P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 7 N. 68+69 11/2003
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ RELEASE OF "UNESCO/APC MULTIMEDIA TRAINING KIT"
==========================================
prazo/plazo/deadline: N/C
"The farmers' cooperative that uses our telecentre can never find the information they want online. I want to offer them basic Internet training but I don't have materials."
"A women's group I have trained has been offered a regular 15-minute spot on a local radio show. They've asked me for a workshop on script-writing but my
experience is in writing for web, not radio."
More and more people are seeing the creative potential of linking the Internet to more traditional communication technologies, particularly radio and television.
A STRUCTURED MULTIMEDIA TRAINING KIT
The UNESCO/APC Multimedia Training Kit (MMTK) provides trainers in telecentres, community media organisations, and the development sector with
a structured set of materials to help make that jump between new and traditional media or train in a new skill area.
The materials cover a range of multimedia areas like "presenting on radio" and "writing for the web" as well as topics such as "cooperative problem solving". The MMTK is a growing collection, and new topics will be added in
the months to come.
Materials follow a standard format and so can be used as interchangeable building blocks from which trainers can build up face- to-face training appropriate for their different contexts. So, a trainer running a workshop
on information skills for a women's organisation could choose components from the "Searching the Internet" unit and the "Violence Against Women" module and combine them into a single workshop kit. Individuals can also use many of the materials for self-instruction.
Each unit includes notes for trainers on running the workshop, a handout for workshop participants, exercises, a list of additional resources, a glossary
of terms, a copyright statement and workshop and materials evaluation forms.
Many units contain additional resources such as presentations, detailed manuals for trainers, and case studies of how the tools in question are being used in different contexts.
FREE TO USE
All MMTK materials are released under a Creative Commons license which allows their free use and distribution for non-commercial use.
A PARTNERSHIP PROJECT
The MMTK is a multi-stakeholder initiative involving the Association for Progressive Communications (APC), UNESCO, OneWorld International, AMARC, the
International Institute for Communication and Development (IICD), Search for Common Ground, Radio for Development, and the Food and Agriculture
Organization of the United Nations (FAO).
The MMTK was funded by UNESCO and the Rockefeller Foundation and coordinated by APC.
CONTACT: mmtk@...
UNESCO/APC MULTIMEDIA TRAINING KIT:
http:/www.itrainonline.org/itrainonline/mmtk/
APC: http://www.apc.org/
UNESCO: http://www.unesco.org/
@ ESPANA: "DOCUMENTALES DE AMERICA LATINA"
IV edicion de la Muestra
==========================================
prazo/plazo/deadline: 30 NOV 2003
La IV Muestra "Documentales de America Latina" es un
evento no competitivo que organiza la Asociacion
Prodocumentales Cine y TV.
La Muestra admite trabajos que den cuenta de la
riquisima diversidad de realidades, tanto culturales
como sociales, que existen en Latinoamerica. Los
documentales, sin limite de duracion, deben haber
sido producidos entre 2001 y 2003. Si los
documentales no fueran en castellano, deberan estar
subtitulados en esa lengua. Para la presentacion,
debe remitirse, ademas de la ficha de inscripcion,
una fotografia del documental y otra del realizador,
una sinopsis y - si no es en idioma local - la
transcripcion en castellano de los dialogos, textos
y creditos, y - en forma optativa - un cartel
Boletim Eletronico do Projeto ProArte Brasil
Ano 7 N. 68+69 11/2003
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ RELEASE OF "UNESCO/APC MULTIMEDIA TRAINING KIT"
==========================================
prazo/plazo/deadline: N/C
"The farmers' cooperative that uses our telecentre can never find the information they want online. I want to offer them basic Internet training but I don't have materials."
"A women's group I have trained has been offered a regular 15-minute spot on a local radio show. They've asked me for a workshop on script-writing but my
experience is in writing for web, not radio."
More and more people are seeing the creative potential of linking the Internet to more traditional communication technologies, particularly radio and television.
A STRUCTURED MULTIMEDIA TRAINING KIT
The UNESCO/APC Multimedia Training Kit (MMTK) provides trainers in telecentres, community media organisations, and the development sector with
a structured set of materials to help make that jump between new and traditional media or train in a new skill area.
The materials cover a range of multimedia areas like "presenting on radio" and "writing for the web" as well as topics such as "cooperative problem solving". The MMTK is a growing collection, and new topics will be added in
the months to come.
Materials follow a standard format and so can be used as interchangeable building blocks from which trainers can build up face- to-face training appropriate for their different contexts. So, a trainer running a workshop
on information skills for a women's organisation could choose components from the "Searching the Internet" unit and the "Violence Against Women" module and combine them into a single workshop kit. Individuals can also use many of the materials for self-instruction.
Each unit includes notes for trainers on running the workshop, a handout for workshop participants, exercises, a list of additional resources, a glossary
of terms, a copyright statement and workshop and materials evaluation forms.
Many units contain additional resources such as presentations, detailed manuals for trainers, and case studies of how the tools in question are being used in different contexts.
FREE TO USE
All MMTK materials are released under a Creative Commons license which allows their free use and distribution for non-commercial use.
A PARTNERSHIP PROJECT
The MMTK is a multi-stakeholder initiative involving the Association for Progressive Communications (APC), UNESCO, OneWorld International, AMARC, the
International Institute for Communication and Development (IICD), Search for Common Ground, Radio for Development, and the Food and Agriculture
Organization of the United Nations (FAO).
The MMTK was funded by UNESCO and the Rockefeller Foundation and coordinated by APC.
CONTACT: mmtk@...
UNESCO/APC MULTIMEDIA TRAINING KIT:
http:/www.itrainonline.org/itrainonline/mmtk/
APC: http://www.apc.org/
UNESCO: http://www.unesco.org/
@ ESPANA: "DOCUMENTALES DE AMERICA LATINA"
IV edicion de la Muestra
==========================================
prazo/plazo/deadline: 30 NOV 2003
La IV Muestra "Documentales de America Latina" es un
evento no competitivo que organiza la Asociacion
Prodocumentales Cine y TV.
La Muestra admite trabajos que den cuenta de la
riquisima diversidad de realidades, tanto culturales
como sociales, que existen en Latinoamerica. Los
documentales, sin limite de duracion, deben haber
sido producidos entre 2001 y 2003. Si los
documentales no fueran en castellano, deberan estar
subtitulados en esa lengua. Para la presentacion,
debe remitirse, ademas de la ficha de inscripcion,
una fotografia del documental y otra del realizador,
una sinopsis y - si no es en idioma local - la
transcripcion en castellano de los dialogos, textos
y creditos, y - en forma optativa - un cartel
publicitario del documental.
La recepcion de trabajos es hasta el 30 de noviembre.
Para bases:
www.prodocumentales.org/muestra/paginas/cuartamuestradocumentales.htm o
documentales@...
@ Concurso Escuelas que crean experiencias. OEI (Organizacion de Estados Iberoamericanos)
==========================================
prazo/plazo/deadline: 14 NOV 2003
La OEI (Organizacion de Estados Iberoamericanos) convoca a directivos y docentes de instituciones del nivel medio de los paises integrantes del Mercosur, Bolivia y Chile, que hacen escuela cuando se proponen revertir el denominado "fracaso escolar".
Convocamos a directivos y docentes de la ensenanza media a narrar experiencias orientadas a mejorar la trayectoria escolar de los jovenes y superar asi, algunas de las problematicas mas agudas de esta etapa de la escolarizacion: altos indices de repitencia, sobreedad, abandono, ausencias reiteradas, bajo rendimiento academico y escasos niveles de participacion en la apropiacion y construccion de conocimientos.
Que experiencias se admitiran
La convocatoria esta abierta a experiencias que se proponen revertir el fracaso escolar. Se trata de experiencias en curso o finalizadas; no se admitira, en consecuencia, la presentacion de proyectos o disenos de accion futura. Cada institucion educativa debe presentar solo una experiencia, ya fuera llevada a cabo por un docente, un grupo de docentes o bien, por el conjunto de sus integrantes. Cuando se trate de un grupo de escuelas, debe presentarse tambien una unica experiencia (independientemente del numero de docentes o centros educativos participantes).
Podran participar instituciones educativas de gestion estatal o privada de los siguientes ciclos y niveles:
* Argentina: EGB 3 / Polimodal
* Bolivia: Ciclo de aprendizajes aplicados de educacion primaria / Educacion secundaria
* Brasil: Cuarto ciclo de ensino fundamental / Ensino medio
* Chile: Septimo y octavo anos de educacion general basica / Educacion media
* Paraguay: Tercer ciclo de la educacion general basica / Educacion secundaria
* Uruguay: Educacion media o secundaria
La apertura de la convocatoria es el 20 de junio de 2003 y su cierre el 14 de noviembre de 2003.
Bases completas, formularios y guia para completarlo en Internet: www.campus-oei.org/mercosur
@ Programa ArtesAmericas de la Universidad de Texas
==========================================
prazo/plazo/deadline: 19 DEZ 2003
ArtesAmericas at The University of Texas at Austin Performing Arts Center invites you to submit a proposal to participate in ArtesAmericas for the 2005/2006 season and future seasons.
Applications must be received by ArtesAmericas no later than Friday, December 19 2003; this is not a postmark deadline. Applications submitted by fax or e-mail will not be considered, as applications should include supporting documentations such as performance tapes, press releases/articles and the like. Applications must be typed. While English is preferred, Spanish, Portuguese and French are welcome and will not influence final decisions. Mail the completed application to:
Ms. Cecelia Coleman
Program Coordinator, ArtesAmericas
The Performing Arts Center
The University of Texas at Austin
23rd Street at Trinity Street
Austin, Texas 78705
If you have any questions about ArtesAmericas, please contact Ms. Cecelia Coleman at e-mail: coleman@... or telephone: +001-512-471-6537.
The mission of ArtesAmericas is to promote human understanding through the presentation of enriching cultural entertainment.
ArtesAmericas acknowledges and celebrates the richness and diversity of cultures that remain deeply embedded in popular culture throughout the world. ArtesAmericas seeks to provide a comprehensive and long-lasting context that serves to broaden one's perspective of the Americas and the work of their artists in a wide range of traditional, contemporary, and popular theatre, music, and dance.
In accomplishing these objectives, ArtesAmericas creates new opportunities for cultural exchange, provides a more comprehensive context for the examination of the arts, cultures and histories of Latin America than has previously existed, and offers Latin American artists the tools to take advantage of these new opportunities. Lastly, ArtesAmericas provides the artists with the means to participate in the process of presenting, contextualizing and disseminating their work.
La recepcion de trabajos es hasta el 30 de noviembre.
Para bases:
www.prodocumentales.org/muestra/paginas/cuartamuestradocumentales.htm o
documentales@...
@ Concurso Escuelas que crean experiencias. OEI (Organizacion de Estados Iberoamericanos)
==========================================
prazo/plazo/deadline: 14 NOV 2003
La OEI (Organizacion de Estados Iberoamericanos) convoca a directivos y docentes de instituciones del nivel medio de los paises integrantes del Mercosur, Bolivia y Chile, que hacen escuela cuando se proponen revertir el denominado "fracaso escolar".
Convocamos a directivos y docentes de la ensenanza media a narrar experiencias orientadas a mejorar la trayectoria escolar de los jovenes y superar asi, algunas de las problematicas mas agudas de esta etapa de la escolarizacion: altos indices de repitencia, sobreedad, abandono, ausencias reiteradas, bajo rendimiento academico y escasos niveles de participacion en la apropiacion y construccion de conocimientos.
Que experiencias se admitiran
La convocatoria esta abierta a experiencias que se proponen revertir el fracaso escolar. Se trata de experiencias en curso o finalizadas; no se admitira, en consecuencia, la presentacion de proyectos o disenos de accion futura. Cada institucion educativa debe presentar solo una experiencia, ya fuera llevada a cabo por un docente, un grupo de docentes o bien, por el conjunto de sus integrantes. Cuando se trate de un grupo de escuelas, debe presentarse tambien una unica experiencia (independientemente del numero de docentes o centros educativos participantes).
Podran participar instituciones educativas de gestion estatal o privada de los siguientes ciclos y niveles:
* Argentina: EGB 3 / Polimodal
* Bolivia: Ciclo de aprendizajes aplicados de educacion primaria / Educacion secundaria
* Brasil: Cuarto ciclo de ensino fundamental / Ensino medio
* Chile: Septimo y octavo anos de educacion general basica / Educacion media
* Paraguay: Tercer ciclo de la educacion general basica / Educacion secundaria
* Uruguay: Educacion media o secundaria
La apertura de la convocatoria es el 20 de junio de 2003 y su cierre el 14 de noviembre de 2003.
Bases completas, formularios y guia para completarlo en Internet: www.campus-oei.org/mercosur
@ Programa ArtesAmericas de la Universidad de Texas
==========================================
prazo/plazo/deadline: 19 DEZ 2003
ArtesAmericas at The University of Texas at Austin Performing Arts Center invites you to submit a proposal to participate in ArtesAmericas for the 2005/2006 season and future seasons.
Applications must be received by ArtesAmericas no later than Friday, December 19 2003; this is not a postmark deadline. Applications submitted by fax or e-mail will not be considered, as applications should include supporting documentations such as performance tapes, press releases/articles and the like. Applications must be typed. While English is preferred, Spanish, Portuguese and French are welcome and will not influence final decisions. Mail the completed application to:
Ms. Cecelia Coleman
Program Coordinator, ArtesAmericas
The Performing Arts Center
The University of Texas at Austin
23rd Street at Trinity Street
Austin, Texas 78705
If you have any questions about ArtesAmericas, please contact Ms. Cecelia Coleman at e-mail: coleman@... or telephone: +001-512-471-6537.
The mission of ArtesAmericas is to promote human understanding through the presentation of enriching cultural entertainment.
ArtesAmericas acknowledges and celebrates the richness and diversity of cultures that remain deeply embedded in popular culture throughout the world. ArtesAmericas seeks to provide a comprehensive and long-lasting context that serves to broaden one's perspective of the Americas and the work of their artists in a wide range of traditional, contemporary, and popular theatre, music, and dance.
In accomplishing these objectives, ArtesAmericas creates new opportunities for cultural exchange, provides a more comprehensive context for the examination of the arts, cultures and histories of Latin America than has previously existed, and offers Latin American artists the tools to take advantage of these new opportunities. Lastly, ArtesAmericas provides the artists with the means to participate in the process of presenting, contextualizing and disseminating their work.
Benefits of participating in Artesamericas
ArtesAmericas is comprised of Presenting Partners from across the United States and parts of Latin America. ArtesAmericas is currently accepting artist applications for the 2005/6 performing season, and for future seasons as well.
Community Outreach and Education
A vital component of ArtesAmericas is the development of comprehensive materials and special events to help supplement, contextualize and extend the audience's and community's experience of the art forms presented. The Performing Arts Center and the Teresa Lozano Long Institute of Latin American Studies at The University of Texas at Austin will work with ArtesAmericas artists and the Presenting Partners to develop the contextualization materials. Presenting Partners who tour ArtesAmericas artists will work with individuals, community organizations and schools to utilize these materials and organize special events to broaden the understanding and appreciation of the ArtesAmericas artists.
Marketing Assistance
ArtesAmericas is instituting a comprehensive marketing and public relations campaign that serves as a model for all Presenting Partners to use as they see fit. The campaign is designed to support the artists, Presenting Partners, and sponsors in their efforts to create an international dialogue around issues of critical importance to cultural expression. The campaign consists of local, national, and international components designed to increase the awareness of ArtesAmericas among its core constituencies both in the United States and Latin America. In particular, the campaigns are designed to model ArtesAmericas' core objectives of providing a rich and multi-faceted view of Latin American and Latino cultures as expressed through the performing artists.
Production Assistance
The production effort of ArtesAmericas is twofold. The first feature of this effort is to share knowledge and provide support for presenting and touring artists from Latin America. The second feature of this program is to facilitate an exchange between U.S performing arts production professionals, educators and students, and Latin American artists, prospective touring groups, educators, and aspiring performing arts professionals. It is believed that this cooperative will provide a symbiotic exchange of theatre design, theory, and practice on the one hand, and new cultural/theatrical experiences on the other.
Many ArtesAmericas artists may already have considerable expertise in technical production in the United States. These groups receive additional support to their existing production structure as requested. ArtesAmericas also assists artists with little or no prior touring experience in the United States. These artists develop specific knowledge that enables them to expand their technical abilities and open up new performance opportunities in the United States and beyond.
Selection process and performance timeline
Through a curatorial process, ArtesAmericas identifies Latin American and Latino talent in traditional, contemporary and popular music, theatre and dance, representing a wide array of genre, production size and geography. Notably, the focus is not just to present a particular country's most established artists but also to identify artists of high artistic merit who have not had the opportunity to bring their work to the attention of wider audiences within the Americas. Artists do not need to have an identified agent/manager to be considered. In addition to artists presented within a traditional proscenium-based venue, ArtesAmericas will also help develop outdoor performances designed to include artists from throughout the Americas whose art forms are practiced primarily in non-traditional settings, with the goal of positioning the projects in communities where they may reach the widest and most receptive audiences.
Artists are required to be available for touring during the September 2005 - August 2006 season. Artists who are available to tour in subsequent years should indicate their availability on their application, as some artists may be selected to tour in future years.
Knowledge of the English language is
not a requirement for becoming an ArtesAmericas artist.
Los interesados pueden solicitarnos copia completa de esta convocatoria y formulario de inscripcion a info@... Plazo: 19 de diciembre 2003.
@ Call for Papers: THE VELVET LIGHT TRAP
A CRITICAL JOURNAL OF FILM AND TELEVISION STUDIES. Defining the Americas: Media Within/Across Borders
==========================================
prazo/plazo/deadline: 16 JAN 2004
The history of the American continents has long been one of establishing and crossing borders. From pre-colonial times to the present, people and cultures define and redefine themselves and their borders, especially in response to perceived conquest opportunities or threats. As cultural discourse, media interrogates the construction of identity within and beyond national or other boundaries.
Issue #55 of the Velvet Light Trap will explore media as it relates to and is a product of citizenship in the Americas. In contemporary discourse, "American" film and the "American" experience are often conceptually limited
to Hollywood and the United States. While the editors are open to this conceptualization of the Americas for inclusion in this issue, we are particularly interested in articles that highlight film and television throughout the far northern, central and southern regions of the Americas.
The editors are also seeking submissions that address the impact of post-crisis nationalism on the cultural industry's film and video production. Submissions from a variety of analytical approaches are strongly encouraged, including reception, political economy, textual analysis, discourse theory, historiography, feminism, queer theory, critical race theory, psychoanalysis and any other methods in cultural studies.
Possible topics for this issue include, but are not limited to:
* Impacts and representations of nationalism or provincialism in film and television
* NAFTA/FTAA and other globalization efforts impact on identity formation/representation and production
* Crisis and national identity formation/representation in film and television
* Regional cinema or television
* Minority and women's involvement in all levels of production
* Identity within or across regional/national borders
* Analysis of mainstream and independent depictions of culture
* Reactionary or propagandist film/TV
* The "local" or the "other" as subject matter and/or target audience
* Media and its relationship to the State
* Regional generic conventions
* Innovation, experimentation, and imitation in form and narrative
* American cultural practices as they intersect with each other, including
African American, Asian American, Jewish diaspora, Latino/a, American Indian and other Indigenous cultural practices ("American" referring to the continents)
* The works and issues involved in the Caribbean and other islands of the American Hemisphere
* Hybridization or notions of racial purity
* Redefinitions of social institutions
* Dominant, counter-cultural or subcultural social movements in film/TV
* National/international media law
* New media and culture, including the Digital Divide
To be considered for publication papers should include a 100-200 word abstract, be between 15 and 25 pages, double-spaced, in MLA style, with the author's name and contact information included only on the title page.
Queries regarding potential submissions also are welcome. Authors are responsible for acquiring related visual images and the associated copyrights. For more information or to submit a query, please contact Afsheen Nomai at afsheen@.... All submissions are due January 16, 2004. Submit five copies of the paper to:
The Velvet Light Trap
C/o The Department of Radio-Television-Film
University of Texas at Austin
CMA 6.118, Mail Code A0800
Austin, TX, 78712
The Velvet Light Trap is an academic, refereed journal of film and television studies published semi-annually by University of Texas Press.
Issues are coordinated alternately by graduate students at the University of Texas-Austin and the University of Wisconsin-Madison. After a prescreening, articles are anonymously refereed by specialist readers of the journal's Editorial Advisory Board, which includes such notable scholars as Donald Crafton, Michael Curtin, Alexander Doty, Cynthia Fuchs, Herman Gray, Heather
Los interesados pueden solicitarnos copia completa de esta convocatoria y formulario de inscripcion a info@... Plazo: 19 de diciembre 2003.
@ Call for Papers: THE VELVET LIGHT TRAP
A CRITICAL JOURNAL OF FILM AND TELEVISION STUDIES. Defining the Americas: Media Within/Across Borders
==========================================
prazo/plazo/deadline: 16 JAN 2004
The history of the American continents has long been one of establishing and crossing borders. From pre-colonial times to the present, people and cultures define and redefine themselves and their borders, especially in response to perceived conquest opportunities or threats. As cultural discourse, media interrogates the construction of identity within and beyond national or other boundaries.
Issue #55 of the Velvet Light Trap will explore media as it relates to and is a product of citizenship in the Americas. In contemporary discourse, "American" film and the "American" experience are often conceptually limited
to Hollywood and the United States. While the editors are open to this conceptualization of the Americas for inclusion in this issue, we are particularly interested in articles that highlight film and television throughout the far northern, central and southern regions of the Americas.
The editors are also seeking submissions that address the impact of post-crisis nationalism on the cultural industry's film and video production. Submissions from a variety of analytical approaches are strongly encouraged, including reception, political economy, textual analysis, discourse theory, historiography, feminism, queer theory, critical race theory, psychoanalysis and any other methods in cultural studies.
Possible topics for this issue include, but are not limited to:
* Impacts and representations of nationalism or provincialism in film and television
* NAFTA/FTAA and other globalization efforts impact on identity formation/representation and production
* Crisis and national identity formation/representation in film and television
* Regional cinema or television
* Minority and women's involvement in all levels of production
* Identity within or across regional/national borders
* Analysis of mainstream and independent depictions of culture
* Reactionary or propagandist film/TV
* The "local" or the "other" as subject matter and/or target audience
* Media and its relationship to the State
* Regional generic conventions
* Innovation, experimentation, and imitation in form and narrative
* American cultural practices as they intersect with each other, including
African American, Asian American, Jewish diaspora, Latino/a, American Indian and other Indigenous cultural practices ("American" referring to the continents)
* The works and issues involved in the Caribbean and other islands of the American Hemisphere
* Hybridization or notions of racial purity
* Redefinitions of social institutions
* Dominant, counter-cultural or subcultural social movements in film/TV
* National/international media law
* New media and culture, including the Digital Divide
To be considered for publication papers should include a 100-200 word abstract, be between 15 and 25 pages, double-spaced, in MLA style, with the author's name and contact information included only on the title page.
Queries regarding potential submissions also are welcome. Authors are responsible for acquiring related visual images and the associated copyrights. For more information or to submit a query, please contact Afsheen Nomai at afsheen@.... All submissions are due January 16, 2004. Submit five copies of the paper to:
The Velvet Light Trap
C/o The Department of Radio-Television-Film
University of Texas at Austin
CMA 6.118, Mail Code A0800
Austin, TX, 78712
The Velvet Light Trap is an academic, refereed journal of film and television studies published semi-annually by University of Texas Press.
Issues are coordinated alternately by graduate students at the University of Texas-Austin and the University of Wisconsin-Madison. After a prescreening, articles are anonymously refereed by specialist readers of the journal's Editorial Advisory Board, which includes such notable scholars as Donald Crafton, Michael Curtin, Alexander Doty, Cynthia Fuchs, Herman Gray, Heather
Hendershot, Barbara Klinger, Walter
Metz, Charles Musser, Chon Noriega, Lynn
Spigel, and Chris Straayer.
@ Llamada para trabajos: 4o Muestra "Documentales y Fotografias de America Latina".
==========================================
prazo/plazo/deadline: 30 NOV 2003
Y en los Centros Culturales de Espana en
Lima - Peru,
Buenos Aires - Argentina
Mexico DF, y en EntelMovil - La Paz, Bolivia,
se reciben los trabajos
hasta el 30 de noviembre!!!
Para mas informacion:
<http://www.prodocumentales.org>
@ Call for submissions: Association of Moving Image Archivists Journal.
==========================================
prazo/plazo/deadline: N/C
The Moving Image has entered its fourth year. Representg the interests of the Association of Moving Image Archivists, it provides an open forum for archivists, librarians, technical specialists, scholars and academics interested moving image history and its preservation. .
We are presently looking for manuscripts for Vol. 4, No. 2, and Vol. 5.
Submission Guidelines
AMIA will accept for submission to the Moving Image any article concerned with moving image archives in the widest sense. The Journal will address issues
involving all moving image materials, including historic and contemporary film, television, and video, new and emerging digital technologies, as well as paper and three-dimensional collections documenting the history of moving image media.
Content includes:
Traditional scholarly papers and historical essays, which highlighting rarchival collections.
In-depth examinations of specific preservation and restoration projects
Detailed profiles of moving image collections or archives
Interviews with leading figures in the moving image archives community
Behind the scenes looks at the techniques used to preserve and restore our moving image heritage
Theoretical and visionary articles on the future of the field
Technical and practical articles on research and development in the field
Essays on the role of moving image archives and collections in the writing of history
Manuscript proposals should be sent to:
Editor, Jan-Christopher Horak jchrishorak@....
Please mark the subject line of the email "Journal Submission."
@ Banco de Roteiros do site [roteiro de cinema]
==========================================
prazo/plazo/deadline: N/C
Amigos,
Terminada a primeira fase de ampliacao do Banco de Roteiros do site [roteiro de cinema], nosso acervo agora conta com mais de 85 roteiros, entre Longas, Curtas, Roteiros de TV, Publicidade e Documentario. Confira:
http://www.rosebud.com.br/roteiro/bancoderoteiros.htm
Convido a todos para fazer parte desta, que e a maior biblioteca de roteiros do Brasil. Mande-nos seu roteiro, devidamente registrado na Biblioteca Nacional, e com as informacoes basicas para roteiros@.... Os arquivos podem ser: TXT, RTF, DOC, PDF, FDR ou HTM. Links para roteiros ja disponiveis na internet tambem poderao ser enviados.
INFORMACOES B SICAS:
a.. Titulo
b.. Autor(es)
c.. Categoria:
( ) Longa Metragem Produzido
( ) Longa Metragem Inedito
( ) Curta Metragem Produzido
( ) Curta Metragem Inedito
( ) Roteiro de Televisao Produzido
( ) Roteiro de Televisao Inedito
( ) Documentario Produzido
( ) Documentario Inedito
( ) Publicidade Produzido
( ) Publicidade Inedito
Atenciosamente,
Fernando Mares de Souza
Webmaster, [roteiro de cinema]
-----------------------------
+55 41 3015-5909
fmares@...
http://www.rosebud.com.br/
@ CALL FOR PERFORMANCE ARTISTS. HorizonZero
==========================================
prazo/plazo/deadline: 24 NOV 2003
HorizonZero is looking for LIVE and PREVIOUSLY RECORDED performances for inclusion
in Issue 13 : PERFORM!
We're looking for work that is suitable for online distribution/online audiences. If your live act
can rise to the challenge of engaging audiences through the eye of a Web cam OR if you have a performance documented and ready for distribution to an online audience then we want to hear
from you!
Submissions
Previously recorded work or new works from performance artists of all stripes suitable for online
Spigel, and Chris Straayer.
@ Llamada para trabajos: 4o Muestra "Documentales y Fotografias de America Latina".
==========================================
prazo/plazo/deadline: 30 NOV 2003
Y en los Centros Culturales de Espana en
Lima - Peru,
Buenos Aires - Argentina
Mexico DF, y en EntelMovil - La Paz, Bolivia,
se reciben los trabajos
hasta el 30 de noviembre!!!
Para mas informacion:
<http://www.prodocumentales.org>
@ Call for submissions: Association of Moving Image Archivists Journal.
==========================================
prazo/plazo/deadline: N/C
The Moving Image has entered its fourth year. Representg the interests of the Association of Moving Image Archivists, it provides an open forum for archivists, librarians, technical specialists, scholars and academics interested moving image history and its preservation. .
We are presently looking for manuscripts for Vol. 4, No. 2, and Vol. 5.
Submission Guidelines
AMIA will accept for submission to the Moving Image any article concerned with moving image archives in the widest sense. The Journal will address issues
involving all moving image materials, including historic and contemporary film, television, and video, new and emerging digital technologies, as well as paper and three-dimensional collections documenting the history of moving image media.
Content includes:
Traditional scholarly papers and historical essays, which highlighting rarchival collections.
In-depth examinations of specific preservation and restoration projects
Detailed profiles of moving image collections or archives
Interviews with leading figures in the moving image archives community
Behind the scenes looks at the techniques used to preserve and restore our moving image heritage
Theoretical and visionary articles on the future of the field
Technical and practical articles on research and development in the field
Essays on the role of moving image archives and collections in the writing of history
Manuscript proposals should be sent to:
Editor, Jan-Christopher Horak jchrishorak@....
Please mark the subject line of the email "Journal Submission."
@ Banco de Roteiros do site [roteiro de cinema]
==========================================
prazo/plazo/deadline: N/C
Amigos,
Terminada a primeira fase de ampliacao do Banco de Roteiros do site [roteiro de cinema], nosso acervo agora conta com mais de 85 roteiros, entre Longas, Curtas, Roteiros de TV, Publicidade e Documentario. Confira:
http://www.rosebud.com.br/roteiro/bancoderoteiros.htm
Convido a todos para fazer parte desta, que e a maior biblioteca de roteiros do Brasil. Mande-nos seu roteiro, devidamente registrado na Biblioteca Nacional, e com as informacoes basicas para roteiros@.... Os arquivos podem ser: TXT, RTF, DOC, PDF, FDR ou HTM. Links para roteiros ja disponiveis na internet tambem poderao ser enviados.
INFORMACOES B SICAS:
a.. Titulo
b.. Autor(es)
c.. Categoria:
( ) Longa Metragem Produzido
( ) Longa Metragem Inedito
( ) Curta Metragem Produzido
( ) Curta Metragem Inedito
( ) Roteiro de Televisao Produzido
( ) Roteiro de Televisao Inedito
( ) Documentario Produzido
( ) Documentario Inedito
( ) Publicidade Produzido
( ) Publicidade Inedito
Atenciosamente,
Fernando Mares de Souza
Webmaster, [roteiro de cinema]
-----------------------------
+55 41 3015-5909
fmares@...
http://www.rosebud.com.br/
@ CALL FOR PERFORMANCE ARTISTS. HorizonZero
==========================================
prazo/plazo/deadline: 24 NOV 2003
HorizonZero is looking for LIVE and PREVIOUSLY RECORDED performances for inclusion
in Issue 13 : PERFORM!
We're looking for work that is suitable for online distribution/online audiences. If your live act
can rise to the challenge of engaging audiences through the eye of a Web cam OR if you have a performance documented and ready for distribution to an online audience then we want to hear
from you!
Submissions
Previously recorded work or new works from performance artists of all stripes suitable for online
distribution through
www.horizonzero.ca.
All types/styles of performance are welcome. Submissions will be evaluated
for their ability to deliver a high impact performance suitable for general audiences and public
online/streamed distribution through HorizonZero.
Application form
Complete Application form and submission guidelines available at :
http://www.horizonzero.ca/index.php?pp=3&lang=0
Deadline
November 24, 2003
For more information please refer to submission form or email:
horizonzero@...
with PERFORM in the subject line.
WWW.HORIZONZERO.CA
@ Call for New Media Artists. COMMUNITY PUBLIC ART PROJECT PULTENEYTOWN, WICK, CAITHNESS
==========================================
prazo/plazo/deadline: 30 NOV 2003
"PAST, PRESENT, FUTURE"
NEW MEDIA MEETS OLD TELFORD STREET HERITAGE AND HARBOUR TOWERS COMMUNITY PUBLIC ART PROJECT
PULTENEYTOWN, WICK, CAITHNESS
New Media artist specialising in lens based imagery/and or time based art required for three months residency based at Wick Youth Club, Pulteneytown, Wick, Caithness. This is the first major community public art project in the town's regeneration programme. The artist's base will be based at the Wick Youth Club where a new media kit facility will be housed.
Pulteneytown Historical Background
Wick is located on the coast of Caithness, a beautiful rugged cliff faced coastline rich in nesting and roosting sea bird life, fauna and ancient monuments. Amongst its people, Caithness has a strong dialect of its own and Wick has a wealth of its own dialect words.
In present day Pulteneytown and Wick fishing has almost completely died out and it is very difficult for young people to stay in the area once they have left school. It is important for the young to have the opportunity to become involved in the decision making of the community public art projects about to take place in the regeneration of Pulteneytown.
Designed by Thomas Telford in 1811, Pulteneytown is one of the first self-contained industrial estates in the world. This town became the herring capitol of Europe housing facilities such as: gutting and curing yards, a foundry, barrel makers, rope factory, fisher-lassies temporary accommodation and public houses.
The town was to play host to renowned historical artistic and literary figures such as Robert Louis Stevenson and L.S. Lowry. Robert Louis Stevenson lived in Pulteneytown as a boy whilst his father was engineering Wick's ill-fated breakwater system for the harbour. L.S. Lowry travelled through Pulteneytown in the 1930s and did extensive drawings on the fishing town resulting in some famous paintings such as 'The Steps'.
The Heritage Centre houses thousands of artefacts, documents and curiosities from its town's historical rich fishing past. It also has the 'Johnston Collection' an invaluable collection of three generations of photographers' work of fishing in Pulteneytown.
Main Aims
The artist will be required to work with young people of all abilities aged between 14 and 25 in order to create collaborative visual and sound material including film, video and new media. The artist must utilise resources available within these communities. The final product will be placed at the following permanent site locations:
1/ Telford Street Heritage Development:
a) Two low level pavement projections (connected to street lighting)
b) Window projection (connected to street lighting)
2/ Harbour Towers
a) Projections from two towers onto the harbour front and town
The New Media artist will be working with a 'lead artist' who is posted for the three major community arts regeneration programmes, 'Past, Present, Future' (The 'lead artist' will work as a catalyst once the project has commenced) The New Media artist will also be required to undertake the mentoring of a trainee participant who will work along side the artist during group sessions.
The artist will have the opportunity to supervise underwater filming around the coastal shores of Wick. Far North Aqua-Club has offered deep sea and tri-diving training to eight young people for the Duke of Edinburgh Award. Kronsberg-Simrad has agreed to lend one of their underwater cameras for one month (value of #8000) The artist does not need to participate in the diving itself but can monitor the filming onshore or on the boat. The artist will have the opportunity to develop his/her own personal arts practice during this residency.
All types/styles of performance are welcome. Submissions will be evaluated
for their ability to deliver a high impact performance suitable for general audiences and public
online/streamed distribution through HorizonZero.
Application form
Complete Application form and submission guidelines available at :
http://www.horizonzero.ca/index.php?pp=3&lang=0
Deadline
November 24, 2003
For more information please refer to submission form or email:
horizonzero@...
with PERFORM in the subject line.
WWW.HORIZONZERO.CA
@ Call for New Media Artists. COMMUNITY PUBLIC ART PROJECT PULTENEYTOWN, WICK, CAITHNESS
==========================================
prazo/plazo/deadline: 30 NOV 2003
"PAST, PRESENT, FUTURE"
NEW MEDIA MEETS OLD TELFORD STREET HERITAGE AND HARBOUR TOWERS COMMUNITY PUBLIC ART PROJECT
PULTENEYTOWN, WICK, CAITHNESS
New Media artist specialising in lens based imagery/and or time based art required for three months residency based at Wick Youth Club, Pulteneytown, Wick, Caithness. This is the first major community public art project in the town's regeneration programme. The artist's base will be based at the Wick Youth Club where a new media kit facility will be housed.
Pulteneytown Historical Background
Wick is located on the coast of Caithness, a beautiful rugged cliff faced coastline rich in nesting and roosting sea bird life, fauna and ancient monuments. Amongst its people, Caithness has a strong dialect of its own and Wick has a wealth of its own dialect words.
In present day Pulteneytown and Wick fishing has almost completely died out and it is very difficult for young people to stay in the area once they have left school. It is important for the young to have the opportunity to become involved in the decision making of the community public art projects about to take place in the regeneration of Pulteneytown.
Designed by Thomas Telford in 1811, Pulteneytown is one of the first self-contained industrial estates in the world. This town became the herring capitol of Europe housing facilities such as: gutting and curing yards, a foundry, barrel makers, rope factory, fisher-lassies temporary accommodation and public houses.
The town was to play host to renowned historical artistic and literary figures such as Robert Louis Stevenson and L.S. Lowry. Robert Louis Stevenson lived in Pulteneytown as a boy whilst his father was engineering Wick's ill-fated breakwater system for the harbour. L.S. Lowry travelled through Pulteneytown in the 1930s and did extensive drawings on the fishing town resulting in some famous paintings such as 'The Steps'.
The Heritage Centre houses thousands of artefacts, documents and curiosities from its town's historical rich fishing past. It also has the 'Johnston Collection' an invaluable collection of three generations of photographers' work of fishing in Pulteneytown.
Main Aims
The artist will be required to work with young people of all abilities aged between 14 and 25 in order to create collaborative visual and sound material including film, video and new media. The artist must utilise resources available within these communities. The final product will be placed at the following permanent site locations:
1/ Telford Street Heritage Development:
a) Two low level pavement projections (connected to street lighting)
b) Window projection (connected to street lighting)
2/ Harbour Towers
a) Projections from two towers onto the harbour front and town
The New Media artist will be working with a 'lead artist' who is posted for the three major community arts regeneration programmes, 'Past, Present, Future' (The 'lead artist' will work as a catalyst once the project has commenced) The New Media artist will also be required to undertake the mentoring of a trainee participant who will work along side the artist during group sessions.
The artist will have the opportunity to supervise underwater filming around the coastal shores of Wick. Far North Aqua-Club has offered deep sea and tri-diving training to eight young people for the Duke of Edinburgh Award. Kronsberg-Simrad has agreed to lend one of their underwater cameras for one month (value of #8000) The artist does not need to participate in the diving itself but can monitor the filming onshore or on the boat. The artist will have the opportunity to develop his/her own personal arts practice during this residency.
Contact time with the group will vary with a recommended 12 hours per week.
Artist's fees #3000 plus accommodation and travel costs included.
To Apply
Please submit 10 slides, Video, DVD or CD Rom of recent work with CV and artist statement. The statement must describe how the artist will work with the youth with in this community in no more than one A4 sheet.
For further information and submission of application please contact: Anne Webster, Wick Youth Club, 11 Lower Dunbar Street, Wick, Caithness. KW1 5AH 01955 603 174 email :annewebster2002@...
(Basic plan of Telford Street/Miller St. available by request sent out by post)
Deadline for submissions: November 30th.
Interviews: December, week 51.
@ CALL FOR PROPOSALS for INCUBATION3. The 3rd trAce International Symposium on Writing and the Internet
==========================================
prazo/plazo/deadline: 1 DEZ 2003
12-14 July 2004 at The Nottingham Trent University, England
http://trace.ntu.ac.uk/incubation/
We are pleased to invite proposals for Incubation3, the leading international event for writers and artists working online.
Proposals should be submitted via an online form which will be available on the website from Friday 10th October 2003:
http://trace.ntu.ac.uk/incubation/
Deadline for Proposals 1st December 2003
Selections announced by 31st January 2004
Keynote Speaker: Mark Amerika
Plus: Paul Brown, Alan Sondheim, Tim Wright
Also featuring: Talan Memmott, Kate Pullinger, Stefan Schemat
Conference Committee
Randy Adams : Paul Brown : Catherine Byron : Jane Dorner : Marjorie
Luesebrink : Simon Mills : Alan Sondheim : Sue Thomas : Lawrence Upton :
Helen Whitehead
BURSARIES
New at Incubation3 - 30 bursaries are available for delegates and presenters
Generously funded by Arts Council England: East Midlands:
http://www.artscouncil.org.uk/aboutus/myregion_eastmidlands.html
Applications should be submitted via an online form which will be available on the website from Friday 10th October 2003:
http://trace.ntu.ac.uk/incubation/
Previous Incubations
Incubation 2000:
http://trace.ntu.ac.uk/incubation/archive/2000/index.htm
Incubation 2002: http://trace.ntu.ac.uk/incubation/index2002.cfm
Why a Symposium?
Those familiar with Incubation will notice that we are now a Symposium rather than a Conference. This heralds a subtle shift, not in identity, but in the way we promote the event. Incubation has always been
very practice-based and in 2004 it will be even more so. Thanks to Arts Council England (http://www.artscouncil.org.uk/) we are offering a total of
30 bursaries to enable those who cannot obtain funding elsewhere to attend the full residential conference at no charge. We expect this injection of financial support to provide a greater balance of academia and professional
writers and artists.
Themes
The purpose of Incubation has always been to provide ideas, stimulus and motivation; information and debate for the international new media writing community. We aim to encourage interdisciplinary creativity and cross-fertilisation, and we are especially interested in introducing the form to writers for whom it is a new idea as well as helping practitioners
to share and expand their work.
The themes for 2004 are:
A. Developing a new form: contemporary textual works in new media and performance
B. The practice of making: creative and professional practice; online teaching and learning.
C. Critique and criteria: criticism, reviewing, defining, and archiving of new media writing.
TYPES OF PROPOSALS SOUGHT
Proposals will not be considered unless they are submitted via the online form. When completing the form please indicate which of the above themes (A, B or C) your proposal relates to.
Guidelines
In order to make the field as open as possible we have kept guidelines to a minimum but as a rough guide, we encourage lively debate and provocative thinking about:
*recent work by both new and established writers and artists. You may
simply show/perform the work, or accompany it with a practice-based
commentary or formal critique
*explorations of the ways in which new media works are made, discussed, reviewed, categorised and archived
*explorations of online teaching and learning in a creative context
*surprise us!
1. Presentations - 20 minutes
We invite proposals for 20 minute presentations which we will group together in panels of three with an added 30 minutes for questions. You are also welcome to organise and propose your own panel.
2. Performances
A number of 20 minute presentation periods may be used for short performances / presentations of work. In addition a number of longer evening sessions may be available. We particularly welcome performances which extend limits and cross boundaries. Proposals should describe the performance and specify technical support required, set-up times, audience profiles, length
of performance, etc.
3. Workshops - 1 hour
There will be space for a limited number of hands-on workshops. We are interested in workshops with a specific technical or artistic focus.
Please indicate whether you require a PC resource room or a regular classroom.
4. Position Papers/Posters - 10-15 minutes
There will be a limited number of 1 hour sessions beginning with the presentation of a short position paper which will have been put online before the conference and which will act as a stimulus for discussion. These
sessions will be chaired and a scribe will be provided. We invite contentious papers with scope for energetic debate. The online be in text or any new media format which will be viewable at the discussion and should be submitted by 1st June 2004.
Details of the technology available in our presentation rooms will be available on the website from 10th October 2003:
http://trace.ntu.ac.uk/incubation/
@ COLLABORATIVE PROJECT FOR NEW MEDIA / VIDEO / SOUND ARTISTS
==========================================
prazo/plazo/deadline: N/C
We hope to obtain funding for Online/Offline, a collaborative project connecting three new media writers with three video artists and a sound artist to work together online to create an original piece to be premiered at Incubation. Application time for this is likely to be short -
current planning is to invite applications from new media writers during the month of December only. The video artists and sound artist will be based in the East Midlands and will be separately appointed. Register for updates to receive further information: http://trace.ntu.ac.uk/incubation/informed.cfm
Incubation is generously supported by
Arts Council England: East Midlands:
http://www.artscouncil.org.uk/aboutus/myregion_eastmidlands.html
NESTA: http://www.nesta.org.uk/ through Writers for the Future:
http://www.writersforthefuture.com/
For further information please contact Catherine Gillam at
incubation@... or by telephoning +44 (0)115 8483533.
Sue Thomas
Artistic Director
trAce Online Writing Centre
http://trace.ntu.ac.uk <http://trace.ntu.ac.uk/>
The Nottingham Trent University
Clifton Lane
Nottingham NG11 8NS
ENGLAND
Tel: ++44 (0)115 8483551
Fax: ++44 (0)115 8486364
@ GATES - CALL FOR ENTRIES PART 2
==========================================
prazo/plazo/deadline: 31 DEZ 2003
Gates is a total new collaborative art experiment, it is a non-conventional exhibition; one can participate not by sending video or digital work on the topic, but creating a circulation of action-communication, between real and cyberspace, between visual and word, related to the symbolic icon of the Gate, with its metaphoric, symbolic, of computer science, and telematic, implications, gates as ways of transit, as dimension of open, of passages in every direction, at every level.
We are creating a new form of art that uses as matter e-communication, relationship among persons, art debate, our real/virtual body, voice, gesture (Karenina.it is all this); experimentals! artists, poets, critics, theoreticians! e-post-Fluxus casseurs, e-post-post-duchamp-ists (?),
*explorations of the ways in which new media works are made, discussed, reviewed, categorised and archived
*explorations of online teaching and learning in a creative context
*surprise us!
1. Presentations - 20 minutes
We invite proposals for 20 minute presentations which we will group together in panels of three with an added 30 minutes for questions. You are also welcome to organise and propose your own panel.
2. Performances
A number of 20 minute presentation periods may be used for short performances / presentations of work. In addition a number of longer evening sessions may be available. We particularly welcome performances which extend limits and cross boundaries. Proposals should describe the performance and specify technical support required, set-up times, audience profiles, length
of performance, etc.
3. Workshops - 1 hour
There will be space for a limited number of hands-on workshops. We are interested in workshops with a specific technical or artistic focus.
Please indicate whether you require a PC resource room or a regular classroom.
4. Position Papers/Posters - 10-15 minutes
There will be a limited number of 1 hour sessions beginning with the presentation of a short position paper which will have been put online before the conference and which will act as a stimulus for discussion. These
sessions will be chaired and a scribe will be provided. We invite contentious papers with scope for energetic debate. The online be in text or any new media format which will be viewable at the discussion and should be submitted by 1st June 2004.
Details of the technology available in our presentation rooms will be available on the website from 10th October 2003:
http://trace.ntu.ac.uk/incubation/
@ COLLABORATIVE PROJECT FOR NEW MEDIA / VIDEO / SOUND ARTISTS
==========================================
prazo/plazo/deadline: N/C
We hope to obtain funding for Online/Offline, a collaborative project connecting three new media writers with three video artists and a sound artist to work together online to create an original piece to be premiered at Incubation. Application time for this is likely to be short -
current planning is to invite applications from new media writers during the month of December only. The video artists and sound artist will be based in the East Midlands and will be separately appointed. Register for updates to receive further information: http://trace.ntu.ac.uk/incubation/informed.cfm
Incubation is generously supported by
Arts Council England: East Midlands:
http://www.artscouncil.org.uk/aboutus/myregion_eastmidlands.html
NESTA: http://www.nesta.org.uk/ through Writers for the Future:
http://www.writersforthefuture.com/
For further information please contact Catherine Gillam at
incubation@... or by telephoning +44 (0)115 8483533.
Sue Thomas
Artistic Director
trAce Online Writing Centre
http://trace.ntu.ac.uk <http://trace.ntu.ac.uk/>
The Nottingham Trent University
Clifton Lane
Nottingham NG11 8NS
ENGLAND
Tel: ++44 (0)115 8483551
Fax: ++44 (0)115 8486364
@ GATES - CALL FOR ENTRIES PART 2
==========================================
prazo/plazo/deadline: 31 DEZ 2003
Gates is a total new collaborative art experiment, it is a non-conventional exhibition; one can participate not by sending video or digital work on the topic, but creating a circulation of action-communication, between real and cyberspace, between visual and word, related to the symbolic icon of the Gate, with its metaphoric, symbolic, of computer science, and telematic, implications, gates as ways of transit, as dimension of open, of passages in every direction, at every level.
We are creating a new form of art that uses as matter e-communication, relationship among persons, art debate, our real/virtual body, voice, gesture (Karenina.it is all this); experimentals! artists, poets, critics, theoreticians! e-post-Fluxus casseurs, e-post-post-duchamp-ists (?),
welcome!, Karenina.it is an open gate
for what you think, and for what you do.
Gates is dedicated to Pierre Restany
How to Join, photos of events in the world (web site under
construction):
http://members.xoom.virgilio.it/davinio/GATES/gatesindex.htm
EXTENDED DEAD LINE DECEMBER 31 2003
Karenina.it Experimental
http://members.xoom.virgilio.it/kareninazoom/kareninarivista.html
GATES - Beyond Net.Art . Real Things Across the Cyberspace
By Caterina Davinio & Karenina.it
Part 1: July 4 - September 30 2003
Part 2: October 1 - December 31 2003
(Scroll down for the Call for Entries for the Part 2)
Here new wandering news from the GATES project.
For first thank-you to everybody who participated, wrote to us, who realized events, tried to remain in the spirit of the project.
Thank-you also to everybody who sent to us a project for a performance, a fest, an installation; not everybody could realize it during Summer, but we received really interesting ideas, so we decided continue GATES until
December to give everybody the possibility to finish the project.
But it is very urgent you to send a documentation (video VHS PAL, IBM CD ROM, jpg files) of your GATES events in your country. We are planning thepresentation in Rome in Autumn.
Who had not time to work during Summer, has time until December. Scroll down for the Call for Entries of the GATES Planetary Project - Part 2 (October 1- December 31). But don't wait the last minute to join, to be
present in our tour.
The cover of Karenina.it is dedicated to Chris Straetling, USA artist based
in Belgium, special mention for the Gates Project Part 1 with his wandering gate and his fe-lengate.
Special mention also to Frank Sierowki, from UK, for his "People Sculpture"
in Somerset.
But many other new GATES are on line:
http://members.xoom.virgilio.it/davinio/GATES/gatesartists.htm (For Internet Explorer 6)
Belgium - Ghent
Maja Jantar
Jelle MEANDER
Krikri Group
Lebanon
KELEKIAN ART GALLERY:
Hilda Kelekian
Hagop Sulahian
Lena Kelekian
Chile - Las Encinas (Santiago)
A "Puerta Silvestre" (Wild Door)
Acciones de Arte y Performances
With participation and collaboration of the a artists and groups:
Isabel Aranda "Yto", Ricardo Enrique Castro, Francisco Romero, Kataix
(Adolfo Araus), Marcela Rosen Murua.
From Amazzonia: performance, events:
Alessandro Amorim da Silva, Joeser Alvarez, Andrea dos Santos, Melo Rubens, Vaz Cavalcante (Binho), Elcias Villella, Lidio Sohn, Carlos Mettal, Carlos Moreira, Nilson Santos, Nilza Meneses, Pillar de Zayas Bernanos, Silvia Feliciano
USA - Detroit
Odie Rynell Cash
USA Austin TX / Brazil
With: Regina Vater (Gate to be realized in November in Brazil)
And still Chris Straetling from Belgium!
Gate in departure-position in Den Haag , in Sardinia very soon.
Don't forget also:
Greece - Tessaloniki
Research Center For The Definition Of Happyness ALLI POLI
Artists and Groups: 3A, Danae Hondrou, Hector Mavridis
Dimosioipalliliko Retire (Thanasis Chondros, Alexandra Katsiani, Danis
Tragopoulos)
Belgium - Borgerhout / Antwerp / Retie / Morocco
With participation and collaboration of FACTOR44
Lieve Lambrecht, Ria Pacquee, Mulugeta Tafesse, Djuna Michielsen, Marc Hioco, Marc Rossignol, Patrice Verhofstadt, Carlos Montalvo, Toni Geirlandt, Herman Delahaye, Guy Rombouts, Chris Gillis, Jorgen Voordeckers, Djos Janssens, Eric Stenmans, Emilio Lopez-Menchero, Shay Zilberman, Leo Reynders, Andrew Webb, Daniel Weinberger, Guche Vercammen, Sven Bruyneel, Irene Vervliet, Daisy & Mirabelle Wouters, Arjen Nelis, Anne Boxelaere, Harry Heirmans, Chris Straetling and others.
UK - Somerset (on the west coast of England).
With artists and groups: Marian Carroll, Tim Jones, Frank Sierowki, others
Brazil - Sao Pulo SENAC Communication and Art Center
With Lucia Leao
Germany - Cologne
Siglinde Kallnbach
Spain - Valencia
Performances in video
Bartolome Ferrando and other artists.
And we are waiting more, so join!
@ Project "My Mission" - call for submissions
==========================================
prazo/plazo/deadline: N/C
"{self}_representation 2003" -
the new show on Le Musee di-visioniste
Gates is dedicated to Pierre Restany
How to Join, photos of events in the world (web site under
construction):
http://members.xoom.virgilio.it/davinio/GATES/gatesindex.htm
EXTENDED DEAD LINE DECEMBER 31 2003
Karenina.it Experimental
http://members.xoom.virgilio.it/kareninazoom/kareninarivista.html
GATES - Beyond Net.Art . Real Things Across the Cyberspace
By Caterina Davinio & Karenina.it
Part 1: July 4 - September 30 2003
Part 2: October 1 - December 31 2003
(Scroll down for the Call for Entries for the Part 2)
Here new wandering news from the GATES project.
For first thank-you to everybody who participated, wrote to us, who realized events, tried to remain in the spirit of the project.
Thank-you also to everybody who sent to us a project for a performance, a fest, an installation; not everybody could realize it during Summer, but we received really interesting ideas, so we decided continue GATES until
December to give everybody the possibility to finish the project.
But it is very urgent you to send a documentation (video VHS PAL, IBM CD ROM, jpg files) of your GATES events in your country. We are planning thepresentation in Rome in Autumn.
Who had not time to work during Summer, has time until December. Scroll down for the Call for Entries of the GATES Planetary Project - Part 2 (October 1- December 31). But don't wait the last minute to join, to be
present in our tour.
The cover of Karenina.it is dedicated to Chris Straetling, USA artist based
in Belgium, special mention for the Gates Project Part 1 with his wandering gate and his fe-lengate.
Special mention also to Frank Sierowki, from UK, for his "People Sculpture"
in Somerset.
But many other new GATES are on line:
http://members.xoom.virgilio.it/davinio/GATES/gatesartists.htm (For Internet Explorer 6)
Belgium - Ghent
Maja Jantar
Jelle MEANDER
Krikri Group
Lebanon
KELEKIAN ART GALLERY:
Hilda Kelekian
Hagop Sulahian
Lena Kelekian
Chile - Las Encinas (Santiago)
A "Puerta Silvestre" (Wild Door)
Acciones de Arte y Performances
With participation and collaboration of the a artists and groups:
Isabel Aranda "Yto", Ricardo Enrique Castro, Francisco Romero, Kataix
(Adolfo Araus), Marcela Rosen Murua.
From Amazzonia: performance, events:
Alessandro Amorim da Silva, Joeser Alvarez, Andrea dos Santos, Melo Rubens, Vaz Cavalcante (Binho), Elcias Villella, Lidio Sohn, Carlos Mettal, Carlos Moreira, Nilson Santos, Nilza Meneses, Pillar de Zayas Bernanos, Silvia Feliciano
USA - Detroit
Odie Rynell Cash
USA Austin TX / Brazil
With: Regina Vater (Gate to be realized in November in Brazil)
And still Chris Straetling from Belgium!
Gate in departure-position in Den Haag , in Sardinia very soon.
Don't forget also:
Greece - Tessaloniki
Research Center For The Definition Of Happyness ALLI POLI
Artists and Groups: 3A, Danae Hondrou, Hector Mavridis
Dimosioipalliliko Retire (Thanasis Chondros, Alexandra Katsiani, Danis
Tragopoulos)
Belgium - Borgerhout / Antwerp / Retie / Morocco
With participation and collaboration of FACTOR44
Lieve Lambrecht, Ria Pacquee, Mulugeta Tafesse, Djuna Michielsen, Marc Hioco, Marc Rossignol, Patrice Verhofstadt, Carlos Montalvo, Toni Geirlandt, Herman Delahaye, Guy Rombouts, Chris Gillis, Jorgen Voordeckers, Djos Janssens, Eric Stenmans, Emilio Lopez-Menchero, Shay Zilberman, Leo Reynders, Andrew Webb, Daniel Weinberger, Guche Vercammen, Sven Bruyneel, Irene Vervliet, Daisy & Mirabelle Wouters, Arjen Nelis, Anne Boxelaere, Harry Heirmans, Chris Straetling and others.
UK - Somerset (on the west coast of England).
With artists and groups: Marian Carroll, Tim Jones, Frank Sierowki, others
Brazil - Sao Pulo SENAC Communication and Art Center
With Lucia Leao
Germany - Cologne
Siglinde Kallnbach
Spain - Valencia
Performances in video
Bartolome Ferrando and other artists.
And we are waiting more, so join!
@ Project "My Mission" - call for submissions
==========================================
prazo/plazo/deadline: N/C
"{self}_representation 2003" -
the new show on Le Musee di-visioniste
www.le-musee-divisioniste.org or
www.le-musee-divisioniste.org/start1.htm
- launched on 30 September 2003 -
invites artists to submit to the recently initiated project
"My Mission", collection of textual self-representations in form of artistic statements.
Please send your statement as a short text in plain email format (not more than 500 words), how you see your mission as an artist, if you have any.
"My mission" is an ongoing project with an open end, so you can send your statement at any time. No deadline.
All serious submissions will be immediately included.
Please send your submission to
info@...
subject line: My Mission
(this is important)
***********************************
"{self}_representation 2003"
is curated by Agricola de Cologne
for Le Musee di-visioniste
www.le-musee-divisioniste.org
- corporate member of
[NewMediaArtProjectNetwork] :||cologne -
the experimental platform for net based art -
operating from Cologne/Germany.
@ SIGGRAPH Art Gallery'04
==========================================
prazo/plazo/deadline: 28 JAN 2004
The annual SIGGRAPH Art Gallery has achieved world-wide recognition for excellence in showing digital and electronic art. The SIGGRAPH 2004 Art Gallery: Synaesthesia will showcase original digital art that explores new connections between the senses - the technological, the aesthetic, and the critical - and emerges from the conjunction of cybernetics and human
vision, inner as well as outer.
WHO: all those visionaries who currently work in any field of digital art, including 2D, 3D, interactive techniques, installations, virtual reality, multimedia, telecommunications, web art, and animation.
WHAT: Synaesthesia seeks works that provoke and enable us to re-experience, re-examine, and make sense of our bodies, our technologies, and our culture. Proposals for papers and panels that address the
theoretical and critical discourse of computer graphics are also welcome.
TO APPLY: Further information and to apply online
http://www.siggraph.org/s2004/cfp/art/
CONTACT: Sue Gollifer
SIGGRAPH 2004 Art Gallery Chair
University of Brighton, Grand Parade, Brighton BN2 0JY,UK
44 1273 643032
art-s2004@...
DEADLINE: 28 January 2004
@ Call for Papers: The International Journal on Media Management. Focus Theme:Traditional Media and the Internet: the Search for Viable Business Models
==========================================
prazo/plazo/deadline: 16 JAN 2004
Dear Colleagues:
JMM - The International Journal on Media Management
is leading forum for the communication of research data
and high quality information on all significant aspects
of media management.
Guest Editor: Sylvia Chan-Olmsted, University of Florida, USA
The exponential growth of the Internet has changed the rules of competition in traditional media industries. The "reach" and "speed" of the development, coupled with the unique characteristics of interactivity and personalization, amplify the need for innovative business strategies from the competing media incumbents in their attempt to counter or leverage the rising popularity of this new market entrant. As business models that evaluate ways in which firms may leverage the Internet to develop competitive advantage are still evolving, it is quite a challenge for the existing media to decide on the extent and approaches of involvement with this new medium. While many Internet ventures are being launched by media firms, many are being scaled down or eliminated because of the lack of evident benefits and resources. The development of an appropriate business model is especially critical as well as intricate as the Internet offers an alternative distribution channel for traditional media's products and strengthens the existing media's position with their readers/audiences while at the same time competes with the traditional media for consumer attention and resources
www.le-musee-divisioniste.org/start1.htm
- launched on 30 September 2003 -
invites artists to submit to the recently initiated project
"My Mission", collection of textual self-representations in form of artistic statements.
Please send your statement as a short text in plain email format (not more than 500 words), how you see your mission as an artist, if you have any.
"My mission" is an ongoing project with an open end, so you can send your statement at any time. No deadline.
All serious submissions will be immediately included.
Please send your submission to
info@...
subject line: My Mission
(this is important)
***********************************
"{self}_representation 2003"
is curated by Agricola de Cologne
for Le Musee di-visioniste
www.le-musee-divisioniste.org
- corporate member of
[NewMediaArtProjectNetwork] :||cologne -
the experimental platform for net based art -
operating from Cologne/Germany.
@ SIGGRAPH Art Gallery'04
==========================================
prazo/plazo/deadline: 28 JAN 2004
The annual SIGGRAPH Art Gallery has achieved world-wide recognition for excellence in showing digital and electronic art. The SIGGRAPH 2004 Art Gallery: Synaesthesia will showcase original digital art that explores new connections between the senses - the technological, the aesthetic, and the critical - and emerges from the conjunction of cybernetics and human
vision, inner as well as outer.
WHO: all those visionaries who currently work in any field of digital art, including 2D, 3D, interactive techniques, installations, virtual reality, multimedia, telecommunications, web art, and animation.
WHAT: Synaesthesia seeks works that provoke and enable us to re-experience, re-examine, and make sense of our bodies, our technologies, and our culture. Proposals for papers and panels that address the
theoretical and critical discourse of computer graphics are also welcome.
TO APPLY: Further information and to apply online
http://www.siggraph.org/s2004/cfp/art/
CONTACT: Sue Gollifer
SIGGRAPH 2004 Art Gallery Chair
University of Brighton, Grand Parade, Brighton BN2 0JY,UK
44 1273 643032
art-s2004@...
DEADLINE: 28 January 2004
@ Call for Papers: The International Journal on Media Management. Focus Theme:Traditional Media and the Internet: the Search for Viable Business Models
==========================================
prazo/plazo/deadline: 16 JAN 2004
Dear Colleagues:
JMM - The International Journal on Media Management
is leading forum for the communication of research data
and high quality information on all significant aspects
of media management.
Guest Editor: Sylvia Chan-Olmsted, University of Florida, USA
The exponential growth of the Internet has changed the rules of competition in traditional media industries. The "reach" and "speed" of the development, coupled with the unique characteristics of interactivity and personalization, amplify the need for innovative business strategies from the competing media incumbents in their attempt to counter or leverage the rising popularity of this new market entrant. As business models that evaluate ways in which firms may leverage the Internet to develop competitive advantage are still evolving, it is quite a challenge for the existing media to decide on the extent and approaches of involvement with this new medium. While many Internet ventures are being launched by media firms, many are being scaled down or eliminated because of the lack of evident benefits and resources. The development of an appropriate business model is especially critical as well as intricate as the Internet offers an alternative distribution channel for traditional media's products and strengthens the existing media's position with their readers/audiences while at the same time competes with the traditional media for consumer attention and resources
This issue of the International Journal
on Media Management seeks to explore the viable business models for
traditional media firms in the print, broadcasting, cable, and music
industries.
Manuscripts are solicited on topics including:
- Strategic roles and/or utilities of the Internet for the newspaper, magazines, books publishing, radio, and/or television business
- Theoretical discussions of the Internet in the context of traditional mass media
- Current Internet practices of the traditional media firms
- Use of e-commerce, interactive television, enhanced television,
Internet advertising sales, and other Internet features by the traditional media firms
- Financial contribution of various Internet functions in traditional media markets
- Comparative studies of the Internet usage by traditional media firms in different countries
- Internet and public broadcasting
- Internet and the marketing/branding of traditional media
- Comparative Web contents of various traditional media
- Programming delivery via the Internet
- Internet radio
- Digital music delivery via the Internet and the traditional music industry
JMM accepts papers between 3500 and 6500 words in length.
Please refer to the Contributors Section for our templates
(Cover page and Manuscript Template) to submit your article.
Important Deadlines:
Submission: 16 January 2004
Acceptance Decision: February 2004
Publication: Spring 2004
For questions regarding the journal, the review process,
or the submission of your paper: media.editors@...
Sincerely,
Bozena I. Mierzejewska
Executive Editor
JMM - The International Journal on Media Management
Editorial Office:
mcm institute for Media and
Communications Management
University of St.Gallen
Blumenbergplatz 9
CH-9000 St.Gallen
Switzerland
Editor-in-Chief: Prof. Beat F. Schmid
Co-Editors: Prof. Peter Glotz
Prof. Andreas Herrmann
Executive Editor: Bozena I. Mierzejewska
Yingzi Xu
Phone +41 71 224 30 27
Fax +41 71 224 27 71
email: media.editors@...
<http://www.mediajournal.org/>
@ oficinas gratuitas de fotografia digital. BaseDigital+Kodak Brasil
==========================================
prazo/plazo/deadline: N/C
Prezado Amigo,
Em parceria com a Kodak Brasileira, estamos oferecendo varias oficinas gratuitas de fotografia digital. A promocao vale para quem comprar uma camera digital nas lojas Kodak Express da Grande Sao Paulo.
Quem estiver fora da promocao podera participar?
SIM, as vagas remanescentes serao preenchidas conforme uma lista de interessados que esta sendo formada. Outros usuarios de cameras digitais e/ou interessados na compra de equipamentos podem requisitar a sua vaga atraves do site <http://www.basedigital.com.br>
Para participar da oficina sera necessario portar uma camera digital?
Nenhum equipamento sera exigido do participante e nem a necessidade de ser usuario.
Qual e a formatacao da Oficina?
Com ate 4 horas de duracao, o evento oferecera os conceitos basicos da imagem digital e contara com estacoes de trabalho compostas de cameras digitais, impressoras e sistemas de iluminacao - uma oportunidade para conhecer os equipamentos em funcionamento e poder sanar duvidas atraves da pratica. As turmas serao limitadas a 20 participantes.
Conteudo programatico basico
- A evolucao da fotografia
- Por que digital?
- Os conceitos basicos da fotografia digital
- Formatos de arquivos, compressao e armazenamento
- Cameras digitais: funcionamento e perifericos
- Como identificar o modelo ideal para a sua aplicacao
- O basico de como tirar boas fotos
- Imprimindo imagens digitais
Local: Proximo ao Metro Brigadeiro - Sao Paulo - SP
Saiba mais atraves do site <http://www.basedigital.com.br>
Ate breve.
Roberto Carquejo
Especialista em foto-imagem
vendas@...
Manuscripts are solicited on topics including:
- Strategic roles and/or utilities of the Internet for the newspaper, magazines, books publishing, radio, and/or television business
- Theoretical discussions of the Internet in the context of traditional mass media
- Current Internet practices of the traditional media firms
- Use of e-commerce, interactive television, enhanced television,
Internet advertising sales, and other Internet features by the traditional media firms
- Financial contribution of various Internet functions in traditional media markets
- Comparative studies of the Internet usage by traditional media firms in different countries
- Internet and public broadcasting
- Internet and the marketing/branding of traditional media
- Comparative Web contents of various traditional media
- Programming delivery via the Internet
- Internet radio
- Digital music delivery via the Internet and the traditional music industry
JMM accepts papers between 3500 and 6500 words in length.
Please refer to the Contributors Section for our templates
(Cover page and Manuscript Template) to submit your article.
Important Deadlines:
Submission: 16 January 2004
Acceptance Decision: February 2004
Publication: Spring 2004
For questions regarding the journal, the review process,
or the submission of your paper: media.editors@...
Sincerely,
Bozena I. Mierzejewska
Executive Editor
JMM - The International Journal on Media Management
Editorial Office:
mcm institute for Media and
Communications Management
University of St.Gallen
Blumenbergplatz 9
CH-9000 St.Gallen
Switzerland
Editor-in-Chief: Prof. Beat F. Schmid
Co-Editors: Prof. Peter Glotz
Prof. Andreas Herrmann
Executive Editor: Bozena I. Mierzejewska
Yingzi Xu
Phone +41 71 224 30 27
Fax +41 71 224 27 71
email: media.editors@...
<http://www.mediajournal.org/>
@ oficinas gratuitas de fotografia digital. BaseDigital+Kodak Brasil
==========================================
prazo/plazo/deadline: N/C
Prezado Amigo,
Em parceria com a Kodak Brasileira, estamos oferecendo varias oficinas gratuitas de fotografia digital. A promocao vale para quem comprar uma camera digital nas lojas Kodak Express da Grande Sao Paulo.
Quem estiver fora da promocao podera participar?
SIM, as vagas remanescentes serao preenchidas conforme uma lista de interessados que esta sendo formada. Outros usuarios de cameras digitais e/ou interessados na compra de equipamentos podem requisitar a sua vaga atraves do site <http://www.basedigital.com.br>
Para participar da oficina sera necessario portar uma camera digital?
Nenhum equipamento sera exigido do participante e nem a necessidade de ser usuario.
Qual e a formatacao da Oficina?
Com ate 4 horas de duracao, o evento oferecera os conceitos basicos da imagem digital e contara com estacoes de trabalho compostas de cameras digitais, impressoras e sistemas de iluminacao - uma oportunidade para conhecer os equipamentos em funcionamento e poder sanar duvidas atraves da pratica. As turmas serao limitadas a 20 participantes.
Conteudo programatico basico
- A evolucao da fotografia
- Por que digital?
- Os conceitos basicos da fotografia digital
- Formatos de arquivos, compressao e armazenamento
- Cameras digitais: funcionamento e perifericos
- Como identificar o modelo ideal para a sua aplicacao
- O basico de como tirar boas fotos
- Imprimindo imagens digitais
Local: Proximo ao Metro Brigadeiro - Sao Paulo - SP
Saiba mais atraves do site <http://www.basedigital.com.br>
Ate breve.
Roberto Carquejo
Especialista em foto-imagem
vendas@...
Sin conexión 
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