P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 8 N. 72+73 4/2004
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 6: CONGRESSOS E CONFERENCIAS: CHAMADAS PARA TRABALHOS /
CONGRESOS Y CONFERENCIAS: CONVOCATORIA PARA TRABAJOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ Congreso Nacional de Creatividad, Arte y Educacion. CREARTEDUCA (Buenos Aires)
==========================================
prazo/plazo/deadline: N/C
16,17.18 y 19 de Septiembre de 2004
Buenos Aires, Argentina
Bajo el subtitulo "Para un aprendizaje solidario" los dias 16,17.18 y 19 de Septiembre de 2004, CREARTEDUCA organiza su Congreso Nacional de Creatividad, Arte y Educacin.
En Marzo aparecera mayor informacion en su pagina web: www.elretablodelasmaravillas.com
Por mail: info@...
@ CALL FOR PAPERS - COSIGN 2004. THE 4TH INTERNATIONAL CONFERENCE ON COMPUTATIONAL SEMIOTICS (CROATIA)
==========================================
prazo/plazo/deadline: 29 ABR 2004
* University of Split (Croatia)
*
* 14th - 16th September 2004
*
* http://www.cosignconference.org
*
CONFERENCE SCOPE
================
The creation and interpretation of meaning in interactive digital media requires the manipulation of signs and/or pre-existing structures of meaning. COSIGN plays a crucial role in exploring the relationship between computer systems and sign systems.
The focus of COSIGN is the way in which meaning can be created by, encoded in, understood by, or produced through, the computer. As such, it is of interest to computer scientists, digital artists and designers, HCI and AI practitioners, and a broad range of other critics, theorists and researchers.
Possible themes include, but are not limited to, the following:
* Software architectures and technologies based upon or inspired by existing theories of meaning (such as structuralism or semiotics).
* Structures of meaning in artificial intelligence systems.
* Hypertext/hypermedia and the semantic web as structures of meaning.
* The study, analysis or criticism of digital interactive media using methods drawn from structuralism, semiotics or other theories of meaning.
* Narrative/ludic structures in interactive digital media and videogames.
* Interface as sign system.
Media that make use of the unique capabilities of digital systems are of particular interest to this conference. These include, but are not limited to, the following:
* virtual reality systems and virtual environments
* hypertext, hypermedia, multimedia and the internet environments
* content analysis systems (particularly those that extract higher-level meaning)
* the semantic web (and similar systems)
* digital art, net art and other technology-based or technology-oriented art forms
* computer games, interactive narratives and other forms of interactive entertainment.
* Interface as sign system
The programme and proceedings of the previous three COSIGN conferences are available at the conference website: http://www.cosignconference.org
COSIGN invites submissions in the following categories.
1. Academic Papers
Submissions in this category can be initially either in the form of an abstract of 500 words or in the form of a full paper of up to 10 pages (see http://www.cosignconference.org for full details). After the review process authors will be notified of acceptance/modifications.
2. Artworks
COSIGN also invites presentations of artworks relevant to the themes of the conference. We are interested in all forms/formats of artwork - it need not be digital art if it is relevant in other ways.
Submissions in this category will be assessed on the basis of documentation of the work presented in the form of an online website. The website should include the following:
- A textual description of the proposed artwork and any illustrations.
- A biography of the artist(s)/author(s).
- Contact details.
Boletim Eletronico do Projeto ProArte Brasil
Ano 8 N. 72+73 4/2004
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 6: CONGRESSOS E CONFERENCIAS: CHAMADAS PARA TRABALHOS /
CONGRESOS Y CONFERENCIAS: CONVOCATORIA PARA TRABAJOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ Congreso Nacional de Creatividad, Arte y Educacion. CREARTEDUCA (Buenos Aires)
==========================================
prazo/plazo/deadline: N/C
16,17.18 y 19 de Septiembre de 2004
Buenos Aires, Argentina
Bajo el subtitulo "Para un aprendizaje solidario" los dias 16,17.18 y 19 de Septiembre de 2004, CREARTEDUCA organiza su Congreso Nacional de Creatividad, Arte y Educacin.
En Marzo aparecera mayor informacion en su pagina web: www.elretablodelasmaravillas.com
Por mail: info@...
@ CALL FOR PAPERS - COSIGN 2004. THE 4TH INTERNATIONAL CONFERENCE ON COMPUTATIONAL SEMIOTICS (CROATIA)
==========================================
prazo/plazo/deadline: 29 ABR 2004
* University of Split (Croatia)
*
* 14th - 16th September 2004
*
* http://www.cosignconference.org
*
CONFERENCE SCOPE
================
The creation and interpretation of meaning in interactive digital media requires the manipulation of signs and/or pre-existing structures of meaning. COSIGN plays a crucial role in exploring the relationship between computer systems and sign systems.
The focus of COSIGN is the way in which meaning can be created by, encoded in, understood by, or produced through, the computer. As such, it is of interest to computer scientists, digital artists and designers, HCI and AI practitioners, and a broad range of other critics, theorists and researchers.
Possible themes include, but are not limited to, the following:
* Software architectures and technologies based upon or inspired by existing theories of meaning (such as structuralism or semiotics).
* Structures of meaning in artificial intelligence systems.
* Hypertext/hypermedia and the semantic web as structures of meaning.
* The study, analysis or criticism of digital interactive media using methods drawn from structuralism, semiotics or other theories of meaning.
* Narrative/ludic structures in interactive digital media and videogames.
* Interface as sign system.
Media that make use of the unique capabilities of digital systems are of particular interest to this conference. These include, but are not limited to, the following:
* virtual reality systems and virtual environments
* hypertext, hypermedia, multimedia and the internet environments
* content analysis systems (particularly those that extract higher-level meaning)
* the semantic web (and similar systems)
* digital art, net art and other technology-based or technology-oriented art forms
* computer games, interactive narratives and other forms of interactive entertainment.
* Interface as sign system
The programme and proceedings of the previous three COSIGN conferences are available at the conference website: http://www.cosignconference.org
COSIGN invites submissions in the following categories.
1. Academic Papers
Submissions in this category can be initially either in the form of an abstract of 500 words or in the form of a full paper of up to 10 pages (see http://www.cosignconference.org for full details). After the review process authors will be notified of acceptance/modifications.
2. Artworks
COSIGN also invites presentations of artworks relevant to the themes of the conference. We are interested in all forms/formats of artwork - it need not be digital art if it is relevant in other ways.
Submissions in this category will be assessed on the basis of documentation of the work presented in the form of an online website. The website should include the following:
- A textual description of the proposed artwork and any illustrations.
- A biography of the artist(s)/author(s).
- Contact details.
3. Posters
We also welcome poster presentations of work that is not yet ready for a full paper, or which would benefit from this more informal mode of presentation.
4. Demonstrations
Demonstrations of relevant leading-edge work and work in progress are also invited.
We also welcome proposals which don't fit into these categories (such as panels, workshops, etc).
All submissions are peer reviewed to ensure the quality and relevance of those selected. All submissions selected will be included in both the printed and online proceedings.
As in previous years, COSIGN will endeavour to support as much as possible the registration fees and/or accommodation of those presenters who are not funded by an institution or organisation.
SUBMISSION PROCEDURE
====================
For full submission procedure, guidelines and requirements, please go to: http://www.cosignconference.org
IMPORTANT DATES
================
29th April 2004 - Submission date for 500 word abstracts, draft/full papers and artworks
24th May 2004 - Submission date (posters and demonstrations)
26th May 2004 - Notification of acceptance (papers, abstracts and artworks)
04th June 2004 - Notification of acceptance (posters and demos)
26th July 2004 - Camera-ready copy for the proceedings (all)
LOCATION
========
COSIGN 2004 will be held in Split, Croatia. The city of Split is located in the South of Croatia, just one or two hours away by ferry from some of the most attractive Adriatic islands and seaside resorts. It is easy to reach Split by air or by an overnight ferry from Italy. Split International Airport is connected with major European airports via Zagreb and Frankfurt. In the summer months, there are also numerous direct flights from several European capitals. International ferries and S.N.A.V. speedboat for Split depart from the Italian port of Ancona.
COSIGN will be hosted by by the Department of Visual Communication, Art Academy, University of Split. The Department is located in what originally used to be a Venetian fortress, just a five-minute walk away from the historic core of the city. The medieval heart of Split, whose eclectic architectural style is highly appreciated by art historians, grew from the palace of the Roman Emperor Diocletian (built between 295 and 305 AD). Numerous cultural events take place in Split all year round. In September, the city is home to the International Festival of New Film and Video, with a vibrant new media section.
ORGANISING COMMITTEE
====================
Andy Clarke - Kinonet (UK)
Clive Fencott - University of Teeside (UK)
Grethe Mitchell - University of East London and Kinonet (UK)
Frank Nack - CWI (Netherlands)
Mirko Petric - University of Split (Croatia)
PROGRAMME AND ARTWORK COMMITTEES
================================
For up-to-date details of these, please see the conference website:
http://www.cosignconference.org
***********************************************
COSIGN 2004 - University of Split (Croatia)
COSIGN 2003 - University of Teesside (UK)
COSIGN 2002 - University of Augsburg (Germany)
COSIGN 2001 - CWI (Netherlands)
***********************************************
@ CFP: CINEMA & TECHNOLOGY, LANCASTER UNIVERSITY (Lancaster, United Kingdom)
==========================================
prazo/plazo/deadline: 1 SEP 2004
Cinema & Technology Conference
6-9 April 2005
Institute for Cultural Research
Lancaster University
Lancaster, United Kingdom
The Institute for Cultural Research at Lancaster University in the United Kingdom will host a major international conference around the broad theme of Cinema and Technology. The conference will take place at Lancaster University and venues in and around the city of Lancaster
from 6 to 9 April 2005.
Our aim is to address the digitisation of the film image and the consequences of this process for theories of history, subjectivity, agency and perception. Within this general framework, participants will be encouraged to engage with the dematerialisation of the film image,
the uses of digital cameras, the forms of contemporary cinematic experience, and revisionist debates about the meanings of technology.
We also welcome poster presentations of work that is not yet ready for a full paper, or which would benefit from this more informal mode of presentation.
4. Demonstrations
Demonstrations of relevant leading-edge work and work in progress are also invited.
We also welcome proposals which don't fit into these categories (such as panels, workshops, etc).
All submissions are peer reviewed to ensure the quality and relevance of those selected. All submissions selected will be included in both the printed and online proceedings.
As in previous years, COSIGN will endeavour to support as much as possible the registration fees and/or accommodation of those presenters who are not funded by an institution or organisation.
SUBMISSION PROCEDURE
====================
For full submission procedure, guidelines and requirements, please go to: http://www.cosignconference.org
IMPORTANT DATES
================
29th April 2004 - Submission date for 500 word abstracts, draft/full papers and artworks
24th May 2004 - Submission date (posters and demonstrations)
26th May 2004 - Notification of acceptance (papers, abstracts and artworks)
04th June 2004 - Notification of acceptance (posters and demos)
26th July 2004 - Camera-ready copy for the proceedings (all)
LOCATION
========
COSIGN 2004 will be held in Split, Croatia. The city of Split is located in the South of Croatia, just one or two hours away by ferry from some of the most attractive Adriatic islands and seaside resorts. It is easy to reach Split by air or by an overnight ferry from Italy. Split International Airport is connected with major European airports via Zagreb and Frankfurt. In the summer months, there are also numerous direct flights from several European capitals. International ferries and S.N.A.V. speedboat for Split depart from the Italian port of Ancona.
COSIGN will be hosted by by the Department of Visual Communication, Art Academy, University of Split. The Department is located in what originally used to be a Venetian fortress, just a five-minute walk away from the historic core of the city. The medieval heart of Split, whose eclectic architectural style is highly appreciated by art historians, grew from the palace of the Roman Emperor Diocletian (built between 295 and 305 AD). Numerous cultural events take place in Split all year round. In September, the city is home to the International Festival of New Film and Video, with a vibrant new media section.
ORGANISING COMMITTEE
====================
Andy Clarke - Kinonet (UK)
Clive Fencott - University of Teeside (UK)
Grethe Mitchell - University of East London and Kinonet (UK)
Frank Nack - CWI (Netherlands)
Mirko Petric - University of Split (Croatia)
PROGRAMME AND ARTWORK COMMITTEES
================================
For up-to-date details of these, please see the conference website:
http://www.cosignconference.org
***********************************************
COSIGN 2004 - University of Split (Croatia)
COSIGN 2003 - University of Teesside (UK)
COSIGN 2002 - University of Augsburg (Germany)
COSIGN 2001 - CWI (Netherlands)
***********************************************
@ CFP: CINEMA & TECHNOLOGY, LANCASTER UNIVERSITY (Lancaster, United Kingdom)
==========================================
prazo/plazo/deadline: 1 SEP 2004
Cinema & Technology Conference
6-9 April 2005
Institute for Cultural Research
Lancaster University
Lancaster, United Kingdom
The Institute for Cultural Research at Lancaster University in the United Kingdom will host a major international conference around the broad theme of Cinema and Technology. The conference will take place at Lancaster University and venues in and around the city of Lancaster
from 6 to 9 April 2005.
Our aim is to address the digitisation of the film image and the consequences of this process for theories of history, subjectivity, agency and perception. Within this general framework, participants will be encouraged to engage with the dematerialisation of the film image,
the uses of digital cameras, the forms of contemporary cinematic experience, and revisionist debates about the meanings of technology.
The conference will feature a public
keynote address, two major plenary sessions, and a range of parallel
sessions focusing on issues such as:
The digital imagination
Changing forms of cinematic consumption
Histories of film technologies
The apparatus and technologies of vision
Cinema/technology/ideology
Sound and light in cinema
The politics of cinema technologies
Technologies of new media
Other related topics
There will also be a series of related events in and around Lancaster that highlight the conference themes in a more informal setting.
Scholars in any discipline are invited to submit proposals for papers that address the implications of technology for cinematic practice and theory. Proposal should include: provisional title, an abstract of up to250 words, your name and contact details (including an email address),and should be sent to June Rye (icr@...) by 1 September 2004.
@ CALL FOR PAPERS :DEPICTIONS OF WAR ON TELEVISION. FILM AND HISTORY LEAGUE (Dallas, TX)
==========================================
prazo/plazo/deadline: 30 JUL 2004
Dallas,
November 11-14 2004
War has been depicted on television in a number of ways, from serial situation comedies to the realities of the evening news. Paper proposals are invited that examine television depictions of war, any aspects. Papers can address topics such as; war drama programs such as JAG or Navy NCIS, situation comedies such as MASH, television news coverage of the war in Iraq, or made-for-tv movies that depict any aspect of war. Topics are not limited and can include examinations of the television aesthetics of war, depictions of the homefront and of veterans.
The Film & History League, with the Literature/Film Association, will be holding its conference on "War in Film, Television, and History" during November 11-14, 2004, near Dallas, TX. Full details on the location, registration procedures, and additional area topics can be found on the web site www.filmandhistory.org. Deadline for proposals is July 30, 2004.
>Area Chair for Television
>Charlene Etkind
>2600 Quail Dr. B
>Columbia, MO 65202
>(573)814-3559
>ircresearch@...
@ Sextas jornadas de artes y medios digitales ::
Primer simposio > Practicas de comunicacion emergentes en la cultura digital (Cordoba, Argentina)
==========================================
prazo/plazo/deadline: 5 ABR 2004
Convocatoria a presentacion de ponencias ::
Prorroga hasta el 05 de abril 2004 ::
Bajar rtf completo para imprimir:
<http://www.ccec.org.ar/liminar/ponencias.htm>
Esta convocatoria a ponencias se inscribe dentro de las actividades de las Sextas jornadas de artes y medios digitales (2004), promoviendo la reflexion sobre las cuestiones que surgen en el cruce de arte y tecnologia.
Esta edicion pretende reunir y difundir horizontalmente el pensamiento local sobre arte, tecnologia y comunicacion convocando a una presentacion de trabajos de investigacion o ensayos sobre las practicas de comunicacion emergentes que surgen de la introduccion de las nuevas tecnologias de la informacion en nuestro medio, en funcion de estimular la produccion o relevar -para su publicacion y circulacion- el pensamiento de habla hispana que aborde problematicas localizadas en su mismo contexto de produccion.
> Temas sugeridos
Conceptos de red
Arte, tecnologia y nuevas categorias esteticas
Practicas artisticas paralelas (que involucran Nuevas Tecnologias de la Informacion)
Tecnologia y nuevos modos de produccion (obras en colaboracion, work in progress, copyleft, codigo abierto)
Arte, tecnologia y programa.
Formas digitales y circulacion de la informacion
Formas digitales y documentacion
Tecnologia, comunicacion e identidad
Red y utopias
Arte, activismo y medios tacticos
Arte y construccion de esfera publica con nuevos medios
Nomadismo cultural
Las herramientas digitales: disponibilidad y apropiaciones en la produccion estetica
> Sobre los trabajos:
Podran presentarse trabajos de investigacion que supongan algun aporte original a los temas propuestos. El Comite Academico realizara la seleccion de las ponencias presentadas para su publicacion y presentacion.
The digital imagination
Changing forms of cinematic consumption
Histories of film technologies
The apparatus and technologies of vision
Cinema/technology/ideology
Sound and light in cinema
The politics of cinema technologies
Technologies of new media
Other related topics
There will also be a series of related events in and around Lancaster that highlight the conference themes in a more informal setting.
Scholars in any discipline are invited to submit proposals for papers that address the implications of technology for cinematic practice and theory. Proposal should include: provisional title, an abstract of up to250 words, your name and contact details (including an email address),and should be sent to June Rye (icr@...) by 1 September 2004.
@ CALL FOR PAPERS :DEPICTIONS OF WAR ON TELEVISION. FILM AND HISTORY LEAGUE (Dallas, TX)
==========================================
prazo/plazo/deadline: 30 JUL 2004
Dallas,
November 11-14 2004
War has been depicted on television in a number of ways, from serial situation comedies to the realities of the evening news. Paper proposals are invited that examine television depictions of war, any aspects. Papers can address topics such as; war drama programs such as JAG or Navy NCIS, situation comedies such as MASH, television news coverage of the war in Iraq, or made-for-tv movies that depict any aspect of war. Topics are not limited and can include examinations of the television aesthetics of war, depictions of the homefront and of veterans.
The Film & History League, with the Literature/Film Association, will be holding its conference on "War in Film, Television, and History" during November 11-14, 2004, near Dallas, TX. Full details on the location, registration procedures, and additional area topics can be found on the web site www.filmandhistory.org. Deadline for proposals is July 30, 2004.
>Area Chair for Television
>Charlene Etkind
>2600 Quail Dr. B
>Columbia, MO 65202
>(573)814-3559
>ircresearch@...
@ Sextas jornadas de artes y medios digitales ::
Primer simposio > Practicas de comunicacion emergentes en la cultura digital (Cordoba, Argentina)
==========================================
prazo/plazo/deadline: 5 ABR 2004
Convocatoria a presentacion de ponencias ::
Prorroga hasta el 05 de abril 2004 ::
Bajar rtf completo para imprimir:
<http://www.ccec.org.ar/liminar/ponencias.htm>
Esta convocatoria a ponencias se inscribe dentro de las actividades de las Sextas jornadas de artes y medios digitales (2004), promoviendo la reflexion sobre las cuestiones que surgen en el cruce de arte y tecnologia.
Esta edicion pretende reunir y difundir horizontalmente el pensamiento local sobre arte, tecnologia y comunicacion convocando a una presentacion de trabajos de investigacion o ensayos sobre las practicas de comunicacion emergentes que surgen de la introduccion de las nuevas tecnologias de la informacion en nuestro medio, en funcion de estimular la produccion o relevar -para su publicacion y circulacion- el pensamiento de habla hispana que aborde problematicas localizadas en su mismo contexto de produccion.
> Temas sugeridos
Conceptos de red
Arte, tecnologia y nuevas categorias esteticas
Practicas artisticas paralelas (que involucran Nuevas Tecnologias de la Informacion)
Tecnologia y nuevos modos de produccion (obras en colaboracion, work in progress, copyleft, codigo abierto)
Arte, tecnologia y programa.
Formas digitales y circulacion de la informacion
Formas digitales y documentacion
Tecnologia, comunicacion e identidad
Red y utopias
Arte, activismo y medios tacticos
Arte y construccion de esfera publica con nuevos medios
Nomadismo cultural
Las herramientas digitales: disponibilidad y apropiaciones en la produccion estetica
> Sobre los trabajos:
Podran presentarse trabajos de investigacion que supongan algun aporte original a los temas propuestos. El Comite Academico realizara la seleccion de las ponencias presentadas para su publicacion y presentacion.
Su decision sera inapelable y la
presentacion de una ponencia para su seleccion implica la
aceptacion de esta norma.
> Formato de presentacion:
La presentacion de ponencias podra ser individual o grupal, admitiendose hasta dos por ponencias por participante. Los trabajos no podran superar los 20 (veinte) minutos de exposicion y una extension de 10
(diez) paginas, tamano A4, cuerpo 12, letra arial, a doble espacio.
En caso de incluirse imagenes o material multimedia (video, cdroms o sitios web) en la ponencia, se aceptaran con las siguientes limitaciones:
Imagenes fijas en formato .JPEG
Video: formato AVI.
Flash o shockwave, cd rom ejecutable para PC
Sitios web fuera de linea.
Audio digital en mp3
Para su publicacion o presentacion, todo el material que se incluya debera ir acompanado de una autorizacion escrita de sus autores.
Deberan remitirse 3 (tres) copias impresas y/o una version digital en formato RTF del trabajo presentado por correo electronico a ponencias@...
Para el material multimedia, se dispone de una conexion FTP. Los interesados pueden pedir mas datos al mismo correo electronico mencionado arriba.
La direccion postal para los envios es:
Sextas Jornadas de arte y medios digitales
Convocatoria a presentacion de ponencias
Centro Cultural Espana Cordoba
Entre Rios 40
Cordoba Argentina X5000AJB
> Publicacion de las ponencias seleccionadas:
Los trabajos aceptados se editaran en un CD Rom, en formato PDF, con material multimedia.
Todo el material a incluir no podra exceder los 25 Mg de peso y estar optimizado adecuadamente para su visualizacion desde un cd rom. Por consultas sobre este punto puede escribir a ponencias@...
> Organizacion y comite academico:
El simposio esta coorganizado por la Escuela de Artes, Facultad de Filosofia y Humanidades, UNC, (Profesores investigadores Fernando Fraenza y Clementina Zablosky), el CCEC y los organizadores de las sextas jornadas de artes y medios digitales.
Las jornadas contaran con la presencia de invitados especialistas en el area, que presentaran trabajos de investigacion sobre el tema e integraran el comite academico.
> Avales Academicos:
Escuela de Artes de la Universidad Nacional de Cordoba (UNC)
Facultad de Filosofia y Humanidades de la UNC
Centro de Produccion e Investigacion Artistica (CEPIA).
Centro Cultural Espana Cordoba. (CCEC//www.ccec.org.ar)
> Formas de participacion e inscripcion:
Asistentes: la inscripcion para la participacion como asistente al Simposio se comunicara oportunamente a traves del sitio <http://www.ccec.org.ar/liminar/ponencias.htm>
La participacion es libre y gratuita, aunque existen cupos limitados por cuestiones de espacio.
Las actividades se desarrollaran en las instalaciones del CCEC (Entre Rios 40) y en el CePia de la UNC (Edificio nuevo de la Escuela de artes, Ciudad Universitaria), ambos de la ciudad de Cordoba.
Expositores: los expositores cuyas ponencias hayan sido aceptadas se encuentran inscriptos en el Simposio.
> Cronograma:
Inicio de la convocatoria, presentacion del tema en las 5tas. Jornadas de artes y medios digitales: 15 de setiembre 2003
Fecha limite para presentacion de ponencias: 5 de abril 2004
Comunicacion de ponencias seleccionadas: 5 de junio 2004
Presentacion de ponencias: agosto 2004, durante las 6tas. Jornadas de artes
y medios digitales.
Consultas a ponencias@...
<mailto:infoliminar@...>
<http://www.ccec.org.ar/liminar>
@ SYMPOSIUM ON ARTS & TECHNOLOGY. Arts of the Virtual: Poetic Inquiries in Time, Space and Motion (Salt Lake City, Utah)
==========================================
prazo/plazo/deadline: 30 JUL 2004
September 30 - October 2, 2004, The University of Utah, Salt Lake City, Utah
Digital technology
has spawned new spaces, processes and forms that offer exciting
possibilities for creative research and scientific investigation.
Through the exploration of these realms, emerge new ways of
conceptualizing ourselves: our bodies, the spaces in which we reside
and the potential for artistic expression. As artists,
architects, cultural theorists and scientists working with new
technologies, we come together from diverse disciplines and find
ourselves asking similar questions. What is the dialogue between
corporeality and the virtual? How do we engage our embodied sense
perceptions in virtual worlds? How do we address form, time and space
as both apparition and reality, and how are these questions answered
through our various and overlapping practices? What can the blurred
boundaries between our practices teach us about our identity as
individuals and a society in the 21st century?
> Formato de presentacion:
La presentacion de ponencias podra ser individual o grupal, admitiendose hasta dos por ponencias por participante. Los trabajos no podran superar los 20 (veinte) minutos de exposicion y una extension de 10
(diez) paginas, tamano A4, cuerpo 12, letra arial, a doble espacio.
En caso de incluirse imagenes o material multimedia (video, cdroms o sitios web) en la ponencia, se aceptaran con las siguientes limitaciones:
Imagenes fijas en formato .JPEG
Video: formato AVI.
Flash o shockwave, cd rom ejecutable para PC
Sitios web fuera de linea.
Audio digital en mp3
Para su publicacion o presentacion, todo el material que se incluya debera ir acompanado de una autorizacion escrita de sus autores.
Deberan remitirse 3 (tres) copias impresas y/o una version digital en formato RTF del trabajo presentado por correo electronico a ponencias@...
Para el material multimedia, se dispone de una conexion FTP. Los interesados pueden pedir mas datos al mismo correo electronico mencionado arriba.
La direccion postal para los envios es:
Sextas Jornadas de arte y medios digitales
Convocatoria a presentacion de ponencias
Centro Cultural Espana Cordoba
Entre Rios 40
Cordoba Argentina X5000AJB
> Publicacion de las ponencias seleccionadas:
Los trabajos aceptados se editaran en un CD Rom, en formato PDF, con material multimedia.
Todo el material a incluir no podra exceder los 25 Mg de peso y estar optimizado adecuadamente para su visualizacion desde un cd rom. Por consultas sobre este punto puede escribir a ponencias@...
> Organizacion y comite academico:
El simposio esta coorganizado por la Escuela de Artes, Facultad de Filosofia y Humanidades, UNC, (Profesores investigadores Fernando Fraenza y Clementina Zablosky), el CCEC y los organizadores de las sextas jornadas de artes y medios digitales.
Las jornadas contaran con la presencia de invitados especialistas en el area, que presentaran trabajos de investigacion sobre el tema e integraran el comite academico.
> Avales Academicos:
Escuela de Artes de la Universidad Nacional de Cordoba (UNC)
Facultad de Filosofia y Humanidades de la UNC
Centro de Produccion e Investigacion Artistica (CEPIA).
Centro Cultural Espana Cordoba. (CCEC//www.ccec.org.ar)
> Formas de participacion e inscripcion:
Asistentes: la inscripcion para la participacion como asistente al Simposio se comunicara oportunamente a traves del sitio <http://www.ccec.org.ar/liminar/ponencias.htm>
La participacion es libre y gratuita, aunque existen cupos limitados por cuestiones de espacio.
Las actividades se desarrollaran en las instalaciones del CCEC (Entre Rios 40) y en el CePia de la UNC (Edificio nuevo de la Escuela de artes, Ciudad Universitaria), ambos de la ciudad de Cordoba.
Expositores: los expositores cuyas ponencias hayan sido aceptadas se encuentran inscriptos en el Simposio.
> Cronograma:
Inicio de la convocatoria, presentacion del tema en las 5tas. Jornadas de artes y medios digitales: 15 de setiembre 2003
Fecha limite para presentacion de ponencias: 5 de abril 2004
Comunicacion de ponencias seleccionadas: 5 de junio 2004
Presentacion de ponencias: agosto 2004, durante las 6tas. Jornadas de artes
y medios digitales.
Consultas a ponencias@...
<mailto:infoliminar@...>
<http://www.ccec.org.ar/liminar>
@ SYMPOSIUM ON ARTS & TECHNOLOGY. Arts of the Virtual: Poetic Inquiries in Time, Space and Motion (Salt Lake City, Utah)
==========================================
prazo/plazo/deadline: 30 JUL 2004
September 30 - October 2, 2004, The University of Utah, Salt Lake City, Utah
Presenters
Keynote speaker, Marcos Novak is a global nomad, and an artist, theorist, and transarchitect. His projects, theoretical essays, and interviews have been translated into over twenty languages and have appeared in over 70 countries, and he lectures, teaches, and exhibits worldwide. Drawing upon architecture, music, and computation, and introducing numerous additional influences from art, science, and technology, his work intentionally defies categorization. He is universally recognized as the pioneer of architecture in cyberspace, of the critical consideration of virtual space as architectural and urban place, and of the use of generative computational composition in architecture and design. (http://www.mat.ucsb.edu/~marcos/Centrifuge_Site/MainFrameSet.html)
Krzysztof Wodiczko is internationally renowned for his large-scale slide and video projections on architectural facades and monuments. Since the late eighties, he has developed a series of nomadic instruments for both homeless and immigrant operators that function as implements for survival, communication, empowerment, and healing. In the last decade, Wodiczko has realized more than seventy public projections in Australia, Austria, Canada, England, Germany, Holland, Ireland, Israel, Italy, Mexico, Poland, Spain, Switzerland, and the United States. (http://www.architecture.mit.edu/people/profiles/prwodicz.html)
George Lewis, improviser-trombonist, composer and computer/installation artist, studied composition with Muhal Richard Abrams at the AACM School of Music, and trombone with Dean Hey. The recipient of a MacArthur "genius" Fellowship in 2002, a Cal Arts/Alpert Award in the Arts in 1999, and numerous fellowships from the National Endowment for the Arts, Lewis has explored electronic and computer music, computer-based multimedia installations, text-sound works, and notated forms. A member of the Association for the Advancement of Creative Musicians (AACM) since 1971, Lewis's work as composer, improviser, performer and interpreter is documented on more than 120 recordings. (http://www.northwestern.edu/jazz/artists/lewis.george/)
Over a career spanning more than forty years, the composer and pianist Muhal Richard Abrams is widely recognized as one of the most influential artists in the area of contemporary improvised music. As a founding member and guiding force of the Chicago-based creative cauldron, the Association for the Advancement of Creative Musicians (AACM), the highly influential, community-based musicians' collective that has been active since 1965, Mr. Abrams has been a central figure in the shaping and definition of a large variety of innovative approaches to the integration of composition, improvisation and performance. His notated compositions for non-improvisors frequently include a strongly articulated mobility of form, combining precomposed and notated elements with indeterminacy, improvisation, microtonality and electronics. (http://www.aacmchicago.org/members/muhal_richard_abrams_bio.html)
Shelly Eshkar is a digital artist whose research explores drawing, computer graphics, and human motion. One of his primary tools is motion capture, a technology that digitally captures the movement, but not the physical likeness, of human motion. Once inside the computer, Eshkar creates new digital bodies and spaces to host these motions. The motions are radically recomposed and altered, creating a work of performance that could exist only in virtual form. Since 1997 Eshkar and longtime collaborator Paul Kaiser have been creating museum and stage works with Merce Cunningham. In 1998, Eshkar, Kaiser, and choreographer Bill T. Jones premiered Ghostcatching, a digital installation some called 'virtual dance.' (http://www.Kaiserworks.com)
Hellen Sky is a creative co-director of Company in Space. Her practice has evolved through performance and image making extended through new technologies. In CIS projects she collaborates with others to develop scores, and systems for integrating multiple media and technologies into a total choreography for performative events, linking virtual physical terrains to the general public. Previous work posed the question: Where do flesh, fragile bone, senses and perceptions fit into the new geographies of the late twentieth century? Also explored were concepts of presence, and identity within virtual reality. (http://www.companyinspace.com)
John McCormick is artistic co-director of Company in Space. He is a choreographer and electronic artist whose work with CIS ranges from designing real time computer interactive systems, real time vision orchestration, new applications of telecommunications systems to deliver interactive art, as well as concept collaboration on direction image, choreography and technology interface. John is currently an artist-in-residence at RMIT's Interactive Information Institute, researching live interactive performance over the internet and realtime virtual theatre environments. Currently his work centers around motion capture and allied means of enabling performers to engage in shared computer-enhanced spaces. (http://www.companyinspace.com)
Company in Space is based in Melbourne, founded by co-directors John Mc Cormick and Hellen Sky. The company has consistently pioneered applications of new technology to movement. The provocative works create dialogues between our visual, aural and kinetic perceptions, and exist in a number of media; live performance installations, video and interactive virtual spaces accessed from anywhere in the world. These include ISDN telematic performance, interactive Web TV and VRML worlds. Their work has gained international recognition, and has been in a range of international festivals bridging the arenas of new media art and performance.
Ellen Bromberg,
Assistant Dean for Research, College of Fine Arts
Assistant Professor, Department of Modern Dance
University of Utah
330 S. 1500 E. Rm. 110
Salt Lake City, UT 84112
PH: 801/587-9807
FX: 801/581-5442
Dance Office: 801/581-7327
e.bromberg@...
@ Congreso sobre Aprendizaje Virtual (Madrid)
==========================================
prazo/plazo/deadline: N/C
Se realizara en Madrid, en el Palacio de Congresos, la cuarta edicion del Congreso Online Educa sobre aprendizaje virtual, que organizan la Universitat Oberta de Catalunya (UOC) y el ICWE (Internacional Conferences, Workshops and Exhibitions), entre el 12 y 14 de mayo.
El congreso sera el punto de referencia del sector del e-learning y educacion a distancia en lengua espanola. Reunira a participantes de mas de 30 paises y se presentaran proyectos y experiencias desarrolladas en el marco del aprendizaje virtual.
Mas informacion en: www.online-educa-madrid.com/spain/index.htm
@ Preliminary announcement has been made of the Society for Cinema and Media Studies conference for 2005 (The Institute of Education, University of London)
==========================================
prazo/plazo/deadline: 15 JUL 2004
Location: The Institute of Education, University of London
http://ioewebserver.ioe.ac.uk/ioe/
Date: March 31-April 3 2005
Deadlines:
15 July 2004: Posting of Calls For Papers for pre-constituted panels and workshops.
15 September 2004: submission of proposals for open-call papers and pre-constituted panels and workshops.
Details will be forthcoming on the SCMS Website:
http://www.cmstudies.org
Send inquiries to office@...
@ Sketches program at SIGGRAPH (Los Angeles)
==========================================
prazo/plazo/deadline: 7 ABR 2004
The Sketches program at SIGGRAPH is a premier forum for presentations of the latest ideas, methods, and uses of computer graphics and interactive techniques. The program covers a broad spectrum of topics in art, design, science, and engineering, and includes provocative speculation, academic research, industrial development, practical tools, and behind-the-scenes explanations
of commercial and artistic works.
For artists and designers, the Sketches program gives the opportunity to present and discuss recent creative works, such as images, animations, games, or interactive or installation pieces.
The focus isn't necessarily on new technology, but on the creative motivations and the artistic, design, and technical challenges behind your work.
The Sketches program is particularly interested in
multidisciplinary uses of computer graphics and interactive techniques. For example, recent years have had talks on subjects such as archeololgical reconstruction, social network visualization, and a wireless virtual reality system for Tai Chi training. The purpose is to inform and inspire the SIGGRAPH community about the uses and potentials of our technology.
SIGGRAPH 2004 will take place in Los Angeles, 8-12 August 2004.
Submissions of sketch proposals, in the form of a one-page abstract and supporting materials, are due 7 April 2004. For more information, see <http://www.siggraph.org/s2004/cfp/sketches>
@ Call for Papers: 3rd European Conference on e-Learning (Universite Paris-Dauphine in Paris, France)
==========================================
prazo/plazo/deadline: 8 JUN 2004
This is the first call for papers for the Third European Conference on e-Learning, which this year is being held on the 25-26 November at the
Universite Paris-Dauphine in Paris, France
The advisory group for the conference invites submissions of papers on both the theory and practice of all aspects of web-enabled technology in learning
and teaching. The conference in November 2004 is seeking qualitative, experience-based and quantitative papers as well as case studies and reports of work in progress from academics, teachers, practitioners, vendors and government departments. Topics may include, but are not limited to,
e-Learning portals and Virtual Learning Environments,
Learning Content Management Systems,
Knowledge Bases and Management,
Computer Aided Assessment,
e-Learning transaction sites,
META data standards,
security and confidentiality,
integrated systems,
citizen centric information systems,
web enabled knowledge management,
the digital divide,
e-learning to support communities and individuals,
social benefits of e-learning,
specialist e-learning topics,
new partnerships to deliver e-learning,
e-universities and other ICT enabled systems in learning and teaching.
In addition to multiple streams of papers, the conference committee are inviting proposals for workshops and tutorials on topics related to e-Learning and research methods applicable to this field.
Submission details:
Abstract details:
No more than 500 words to be received by 8 June 2004. Please indicate which part of the conference you would like your paper considered for. Abstracts should be between 100-500 words and should include five keywords and full details of all authors.
File type: Microsoft Word or rtf.
Submission: By Email attachment to: submissions@...
Full paper: Only required on acceptance of abstract and not to be more than 5,000 words. Submission date will be no later than 3 August 2004.
@ CALL FOR PANEL CONTRIBUTIONS Textual Culture. (University of Stirling, UK)
==========================================
prazo/plazo/deadline: 11 JUN 2004
University of Stirling 19-20 July 2005
We are looking for contributors to a small number of panels at the forthcoming conference on Textual Culture, University of Stirling, 19-20 July 2005.
The plenary speakers are Roger Chartier, John Frow, Peter D. McDonald, Cliff Siskin, Lawrence Rainey, Kim Schroder, Rita Copeland, Alastair Minnis, Leah Price, Bill Warner, and Ron Scollon. This is a unique gathering of critics and thinkers of this importance. Brief biographies of each are attached to this document.
The aim of the conference is to announce a new area of intellectual enquiry within the discipline of English Studies. This area is only beginning to be defined: it is situated within the interstices between intellectual history, literary criticism, critical theory, discourse analysis, history of the book, and publishing-as-process. It does not have an allegiance to a single disciplinary area, and it contests the boundaries and traditions of existing categories.
The future shape of Textual Culture is still unknown. Our aim is that the conference will be largely exploratory, and that it will generate a new series of questions that will set the future agenda for 'textual culture' and 'literature and technology', both within Britain and internationally. So we need a sharing of ideas, a process in which we can all participate, in order to give shape to an emerging discipline. The conference will also inaugurate a new Master's Degree, the M.Litt. in Textual Culture (the first of its kind in the Britain), and the Stirling Centre for Textual Culture, Literature and Technology.
The conference will depart from the conventional format. Instead of a few plenaries and large numbers of concurrent separate sessions, we have decided to make the conference a much more tightly-focussed affair. All the sessions will be plenary, in order to generate as much joint discussion as possible. There will be three large panels with short contributions as well as the longer, formal plenary papers. This should ensure that the quality and excitement of the dialogue, with everyone attending all the sessions, will be very high.
We invite panel contributions for the following topics:
* what is a text?
* circuits of culture: production, reception, markets, regulation
* technologies
We expect each contributor to speak for 5 minutes in turn before the topic is opened to the audience for questions and comments. We will post all abstracts on the conference website (currently under construction: www.textualculture.stir.ac.uk <http://www.textualculture.stir.ac.uk/> ) well before the conference and we will invite anyone to respond to them on the website. We hope this will generate dialogue before the conference begins.
There will also be a concluding panel, in which the plenary speakers will respond briefly to the concerns of the conference.
If you are interested in contributing to one of the panels, please send us a brief abstract (up to 200 words) by 11 June 2004 to: textualculture@....
textualculture@...
@ Call For Papers: WAR IN FILM, TV, AND HISTORY
==========================================
prazo/plazo/deadline: 30 JUL 2004
November 11-14, 2004
www.filmandhistory.org
Area CFP: Aesthetics of the War Film
How can we talk about war films without focusing merely on politics? From _Gone with the Wind_ to _Star Wars_, and in more direct treatments like _Full Metal Jacket_ and _We Were Soldiers_, film has used war as a medium
for probing the character of both the individual and the state. But, because it has served very diverse political ends, the war film--not just "war" and not just liberal or conservative versions of it--points to a deeper interest in the genre itself, in the war narrative as a distinctive
aesthetic experience. What defines that aesthetic? What aesthetic makes a war film uniquely American or Western? What does it do or not do with literature, history, technology, or culture--and why? Which kinds of formal structures and devices make this genre work, and what purposes do they serve? When does the war film fail or succeed as art?
The Film & History League, with the Literature/Film Association, will be holding its conference on "War in Film, Television, and History" during November 11-14, 2004, near Dallas, TX. Full details on the location,
registration procedures, and additional area topics can be found on the web site www.filmandhistory.org. Deadline for proposals is July 30, 2004.
Chair for Aesthetics Area:
Dr. Loren P. Q. Baybrook
Department of English
University of Wisconsin, Oshkosh
Oshkosh, WI 54901
quiring@... or lpq@...
@ CALL FOR ABSTRACTS: NEW RESEARCH FOR NEW MEDIA: INNOVATIVE RESEARCH METHODOLOGIES (Catalonia, Spain)
==========================================
prazo/plazo/deadline: 15 ABR 2004
Second edition - September 30th to October 2nd 2004
Universitat Rovira i Virgili, Tarragona (Catalonia, Spain)
Abstract submission deadline: April 15, 2004
Participant application deadline: June 15, 2004
Info and application form:
http://www.inms.umn.edu/convenings/newresearch_2004/main.htm
Organizers:
Institute for New Media Studies at the University of Minnesota
Communication Department of the Universitat Rovira i Virgili
==================================
Dear colleagues,
We invite you to submit papers on research methodology and new media to this
Symposium, a workshop-approach meeting. Appologies for cross-posting. Please,
forward to colleagues who might be interested!
Best regards,
Nora Paul & David Domingo
Co-organizers
npaul@...
dds@...
==================================
DETAILED INFO
New media offer both new research techniques and new communication arenas to be studied. This Symposium will bring together researchers who a) use new media
technologies to further their existing research methodologies or b) use innovative research methodologies (or rethink traditional methods) to further
their research into any aspect of new media. Perspectives from around the world and from several disciplines will meet in a dialog with the goal of sharing
experiences.
The Institute for New Media Studies at the University of Minnesota and the Communication Department of the Universitat Rovira i Virgili have joined efforts to offer researchers an engaging environment in which to reflect on the craft of new media research. Invited chair persons will summarize the state of the art and selected papers will be presented describing the methodological procedures of actual research projects. Symposium participants will serve as discussants, elevating the examination of these techniques and their implications for research.
After a successful and exciting first edition at the University of Minnesota, USA, the Symposium moves to Europe with the aim of broadening the research traditions sharing experiences. The goal is to provide an examination of current practices and an opportunity for reflection on future directions new media research methods might take. Panel participants will be selected based on current research they have conducted. Symposium participants will be selected through application to the event. We will look for a mix of highly credentialed as well as promising new voices in the area of new media research to participate in the workshop.
The dynamics of the Symposium will avoid the traditional paper presentations format. Papers will be distributed to all the participants prior to the conference so everyone will be familiar with the research methods that will be
discussed. Sessions will be organized in discussion groups, coordinated by a chair person invited by the organizers. Participants will work in small groups
to discuss the implications of the research methods presented in terms of ethics, logistics, impact on results, and other open questions about application of this type of research. The reports from the small group discussions will be an important part of the symposium s outcomes. Participants are expected to join all the discussion sessions in order to enrich the debate with his/her own
methodological and disciplinary perspective.
PANELS
*Ethnographic research: Using ethnographic and new research techniques for the study of new media organizations and populations. While ethnographic research means the investigator goes into the field, instead of bringing the field to the investigator, what are the techniques that have been used to identify and study
organizations and populations? Use of
chat rooms or instant messaging, ways of contacting individuals in
populations, technological monitoring techniques for
observation of work processes, etc.
*Content and Discourse Analysis: Examination of new media messages, communication, web content, etc. Papers could cover different programs or technological aids used in conducting content and discourse analyses as well as the challenges of capturing the "moving target" of online content and communication.
*Research Ethics and Issues: New or unusual ethical issues raised in conducting new media research, methods for dealing with human subject concerns,
confidentiality and privacy issues, sampling and verifying issues.
*Historical Research: Research focused on examination of the evolution of new media. Techniques used to find and analyze earlier forms, methods for anticipating and capturing current media for future examination and comparison. Issues of access to archives of materials.
*Quantitative Research: Development of lab experimentation into new media effects, surveying techniques, and other methods for gathering and analyzing quantitively the impact of new media.
CALL FOR PAPERS
The call for papers for the Symposium is open to any researcher interested in writing a paper on the research method/s used for an actual research project on
new media he/she is conducting or has conducted. These papers will focus on the methodology used rather than the outcome of the research. The papers will
discuss in depth the methodology, how they came to decide to use that method, challenges faced in the application of the method, and questions they have about
effective use of the method. Papers should be 5 to 7 pages long.
20 lines abstracts along with a brief research interests profile should be sent before April 15, 2004 through this webform:
http://www.inms.umn.edu/convenings/newresearch_2004/application.htm
Notification of acceptance is due by May 1st. Full papers, 5 to 7 pages long, will be delivered before June 15th 2004, once they have been accepted.
Approaches from any discipline are welcomed, and diversity will be a criteria in the selection. Communication, socio-technical, psychological, cultural, linguistic, anthropological, sociological and gender studies are examples of possible areas of new media research suitable to be selected.
Each of the panels will have a chair person who will select the most insightful papers and will write up a summary of the research status, concerns and
challenges of that methodological area. Papers will not be strictly presented at the sessions, which will be focused on discussion.
Papers submitted but not assigned to a panel will be able to be presented in a poster session if the paper s writer chooses.
CALL FOR PARTICIPATION
Participation is open to any researcher interested in being part of the discussion, submission of a paper is not necessary. In the interest of creating a dynamic discussion atmosphere, the total number of participants will be limited to 50. Participation applications can be sent before June 15th 2004 through this webform:
http://www.inms.umn.edu/convenings/newresearch_2004/application.htm
The work language of the Symposium will be English.
REGISTRATION FEE
100 euros, includes coffee breaks, lunches and official dinner. People whose papers are selected for the panels will have registration fee waived.
@ VII Encontro da SOCINE. Sociedade Brasileira de Estudos de Cinema (Salvador, Brasil)
==========================================
prazo/plazo/deadline: N/C
Caros colegas,
Envio, anexo, texto com as normas para publicacao dos textos do VII Encontro da SOCINE, realizado em Salvador, em novembro de 2003.Caso haja duvidas, peco que entrem em contato no novo e-mail da SOCINE: socine@... .
Saudacoes
Mauricio R. Goncalves
SOCINE
Sociedade Brasileira de Estudos de Cinema
Normas para publicacao dos textos do VII Encontro
O material para publicacao
devera ser encaminhado em duas vias impressas e em disquete e uma
copia por e-mail, feito em programa compativel com o Windows, corpo
de letra 12, fonte Times New Roman.
observation of work processes, etc.
*Content and Discourse Analysis: Examination of new media messages, communication, web content, etc. Papers could cover different programs or technological aids used in conducting content and discourse analyses as well as the challenges of capturing the "moving target" of online content and communication.
*Research Ethics and Issues: New or unusual ethical issues raised in conducting new media research, methods for dealing with human subject concerns,
confidentiality and privacy issues, sampling and verifying issues.
*Historical Research: Research focused on examination of the evolution of new media. Techniques used to find and analyze earlier forms, methods for anticipating and capturing current media for future examination and comparison. Issues of access to archives of materials.
*Quantitative Research: Development of lab experimentation into new media effects, surveying techniques, and other methods for gathering and analyzing quantitively the impact of new media.
CALL FOR PAPERS
The call for papers for the Symposium is open to any researcher interested in writing a paper on the research method/s used for an actual research project on
new media he/she is conducting or has conducted. These papers will focus on the methodology used rather than the outcome of the research. The papers will
discuss in depth the methodology, how they came to decide to use that method, challenges faced in the application of the method, and questions they have about
effective use of the method. Papers should be 5 to 7 pages long.
20 lines abstracts along with a brief research interests profile should be sent before April 15, 2004 through this webform:
http://www.inms.umn.edu/convenings/newresearch_2004/application.htm
Notification of acceptance is due by May 1st. Full papers, 5 to 7 pages long, will be delivered before June 15th 2004, once they have been accepted.
Approaches from any discipline are welcomed, and diversity will be a criteria in the selection. Communication, socio-technical, psychological, cultural, linguistic, anthropological, sociological and gender studies are examples of possible areas of new media research suitable to be selected.
Each of the panels will have a chair person who will select the most insightful papers and will write up a summary of the research status, concerns and
challenges of that methodological area. Papers will not be strictly presented at the sessions, which will be focused on discussion.
Papers submitted but not assigned to a panel will be able to be presented in a poster session if the paper s writer chooses.
CALL FOR PARTICIPATION
Participation is open to any researcher interested in being part of the discussion, submission of a paper is not necessary. In the interest of creating a dynamic discussion atmosphere, the total number of participants will be limited to 50. Participation applications can be sent before June 15th 2004 through this webform:
http://www.inms.umn.edu/convenings/newresearch_2004/application.htm
The work language of the Symposium will be English.
REGISTRATION FEE
100 euros, includes coffee breaks, lunches and official dinner. People whose papers are selected for the panels will have registration fee waived.
@ VII Encontro da SOCINE. Sociedade Brasileira de Estudos de Cinema (Salvador, Brasil)
==========================================
prazo/plazo/deadline: N/C
Caros colegas,
Envio, anexo, texto com as normas para publicacao dos textos do VII Encontro da SOCINE, realizado em Salvador, em novembro de 2003.Caso haja duvidas, peco que entrem em contato no novo e-mail da SOCINE: socine@... .
Saudacoes
Mauricio R. Goncalves
SOCINE
Sociedade Brasileira de Estudos de Cinema
Normas para publicacao dos textos do VII Encontro
Livros:
Revistas: SOBRENOME, Nome. "Titulo do artigo". Titulo do periodico em italico, cidade, vol., no, data, p.
N.B.:
1. Os textos impressos em duas vias e os disquetes deverao ser encaminhados, ate 05 de abril de 2004 (data de postagem), a Secretaria da Comissao de Publicacoes da SOCINE, a/c Mariarosaria Fabris - Rua Franca Pinto, 786 - Sao Paulo - 04016-003 - Tel.: (11) 5573-2718. A copia por e-mail devera respeitar o mesmo prazo, sendo enviada para socine@... .
2. Os textos, a serem publicados no quinto volume da SOCINE, serao selecionados pela Comissao de Publicacoes.
3. Os textos, que nao estiverem dentro das normas e que chegarem fora de prazo, assim como os que forem enviados por e-mail, nao serao apreciados pela Comissao de Publicacoes.
4. Nao serao apreciados, tambem, os textos das pessoas que nao apresentaram suas comunicacoes no VII Encontro Anual da SOCINE, mesmo que suas propostas tenham sido publicadas no Caderno de Resumos.
5. Nao serao publicados os textos dos participantes do VII Encontro que nao tiverem quitado suas dividas de 2003.
@ RIAO'2004, Congreso internacional sobre la busqueda de informacion asistida por ordenador, organizado por el Centro de Altos Estudios Internacionales de Informatica Documental (CID) Avinon (Francia)
==========================================
prazo/plazo/deadline: n/c
Avinon (Francia)
26 al 28 de abril de 2004.
Informacion: http://www.riao.org/index_fr.html
El Forum Universal de las Culturas es la primera edicion de un nuevo acontecimiento multitudinario y de alcance internacional, que reunira en la ciudad de Barcelona a personas venidas de todo el mundo. El Forum pretende promover el estudio, la reflexion y la investigacion de innovacion a traves del dialogo entre todos los actores y todas las culturas que componen una cultura de la paz, la diversidad y la sostenibilidad para que el proceso de globalizacion tenga lugar de acuerdo con unos valores eticos compartidos.
El Forum en cifras.
141 dias de actividades - 305 instituciones vinculadas a la programacion.
Dialogos.- 44 dialogos, debates y congresos, en sesiones que oscilan entre uno y siete dias - 155 entidades nacionales y 150 entidades internacionales colaboradoras.
Exposiciones.- 4 exposiciones en la Plaza, que ocuparan mas de 14.000 m_ - 20 exposiciones repartidas por la ciudad de Barcelona en mas de 18.000 m_ - 25 entidades colaboradoras.
Espectaculos en la Plaza.- 2.000 artistas - 70 funciones diarias - 140 grupos de musica 450 conciertos - 55 companias de teatro de diferentes formatos y generos
(teatro, danza, circo, cabaret...) - 48 espectaculos de calle - 24 exposiciones - 30 fiestas - 2 pasacalles programados diariamente - 20 funciones de circo - 5
grandes producciones propias - 23 instalaciones artisticas - 105 puntos de servicios gastronomicos - 12 areas de mercado - 8 espacios de talleres - 6 areas
de juego - y todo esto en 252.000 m_... "
El Portal del Forum:
http://www.barcelona2004.org/esp/
@ "VI Congreso de Internacional de Traduccion - Ensenanza a distancia de traduccion y lengua". Departamento de Traduccion i de Interpretacion de la Universidad Autonoma de Barcelona
==========================================
prazo/plazo/deadline: n/c
http://www.fti.uab.es/congres2004/index_esp.htm cg.traduccio2004@...
Organizado por el Departamento de Traduccion i de Interpretacion de la Universidad Autonoma de Barcelona. Del 10 al 12 de mayo 2004
Durante el VI Congreso Internacional de
Traduccion se debatiran los retos que supone para la universidad
y, en concreto, para la ensenanza de la traduccion y las lenguas
la posibilidad de ofrecer cursos a estudiantes que no visitaran sus
establecimientos de manera presencial como hasta ahora. Debatiremos
tambien sobre las ventajas y desventajas que implica la aplicacion
de las tecnologias de la informacion y la comunicacion a la
ensenanza a distancia de la traduccion y de las lenguas para la
traduccion a la universidad.
@ CALL FOR PAPERSIADIS INTERNATIONAL CONFERENCE WWW/INTERNET 2004 (Madrid - Spain)
==========================================
prazo/plazo/deadline: 24 ABR 2004
Madrid - Spain, 6-9 October 2004
(http://www.iadis.org/icwi2004)
* Conference background and goals
The IADIS WWW/Internet 2004 conference aims to address the main issues of concern within WWW/Internet. WWW and Internet had a huge development in recent years. Aspects of concern are no longer just technical anymore but other aspects have aroused. This conference aims to cover both
technological as well as non-technological issues related to these developments. Main tracks have been identified (see below). However innovative contributes that don t fit into these areas will also be considered since they might be of benefit to conference attendees.
* Format of the Confernce
The conference will comprise of invited talks and oral presentations. The proceedings of the conference will be published in the form of a book. The best paper authors will be invited to publish extended versions of their
papers in the IADIS International Journal on WWW/Internet.
* Types of submissions
Full and Short Papers, Posters/Demonstrations, Tutorials, Panels and Doctoral Consortium. All submissions are subject to a blind refereeing process.
* Topics related to WWW/Internet are of interest. These include, but are not limited to the following areas:
- Accessibility
- Adaptive Web Systems
- Collaboration
- Computer-Mediated Communication
- Data Mining
- Database Planning and Development
- Digital Economy
- Digital Libraries and E-Publishing
- Distributed and Parallel Applications
- E-Business and E-Commerce
- E-Government
- E-Learning
- Electronic Data Interchange
- Quality, Evaluation and Assessment
- Extensible Languages
- Global Tendencies in WWW/Internet
- Groupware
- Human Computer Interaction
- Hypermedia
- Information Architectures
- Information Visualization
- Intelligent Agents
- Interfaces
- Internet & Customer Relationship Management
- Internet Payment Systems
- Internet Services
- Languages
- Metadata
- Multimedia
- Performance Issues
- Personalized Web Sites and Services
- Portal strategies
- Protocols and Standards
- Searching and Browsing
- Security Issues
- Semantic Web
- Social & Legal Issues
- Storage Issues
- System Integration
- Teaching and Learning Strategies
- Technology Innovation and Competitiveness
- Technology Management
- Technology Strategies
- Tele-Work
- WWW/Internet Applications
- WWW/Internet Case studies
- WWW/Internet Impacts
- Web Engineering
- Web Personalization
- Web Software
- Wireless Applications
- Ubiquitous Computing
- Usability
- User Modelling
- Virtual Communities
- Virtual Reality
- XML
* Important Dates:
- Submission Deadline: 26 April 2004
- Notification to Authors: 23 June 2004
- Final Camera-Ready Submission and Early Registration: Until 7 July 2004
- Late Registration: After 7 July 2004
- Conference: Madrid - Spain, 6-9 October 2004
* Conference Location
The conference will be held in Madrid, Spain.
* Secretariat
IADIS Secretariat - IADIS INTERNATIONAL CONFERENCE WWW/INTERNET 2004
Rua Sao Sebastiao da Pedreira, 100, 3
1050-209 Lisbon, Portugal
E-mail: icwi2004@...
Web site: http://www.iadis.org/icwi2004
* Scientific Committee
Conference Chair
Pedro Isaias, Universidade Aberta (Portuguese Open University), Portugal
Program Chair
Nitya Karmakar, University of Western Sydney, Australia
Committee Members: *
* for committee list please refer to
@ CALL FOR PAPERSIADIS INTERNATIONAL CONFERENCE WWW/INTERNET 2004 (Madrid - Spain)
==========================================
prazo/plazo/deadline: 24 ABR 2004
Madrid - Spain, 6-9 October 2004
(http://www.iadis.org/icwi2004)
* Conference background and goals
The IADIS WWW/Internet 2004 conference aims to address the main issues of concern within WWW/Internet. WWW and Internet had a huge development in recent years. Aspects of concern are no longer just technical anymore but other aspects have aroused. This conference aims to cover both
technological as well as non-technological issues related to these developments. Main tracks have been identified (see below). However innovative contributes that don t fit into these areas will also be considered since they might be of benefit to conference attendees.
* Format of the Confernce
The conference will comprise of invited talks and oral presentations. The proceedings of the conference will be published in the form of a book. The best paper authors will be invited to publish extended versions of their
papers in the IADIS International Journal on WWW/Internet.
* Types of submissions
Full and Short Papers, Posters/Demonstrations, Tutorials, Panels and Doctoral Consortium. All submissions are subject to a blind refereeing process.
* Topics related to WWW/Internet are of interest. These include, but are not limited to the following areas:
- Accessibility
- Adaptive Web Systems
- Collaboration
- Computer-Mediated Communication
- Data Mining
- Database Planning and Development
- Digital Economy
- Digital Libraries and E-Publishing
- Distributed and Parallel Applications
- E-Business and E-Commerce
- E-Government
- E-Learning
- Electronic Data Interchange
- Quality, Evaluation and Assessment
- Extensible Languages
- Global Tendencies in WWW/Internet
- Groupware
- Human Computer Interaction
- Hypermedia
- Information Architectures
- Information Visualization
- Intelligent Agents
- Interfaces
- Internet & Customer Relationship Management
- Internet Payment Systems
- Internet Services
- Languages
- Metadata
- Multimedia
- Performance Issues
- Personalized Web Sites and Services
- Portal strategies
- Protocols and Standards
- Searching and Browsing
- Security Issues
- Semantic Web
- Social & Legal Issues
- Storage Issues
- System Integration
- Teaching and Learning Strategies
- Technology Innovation and Competitiveness
- Technology Management
- Technology Strategies
- Tele-Work
- WWW/Internet Applications
- WWW/Internet Case studies
- WWW/Internet Impacts
- Web Engineering
- Web Personalization
- Web Software
- Wireless Applications
- Ubiquitous Computing
- Usability
- User Modelling
- Virtual Communities
- Virtual Reality
- XML
* Important Dates:
- Submission Deadline: 26 April 2004
- Notification to Authors: 23 June 2004
- Final Camera-Ready Submission and Early Registration: Until 7 July 2004
- Late Registration: After 7 July 2004
- Conference: Madrid - Spain, 6-9 October 2004
* Conference Location
The conference will be held in Madrid, Spain.
* Secretariat
IADIS Secretariat - IADIS INTERNATIONAL CONFERENCE WWW/INTERNET 2004
Rua Sao Sebastiao da Pedreira, 100, 3
1050-209 Lisbon, Portugal
E-mail: icwi2004@...
Web site: http://www.iadis.org/icwi2004
* Scientific Committee
Conference Chair
Pedro Isaias, Universidade Aberta (Portuguese Open University), Portugal
Program Chair
Nitya Karmakar, University of Western Sydney, Australia
Committee Members: *
* for committee list please refer to
http://www.iadis.org/icwi2004/committees.asp
@ American Folklore Society 2004 Conference (Salt Lake City, Utah)
==========================================
prazo/plazo/deadline: 10 ABR 2004
Salt Lake City, Utah, October 13-17, 2004
http://afsnet.org/annualmeet/index.cfm
Folklore and Film
This is a call for papers and presentations for a proposed series of panels exploring the relationship between film and folklore from a variety of perspectives and filmic forms.
Since 1989, when Bruce Jackson decried the dearth of debate from folklorists in exploring popular film and television texts, much work has been produced. In Folklore Studies and Popular Film and Television: A Necessary Critical Survey [Journal of American Folklore
116.2 (2003): 176-195], Mikel Koven took stock of these debates, charting much of the work that has appeared in both folklore and filmstudies since Jackson. Rather than looking backward, folklorists interested in popular film, and film and television scholars interested in folklore need to move these debates forward.
This proposed series of panels on folklore and film/television has three main agendas:
1. to cast our scholarly nets as broadly as possible in order to see who is producing scholarly work which falls under this very general rubric of film and folklore, with the possibility of putting together either a special issue of a journal or an edited volume after the conference;
2. to establish, under the American Folklore Society, a special sub-section on Folklore and Film, which would then meet each year at the AFS meetings. On this last point, there are a variety of Society rules governing the establishment of new sub-sections, but one of those rules is to demonstrate considerable interest within the society by the proposal of a series of related panels during the same meeting. This is also what I am trying to do with this call for papers.
3. However, at the very least, I would also like to meet withinterested scholars to see about the formation of an international research network in this subject area, with the aim of developing further projects.
To facilitate these aims, I am calling for proposed papers and presentations on any aspect of the film/folklore intersection, including, but not limited to, the following:
* Folklore representation in film and television; including myth, Marchen, legend, folksong and ballad, belief and custom, etc.
* Film and television texts as folkloristic forms; including issues of variant texts, dissemination of beliefs/narratives, film/television as storytelling, etc.
* Audience ethnographies/fan studies
* Ethnographic (documentary) films
* Children s media and its relationship to folklore
Please send both short paper/presentation proposals of 75-100 words, and a longer proposal of 250-500 words, by April 10, 2004 (sorry for the short notice on this) to Mikel J. Koven, mik@.... The panel proposals need to be with the AFS organizers by the middle of the month,so I cannot accept any proposals after the 10th and hope to get the panel(s) accepted.
Dr. Mikel J. Koven
Dept of Theatre, Film and TV
University of Wales, Aberystwyth
(01970) 621605
mik@...
http://users.aber.ac.uk/mik
http://users.aber.ac.uk/mikstaff
CALENDARIO INTERNACIONAL DE CONGRESSOS E CONFERENCIAS
------------------------------------------------------------------------
A B R I L
--------------------------------------------------------------------------
FILM EXHIBITION AND THEATER PRESERVATION
San Antonio Joint Conference of the National PCA/ACA and SW/TX PCA/ACA
April 7-10, 2004
San Antonio, TX
www.swtexaspca.org
RETHINKING THEORIES & PRACTICES OF IMAGING: TECHNOLOGY, REPRESENTATION, AND THE DISCIPLINES.
Rochester Institute of Technology, Department of Philosophy
April 9, 2004
eselinger@...
thegsh@...
CONFERENCE: HARRY POTTER GOES TO UNIVERSITY.
Flinders University School of Humanities
Adelaide, South Australia
15 & 16 April 2004
Flinders University School of Humanities, Adelaide, South Australia
http://ehlt.flinders.edu.au/english/potter_conf/
@ American Folklore Society 2004 Conference (Salt Lake City, Utah)
==========================================
prazo/plazo/deadline: 10 ABR 2004
Salt Lake City, Utah, October 13-17, 2004
http://afsnet.org/annualmeet/index.cfm
Folklore and Film
This is a call for papers and presentations for a proposed series of panels exploring the relationship between film and folklore from a variety of perspectives and filmic forms.
Since 1989, when Bruce Jackson decried the dearth of debate from folklorists in exploring popular film and television texts, much work has been produced. In Folklore Studies and Popular Film and Television: A Necessary Critical Survey [Journal of American Folklore
116.2 (2003): 176-195], Mikel Koven took stock of these debates, charting much of the work that has appeared in both folklore and filmstudies since Jackson. Rather than looking backward, folklorists interested in popular film, and film and television scholars interested in folklore need to move these debates forward.
This proposed series of panels on folklore and film/television has three main agendas:
1. to cast our scholarly nets as broadly as possible in order to see who is producing scholarly work which falls under this very general rubric of film and folklore, with the possibility of putting together either a special issue of a journal or an edited volume after the conference;
2. to establish, under the American Folklore Society, a special sub-section on Folklore and Film, which would then meet each year at the AFS meetings. On this last point, there are a variety of Society rules governing the establishment of new sub-sections, but one of those rules is to demonstrate considerable interest within the society by the proposal of a series of related panels during the same meeting. This is also what I am trying to do with this call for papers.
3. However, at the very least, I would also like to meet withinterested scholars to see about the formation of an international research network in this subject area, with the aim of developing further projects.
To facilitate these aims, I am calling for proposed papers and presentations on any aspect of the film/folklore intersection, including, but not limited to, the following:
* Folklore representation in film and television; including myth, Marchen, legend, folksong and ballad, belief and custom, etc.
* Film and television texts as folkloristic forms; including issues of variant texts, dissemination of beliefs/narratives, film/television as storytelling, etc.
* Audience ethnographies/fan studies
* Ethnographic (documentary) films
* Children s media and its relationship to folklore
Please send both short paper/presentation proposals of 75-100 words, and a longer proposal of 250-500 words, by April 10, 2004 (sorry for the short notice on this) to Mikel J. Koven, mik@.... The panel proposals need to be with the AFS organizers by the middle of the month,so I cannot accept any proposals after the 10th and hope to get the panel(s) accepted.
Dr. Mikel J. Koven
Dept of Theatre, Film and TV
University of Wales, Aberystwyth
(01970) 621605
mik@...
http://users.aber.ac.uk/mik
http://users.aber.ac.uk/mikstaff
CALENDARIO INTERNACIONAL DE CONGRESSOS E CONFERENCIAS
------------------------------------------------------------------------
A B R I L
--------------------------------------------------------------------------
FILM EXHIBITION AND THEATER PRESERVATION
San Antonio Joint Conference of the National PCA/ACA and SW/TX PCA/ACA
April 7-10, 2004
San Antonio, TX
www.swtexaspca.org
RETHINKING THEORIES & PRACTICES OF IMAGING: TECHNOLOGY, REPRESENTATION, AND THE DISCIPLINES.
Rochester Institute of Technology, Department of Philosophy
April 9, 2004
eselinger@...
thegsh@...
CONFERENCE: HARRY POTTER GOES TO UNIVERSITY.
Flinders University School of Humanities
Adelaide, South Australia
15 & 16 April 2004
Flinders University School of Humanities, Adelaide, South Australia
http://ehlt.flinders.edu.au/english/potter_conf/
THE LIFE OF MOBILE DATA: TECHNOLOGY, MOBILITY AND DATA SUBJECTIVITY.
University of Surrey, England
April 15 - 16, 2004
http://risome.soc.surrey.ac.uk
CYBERNETIC GARMENTS' AT THE SPACE BETWEEN TEXTILES_ART_DESIGN_FASHION
CONFERENCE.
Perth, Western Australia
15 - 17 April 2004
http://www.thespacebetween.org.au
4o C PULA MUNDIAL DE M DIA PARA CRIANCAS E ADOLESCENTES
Rio de Janeiro
19 a 23 de abril de 2004
Escola Naval
http://www.riosummit2004.com.br
RIAO'2004, CONGRESO INTERNACIONAL SOBRE LA B SQUEDA DE INFORMACI N ASISTIDA POR ORDENADOR
Centro de Altos Estudios Internacionales de Informatica Documental (CID)
Avinon (Francia)
26 al 28 de abril de 2004.
http://www.riao.org/index_fr.html
------------------------------------------------------------------------
M A Y O
--------------------------------------------------------------------------
CULTURAL STUDIES ASSOCIATION CONFERENCE
Northeastern University in Boston
Boston, USA
May 5-9, 2004
CSAconference@...
VI CONGRESO DE INTERNACIONAL DE TRADUCCI N - ENSENANZA A DISTANCIA DE TRADUCCI N Y LENGUA".
Departamento de Traduccion i de Interpretacion de la Universidad Autonoma de Barcelona
10 al 12 de mayo 2004
http://www.fti.uab.es/congres2004/index_esp.htm
CONGRESO SOBRE APRENDIZAJE VIRTUAL
Universitat Oberta de Catalunya (UOC) y el ICWE (Internacional Conferences, Workshops and Exhibitions)
Madrid, Espana
12 y 14 de mayo, 2004
http://www.online-educa-madrid.com/spain/index.htm
SUBTLE TECHNOLOGIES FESTIVAL
University of Toronto
Toronto, Canada
May 27 - May 30 2004
http://www.subtletechnologies.com
INTERNATIONAL CONFERENCE ON TELEVISION, AUDIO, VIDEO, NEW MEDIA AND FEMINISM: CONSOLE-ING PASSIONS
New Orleans, Louisiana
May 30 - June 2, 2004
http://www.tulane.edu/~communic/cpnola
------------------------------------------------------------------------
J U N I O
--------------------------------------------------------------------------
COLLOQUE INTERNATIONAL: LES GENRES DU CINEMA FRANCAIS >
Universite Paris 10-Nanterre et Forum des Images,
2-5 juin 2004
raphaelle.moine@...
VRCAI 2004 An ACM SIGGRAPH CONFERENCE ON VIRTUAL REALITY CONTINUUM AND ITS APPLICATIONS IN INDUSTRY
Nanyang Technological University
Singapore
16-18 June, 2004
http://www.seagraph.org/vrcai2004
5TH INTERNATIONAL CONFERENCE CROSSROADS IN CULTURAL STUDIES
University of Illinois, ICR Urbana Champaign
Illinois, USA
June 25-June 28, 2004
l.mikos@...
rainer.winter@....
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