show will present artists interactive installation works, and a symposium will raise
issues around 3D and new media practice. Dates: 9 May - 22 June, 2003,
coordinated by Cornerhouse, Manchester. http://www.cornerhouse.org
The outstanding success of the 1999 VRML ART show in Paderborne; the 2000 VRML-ART Expo at the SIGGRAPH ART SHOW in New Orleans, and WEB3D ART 2002 at The ICA London, have created a positive anticipation to the upcoming selection for WEB3DART 2003
SUBMISSION PROCESS:
All work will be juried on-line and must be viewable on free browsers (available on-line).
Send URL with application form, found at: http://www.web3dart.org to:
kdudesek@...
Deadline is January 13, 2003. Only on-line submissions will be accepted.
Questions:
All questions regarding submission procedure, gallery exhibition, or the jury process should be directed to Kathy Rae Huffman:
kathy.rae.huffman@... through January 13.
A signed release giving written authorization to link your work on-line, and copyright clearance for the Web 3D Symposium CD ROM, must be received before you
work will be confirmed in the program. This authorization form will be made available to the final, selected projects.
SELECTION CRITERIA:
Keywords for the selection are content, imagination, and technical innovation.
All 3D on-line projects must be complete and functional at time of submission.
The selection will be made on-line by a jury - listed in the submission form.
CATEGORIES (the jury reserves the right to assign or reassign a category):
* Artists and architects
* Scientific models
* Worlds and city planninG
* Product design and unique commercial application
* Experimental works and studies by art and design students (including
course compilations)
On-line submissions:
On-line works must run on a 800 MHz CPU.
Please specify CPU power, OS, Web browser and player, which your work is tested
on. New works created within the past two years, not previously included in
Web3D Art will take priority
SUBMIT: Web links by end of working day, January 13, 2003, to:
Professor Karel Dudesek kdudesek@...
On-line 3D projects can be submitted as: Web-based 3D Work (experimental, sound, text, audio, wireless) - Multi-user-based 3D Work - Multi-media 3D Environments (in real and virtual space) - please specify details of installation.
3D ART Student Gallery - All student works will be accepted: A special section of Web3D ART 2003 will be created, in recognition of the growing number of student sites and 3D activity in arts, design, architecture and IT courses. ALL works that load properly and work, will be included. Class compilations are encouraged, but must have name of instructor/professor, names of students,
school and title of course included. For student participation in the staging of the exhibition, please contact
kdudesek@...
JURY: all submitted works will be juried on-line by a team of international digital media specialists.
@ AS A SATELLITE. A joint venture of the Visual Arts Department of The Americas Society in New York City and independent cultural initiatives in the Americas.
==========================================
prazo/plazo/deadline: 31 JAN 2003
AS A SATELLITE invites independent cultural initiatives in Latin America,Canada, and the Caribbean to use The Americas Society as their satellite for the production of exhibitions and event-based projects in New York.
For the purposes of AS A SATELLITE, an independent cultural initiative is defined as an organization run by a collective of artists or by other types of cultural workers, such as curators and critics. It can include non-profits, exhibition spaces, publishing groups, web-based
organizations, and other forms of collective practices. Governmental organizations and for-profit galleries do not apply.
The participating independent cultural initiatives will be selected and invited following an open call process. Details on this open call, proposal submission guidelines, and requirements are found on-line at:
http://www.americas-society.org. There are two submission deadlines:
November 15, 2002 and January 31, 2003.
Please contact us if you have any questions regarding AS A SATELLITE. You may do so by telephone (212) 249-8950, extension 319; by fax (212) 249-5868; or by email: shernandez@.... Please visit our website for
General information of The Americas Society and its cultural programs.
AS A SATELLITE is generously supported by the Andy Warhol Foundation for the Visual Arts. Its media sponsors are Arte al Dia, Lab 71, Latinarte.com, and Parachute. Please contact us if you are also interested
in sponsoring this program.
@ Open Call for papers - Leonardo Electronic Almanac 2003
==========================================
prazo/plazo/deadline: 15 JAN 2003
The Leonardo Electronic Almanac (ISSN No: 1071-4391) is inviting an open call for papers to be published in 2003. LEA is an online peer reviewed journal published under the auspices of MIT Press since 1993 (see details below).
The LEA Editorial Board seeks proposals for:
* Theoretical Discussions: *Original* essays documenting research, critical commentary in areas of discussion such as nanotechnology, cyberart, cyberfeminism, hypertext, robotics, bio-art, artifical life,
genetics. This list is by no means exhaustive, and proposals need not be limited to these areas.
* Artists Statements / Gallery Commissions: International artists are encouraged to submit statements or proposals for *original* for exhibiting new media artwork. Curators are welcome to propose thematic exhibitions.
LEA encourages international artists / academics / researchers / students to submit their proposal for consideration. We particularly encourage authors outside north america and europe to send proposals for articles.
Proposals should include:-
- a 150 - 300 word abstract / synopsis detailing subject matter
- a brief bio (and prior works for reference).
- names of collaborators (if suggesting a thematic issue / curated gallery)
- any related URLs
- contact details
Please send proposals or queries to:
Nisar Keshvani
Editor-in-Chief
lea@...
by 15 January 2003. (Pls note - Response to proposals may take upto 4 weeks).
What is LEA?
Established in 1993, the Leonardo Electronic Almanac (ISSN No: 1071-4391) is the electronic arm of the world's most prestigious art journal, Leonardo - Journal of Art, Science & Technology.
LEA is jointly produced by Leonardo, the International Society for the Arts, Sciences and Technology (ISAST) and published under the auspices of MIT Press. Leonardo Electronic Almanac (LEA), is Leonardo/ISAST and MIT Press' electronic journal dedicated to providing a forum for those who are interested in the realm of where
art, science & technology converge.
Content
This peer reviewed e-journal includes Profiles of Media Arts facilities and Projects, Profiles of artists using new media, Feature Articles comprised of theoretical and technical perspectives; the LEA Gallery exhibiting new media artwork by international artists; detailed information about new publications in various media; reviews of publications. events and exhibitions. Material is contributed by artists, scientists, educators and developers of new technological resources in the media arts.
Mission
From 2002, LEA formed a strategic alliance with fineArt forum - the Internet's longest running arts magazine. Through this partnership, LEA concentrates on adding new scholarship and critical commentary to the art, science and technology field, with LEA subscribers benefiting from the latest news, announcements, events, and job/educational opportunities through fAf's online news service.
LEA's mission is to maintain and consolidate its position as a leading online news and trusted information filter whilst critically examining arts/science & technological works catering to the international CAST (Community of Artists, Scientist &Technologists)
@ Disponible Maleta de Peliculas Colombianas I subtitulada al ingles
==========================================
prazo/plazo/deadline: n/c
La Maleta de peliculas Colombianas Primera Etapa, ya esta disponible en su totalidad subtitulada al ingles. Esta Maleta que contiene 18 titulos de cortos, medios y largometrajes argumentales y documentales ha sido uno de los mas importantes logros que en terminos de difusion, formacion y promocion ha tenido nuestro cine.
Pura Sangre de Luis Ospina (1982), Carne de tu Carne de Carlos Mayolo (1983), La gente de la Universal de Felipe Aljure(1993), Fragmentos de Carlos Santa y Herib campos (1999), El taxista Millonario de Gustavo Nieto Roa (1979) Visa Usa de Lisandro Duque (1986), Rodrigo D. no futuro y La vendedora de Rosas de Victor Gaviria (1989), Confesion a Laura de Jaime Osorio (1991), Chircales de Marta Rodriguez (1966-1971), Mas alla de la tragedia del Silencio de Jorge Nieto Roa (1979), El embajador de la India de Mario Ribero (1986), Maria Cano de Camila Loboguerrero (1990), Soplo de vida de Luis Ospina (1999), Diastole y Sistole de Harold trompetero (1999), El proyecto del diablo de Oscar Campo (1999), La taza de te de papa de Jorg Hiller (2000), y Reputado de Silvia Amaya (1986), son los titulos que hacen parte de esta Primera Etapa de la Maleta de Peliculas Colombianas. Este proyecto de la Direccion de Cinematografia del Ministerio de Cultura, PROIMAGENES en movimiento y la Fundacion Patrimonio Filmico es una realidad desde agosto del 2001. Para mas informacion y hacer sus reservas debe dirigirse al Fondo Mixto de Promocion Cinematografica PROIMAGENES en movimiento en el siguiente e-mail proyectos@...
o a los telefonos 2870103, 2880870.
@ CONEXAO DIGITAL
==========================================
prazo/plazo/deadline: n/c
Professor e analista de Roteiro monta produtora de cinema digital e procura projetos para desenvolver. Antigos alunos do conexao.net estao produzindo curtas metragens de um minuto e de dez minutos com equipamento miniDV. Maiores informacoes entrar em contato via email com Roman Bruni na CONEXAO DIGITAL.
belloni@... '
@ call for papers: technoetic arts an international journal of speculative research
==========================================
prazo/plazo/deadline: n/c
edited by
Roy Ascott
Planetary Collegium
This peer-reviewed journal presents the cutting edge of ideas, projects and practices arising from the confluence of art, science, technology and consciousness research. It has a special interest in matters of mind and the extension of the senses through technologies of cognition and perception. It documents accounts of transdisciplinary research, collaboration and innovation in the design, theory and production of new systems and
structures for life in the 21st
century, while inviting a re-evaluation of older worldviews, esoteric
knowledge and arcane cultural practices.
Artificial life, the promise of nanotechnology, the ecology of mixed reality environments, the reach of telematic media, and the effect generally of a post-biological culture on human values and identity, are issues central to
the journal's focus.
Publishers:
Intellect Books
www.intellectbooks.com
PO Box 862, Bristol BS99 1DE, England
http://www.intellectbooks.com/journals/technoetic/index.htm
CALL FOR PAPERS!
Contributions may be between 3000 and 7000 words
and should be accessible to the non-specialist reader.
Author's guidelines are to be seen at:
www.intellectbooks.com/sub/note_a.htm
Editor's email: roy.ascott@...
@ Convocatoria abierta para 25hrs, una muestra de videoarte internacional.
==========================================
prazo/plazo/deadline: 3 MAR 2003
24 horas de proyeccion ininterrumpida de una seleccion de obras producidas con posterioridad a 1990. Contempla una gran diversidad de registros y da
una vision amplia y rigurosa de la escena actual del videoarte.
25hrs tendra lugar en Barcelona el 9 de Mayo de 2003. Presenta cerca de 300 obras, de duraciones inferiores a 20 minutos, de artistas internacionales de todas las tendencias. La sala de proyecciones, un espacio en el centro de la ciudad, acogera gran numero de espectadores confortablemente acomodados frente a una pantalla de grandes dimensiones.
Los artistas son invitados a participar o seleccionados a traves de una convocatoria abierta. Con motivo del acto se publicara un libro que pretende ser una herramienta de trabajo para criticos de videoarte, comisarios y
artistas.
25hrs es un proyecto de TheVideoArtFoundation en colaboracion con Unxposed, coproducido por el Instituto de Cultura de Barcelona ICUB y con apoyo de Hangar.
www.25hrs.org
@ CALL FOR REVIEW-ARTICLES AND PAPERS 2003. Film-Philosophy Journal
==========================================
prazo/plazo/deadline: 1 JUN 2003
The following books have been received and need reviewers:
Allen and Turvey, eds, _Wittgenstein, Theory and the Arts_ (2001)
Steve Beard, _Aftershocks: The End of Style Culture_ (2002)
Bergfelder, Carter, and Gokturk, eds, _The German Cinema Book_ (2002)
Janet Bergstrom, ed., _Endless Night: Cinema and Psychoanalysis,
Parallel Histories_ (1999)
Bernardo Bertolucci, _Interviews_ (2000)
Leo Braudy, _The World in a Frame_ 25th Anniversary Edition (2002)
Giuliana Bruno, _Atlas of Emotion: Journeys in Art, Architecture, and
Film_ (2002)
Alison Butler, _Women's Cinema_ (2002)
Jane Campion, _Interviews_ (1999)
Sheila Cornelius, with Ian Hayden Smith, _New Chinese Cinema_ (2002)
John Corner, _Critical Ideas in Television Studies_ (1999)
Dai Jinhua, _Cinema and Desire_ (2002)
Danio and Maziere, eds, _The Undercut Reader: Critical Writings on
Artists' Film and Video_ (2003)
Wendy Everett, ed., _The Seeing Century: Film, Vision, and Identity_ (2000)
Manny Farber, _Negative Space_ Expanded Edition (1998)
Flory and D'Andrade, eds, _Film and Philosophy_ vols 5/6 (2002)
Gerow and Nornes, eds, _In Praise of Film Studies: Essays in Honor of Makino
Mamoru_ (2001)
John Gibbs, _Mise-en-Scene: Film Style and Interpretation_ (2002)
David Gillespie, _Early Soviet Cinema_ (2000)
Goran Gocic, _The Cinema of Emir Kusturica_ (2001)
Alexander Graf, _The Cinema of Wim Wenders_ (2002)
Hague and Lavery, eds, _Teleparody: Predicting/Preventing the TV
Discourse of Tomorrow_ (2002)
Sue Harris, _Bertrand Blier_ (2001)
Ari Hiltunen, _Aristotle in Hollywood_ (2002)
Geoff King, _Film Comedy_ (2002)
King and Krzywinska, _Science Fiction Cinema_ (2000)
Stanley Kubrick, _Interviews_ (2001)
Annette Kuhn, _Dreaming of Fred and Ginger: Cinema and Cultural Memory_ (2002)
Vicky Lebeau, _Psychoanalysis and Cinema_ (2001)
Malcolm Le Grice, _Experimental Cinema in the Digital Age_ (2001)
Samantha Lay, _British Social Realism_ (2002)
Jacob Leigh, _The Cinema of Ken Loach_ (2002)
Jon Lewis, _The End of Cinema As We Know It: American Film in the
Nineties_ (2001)
Artificial life, the promise of nanotechnology, the ecology of mixed reality environments, the reach of telematic media, and the effect generally of a post-biological culture on human values and identity, are issues central to
the journal's focus.
Publishers:
Intellect Books
www.intellectbooks.com
PO Box 862, Bristol BS99 1DE, England
http://www.intellectbooks.com/journals/technoetic/index.htm
CALL FOR PAPERS!
Contributions may be between 3000 and 7000 words
and should be accessible to the non-specialist reader.
Author's guidelines are to be seen at:
www.intellectbooks.com/sub/note_a.htm
Editor's email: roy.ascott@...
@ Convocatoria abierta para 25hrs, una muestra de videoarte internacional.
==========================================
prazo/plazo/deadline: 3 MAR 2003
24 horas de proyeccion ininterrumpida de una seleccion de obras producidas con posterioridad a 1990. Contempla una gran diversidad de registros y da
una vision amplia y rigurosa de la escena actual del videoarte.
25hrs tendra lugar en Barcelona el 9 de Mayo de 2003. Presenta cerca de 300 obras, de duraciones inferiores a 20 minutos, de artistas internacionales de todas las tendencias. La sala de proyecciones, un espacio en el centro de la ciudad, acogera gran numero de espectadores confortablemente acomodados frente a una pantalla de grandes dimensiones.
Los artistas son invitados a participar o seleccionados a traves de una convocatoria abierta. Con motivo del acto se publicara un libro que pretende ser una herramienta de trabajo para criticos de videoarte, comisarios y
artistas.
25hrs es un proyecto de TheVideoArtFoundation en colaboracion con Unxposed, coproducido por el Instituto de Cultura de Barcelona ICUB y con apoyo de Hangar.
www.25hrs.org
@ CALL FOR REVIEW-ARTICLES AND PAPERS 2003. Film-Philosophy Journal
==========================================
prazo/plazo/deadline: 1 JUN 2003
The following books have been received and need reviewers:
Allen and Turvey, eds, _Wittgenstein, Theory and the Arts_ (2001)
Steve Beard, _Aftershocks: The End of Style Culture_ (2002)
Bergfelder, Carter, and Gokturk, eds, _The German Cinema Book_ (2002)
Janet Bergstrom, ed., _Endless Night: Cinema and Psychoanalysis,
Parallel Histories_ (1999)
Bernardo Bertolucci, _Interviews_ (2000)
Leo Braudy, _The World in a Frame_ 25th Anniversary Edition (2002)
Giuliana Bruno, _Atlas of Emotion: Journeys in Art, Architecture, and
Film_ (2002)
Alison Butler, _Women's Cinema_ (2002)
Jane Campion, _Interviews_ (1999)
Sheila Cornelius, with Ian Hayden Smith, _New Chinese Cinema_ (2002)
John Corner, _Critical Ideas in Television Studies_ (1999)
Dai Jinhua, _Cinema and Desire_ (2002)
Danio and Maziere, eds, _The Undercut Reader: Critical Writings on
Artists' Film and Video_ (2003)
Wendy Everett, ed., _The Seeing Century: Film, Vision, and Identity_ (2000)
Manny Farber, _Negative Space_ Expanded Edition (1998)
Flory and D'Andrade, eds, _Film and Philosophy_ vols 5/6 (2002)
Gerow and Nornes, eds, _In Praise of Film Studies: Essays in Honor of Makino
Mamoru_ (2001)
John Gibbs, _Mise-en-Scene: Film Style and Interpretation_ (2002)
David Gillespie, _Early Soviet Cinema_ (2000)
Goran Gocic, _The Cinema of Emir Kusturica_ (2001)
Alexander Graf, _The Cinema of Wim Wenders_ (2002)
Hague and Lavery, eds, _Teleparody: Predicting/Preventing the TV
Discourse of Tomorrow_ (2002)
Sue Harris, _Bertrand Blier_ (2001)
Ari Hiltunen, _Aristotle in Hollywood_ (2002)
Geoff King, _Film Comedy_ (2002)
King and Krzywinska, _Science Fiction Cinema_ (2000)
Stanley Kubrick, _Interviews_ (2001)
Annette Kuhn, _Dreaming of Fred and Ginger: Cinema and Cultural Memory_ (2002)
Vicky Lebeau, _Psychoanalysis and Cinema_ (2001)
Malcolm Le Grice, _Experimental Cinema in the Digital Age_ (2001)
Samantha Lay, _British Social Realism_ (2002)
Jacob Leigh, _The Cinema of Ken Loach_ (2002)
Jon Lewis, _The End of Cinema As We Know It: American Film in the
Nineties_ (2001)
George O. Liber, _Alexander Dovzhenko_
(2002)
Colin MacCabe, _The Eloquence of the Vulgar_ (1999)
Laurent Mannoni, _The Great Art of Light and Shadow: Archaeology of
the Cinema_ (2000)
Lev Manovich, _The Language of New Media_ (2001)
Millar and Doherty, _Jane and Louise Wilson_ (2000)
Tony Lee Moral, _Hitchcock and the Making of Marnie_ (2002)
Stephen Mulhall, _On Film_ (2002)
Martin O'Shaughnessy, _Jean Renoir_ (2000)
Richard Porton, _Film and the Anarchist Imagination_ (1999)
Phil Powrie, _Jean-Jacques Beineix_ (2001)
James Quandt, ed., _Kon Ichikawa_ (2001)
Angelo Restivo, _The Cinema of Economic Miracles: Visuality and
Modernisation in the Italian Art Film_ (2002)
D. N. Rodowick, _Reading the Figural, or, Philosophy After the New
Media_ (2001)
Sam Rohdie, _Promised Lands: Cinema, Geography, Modernism_ (2001)
Philip Rosen, _Change Mummified: Cinema, Historicity, Theory_ (2001)
Jonathan Rosenbaum, _Movie Wars_ (2002)
Saddar and Cubitt, eds, _Aliens R Us: The Other in Science Fiction
Cinema_ (2002)
Kevin L. Stoehr, ed., _Film and Knowledge: Essays on the Integration
of Images and Ideas_ (2002)
Stokes and Hoover, _City on Fire: Hong Kong Cinema_ (1999)
Nicolas Tredell, _Cinemas of the Mind: A Critical History of Film
Theory_ (2002)
Nwachukwu Frank Ukadike, _Questioning African Cinema_ (2002)
Ravi S. Vasudevan, ed., _Making Meaning in Indian Cinema_ (2000)
Paul Wells, _Animation: Genre and Authorship_ (2002)
Willoquet-Maricondi and Alemany-Galway, eds, _Peter Greenaway's
Postmodern/Poststructuralist Cinema_ (2001)
Peter Wollen, _Paris Hollywood: Writings on Film_ (2002)
Zhang Yimou, _Interviews_ (2001)
Slavoj Zizek, _The Fright of Real Tears: Krzysztof Kieslowski Between
Theory and Post-Theory_ (2001)
If you would like to review one of these works then please respond as soon as possible to:
editor@...
Do not hit 'reply', or send to this list's address.
By all means indicate alternative book choices in order of preference.
A brief statement of interest and experience will aid in the selection process.
Don't forget your postal address.
Length: 2-5,000 words
Deadline: June 1st 2003
'A major online journal that is devoted to film and philosophy, Film-Philosophy, based in Great Britain, facilitates dialogue among countless individuals who are enthused about the philosophy of film and the discussion of philosophical issues in films.' Kevin Stoehr, in Film and Knowledge (Jefferson, NC: McFarland, 2002)
(http://www.mcfarlandpub.com)
@ CALL FOR PAPERS. Film-Philosophy Journal
==========================================
prazo/plazo/deadline: n/c
Submissions are also invited for papers on any topic concerning the philosophy of moving images, e.g. analytical film philosophy, film aesthetics, cognitivism, Deleuzian film philosophy, phenomenology, etc.
Specific request for papers on the idea of film form as a new kind of 'thinking' (e.g. Munsterberg, Deleuze, Artaud, Balazs, Biro, Epstein, Gilbert-Lecomte, Wurzer, and Schefer, etc.)
Papers should be 2-5,000 words in length, original, and not under submission elsewhere or previously published.
Send articles, abstracts and ideas to: editor@... Do not hit 'reply', or send to this list's address.
Please read our guide for authors at:
http://www.film-philosophy.com/journal/guideforauthors
'A major online journal that is devoted to film and philosophy, Film-Philosophy, based in Great Britain, facilitates dialogue among countless individuals who are enthused about the philosophy of film and the discussion of philosophical issues in films.' Kevin Stoehr, in Film and Knowledge (Jefferson, NC: McFarland, 2002)
(http://www.mcfarlandpub.com)
@ Estancias para artistas en el I-Park.
==========================================
prazo/plazo/deadline: 31 JAN 2003
Convocante: I-Park. Solicitud: P. O. Box 124 - East Haddam, CT 06423. USA. Plazo: 31/01/03. Dotacion: alojamiento y espacio de trabajo. Dirigidas a: artistas visuales, arquitectos, paisajistas y disenadores de jardines, compositores musicales y escritores interesados en trabajar en proyectos propios o colaborar en los proyectos de la organizacion convocante.
Colin MacCabe, _The Eloquence of the Vulgar_ (1999)
Laurent Mannoni, _The Great Art of Light and Shadow: Archaeology of
the Cinema_ (2000)
Lev Manovich, _The Language of New Media_ (2001)
Millar and Doherty, _Jane and Louise Wilson_ (2000)
Tony Lee Moral, _Hitchcock and the Making of Marnie_ (2002)
Stephen Mulhall, _On Film_ (2002)
Martin O'Shaughnessy, _Jean Renoir_ (2000)
Richard Porton, _Film and the Anarchist Imagination_ (1999)
Phil Powrie, _Jean-Jacques Beineix_ (2001)
James Quandt, ed., _Kon Ichikawa_ (2001)
Angelo Restivo, _The Cinema of Economic Miracles: Visuality and
Modernisation in the Italian Art Film_ (2002)
D. N. Rodowick, _Reading the Figural, or, Philosophy After the New
Media_ (2001)
Sam Rohdie, _Promised Lands: Cinema, Geography, Modernism_ (2001)
Philip Rosen, _Change Mummified: Cinema, Historicity, Theory_ (2001)
Jonathan Rosenbaum, _Movie Wars_ (2002)
Saddar and Cubitt, eds, _Aliens R Us: The Other in Science Fiction
Cinema_ (2002)
Kevin L. Stoehr, ed., _Film and Knowledge: Essays on the Integration
of Images and Ideas_ (2002)
Stokes and Hoover, _City on Fire: Hong Kong Cinema_ (1999)
Nicolas Tredell, _Cinemas of the Mind: A Critical History of Film
Theory_ (2002)
Nwachukwu Frank Ukadike, _Questioning African Cinema_ (2002)
Ravi S. Vasudevan, ed., _Making Meaning in Indian Cinema_ (2000)
Paul Wells, _Animation: Genre and Authorship_ (2002)
Willoquet-Maricondi and Alemany-Galway, eds, _Peter Greenaway's
Postmodern/Poststructuralist Cinema_ (2001)
Peter Wollen, _Paris Hollywood: Writings on Film_ (2002)
Zhang Yimou, _Interviews_ (2001)
Slavoj Zizek, _The Fright of Real Tears: Krzysztof Kieslowski Between
Theory and Post-Theory_ (2001)
If you would like to review one of these works then please respond as soon as possible to:
editor@...
Do not hit 'reply', or send to this list's address.
By all means indicate alternative book choices in order of preference.
A brief statement of interest and experience will aid in the selection process.
Don't forget your postal address.
Length: 2-5,000 words
Deadline: June 1st 2003
'A major online journal that is devoted to film and philosophy, Film-Philosophy, based in Great Britain, facilitates dialogue among countless individuals who are enthused about the philosophy of film and the discussion of philosophical issues in films.' Kevin Stoehr, in Film and Knowledge (Jefferson, NC: McFarland, 2002)
(http://www.mcfarlandpub.com)
@ CALL FOR PAPERS. Film-Philosophy Journal
==========================================
prazo/plazo/deadline: n/c
Submissions are also invited for papers on any topic concerning the philosophy of moving images, e.g. analytical film philosophy, film aesthetics, cognitivism, Deleuzian film philosophy, phenomenology, etc.
Specific request for papers on the idea of film form as a new kind of 'thinking' (e.g. Munsterberg, Deleuze, Artaud, Balazs, Biro, Epstein, Gilbert-Lecomte, Wurzer, and Schefer, etc.)
Papers should be 2-5,000 words in length, original, and not under submission elsewhere or previously published.
Send articles, abstracts and ideas to: editor@... Do not hit 'reply', or send to this list's address.
Please read our guide for authors at:
http://www.film-philosophy.com/journal/guideforauthors
'A major online journal that is devoted to film and philosophy, Film-Philosophy, based in Great Britain, facilitates dialogue among countless individuals who are enthused about the philosophy of film and the discussion of philosophical issues in films.' Kevin Stoehr, in Film and Knowledge (Jefferson, NC: McFarland, 2002)
(http://www.mcfarlandpub.com)
@ Estancias para artistas en el I-Park.
==========================================
prazo/plazo/deadline: 31 JAN 2003
Convocante: I-Park. Solicitud: P. O. Box 124 - East Haddam, CT 06423. USA. Plazo: 31/01/03. Dotacion: alojamiento y espacio de trabajo. Dirigidas a: artistas visuales, arquitectos, paisajistas y disenadores de jardines, compositores musicales y escritores interesados en trabajar en proyectos propios o colaborar en los proyectos de la organizacion convocante.
@ Practicas en la Direccion de Preservacion de la Library of Congress.
==========================================
prazo/plazo/deadline: 1 FEV 2003
Convocante: Conservation Division. Preservation Directorate. Library of Congress. Solicitud: 101 Independence Ave. SE - Washington, DC 20540-4600. USA. Plazo: 1/02/03. Dotacion: sin especificar. Dirigidas a: estudiantes en preservacion y conservacion que hayan finalizado el tercer ano de su programa de estudios, y deseen realizar practicas de conservacion de libros, papel, fotografia y de conservacion preventiva.
@ Practicas en conservacion Getty Grant Program de la Library of Congress.
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prazo/plazo/deadline: 1 FEV 2003
Convocante: Conservation Division. Preservation Directorate. Library of Congress. Solicitud: 101 Independence Ave. SE - Washington, DC 20540-4600. USA. Plazo: 1/02/03. Dotacion: 36.656 USD. Dirigidas a: profesionales de la conservacion, con un nivel alto de ingles, que necesiten formacion practica especifica en preservacion documental, preferentemente con conocimientos en tecnologias y quimica de los materiales de archivo y de biblioteca y experiencia en la conservacion de papel, libros y fotografias.
@ RESTROSPECTIVA CORTO ESPANOL
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prazo/plazo/deadline: n/c
Estimado/a autor/a:
Siguiendo con nuestra linea de buscar formulas de promocion de las obras de nuestros Autores, estamos preparando el proyecto "RETROSPECTIVA DEL CORTOMETRAJE ESPANOL". Con ello se pretende presentar y proyectar el mayor numero de cortometrajes espanoles de ultimos veinte anos, tanto en ficcion, documental o animacion. Las sesiones se realizaran en las salas comerciales de UGC CINE CITE todos los martes de cada mes, en formato 35 mm.
Esta propuesta es posible gracias a SGAE, UGC CINE CITE y AVID que han unido esfuerzos para sacar adelante el proyecto.
Os adjunto el boletin de inscripcion. Si estais interesado/a en participar remitenos via fax o via e-mail dicho boletin para ir confeccionando los posibles participantes en este proyecto.
UN SALUDO
AUDIOVISUALES SGAE
Madrid, 16 de diciembre de 2002
Plazo limite de recepcion de boletines: 31 de enero de 2003.
"RETROSPECTIVA DEL CORTOMETRAJE ESPANOL"
(Proyeccion de Cortometrajes)
AUDIOVISUALES SGAE
Fax: 91 - 349 96 00
E-mail: araudiovisuales@...
@ Volunteer. Journalists for Human Rights (JHR) Accra, Ghana
Journalists for Human Rights (JHR) is a new NGO dedicated to providing African journalists with the necessary tools to report accurately and concretely about human rights issues. JHR will focus on building the capacity of journalists by transferring knowledge about human rights from Western experts to African journalists and journalism institutions and creating human rights content in the African media. By empowering journalists to report on human rights issues, a 'culture of rights' will emerge wherein citizens are informed and able to protect their own, and others, rights. Web: www.jhr.ca
Position title: Volunteer
Placement: Accra, Ghana
Lenght: 4 months
Starting date: April, 2003
Description: Volunteers will be attached to journalism institutions and media houses in Ghana, working with a number of journalists at a time. Their central task will be assist journalists so that their work better reflects human rights issues, answering questions the local journalists may have, and expanding on the information which other JHR staff have provided. Together with other JHR staff, the volunteers will also coordinate the monthly newspaper supplement on human rights issues. They will be paid a by-weekly stipend to cover all reasonable expenses, plus their all housing and transportation costs will be covered.
Additional Qualifications:
--A good undergraduate degree (or near completion)
--Relevant experience or interest
--Strong knowledge of human rights
--Excellent interpersonal skills
--Some experience in journalism
--Excellent written and communication skills
How to Apply:
Please send a cover letter and CV to info@...
Posted on: November 26, 2002
Job Category:
Activism & Organizing, Editing & Writing, Education & Training, Project management
Type:
Temporary
Salary:
Reasonable Costs Covered
Education:
High school
Languages:
English
Last day to apply:
April 15, 2003
Organization:
Journalists for Human Rights (JHR)
Area of Focus:
Human Rights and Civil Liberties, Media
Location:
Accra,
Ghana
Phone:
415 725 3994
@ Oportunidad para realizadores independientes en Canal comunitario argentino.
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prazo/plazo/deadline: n/c
TV5 Canal General Francisco Ramirez de la ciudad entrerriana de Concepcion del Uruguay, canal comunitario de television abierta que transmite con una potencia de 1/2 kilowatts en la zona limitrofe Argentina - Uruguaya con una programacion de 12hs ininterrumpidas, convoca a realizadores independientes
que deseen participar de su programacion.
Los interesados deberan escribir a tv5@... detallando una pequena sinopsis o descripcion del trabajo, duracion, soporte y demas datos que el realizador considere oportuno TV5 es el unico canal abierto en un area de 100 km 2 y posee una programacion orientada a lo artistico, socio-cultural y
deportivo.
se agradece su difucion.-
"Ezequiel Putruele" <nushele@...>
@ 2003 - "2o ano de Series Java". "LatinoNetarte.net"
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prazo/plazo/deadline: 28 FEV 2003
www.javamuseum.org
(Java="Joint Advanced Virtual Affairs"; Acciones Virtuales Colectivas de
Avanzada)
Concluidas los dos eventos "Posiciones Actuales del NetArt Italiano" en linea desde el 15 de Julio de 2002,
y "Posiciones Actuales del NetArt Frances" en linea desde el 10 de diciembre de 2002, JavaMuseum esta planeando otro evento a desarrollarse en la red en la primavera (Hemisferio Norte) de 2003, enfocado enteramente en el netart desarrollado en paises latinoamericanos (incluyendo los E.E.U.U.-Canada/del
origen latino), y mas adelante Espana y Portugal, intitulado "LatinoNetarte.net".
*Cierre 28 de Febrero de 2003
Todos los artistas que vivan y desarrollen su arte en esos paises o que sean nativos de uno de ellos, y que se dediquen al arte basado en la red, son invitados a enviar hasta 3 obras (URLs):
*************************************************
Pro favor, utilice y llene estos formularios de envio:
Nombre del artista:
Email:
Nacionalidad:
Biografia breve (para ser publicada) de no mas de 300 palabras:
Las obras de arte:
1.
Titulo (Ingles o bilingue)
URL
Ano de origen
Tecnologia utilizada
Breve descripcion de la obra (Ingles o bilingue)
2.
Titulo (Ingles o bilingue)
URL
Ano de origen
Tecnologia utilizada
Breve descripcion de la obra (Ingles o bilingue)
3.
Titulo (Ingles o bilingue)
URL
Ano de origen
Tecnologia utilizada
Breve descripcion de la obra (Ingles o bilingue)
Sin conexión 
Enviar correo