P R O @ R T E C L I P S
Boletim Eletronico do Projeto ProArte Brasil
Ano 8 N. 75 6/2004
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 6: CONGRESSOS E CONFERENCIAS: CHAMADAS PARA TRABALHOS /
CONGRESOS Y CONFERENCIAS: CONVOCATORIA PARA TRABAJOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ CPF Update: Conference on War in Film, TV, and History
==========================================
prazo/plazo/deadline: 30 JUL 2004

(November 11-14, 2004, Dallas, TX)

Old information on Film & History web site:

www.filmandhistory.org

Old Speaker information:
In addition to Adrian Cronauer (Good Morning, Vietnam), a
special evening speaker will be Lawrence Suid, author of the epic
study Guts and Glory: The Making of the American Military Image in
Film (2nd ed. UP of Kentucky, 2003).

NEW SPEAKER information: Frank Thompson of THE ALAMO has agreed to
be the Literature Film Association plenary speaker. Thompson is an
expert on Lincoln in Film, but is most recently prominent for his
novelization of The Alamo; in addition he has made a
widely-distributed
DVD documentary about the long line of film renderings of the great
Texas battle. Frank Thompson even appears in three scenes of the
John Lee Hancock epic.

New partner;
The Literature Film Association will meeting with us,
conducting its own panels and papers around the concept of Conflict
in literature and film. Contact is David Kranz at
kranz@...

See our web site for full details. Both groups are looking for Area
Chairs and participants.

Current Areas on web site:

Aesthetics of the War Film
Consequences and Legacies of War
Cuban Missile Crisis
Television on War
Hollywood on the Home Front
Holocaust and Genocide
Stanley Kurbrick
Medieval Films
Military Leaders
Nursing and Military Medicine
The Vietnam Conflict
War Crimes
Wars on Terror
Women and War
World War II--"A" Films
World War II--"B" Films

Deadline for proposals is 30 July, 2004.

Peter Rollins
Film&History
RollinsPC@...
www.filmandhistory.org

@ JORNADAS NACIONALES SOBRE ARTE Y EDUCACI N. LABORATORIO DE
ALTERNATIVAS EDUCATIVAS DE LA FACULTAD DE CIENCIAS HUMANAS DE LA
UNIVERSIDAD NACIONAL DE SAN LUIS (ARGENTINA)
==========================================
prazo/plazo/deadline: 30 AGO 2004

El Laboratorio de Alternativas Educativas de la Facultad de Ciencias
Humanas de la Universidad Nacional de San Luis invita a participar de
las "Jornadas Nacionales sobre Arte y Educacion", que se llevaran a
cabo los dias 21 y 22 de octubre de 2004.

Los propositos de estas jornadas son: propiciar el desarrollo de
innovaciones educativas a partir del arte; potenciar el debate sobre
los nuevos paradigmas filosoficos - pistemologicos que inciden en la
Educacion Artistica; estimular la difusion de investigaciones y de
proyectos innovadores en el campo de la Educacion Artistica;
favorecer el intercambio de diferentes temas, problemas y desafios de
la Educacion Artistica a traves de distintas instancias de
participacion individual y colectiva.

Ejes tematicos:
- Arte y Educacion: Historia del Arte; Procesos creativos; Arte y Diversidad.
- Procesos de formacion en y para el Arte: Teatro y Educacion; Cine y
Educacion; Literatura y Educacion; Plastica Visual y Educacion;
Musica y Educacion.
- Practicas Profesionales e Insercion Laboral.

Modalidad:
- Conferencias de Especialistas invitados.
- Paneles tematicos.
- Talleres de Docentes sobre Educacion y Arte.
- Talleres de Artistas de distintas disciplinas.
- Exposicion de Posters.

Presentacion de Talleres y Posters:
Los participantes pueden presentar experiencias, investigaciones y
proyectos de innovacion educativa y culturales, a traves de las
siguientes modalidades:

1) Posters. Deberan contener las siguientes caracteristicas:
- Titulo en mayuscula, centrado;
- Autor/es en minusculas;
- Institucion -nombre al lado de cada uno de los autores-;
- Direccion postal;
- Correo electronico;
- Resumen, donde conste: propositos u objetivos del trabajo,
metodologia utilizada, datos obtenidos, analisis de los resultados,
conclusion, bibliografia.

2) Talleres. Deberan contener las siguientes caracteristicas:
- Titulo en mayuscula - centrado -;
- Institucion - nombre al lado de cada uno de los autores -;
- Direccion postal;
- Correo electronico;
- Resumen, donde conste: Finalidades u objetivos del taller; Numero
de participantes aceptados; Breve resumen de no mas de diez renglones
sobre los contenidos tematicos esenciales del taller y la metodologia
autilizar.

Dicha informacion debera enviarse por correo hasta la fecha
estipulada, en lenguaje Word for Windows, extension RTF, en letra
arial, tamano 12, espacio simple.

Resumenes para Talleres y Resumenes de Posters hasta el 30 de agosto de 2004.


Inscripcion de alumnos:
Cada Institucion podra inscribir en forma gratuita a no mas de cinco
estudiantes de las carreras de artes y de educacion, con la
acreditacion correspondiente. Los estudiantes que deseen inscribirse
en forma particular, o que excedan el cupo fijado, o no pertenezcan a
las carreras de artes y educacion, deberan abonar un arancel.


Informes:
Laboratorio de Alternativas Educativas, Facultad de Ciencias Humanas,
Universidad Nacional de San Luis, Av. Ejercito de los Andes 950, 4to
Bloque, 2do piso, Oficina 88. CP 5700, San Luis, Argentina.
Telefono: 54-2652-435512, interno 130. Fax 54-2652-430224.

Direcciones electronicas para contactos de informacion:
Lic. Marta Moyano: mmoyano@...
Lic. Marcelo Vitarelli: mvitar@...
Laboratorio de Alternativas Educativas: lae@...

@ "LA EDUCACI N VIRTUAL EN LA SOCIEDAD DEL CONOCIMIENTO". CONGRESO DE
EDUCACI N A DISTANCIA Y TECNOLOG AS EDUCATIVAS (BUENOS AIRES)
==========================================

EDUTIC organiza en la Ciudad Autonoma de Buenos Aires durante los
dias 18, 19 y 20 de agosto del 2004, la primera edicion de su
Congreso de Educacion a Distancia y Tecnologias Educativas bajo el
titulo "La Educacion Virtual en la Sociedad del Conocimiento".


A lo largo de estas jornadas se analizaran diferentes problematicas
educativas en un mundo interconectado por las TIC's.
En ese marco, expertos de todo el mundo, tanto en el area de
educacion como en el de formacion de RRHH, abordaran con diversos
enfoques los modelos utilizados para resolver dichas situaciones
problematicas, ajustandose a politicas existentes o generando las
adecuadas a esta nueva realidad.

Fuente: EDUTIC
http://www.edutic.org.ar/

@ VI COLOQUIO INTERNACIONAL DE ARTE DIGITAL (LA HABANA)
==========================================


Las incripciones para participar en el VI Coloquio Internacional de
Arte Digital ya estan abiertas en la sede del Centro Pablo, Muralla
No. 63, entre Oficios e Inquisidor, La Habana Vieja, en el horario de
10 a.m. a 4 p.m.

El Coloquio comienza el proximo martes 22 a las 10 de la manana en el
Salon de los Vitrales, Oficios y Muralla, La Habana Vieja.

Con este mensaje le hacemos llegar el programa del evento.

Para mas informaciones:
centropablo@...
Telf: 8666585 y 8616251


COLOQUIO INTERNACIONAL ARTE DIGITAL: LENGUAJES Y POETICAS

El Centro Pablo le invita a participar en el Coloquio que se
realizara paralelamente al VI Salon Internacional de Arte Digital,
entre el 22 y el 24 de junio. El Coloquio se propone debatir los
alcances y las limitaciones de estas nuevas formas de creacion
artistica a partir de estos temas generales:

Retos y tecnicas del arte digital
Arte digital, tradicion y originalidad
?Nuevos lenguajes, nuevas tematicas?

La cuota general de inscripcion para el Coloquio Internacional es de
50 pesos M.N. para los participantes cubanos residentes en la Isla y
de 50 USD para los participantes de otros paises.

Para mas informacion sobre el VI Salon Internacional de Arte Digital,
le invitamos a visitar los sitios
www.artedigitalcuba.cult.cu / www.centropablo.cult.cu /
www.centropablonoticias.cult.cu

Centro Cultural Pablo de la Torriente Brau
Calle de la Muralla No. 63, entre Oficios e Inquisidor, Habana Vieja,
Ciudad de la Habana, Cuba
Tele-fax: 537 8666585
Correo electronico: centropablo@...
www.centropablo.cult.cu
www.artedigitalcuba.cult.cu
www.aguitarralimpia.cubasi.cu
www.centropablonoticias.cubasi.cu
www.trovacub.net/centropablo/
www.patriagrande.net/cuba/pablo.de.la.torriente/
www.cubaliteraria.com/autor/pablo_de_la_torriente/index.htm
www.victorcasaus.com


@ SIMP SIO INTERNACIONAL EMOCAO ART.FICIAL 2.0 ITAU CULTURAL (SAO PAULO)
==========================================

Evento discute interacao entre tecnologia, sociedade, arte e
virtualidade, de 2 a 5 de julho


<http://www.itaucultural.org.br/index.cfm?cd_pagina=1993&cd_noticia=4546>


@ CALL FOR PAPERS: THE USES OF WAR IN FILM NOIR. WAR IN FILM, TV, AND
HISTORY CONFERENCE. (DALLAS, TEXAS)
==========================================
prazo/plazo/deadline: 30 JUL 2004

November 11-14, 2004
www.filmandhistory.org

Area: The Uses of War in Film Noir
Proposals are invited for papers to be presented at the "War in Film,
Television, and History Conference" in Dallas, Texas, November 11-14,
2004 for a panel on "The Uses of War in Film Noir."

How does film noir use war as a collective point of reference?
Classic American film noir has often been discussed as an expression
of postwar anxiety, yet
surprisingly little has been said about the ways in which the crime
narratives of film noir use World War Two as an emotional reference
point--a means of anchoring
audience desires in plots which almost never concern war per se. In
what ways does film noir take advantage of the resonance that the War
held for its viewers? Why do
such films as Act of Violence, The Blue Dahlia, Crossfire, and
Suddenly portray returning veterans in such different ways? In what
ways do film noir narratives exploit the phenomenon we now call
Post-Traumatic Stress
Disorder? How do more recent neo-noirs relocate or reconfigure
classic noir's dependence on the shared past of wartime? How does
the memory of World
War Two explicitly or implicitly function in European-produced films
noirs such as Odd Man Out, Night and the City, and The Third Man?

The Film & History League, with the Literature/Film Association, will
be holding its conference on "War in Film, Television, and History"
during November 11-14, 2004, near Dallas, TX. Full details on the
location, registration procedures, and additional area topics can be
found on the web site www.filmandhistory.org.

Please send proposals with abstract (approx 300 words) and a short
bio no later than July 30, 2004 to:
Dr. Hugh S. Manon
Department of English
Oklahoma State University
211-A Morrill Hall
Stillwater, OK 74078-4069

Please send your email to both of the following addresses:
manon@...
hugh.manon@...


@ ISEA2004: YOUR CHANCE TO EXPERIENCE THE CUTTING-EDGE OF RESEARCH,
TECHNOLOGY AND ELECTRONIC ARTS (BALTIC SEA)
==========================================
prazo/plazo/deadline: N/C

'The ISEA conference remains a premier venue that brings together the
visual, performing arts and sounds arts professionals, but also the
theorists, scientists and engineers that are involved in the emerging
disciplines.'
Roger Malina, executive editor, Leonardo / The MIT Press

ISEA2004 CRUISE: AUGUST 15-17
ISEA2004 TALLINN: AUGUST 17-19
ISEA2004 HELSINKI: AUGUST 19-22

ISEA2004 Symposium (http://www.isea2004.net) creates the most
exciting hub of new media technology, research and art this August in
Helsinki, Tallinn and on the amazing cruiser ferry connecting these
Northern capitals. Finns and Estonians have joined forces to throw
what may well be the coolest conference ever.

The interdiscpilinary symposium presents the latest technological and
artistic innovations by the most advanced media labs from all over
the world building unique interface for future products and
businesses. ISEA2004 is the key happening for those working with
digital media, content production, wireless applications and mobile
technologies. It brings together almost two thousand top
professionals: developers of new technologies, scientists, artists,
journalists and curators. At the same time the spectacular cruise on
the Baltic Sea serves as a forum for pleasant networking and leisure;
it is also a perfect opportunity to figure out what the Finns are up
to in the future;-)

Joining ISEA2004 is easy and the registration costs are low. Your
FULL EXPERIENCE event package includes not only two nights'
accomodation on the ferry, but also breakfasts, luxurious buffet
dinners with wine and beer, the funky club programme on 3 stages over
2 nights with 25 djs and live gigs and of course the major
conferences in Tallinn and Helsinki. IT IS REALLY HARD TO BEAT THAT!
Book your tickets for the fast-selling event at
http://www.isea2004.net/tickets - we recommend booking soon as the
most popular cabins are filling up. See more information on who's
coming and what the programme will be like below and at
http://www.isea2004.net/programme.html.

For group bookings, contact Mika Minetti, mika@..., +358 40 719 2280.


ISEA2004
http://www.isea2004.net

The multi-venue ISEA2004 cruise on the Baltic Sea, conferences in
Tallinn and Helsinki (where you will have six simultaneous streams to
choose from), exhibitions and electronic music clubs unite the
leading media labs of the world, researchers, developers of new
technologies, designers and artists during the one-week symposium.
More than 300 leading innovators, artists and scholars have been
selected to present their work from altogether 1200 proposals
received by the ISEA2004 International Programme Committee
(http://www.isea2004.net/programme/index.html#IPC).

NETWORKING AND CLUBBING DURING THE ALL-INCLUSIVE CRUISE

COllaboration between researchers, artists, scientists and businesses
is an essenstial part of this year's ISEA2004 symposium. In fact,
ISEA has never been organised on this scale before. The Silja Opera
cruiser ferry alone will host 20 installations, around 10
performances, interactive games and numerous dj and live acts. The
entire ship turns into an arena for networking meetings, poster
sessions, panels, workshops and seminars while sailing through the
beautiful archipelago from Helsinki to Stockholm and on to Tallinn
via the Aland islands.

Networking sessions offer business units, artists and journalists the
chance to pitch their products and share ideas. Because of the great
scale of the event, you will not only become absorbed into the
inspiring networking sessions, but will find it hard to resist
joining the numerous clubs on the luxury boat while eating five star
buffee dinners with wines and beers, all included in the most
affordable price!

The ferry programme streches from lifts to swimming pools, pushing
the limits of technological and artistic creation. KELLY DOBSON (MIT
Media Lab, USA) brings along her MACHINE THERAPY project to the
ferry's gym. The locative sound installation FLOAT by TUOMO TAMMENPAA
(Finland) and TAMAS SZAKAL (Hungary) will turn the ship into a
play-head and the route into the track by translating GPS
coordinates, distance to islands, depth, direction and speed to a
slowly developing soundscape.

In the game project FLOATING TERRITORIES by LEON CMIELEWSKI and
JOSEPHINE STARRS (Australia), renowned throughout the world for their
animations, ISEA2004 participants receive swipe cards that
arbitrarily assign a tribal allegiance, after which migration and
participants' family history are being explored. ICOLS STRATEGY
DEFENSE AND ARMS FAIR maps out relations between the new media
technology that artists use and modern warfare, such as GPS,
augmented reality systems and VR-technologies. Icols presents a
modified 'arms fair' in Mariehamn, capital of the demilitarized zone
of Aland.

After the cruise, ISEA2004 continues in Tallinn and Helsinki with
conferences and a wide range of other events. The conferences offer
networking possibilities for almost 2000 top professionals. Top
speakers present future trends and latest innovations in their own
fields. Design, technology and research have never been brought
together like this before. The topics range from wearable
technologies to wireless and mobile applications. In Tallinn,
KATHERINE MORIWAKI from NTRG (Networks and Telecommunications
Research Group, Ireland) presents her project and design concepts
related to fashion and technologies, emerging communication
infrastructures, networks and the body.

Tallinn and Helsinki keynotes include ARTURO ESCOBAR (University of
North Carolina, USA), SARAH KEMBER (Goldsmith College, UK), JOANNA
BERZOWSKA (Concordia University, UK), MICHEL MAFFESOLI (Sorbonne,
France), SHUDDHABRATA SENGUPTA (Sarai New Media Initiative, India),
ERKKI HUHTAMO (UCLA, USA), WENDY HUI KYONG CHUN (Brown University,
USA) and MATTHEW FULLER (Piet Zwart Institute, the Netherlands).


Tickets and more information at http://Www.isea2004.net/tickets and
http://www.isea2004.net/programme.html.

For group bookings contact Mika Minetti, mika@..., +358 40 719 2280

@ CALL FOR PAPERS: ALFRED HITCHCOCK, WORLD WAR II, AND THE COLD WAR.
WAR IN FILM, TELEVISION, AND HISTORY CONFERENCE (DALLAS)
==========================================
prazo/plazo/deadline: 30 JUL 2004

November 11-14, 2004
www.filmandhistory.org

Area CFP: Alfred Hitchcock, World War II, and the Cold War
While highly regarded as a master of the Hollywood film, Alfred
Hitchcock s critics and biographers continue to question his interest
in the culture and events surrounding his life and films. Indeed,
many of his films continue to resist historical readings. The Film
and History League invites you to consider giving a presentation that
investigates this trend in Hitchcock criticism and explores the
intersections of his cinematic output with the events of World War II
and/or the Cold War. How do Hitchcock s films engage with these two
pivotal events of the twentieth century? To what degree does
Hitchcock comment on the politics of the period? How does
Hitchcock s wrong man scenario reflect ideologies of the Cold War?
Does a film like Shadow of a Doubt have something to say about World
War II? Do films like Rebecca and Notorious contribute to the
popular WWII woman s picture ?

Hitchcock s world of spies, villains, and international intrigue
continues to be one of the richest cinematic oeuvres, and we invite
you to contribute to its growing body of criticism by attending our
conference. The Film and History League, with the Literature/Film
Association, will be holding its conference on War in Film,
Television, and History during November 11-14, 2004 near Dallas, TX.

Full details on the location, registration procedures, and additional
area topics can be found on the website www.filmandhistory.org.
Deadline for proposals is July 30, 2004.

Please email your abstracts (200-300 words) to jlandrum@....
Jason Landrum
Film and History Conference
Area Chair for Alfred Hitchcock, World War II, and the Cold War
English Department
Oklahoma State University
205 Morrill Hall
Stillwater, OK 74078
405.744.9474
jlandrum@...


@ VII SYMPOSIUM ON VIRTUAL REALITY - SVR 2004 (SAO PAULO)
==========================================
prazo/plazo/deadline: 28 JUN 2004

Sao Paulo, SP, Brasil,
de 20 a 22 de outubro de 2004

Pre-Simposio (para estudantes e iniciantes): 19 de outubro de 2004
www.sp.senac.br/svr2004

Datas Importantes
Artigos Completos e Posteres 28 de julho de 2004
Festival de Mundos Virtuais 28 de junho de 2004
Mini-cursos 28 de junho de 2004
Workshop de Teses e Dissertacoes 28 de junho de 2004
Workshop de Graduacao 28 de junho de 2004

Objetivos e Escopo

O SYMPOSIUM ON VIRTUAL REALITY (SVR) e um simposio promovido
pela SBC (Sociedade Brasileira de Computacao), que visa reunir
pesquisadores, projetistas,estudantes e demais profissionais dos
meios academicos, industriais e comerciais, interessados nos avancos
e nas aplicacoes da realidade virtual.

O evento devera servir para estreitar os lacos entre
pesquisadores, promover a troca de experiencias e facilitar a
interacao entre grupos de pesquisa, melhorar as condicoes de
surgimento de novos grupos de pesquisa inter-institucionais, motivar
gente nova para atuar na area e mostrar aos participantes os avancos
da realidade virtual no Brasil e no mundo.

Apos os seis primeiros eventos, realizados respectivamente em
Sao Carlos (1997), em Marilia (1999), em Gramado (2000), em
Florianopolis (2001), em Fortaleza (2002) e em Ribeirao Preto (2003);
o VII SVR sera realizado em Sao Paulo - SP, Brasil.

As atividades planejadas para o SVR incluem: mini-cursos,
palestras convidadas, tutoriais e paineis, sessoes tecnicas para
apresentacao de artigos
selecionados, posteres, exposicao de produtos e projetos, concurso e
festival de mundos virtuais, demonstracoes, workshop de teses e
dissertacoes de realidade virtual, workshop de iniciacao cientifica.

Autores sao convidados a submeter trabalhos de pesquisa,
resultados experimentais e desenvolvimentos que incluam topicos da
lista (nao exaustiva) a seguir:

. Vida artificial;
. Aceleracao Grafica por Hardware;
. Ambientes Virtuais Colaborativos;
. Ambientes virtuais em rede;
. Aplicacoes de realidade virtual na industria, entretenimento,
arquitetura,
educacao, medicina, marketing, comercio eletronico, e outras areas;
. Aplicacoes tridimensionais baseadas em Internet;
. Desenvolvimento de sistemas de realidade virtual;
. Dispositivos inovadores de entrada e saida;
. Humanos virtuais e avatares;
. Impactos sociais, economicos e tecnicos da Realidade Virtual;
. Interacao baseada em video;
. Interacao multimodal;
. Modelagem e Rendering baseados em imagens;
. Modelagem e rendering multi-resolucao;
. Modelagem, rendering e animacao e interativo;
. Realidade Aumentada;
. Realidade virtual para visualizacao cientifica;
. Simulacao, animacao e visualizacao em tempo real;
. Tecnicas de interacao 3D inovadoras;
. Tecnicas graficas de tempo-real;
. Tele-collaboracao e Teleoperacao;
. VRML, X3D e outras tecnologias baseadas na web.

Apos um processo de revisao criteriosa os artigos selecionados
serao publicados nos anais do evento e apresentados em secoes
tecnicas.

Artigos completos, artigos curtos e posteres podem ser
redigidos em ingles ou portugues e submetidos eletronicamente.

A submissao de trabalhos sera exclusivamente eletronica atraves
do endreco
http://soyuz.metropoa.tche.br/svr2004.

Os artigos podem ser escritos em portugues ou ingles,
exclusivamente nos formatos Postscript (usar generic postscript) ou
PDF. Artigos completos devem ter ate 12 paginas, artigos curtos 2 ou
3 paginas e posteres 1 pagina. A formatacao do texto submetidos deve
seguir o padrao da SBC, disponivel em
http://www.sbc.org.br/templates.

Coordenacao Geral
Romero Tori SENAC-SP e USP Chair
Claudio Kirner UNIMEP e UNASP Vice-chair


Comite de Programa

Marcelo Knorich Zuffo USP Chair
Marcio Serolli Pinho PUCRS Vice-chair


Mini Cursos

Alexandre Cardoso UFU Chair
Edgard Lamounier Jr. UFU Vice-Chair

Paineis e Tutoriais

Luciana Nedel UFRGS Chair
Daniela Kutschat Hanns SENAC-SP Vice-Chair



Workshop de Graduacao

Ronaldo C. Messias UNOESTE Chair
Luiz Gonzaga de Barros SENAC-SP Vice-Chair


Workshop de Teses e Dissertacoes

Creto A. Vidal UFC Chair
Joao Eduardo Kogler Jr. USP Vice-Chair


Festival de Mundos Virtuais

Nivaldi Calonego Jr. UNIMEP Chair
Roger Tavares SENAC-SP Vice-Chair


Exposicao de Produtos e Projetos de Realidade Virtual

Marcelo Paiva USP Chair
Gley Fabiano C. Xavier SENAC Vice-Chair

@ ART/SCIENCE/SPIRITUALITY RECONNECTIONS WITHIN EMERGING PLANETARY
CULTURES. COLLOQUE MELILLA
==========================================

Colloque Melilla / Melilla Symposium
18-20 July 2004

Call for Poster Presentations and Invitation to attend:

A Colloquium on Art/Science/Spirituality Reconnections Within Emerging
Planetary Cultures

Web site with further information: http://www.olats.org

Persons wishing to attend the Colloquium: http://www.melillafestival.org

Host: First International Festival of Cultures, Melilla, Spain

Leonardo is pleased to announce a collaboration with the City of
Melilla and the Al Andalus Foundation, for a colloquium on the
reconnection of art, science, and spirituality. This intercultural
dialogue is offered as
one contribution towards cultural developments within the new
planetary context.

Modern cosmology and physics emphasize the interdependence of complex
systems on scales from the microscopic to the macroscopic.
Contemporary genetics reveal the underlying shared genetic identity
not only of all
human beings, but the genetic relatedness of all life on earth.
Current scientific discoveries reconnect science to a number of
philosophical and spiritual traditions. These reconnections offer the
promise of the development of new philosophical and value systems
appropriate to new
emerging linked planetary cultures.

Artists and scientists have been at the forefront of the use of these
new systems to build life enhancing cultural developments in linked
planetary contexts.

This colloquium, with 20 participating artists, scientists and
philosophers, (see http://www.olats.org for a list of participants)
is intended to be a listening post, an opportunity for inter-cultural
dialogue and a specific step towards magnifying and amplifying
emerging new planetary cultural practice.

The choice of the City of Melilla as the host for this colloquium is
not an accident. Melilla has a millennial history of multi-cultural,
multi-lingual synergy and dialogue within the Mediterranean context.
The
city offers itself as a podium to communicate outcomes of this first
colloquium: to make real the opportunities for the reconnection of
art, science and spirituality for the building of new 21st century
planetary cultures.

If you cannot attend the Colloquium in person, you may send a VHS
cassette which could be displayed for 5 minutes.

There is no funding available for participation in the symposium, but
there is no registration fee and there are reduced hotel rates and
travel on Iberia. If you are interested in presenting a poster,
please contact the following email address: julien_knebusch@...
and submit an abstract (500 words maximum). You are encouraged to
submit also website addresses where any texts on your work could be
found.

We are seeking presentations that present specific scientific and
artistic projects, and make visible the
cultural/philosophical/religions situations that set a priori
conditions and constraints on approaches and specific
work.

The official languages of the colloquium will be English and Spanish,
with simultaneous translation also into French.

Examples of topics:
- Planetary cultures as new creation of worlds
- Planetary consciousnesses: towards spiritual developments
- Experiences of networks (collaboration, artistic and scientific
work, community building) in different cultural contexts
- Scientific discoveries and artistic work which cast new light on
humans as inhabitants of a single planet

Partial Funding for this Leonardo project has been provided by the
Ford and Rockefeller Foundations and UNESCO DIGIARTS.

For Further Information: http://www.olats.org click on Melilla button.

julien_knebusch@... 500 words and URL.

To attend: http://www.melillafestival.org/


@ CALL FOR PAPERS: PROGRESSIVE ERA CINEMA: THANHOUSER, OTHER STUDIOS
AND CREATION OF THE CLASSICAL CINEMA. SOCIETY FOR CINEMA AND MEDIA
STUDIES CONFERENCE 2005
(LONDON)
==========================================
prazo/plazo/deadline: 15 AGO 2004

March 31-April 3, 2005

This panel will focus on aspects of American film from 1909 to 1917,
with the aim of broadening the discussion past the same-old Griffith
papers, to the rich materials surrounding other studios and film
makers; we are especially interested in the Thanhouser Studios of
New Rochelle, NY. How did filmmakers such as Ince, Thanhouser,
Lubin, Vitagraph, Paramount, Metro, Thomas Ince, Universal, etc.,
build the film industry, experiment with acting styles, narrative
form, technology, camera work, and film themes? Our purposes are also
pedagogical - how can new archival materials, such as the Thanhouser
CD-Rom history and DVD collections, provide new opportunities for
students and scholars (in the classroom and in research) to explore
this important (but under-explored) era of cinema? Ned Thanhouser,
head of Thanhouser Film Co. Film Preservation, Inc., and grandson of
the studio founder, plans to participate. We welcome a wide variety
of topics, sources and presentation formats.

Please send enquiries or proposals (300-400 word abstract, short
bibliography and short bio) by August 15, 2004 to: kfuller@...


For appropriate conference forms and further information see the SCMS
website: http://www.cmstudies.org

Kathy Fuller-Seeley, Communication Department, Georgia State
University Summer address: 4106 Sunset Ave.., Chester VA 23831
Phone 804-706-6295

@ CALL FOR PAPERS: CFP: LIT/FILM ASSOC. CONFERENCE IN DALLAS,
==========================================
prazo/plazo/deadline: 30 JUL 2004

Nov. 11-14, 2004

Call for Papers

This year, the Literature/Film Association and Literature/Film
Quarterly join the Film and History League and Film and History in
Dallas, TX, from November 11-14 for a joint conference. The LFA
invites proposals (300-500 words) for individual papers and panels on
the general topic of "War and Conflict in Literature and Film."
Deadline for abstracts and proposals is July 30, 2004. Please send
proposals to David Kranz, LFA 2004 Program Chair, at English Dept.,
Dickinson College, Carlisle, PA, 17013, or (preferred) by email at
kranz@..., with copies to Jim Welsh at
JXWelsh@... and Peter Lev at Plev@....

Information on the LFA portion of the meeting can be found at the LFQ
website, www.salisbury.edu/LFQ.html. Details about the conference
overall are available at www.FilmandHistory.org. The featured
speaker at the conference will be Adrian Cronauer, whose life was
dramatized by Robin Williams in the Barry Levinson film Good Morning
Vietnam (1987).

David L. Kranz
Professor of English and Film Studies
Dept. of English, Dickinson College
Carlisle, PA 17013
717-245-1219


@ CALL FOR PAPERS: 'THE SENSE OF COLOUR', A KINGSTON INTERNATIONAL
SYMPOSIUM, TO BE HELD AT HERSTMONCEAUX CASTLE (SUSSEX, UK)
==========================================
prazo/plazo/deadline: 16 JUL 2004

27 - 29 May 2005.

Proposals are invited for papers relating to a strand of the
conference on 'Cinema and Colour', organised by Stephen Barber and
Carrie Tarr, details of which can be found below and also on the
conference website http://www.cultural-intersections.org. Proposals
of approx. 250 words should be returned to the organisers by 16 July
at:
s.barber@...
c.tarr@...

Cinema and Colour
Colour in film, be it black and white, glorious Technicolor, or the
result of laboratory manipulations, can function in a virtually
infinite number of ways. Linked with the use of lighting and mise en
scene, different film stocks and colour compositions enhance the
expressive potential of film and guide the spectator's viewing
experience. Colour as a signifying system can become a stylistic or
ideological motif in particular films or in the work of particular
auteurs, but there is no universal validity for the meanings of
colour, which are always dependent on context.
Arguably, colour has received less widespread academic attention than
other aspects of cinema studies. This strand will therefore address
the multiplicities of ways in which colour creates meaning, and
invites papers on the following topics:

* Origins of film colour/colorisation/recolorisation
* Technologies of colour
* Digitalisation and colour
* Documentary cinema and colour
* Memory, film and colour
* Auteurs and colour
* Genres and colour
* The symbolic use of colour in film
* Colour across film and video
* Ideology, colour and film
* Cultural difference, colour and film
* Film theory and colour



@ CALL FOR PAPERS: HOLLYWOOD AND WORLD WAR II "A" AND "B" FILMS. WAR
IN FILM, TV, AND HISTORY CONFERENCE (DALLAS)
==========================================
prazo/plazo/deadline: 30 JUL 2004

WAR IN FILM, TV, AND HISTORY
November 11-14, 2004
www.filmandhistory.org

Area Call for Papers
Hollywood and World War II "A" and "B" Films

During the Second World War, both the Hollywood Studios' A- and
B-film producers went to work on creating a huge list of films about
the war. Some were musicals, some were comedies, some were "home
front" melodramas, spy films dealt with espionage, and, of course,
combat films showed our fighting men and women of all armed services
doing battle with the Germans, Japanese and Italians.

Do you have a paper about World War II A-pictures or B-pictures you'd
like to share with like-minded scholars? The Film & History League,
with the Literature/Film Association, presents a conference on "War
in Film,
Television, and History" Nov. 11-14, 2004, in Dallas. Full details
on the location, registration procedures, and additional area topics
can be found on the web site www.filmandhistory.org.

Send a proposal consisting of a cover letter and an abstract of your
paper, either by mail or e-mail by July 30 to:

The chair for World War II A-films:

Ralph Donald
Department of Mass Communications
Southern Illinois University Edwardsville
Edwardsville, IL 62025.
Rdonald@...

The chair for World War II B-films:

Robert Fyne
Department of English
Kean University
Union, New Jersey 07083
RJFyne@...


@ Congreso Nacional de Creatividad, Arte y Educacion. CREARTEDUCA
(Buenos Aires)
==========================================
prazo/plazo/deadline: N/C

16,17.18 y 19 de Septiembre de 2004
Buenos Aires, Argentina

Bajo el subtitulo "Para un aprendizaje solidario" los dias 16,17.18 y
19 de Septiembre de 2004, CREARTEDUCA organiza su Congreso Nacional
de Creatividad, Arte y Educacin.
En Marzo aparecera mayor informacion en su pagina web:
www.elretablodelasmaravillas.com
Por mail: info@...


@ CFP: CINEMA & TECHNOLOGY, LANCASTER UNIVERSITY (Lancaster, United Kingdom)
==========================================
prazo/plazo/deadline: 1 SEP 2004

Cinema & Technology Conference

6-9 April 2005
Institute for Cultural Research
Lancaster University
Lancaster, United Kingdom

The Institute for Cultural Research at Lancaster University in the
United Kingdom will host a major international conference around the
broad theme of Cinema and Technology. The conference will take
place at Lancaster University and venues in and around the city of
Lancaster
from 6 to 9 April 2005.

Our aim is to address the digitisation of the film image and the
consequences of this process for theories of history, subjectivity,
agency and perception. Within this general framework, participants
will be encouraged to engage with the dematerialisation of the film
image,
the uses of digital cameras, the forms of contemporary cinematic
experience, and revisionist debates about the meanings of technology.
The conference will feature a public keynote address, two major
plenary sessions, and a range of parallel sessions focusing on issues
such as:

The digital imagination
Changing forms of cinematic consumption
Histories of film technologies
The apparatus and technologies of vision
Cinema/technology/ideology
Sound and light in cinema
The politics of cinema technologies
Technologies of new media
Other related topics

There will also be a series of related events in and around Lancaster
that highlight the conference themes in a more informal setting.

Scholars in any discipline are invited to submit proposals for papers
that address the implications of technology for cinematic practice
and theory. Proposal should include: provisional title, an abstract
of up to250 words, your name and contact details (including an email
address),and should be sent to June Rye (icr@...) by 1
September 2004.

@ CALL FOR PAPERS :DEPICTIONS OF WAR ON TELEVISION. FILM AND HISTORY
LEAGUE (Dallas, TX)
==========================================
prazo/plazo/deadline: 30 JUL 2004

Dallas,
November 11-14 2004

War has been depicted on television in a number of ways, from serial
situation comedies to the realities of the evening news. Paper
proposals are invited that examine television depictions of war, any
aspects. Papers can address topics such as; war drama programs such
as JAG or Navy NCIS, situation comedies such as MASH, television news
coverage of the war in Iraq, or made-for-tv movies that depict any
aspect of war. Topics are not limited and can include examinations
of the television aesthetics of war, depictions of the homefront and
of veterans.

The Film & History League, with the Literature/Film Association, will
be holding its conference on "War in Film, Television, and History"
during November 11-14, 2004, near Dallas, TX. Full details on the
location, registration procedures, and additional area topics can be
found on the web site www.filmandhistory.org. Deadline for proposals
is July 30, 2004.

>Area Chair for Television
>Charlene Etkind
>2600 Quail Dr. B
>Columbia, MO 65202
>(573)814-3559
>ircresearch@...



@ SYMPOSIUM ON ARTS & TECHNOLOGY. ARTS OF THE VIRTUAL: POETIC
INQUIRIES IN TIME, SPACE AND MOTION (SALT LAKE CITY, UTAH)
==========================================
prazo/plazo/deadline: 30 JUL 2004

September 30 - October 2, 2004, The University of Utah, Salt Lake City, Utah

Digital technology has spawned new spaces, processes and
forms that offer exciting possibilities for creative research and
scientific investigation. Through the exploration of these realms,
emerge new ways of conceptualizing ourselves: our bodies, the spaces
in which we reside and the potential for artistic expression. As
artists, architects, cultural theorists and scientists working with
new technologies, we come together from diverse disciplines and find
ourselves asking similar questions. What is the dialogue between
corporeality and the virtual? How do we engage our embodied sense
perceptions in virtual worlds? How do we address form, time and space
as both apparition and reality, and how are these questions answered
through our various and overlapping practices? What can the blurred
boundaries between our practices teach us about our identity as
individuals and a society in the 21st century?
The University of Utah's Center for High Performance
Computing, in conjunction with the College of Fine Arts, the School
of Architecture + Planning, and the School of Computing will be
hosting a three-day symposium, "Arts of the Virtual: Poetic Inquiries
in Time, Space, and Motion". The weekend will consist of
presentations, performances, workshops and discussions by some of the
leading artists working in the hybrid spaces between dance, music,
architecture, performance, visual arts, and technology. The purpose
of this symposium is to foster a stimulating intellectual and
aesthetic environment, creating a sense of intimacy in which all can
actively participate and share in a dynamic exchange of ideas.
Funding for the Symposium on Arts Technology has been
provided by the Center for High Performance Computing, the Office of
the Vice President for Research, the College of Fine Arts, the
Scientific Computing and Imaging Institute, the School of Music, the
School of Architecture + Planning, the Department of Communication,
the Department of Art and Art History and the Department of Modern
Dance. See www.artstechsymposium.utah.edu for detailed information.

Presenters

Keynote speaker, Marcos Novak is a global nomad, and an artist,
theorist, and transarchitect. His projects, theoretical essays, and
interviews have been translated into over twenty languages and have
appeared in over 70 countries, and he lectures, teaches, and exhibits
worldwide. Drawing upon architecture, music, and computation, and
introducing numerous additional influences from art, science, and
technology, his work intentionally defies categorization. He is
universally recognized as the pioneer of architecture in cyberspace,
of the critical consideration of virtual space as architectural and
urban place, and of the use of generative computational composition
in architecture and design.
(http://www.mat.ucsb.edu/~marcos/Centrifuge_Site/MainFrameSet.html)

Krzysztof Wodiczko is internationally renowned for his large-scale
slide and video projections on architectural facades and monuments.
Since the late eighties, he has developed a series of nomadic
instruments for both homeless and immigrant operators that function
as implements for survival, communication, empowerment, and healing.
In the last decade, Wodiczko has realized more than seventy public
projections in Australia, Austria, Canada, England, Germany, Holland,
Ireland, Israel, Italy, Mexico, Poland, Spain, Switzerland, and the
United States.
(http://www.architecture.mit.edu/people/profiles/prwodicz.html)

George Lewis, improviser-trombonist, composer and
computer/installation artist, studied composition with Muhal Richard
Abrams at the AACM School of Music, and trombone with Dean Hey. The
recipient of a MacArthur "genius" Fellowship in 2002, a Cal
Arts/Alpert Award in the Arts in 1999, and numerous fellowships from
the National Endowment for the Arts, Lewis has explored electronic
and computer music, computer-based multimedia installations,
text-sound works, and notated forms. A member of the Association for
the Advancement of Creative Musicians (AACM) since 1971, Lewis's work
as composer, improviser, performer and interpreter is documented on
more than 120 recordings.
(http://www.northwestern.edu/jazz/artists/lewis.george/)

Over a career spanning more than forty years, the composer and
pianist Muhal Richard Abrams is widely recognized as one of the most
influential artists in the area of contemporary improvised music. As
a founding member and guiding force of the Chicago-based creative
cauldron, the Association for the Advancement of Creative Musicians
(AACM), the highly influential, community-based musicians' collective
that has been active since 1965, Mr. Abrams has been a central figure
in the shaping and definition of a large variety of innovative
approaches to the integration of composition, improvisation and
performance. His notated compositions for non-improvisors frequently
include a strongly articulated mobility of form, combining
precomposed and notated elements with indeterminacy, improvisation,
microtonality and electronics.
(http://www.aacmchicago.org/members/muhal_richard_abrams_bio.html)

Shelly Eshkar is a digital artist whose research explores drawing,
computer graphics, and human motion. One of his primary tools is
motion capture, a technology that digitally captures the movement,
but not the physical likeness, of human motion. Once inside the
computer, Eshkar creates new digital bodies and spaces to host these
motions. The motions are radically recomposed and altered, creating a
work of performance that could exist only in virtual form. Since 1997
Eshkar and longtime collaborator Paul Kaiser have been creating
museum and stage works with Merce Cunningham. In 1998, Eshkar,
Kaiser, and choreographer Bill T. Jones premiered Ghostcatching, a
digital installation some called 'virtual dance.'
(http://www.Kaiserworks.com)

Hellen Sky is a creative co-director of Company in Space. Her
practice has evolved through performance and image making extended
through new technologies. In CIS projects she collaborates with
others to develop scores, and systems for integrating multiple media
and technologies into a total choreography for performative events,
linking virtual physical terrains to the general public. Previous
work posed the question: Where do flesh, fragile bone, senses and
perceptions fit into the new geographies of the late twentieth
century? Also explored were concepts of presence, and identity within
virtual reality. (http://www.companyinspace.com)

John McCormick is artistic co-director of Company in Space. He is a
choreographer and electronic artist whose work with CIS ranges from
designing real time computer interactive systems, real time vision
orchestration, new applications of telecommunications systems to
deliver interactive art, as well as concept collaboration on
direction image, choreography and technology interface. John is
currently an artist-in-residence at RMIT's Interactive Information
Institute, researching live interactive performance over the internet
and realtime virtual theatre environments. Currently his work centers
around motion capture and allied means of enabling performers to
engage in shared computer-enhanced spaces.
(http://www.companyinspace.com)

Company in Space is based in Melbourne, founded by co-directors John
Mc Cormick and Hellen Sky. The company has consistently pioneered
applications of new technology to movement. The provocative works
create dialogues between our visual, aural and kinetic perceptions,
and exist in a number of media; live performance installations, video
and interactive virtual spaces accessed from anywhere in the world.
These include ISDN telematic performance, interactive Web TV and VRML
worlds. Their work has gained international recognition, and has been
in a range of international festivals bridging the arenas of new
media art and performance.

Ellen Bromberg,
Assistant Dean for Research, College of Fine Arts
Assistant Professor, Department of Modern Dance
University of Utah
330 S. 1500 E. Rm. 110
Salt Lake City, UT 84112
PH: 801/587-9807
FX: 801/581-5442
Dance Office: 801/581-7327
e.bromberg@...


@ PRELIMINARY ANNOUNCEMENT HAS BEEN MADE OF THE SOCIETY FOR CINEMA
AND MEDIA STUDIES CONFERENCE FOR 2005 (THE INSTITUTE OF EDUCATION,
UNIVERSITY OF LONDON)
==========================================
prazo/plazo/deadline: 15 JUL 2004

Location: The Institute of Education, University of London
http://ioewebserver.ioe.ac.uk/ioe/
Date: March 31-April 3 2005

Deadlines:

15 July 2004: Posting of Calls For Papers for pre-constituted panels
and workshops.

15 September 2004: submission of proposals for open-call papers and
pre-constituted panels and workshops.

Details will be forthcoming on the SCMS Website:
http://www.cmstudies.org
Send inquiries to office@...



@ CALL FOR PAPERS: AESTHETICS OF THE WAR FILM
WAR IN FILM, TV, AND HISTORY CONFERENCE (DALLAS)
==========================================
prazo/plazo/deadline: 30 JUL 2004

November 11-14, 2004
www.filmandhistory.org

Area CFP: Aesthetics of the War Film

How can we talk about war films without focusing merely on politics?
From _Gone with the Wind_ to _Star Wars_, and in more direct
treatments like _Full Metal Jacket_ and _We Were Soldiers_, film has
used war as a medium
for probing the character of both the individual and the state. But,
because it has served very diverse political ends, the war film--not
just "war" and not just liberal or conservative versions of
it--points to a deeper interest in the genre itself, in the war
narrative as a distinctive
aesthetic experience. What defines that aesthetic? What aesthetic
makes a war film uniquely American or Western? What does it do or
not do with literature, history, technology, or culture--and why?
Which kinds of formal structures and devices make this genre work,
and what purposes do they serve? When does the war film fail or
succeed as art?

The Film & History League, with the Literature/Film Association, will
be holding its conference on "War in Film, Television, and History"
during November 11-14, 2004, near Dallas, TX. Full details on the
location,
registration procedures, and additional area topics can be found on
the web site www.filmandhistory.org. Deadline for proposals is July
30, 2004.

Chair for Aesthetics Area:

Dr. Loren P. Q. Baybrook
Department of English
University of Wisconsin, Oshkosh
Oshkosh, WI 54901
quiring@... or lpq@...

@ C A L L F O R P A P E R S: BORDER//CROSSINGS
CULTURE - MEDIA - ECONOMY. 6TH INTERDISCIPLINARY, INTERNATIONAL
GRADUATE CONFERENCE
AT THE UNIVERSITY OF ERLANGEN/NUREMBERG
==========================================
prazo/plazo/deadline: 31 AGO 2004

The Departments of German Studies, American Studies, English
Literature, Political Sciences, Economics and Sociology at the
University of Erlangen/Nuremberg, Germany, are inviting young
scholars (graduates and
postgraduates) to present papers at our conference:

Border//Crossings
Culture - Media - Economy

6th Interdisciplinary, International Graduate Conference
at the University of Erlangen/Nuremberg
November 5 - 7, 2004

KEYNOTE SPEAKERS: GIORGIO AGAMBEN (to be confirmed) and ELENA ESPOSITO

The concept of 'border' is - paradoxically? - gaining new relevance
in the wake of what is usually described as 'globalization',
including such diverse phenomena as migration, inter-cultural
communication, transformation or hybridization.

This concept is equally important for those theories centering around
identity and those centering around difference. In trying to cross
national as well as disciplinary borders we are looking for
contributions with current theoretical and/or empirical perspectives,
critically analysing the concept and/or the construction of borders.
We would like to confront different angles on the subject and are
hoping to create space for productive discussions.

Possible topics include, but are not limited to:

- Oikos/Nomos
- Production/Distribution/Consumtion
- Constructions of Knowledge
- Biopolitics
- GenderTransitivities
- Discourse Analyses
- Power Structures
- Marxologics & Criticism of Ideology
- LanguageRituals & Representations
- Hybrid Cultures
- Ethics after Postmodernism
- Postcolonialisms
- BodyFormations
- MediaExperiences and MediaPerspectives
- Free and Open Source-Software Development

Please register using our online submission form at
http://www.gradnet.de
The deadline for paper proposals (1-3 page abstracts) is August 31,
2004 (registration for other participants until October 31, 2004).

Panels with three to five speakers will last two to two and a half
hours. The time allocated for each paper is about 10 minutes, in
order to permit ample time for discussion.
Before the conference, each contribution (3 to 10 pages) will be
posted on our web page in order to facilitate discussion and
scholarly exchange.
The deadline for submitting these short contributions is October 15, 2004.
Please send abstracts and short papers to
"gradabstra@..." in Rich Text Format (.rtf) or Portable
Document Format (.pdf).

Selected papers will be published in the conference proceedings.

The conference fee is 20 EUR.

For further information please do not hesitate to contact us at
"gradinfo@...".

Conference organizers:
Michael Popp M.A.
Gerd Sebald M.A.


CALENDARIO INTERNACIONAL DE CONGRESSOS E CONFERENCIAS
------------------------------------------------------------------------
J U N I O
--------------------------------------------------------------------------
5TH INTERNATIONAL CONFERENCE CROSSROADS IN CULTURAL STUDIES
University of Illinois, ICR Urbana Champaign
Illinois, USA
June 25- 28, 2004
l.mikos@...
rainer.winter@....

VI COLOQUIO INTERNACIONAL DE ARTE DIGITAL
VI Salon Internacional de Arte Digital,
Centro Cultural Pablo de la Torriente Brau
La Habana, cuba
22 y el 24 de junio, 2004
www.artedigitalcuba.cult.cu / www.centropablo.cult.cu /
www.centropablonoticias.cult.cu


------------------------------------------------------------------------
J U L I O
--------------------------------------------------------------------------
2ND INTERNATIONAL CONFERENCE: IMAGING SOCIAL MOVEMENTS.
The Social and Cultural Movements Group,
Edge Hill College, UK
july 1- 3, 2004
http://www.edgehill.ac.uk/Research/smg/International_SMG_Conference.htm

SIMP SIO INTERNACIONAL EMOCAO ART.FICIAL 2.0
Itau Cultural
Sao Paulo, Brasil
2 a 5 de julho, 2004
http://www.itaucultural.org.br/index.cfm?cd_pagina=1993&cd_noticia=4546

COLLOQUE INTERNATIONAL L'ASSOCIATION FRANCAISE DES ENSEIGNANTS ET DES
CHERCHEURS EN CINEMA ET AUDIOVISUEL
Ens de Lyon
juillet 6- 8, 2004
http://www.ncl.ac.uk/crif/home.htm

EUROPEAN CINEMA RESEARCH FORUM 4. EUROPEAN CINEMA: DIRECTIONS AND DEVELOPMENTS
Northumbria University, Newcastle upon Tyne, UK
9-11 July, 2004
http://northumbria.ac.uk/sd/academic/sass/european_cinema_conf/

8TH INTERNATIONAL CONFERENCE INFORMATION VISUALISATION
INTERNATIONAL SYMPOSIUM ON DIGITAL ART, AND ONLINE GALLERY IV04-DART
SOAS,
University of London
14- 16 July, 2004
http://www.graphicslink.demon.co.uk/IV04/


IADIS INTERNATIONAL CONFERENCE e-SOCIETY 2004
Avila, Spain
July 16-19, 2004
http://www.iadis.org/es2004


ART/SCIENCE/SPIRITUALITY RECONNECTIONS WITHIN EMERGING PLANETARY
CULTURES. COLLOQUE MELILLA
Melilla
18-20 July 2004
http://www.olats.org
http://www.melillafestival.org


TEXTUAL CULTURE
University of Stirling, UK
19-20 July 2005
http://www.textualculture.stir.ac.uk/


PERSPECTIVES ON CONTEMPORARY LEGEND 2004
Aberystwyth, Wales
July 21-24, 2004
mik@...


CGIV04 INTERNATIONAL CONFERENCE: COMPUTER GRAPHICS, IMAGING AND VISUALIZATION
Parkroyal Penang* Penang Malaysia
26- 29 July, 2004
http://www.graphicslink.demon.co.uk/cgiv04/


------------------------------------------------------------------------
A G O S T O
--------------------------------------------------------------------------
SEXTAS JORNADAS DE ARTES Y MEDIOS DIGITALES
< PRIMER SIMPOSIO > PR CTICAS DE COMUNICACI N EMERGENTES EN LA CULTURA DIGITAL
Cordoba, Argentina
http://www.ccec.org.ar/liminar/ponencias.htm


SIGGRAPH 2004
Los Angeles,
8-12 August 2004.
http://www.siggraph.org/s2004/cfp/sketches


HYPERTEXT 2004. FIFTEENTH ACM CONFERENCE ON HYPERTEXT AND HYPERMEDIA
Santa Cruz, California USA
August 9-13
http://www.ht04.org/


7TH IASTED INTERNATIONAL CONFERENCE ON COMPUTERS AND ADVANCED
TECHNOLOGY IN EDUCATION - CATE 2004
16 -18 August
Kauai, Hawaii, United States
http://www.iasted.com/conferences/2004/hawaii/cate.htm


"LA EDUCACI N VIRTUAL EN LA SOCIEDAD DEL CONOCIMIENTO". CONGRESO DE
EDUCACI N A DISTANCIA Y TECNOLOG AS EDUCATIVAS
EDUTIC
Buenos Aires
18, 19 y 20 de agosto del 2004
http://www.edutic.org.ar/



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