P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 5 N. 45+46 10/2001
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ PROYECTO GEMINIS - CUBA
============================================
prazo/plazo/deadline: n/c
Geminis es una experiencia de comunicacion participativa; es una metodologia de trabajo desarrollada en el ambito comunitario con ninos y adolescentes, que conjuga la apropiacion del lenguaje audiovisual, con temas de educacion ciudadana y crecimiento personal (derechos de la ninez, preservacion del medio ambiente, educacion para la salud, sexualidad, violencia en los medios de comunicacion y demas problemas que ellos identifiquen en su entorno).
Su proposito es el de introducir a ninos y jovenes en el mundo de la creacion audiovisual, incentivar su creatividad y contribuir a estimular su capacidad critica mas alla del fenomeno audiovisual en si mismo. Se pretende, a su vez, involucrar a agentes tales como la familia y la escuela y otros mediadores sociales.
Estrategias de comunicacion
Los "talleres de creacion en video" son el centro de la experiencia. A traves del conocimiento del lenguaje audiovisual se incentiva un proceso de observacion - reflexion - apreciacion y expresion creadora que, tomando como hilo conductor los problemas que los ninos y jovenes identifican, los convierte en protagonistas de procesos de cambio en su comunidad.
A su vez la discusion y analisis de filmes y programas de television, potencia su recepcion critica y les ayuda a tomar distancia de aquellos comportamientos y patrones difundidos que pueden incidir de manera negativa en un estilo saludable de vida. El "taller" culmina con la realizacion de un producto audiovisual dirigido a grupos poblacionales en el contexto comunitario.
Temas de desarrollo
Juventud, ninez, educacion, salud.
Puntos clave
Con la colaboracion del Centro Nacional de Coordinacion e Informacion en ETS/VIH/SIDA se ha disenando una estrategia de trabajo grupal para la elaboracion, por parte de los mismos adolescentes, de mensajes audiovisuales sobre sexualidad. Las actividades contempladas en dicha estrategia intentan estimular, en los participantes, la autoestima, la autoimagen, el autoconcepto y la asertividad, como procesos psicologicos que subyacen, tanto en la conducta sexual responsable, como, en general, en todos los procesos de interrelacion humana.
Esta propuesta, que cuenta el auspicio de UNAIDS, actualmente se ejecuta en la Casa del Nino y la Nina de la barriada de Cayo Hueso, Municipio Centro Habana, por interes de la Oficina del UNICEF en Cuba.
Para mas informacion contacte a:
Pablo Ramos Rivero
E-mail: unial@...
O visite la pagina web
http://www.cubacine.cu/unial/proyec.html
@ PUBLICATION. NEW JOURNAL: "FILM AND POLITICS"
============================================
prazo/plazo/deadline: n/c
I am developing a proposal for a new journal, "Film and Politics," on behalf of the Political Film Society.
Part of the proposal consists of a lineup of members of an Editorial Board.
Who in Africa, Asia, Europe, and the Americas would be interested in serving?
Please respond with some brief information about your interest and qualifications.
Happy Filmviewing,
Michael Haas
PolFilmS@...
@ RESIDENCE. CINEFONDATION. FESTIVAL INTERNATIONAL DU FILM DE CANNES.
============================================
prazo/plazo/deadline: 15/10/2001, 31/05/2002, 15/10/2002
The Residence provides accommodation and support to 6 film directors with a feature project of fiction in two successive sessions every year (October
1st - mid-February / mid-February - June 30th).
A jury presided by a film director undertakes the selection process. Their decision is based on the quality of the short films - or the first feature -already made, the validity of the feature project and the reasons why the candidate is interested in the programme of the Residence. Following an initial selection on the basis of the applications received (forms are available from the head office of the Cinefondation), the short-listed
Boletim Eletronico do Projeto ProArte Brasil
Ano 5 N. 45+46 10/2001
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ PROYECTO GEMINIS - CUBA
============================================
prazo/plazo/deadline: n/c
Geminis es una experiencia de comunicacion participativa; es una metodologia de trabajo desarrollada en el ambito comunitario con ninos y adolescentes, que conjuga la apropiacion del lenguaje audiovisual, con temas de educacion ciudadana y crecimiento personal (derechos de la ninez, preservacion del medio ambiente, educacion para la salud, sexualidad, violencia en los medios de comunicacion y demas problemas que ellos identifiquen en su entorno).
Su proposito es el de introducir a ninos y jovenes en el mundo de la creacion audiovisual, incentivar su creatividad y contribuir a estimular su capacidad critica mas alla del fenomeno audiovisual en si mismo. Se pretende, a su vez, involucrar a agentes tales como la familia y la escuela y otros mediadores sociales.
Estrategias de comunicacion
Los "talleres de creacion en video" son el centro de la experiencia. A traves del conocimiento del lenguaje audiovisual se incentiva un proceso de observacion - reflexion - apreciacion y expresion creadora que, tomando como hilo conductor los problemas que los ninos y jovenes identifican, los convierte en protagonistas de procesos de cambio en su comunidad.
A su vez la discusion y analisis de filmes y programas de television, potencia su recepcion critica y les ayuda a tomar distancia de aquellos comportamientos y patrones difundidos que pueden incidir de manera negativa en un estilo saludable de vida. El "taller" culmina con la realizacion de un producto audiovisual dirigido a grupos poblacionales en el contexto comunitario.
Temas de desarrollo
Juventud, ninez, educacion, salud.
Puntos clave
Con la colaboracion del Centro Nacional de Coordinacion e Informacion en ETS/VIH/SIDA se ha disenando una estrategia de trabajo grupal para la elaboracion, por parte de los mismos adolescentes, de mensajes audiovisuales sobre sexualidad. Las actividades contempladas en dicha estrategia intentan estimular, en los participantes, la autoestima, la autoimagen, el autoconcepto y la asertividad, como procesos psicologicos que subyacen, tanto en la conducta sexual responsable, como, en general, en todos los procesos de interrelacion humana.
Esta propuesta, que cuenta el auspicio de UNAIDS, actualmente se ejecuta en la Casa del Nino y la Nina de la barriada de Cayo Hueso, Municipio Centro Habana, por interes de la Oficina del UNICEF en Cuba.
Para mas informacion contacte a:
Pablo Ramos Rivero
E-mail: unial@...
O visite la pagina web
http://www.cubacine.cu/unial/proyec.html
@ PUBLICATION. NEW JOURNAL: "FILM AND POLITICS"
============================================
prazo/plazo/deadline: n/c
I am developing a proposal for a new journal, "Film and Politics," on behalf of the Political Film Society.
Part of the proposal consists of a lineup of members of an Editorial Board.
Who in Africa, Asia, Europe, and the Americas would be interested in serving?
Please respond with some brief information about your interest and qualifications.
Happy Filmviewing,
Michael Haas
PolFilmS@...
@ RESIDENCE. CINEFONDATION. FESTIVAL INTERNATIONAL DU FILM DE CANNES.
============================================
prazo/plazo/deadline: 15/10/2001, 31/05/2002, 15/10/2002
The Residence provides accommodation and support to 6 film directors with a feature project of fiction in two successive sessions every year (October
1st - mid-February / mid-February - June 30th).
A jury presided by a film director undertakes the selection process. Their decision is based on the quality of the short films - or the first feature -already made, the validity of the feature project and the reasons why the candidate is interested in the programme of the Residence. Following an initial selection on the basis of the applications received (forms are available from the head office of the Cinefondation), the short-listed
candidates are invited to Paris to be
interviewed by the jury.
The aim of the Festival Residence is to create a permanent structure in Paris that will house young filmmakers and support the development of their
personal project, whilst providing them with cultural opportunities to widen
their horizons.
Characteristics
The residents benefit from :
* Accommodation in the centre of Paris, including a private bedroom, communal living areas and a home video room. Each bedroom is equipped with a
personal computer with high speed Internet connection, a television and a video recorder;
* Living expenses of 5.000 francs per month (762 Euro);
* Free access to a large number of Parisian cinemas and reduced-price access to certain Parisian theatres;
* French lessons (optional); and
* All other advantages of the programme of the Cinefondation.
The Program
The program of the Residence runs for four-and-a-half months. The aim is to both help the young filmmakers develop their feature project, and to provide them with a group programme of seminars and professional encounters.
The Residence enables filmmakers to develop contacts with film professionals, thereby helping their film begin the process of production or co-production
* The Group Programme
In the aim of ensuring the widest possible collective support for the Filmmakers, the Residence organises a group programme made up of weekly encounters with directors, producers, distributors, technicians and critics
At regular intervals, encounters with film institutions are organised to complement the group programme (French national film centre, European film institutions, television companies), so that the residents gain a global
view of film production organisation in France and Europe.
* The Individual Programme
Each successful filmmaker arrives at the Residence with a feature project whose writing stage is more or less complete. According to the needs of the filmmakers, the Residence will arrange individual encounters with directors, technicians or any other person that may be able to bring new inspiration to the filmmaker's project.
Directors wishing to dedicate time to writing alone are able to spend a few days away at the Moulin d'Ande; a retreat situated one hour from Paris.
* Access to Films France is one of the countries in the world that has the greatest richness in terms of access to works of cinema. This is due to the great diversity of
film work present in the programmes of film theatres, festivals and cultural institutions. The Residence offers residents the possibility of free access to a great
number of film theatres, cultural institutions (the Cinematheque Francaise), and to participate at certain Festivals (Angers, Clermont-Ferrand, Nantes and, of course, Cannes).
* Sharing with Others
The first few sessions have shown that communal life at the Residence enables the filmmakers to pool their experience. Whether it be via the bias of the encounters organised in the group programme or in more informal
circumstances, the Residence creates a setting that enables a rich exchange of ideas.
Experience has also shown that the setting promotes the sharing of experience with others outside of the Residence - young spectators, other young filmmakers - thereby giving the directors the chance to relay their
own experience.
Sponsors
The Cinefondation thanks its founding sponsors :
* Nestle
* L'Oreal
* AOL Time Warner
and The National Centre for Cinema (www.cnc.fr), and The Department for Foreign Affairs (www.dipomate.gouv.fr), and, for their financial sponsorship, Mouna Ayoub, Monique Francis Bouygues,
NEC (www.nec-online.fr), Notorious and OBC (www.banque-obc.fr), and, for their technical sponsorship, La Napoule Art Foundation (www.lnaf.org),
Designaddict (www.designaddict.com) Digimage,
Kokak(www.kodak.com), LVT (www.lvt.fr)
and Laboratoire Neyrac (www.centrimage.com)
Terms and Procedure for Application
Applicants to the Festival Residence must:
* have already made short films or possibly a first feature film;
* should be able to express themselves in French or in English.
The aim of the Festival Residence is to create a permanent structure in Paris that will house young filmmakers and support the development of their
personal project, whilst providing them with cultural opportunities to widen
their horizons.
Characteristics
The residents benefit from :
* Accommodation in the centre of Paris, including a private bedroom, communal living areas and a home video room. Each bedroom is equipped with a
personal computer with high speed Internet connection, a television and a video recorder;
* Living expenses of 5.000 francs per month (762 Euro);
* Free access to a large number of Parisian cinemas and reduced-price access to certain Parisian theatres;
* French lessons (optional); and
* All other advantages of the programme of the Cinefondation.
The Program
The program of the Residence runs for four-and-a-half months. The aim is to both help the young filmmakers develop their feature project, and to provide them with a group programme of seminars and professional encounters.
The Residence enables filmmakers to develop contacts with film professionals, thereby helping their film begin the process of production or co-production
* The Group Programme
In the aim of ensuring the widest possible collective support for the Filmmakers, the Residence organises a group programme made up of weekly encounters with directors, producers, distributors, technicians and critics
At regular intervals, encounters with film institutions are organised to complement the group programme (French national film centre, European film institutions, television companies), so that the residents gain a global
view of film production organisation in France and Europe.
* The Individual Programme
Each successful filmmaker arrives at the Residence with a feature project whose writing stage is more or less complete. According to the needs of the filmmakers, the Residence will arrange individual encounters with directors, technicians or any other person that may be able to bring new inspiration to the filmmaker's project.
Directors wishing to dedicate time to writing alone are able to spend a few days away at the Moulin d'Ande; a retreat situated one hour from Paris.
* Access to Films France is one of the countries in the world that has the greatest richness in terms of access to works of cinema. This is due to the great diversity of
film work present in the programmes of film theatres, festivals and cultural institutions. The Residence offers residents the possibility of free access to a great
number of film theatres, cultural institutions (the Cinematheque Francaise), and to participate at certain Festivals (Angers, Clermont-Ferrand, Nantes and, of course, Cannes).
* Sharing with Others
The first few sessions have shown that communal life at the Residence enables the filmmakers to pool their experience. Whether it be via the bias of the encounters organised in the group programme or in more informal
circumstances, the Residence creates a setting that enables a rich exchange of ideas.
Experience has also shown that the setting promotes the sharing of experience with others outside of the Residence - young spectators, other young filmmakers - thereby giving the directors the chance to relay their
own experience.
Sponsors
The Cinefondation thanks its founding sponsors :
* Nestle
* L'Oreal
* AOL Time Warner
and The National Centre for Cinema (www.cnc.fr), and The Department for Foreign Affairs (www.dipomate.gouv.fr), and, for their financial sponsorship, Mouna Ayoub, Monique Francis Bouygues,
NEC (www.nec-online.fr), Notorious and OBC (www.banque-obc.fr), and, for their technical sponsorship, La Napoule Art Foundation (www.lnaf.org),
Designaddict (www.designaddict.com) Digimage,
Kokak(www.kodak.com), LVT (www.lvt.fr)
and Laboratoire Neyrac (www.centrimage.com)
Terms and Procedure for Application
Applicants to the Festival Residence must:
* have already made short films or possibly a first feature film;
* should be able to express themselves in French or in English.
Application Requirements
* A completed application form (available upon request from the Cinefondation head office). The jury will not examine incomplete application forms.
tel. + 33 (0)1 45 61 66 01
fax + 33 (0)1 45 61 97 62
e-mail residence@...
* VHS cassettes of any short films, feature film (where relevant), documentaries, commercials and music videos (where relevant)
* A synopsis or a screenplay of the feature project
* Four passport photographs and a photocopy of the applicant's passport.
Calendar (2001 - 2003)
Two sessions are organized annually.
For each session, a preliminary jury will make a shortlist of applicants following an examination of application forms and the viewing of films (short films or first feature film) directed by the applicants.The short-listed candidates will be invited by the Cinefondation to come to
Paris to be interviewed with the principal jury that decides on the final selection.
SESSIONS
1st October 2001
February 13th 2002
20th February 2002
June 30th 2002
1st October 2002
February 12th 2003
19th February 2003
June 30th 2003
Closing Date for Applications
June 1st, 2001
October 15th, 2001
May 31st, 2002
October 15th, 2002
Jury Interview July 5th, 2001
December 6th, 2001
July 4th, 2002
December 5th, 2002
Organisation
President: Pierre VIOT
General Manager: Sylvie PERRAS
Administrative Officer: Emmanuelle TAYLOR
Cinefondation Head Office
Cinefondation
Festival International du Film
99, boulevard Malesherbes
F-75008 Paris
Tel. 33 (0)1 45 61 66 01
Fax 33 (0)1 45 61 97 62
e-mail residence@...
Festival Residence
6, Cite Malesherbes
F-75009 Paris
Fax 33 (0)1 44 63 57 38
@ CALL FOR PAPERS **ELECTRONIC PUBLISHING**
============================================
prazo/plazo/deadline: 15/11/2001
The editors of Academic.Writing, CCC online, Enculturation, Kairos, and The Writing Instructor seek submissions for a special multi-journal issue on "Electronic Publishing." Projects may address but are not
limited to these possible topics:
Academic.Writing, "Literacy, assessment, disciplinarity "
* Web sites in Rhetoric and Composition and their relationship to disciplinarity.
* Post-print literacies and assessment.
* Journal websites as advertising for print.
* Electronic publishing and virtual/visual rhetorics/literacies.
CCC-online, "Tenure and promotion"
* The value of electronic publications in terms of the job market, tenure, merit pay, etc.
* The value of editing e-journals for the above.
* Ethos and electronic publishing.
* The relationship between e-journals and academic presses and their role in tenure and promotion.
Enculturation, "Hypertext and academic criticism"
* Have we exhausted the academic possibilities of hypertext?
* Are hypertext and academic discourse incompatible? "Where are the(critical) hypertexts?"
* How (via what criteria) should we assess and/or edit (such) an electronic text?
* What role should journals play in the transition from page to screen?
Only traditional editing? Strictly purveyors of form and presentation?
Kairos, "Archiving and historicity"
* Histories of electronic publishing in the discipline (journals and web sites).
* Issues of collaboration in writing/editing for the web.
* Libraries, archives, databases and electronic publishing.
Writing Instructor, "Viability and institutionality"
* The Pros, Cons, Challenges, and Opportunities of Going Digital.
* Relationships among Journals, Departments, and Universities.
* Legal and Economic Issues of Electronic Publication.
* The Politics of Reaching across Disciplinary and Digital Boundaries.
IN ADDITION to academic writing, we are interested in narratives or editorials regarding positive or negative experiences with review committees or editorial boards; musings about the impact of the Internet on print journals or thoughts for future engagements; multi-media projects; reviews of relevant web sites/projects; reviews of e-journals.
All submissions DUE by November 15, 2001. Please send submissions to:
bhawk@..., or
Byron Hawk c/o Enculturation
George Mason University
English Department (MSN 3E4)
4400 University Drive
Fairfax, VA 22030
@ RESIDENCIA EN EL HYPER MEDIA STUDIO DEL SCHOOL OF THEATER, FILM AND TV, UNIVERSITY OF CALIFORNIA AT LOS ANGELES
===========================================
prazo/plazo/deadline: n/c
Se ofrece una plaza para un artista de cualquier disciplina que desee explorar las caracteristicas esteticas y los procesos de realizacion del arte digital interactivo. El Hyper Media Studio busca generar obras artisticas participativas aprovechando la capacidad de interaccion de la computadora con su entorno y pone enfasis en las relaciones entre computacion, medios, instalaciones y espectaculos (performances). La beca es por un ano academico y consiste en el pasaje, los aranceles universitarios, $12.000 para gastos de subsistencia y hasta $2000 adicionales para un trabajo final. Se requiere que los candidatos hablen ingles. Para mas informacion sobre el Hyper Media Studio consultar su pagina en la Internet:<http://www.hypermedia.ucla.edu>.
@ ARTIGOS PARA SESSOES DO IMAGIN RIO, A REVISTA DE CINEMA EDITADA PELO PPGCOM DA FAMECOS.
============================================
prazo/plazo/deadline: 12/10/2001
Amigos.
Estamos peparando a edicao de mais um numero da revista Sessoes do Imaginario, a revista de cinema editada pelo PPGCOM da FAMECOS.
O lancamento sera dia 8 de novembro, durante o V Encontro da SOCINE, que sera realizado de 7 a 10 de novembro, aqui na PUCRS, juntamento com o livro SOCINE 2000, com a selecao de trabalhos apresentados no IV Encontro, em Florianopolis.
Estaremos recebendo artigos sobre cinema, com ate 15 paginas, em corpo 12, Times New Roman, espaco 1,5, ate o dia 12 de outubro.
Cordialmente,
Joao Guilherme Barone - Conselho Editorial
barone@...
@ CALL FOR TAPES: ANOTHER WORLD IS POSSIBLE. THE INDEPENDENT MEDIA CENTER
============================================
prazo/plazo/deadline: n/c
The Independent Media Center is calling for international participation in its next video production. The program will document the peace convergences around the world and will document international responses to the events of 9/11 and what this means for the larger globalization movement.
We request raw footage and pre-produced segments that document the ways in which your communities are mobilizing for peace and how individuals are coming to terms with recent events in regard to the broader movement for economic and social justice. We need footage of rallies and mobilization as well as interviews with participants. We also encourage producers to submit their own edited segments for inclusion in the program.
SUGGESTIONS FOR SUBMISSIONS:
RAW FOOTAGE: Please send video selects of key interviews, B-roll and documentation of events. Do not send hours of footage (!).
SEGMENT PRODUCTION;
Please post your thoughts on segment content and length prior to production. Use the <imc-video@... and cc me at michael@...>. If we discuss the segments in process we can help avoid unnecessary or duplication of efforts.
PROGRAM PRODUCTION
We encourage other video producer groups and collectives to make 28 minute programs for distribution with the IMC series. These programs should be thematic in nature and examine specific issues related to the emerging war and it's impact on communities locally and worldwide.
ON-LINE DATABASE
To assist in segment and program production, we have started an on-line activist video database for videographers to post descriptions of their footage/segments so program producers can search and locate material they may need. The database is available at: http://www.mediajumpstart.net/intake-db/
DISTRIBUTION
Finished programs will be satellitecast and cablecast throughout the U.S. and made available throughout the IMC network for use internationally in teach-ins and organizing.
Tapes (for now) can be sent to
Paper Tiger TV c/o IMC,
339 Lafayette Street,
New York, NY 10012
PLEASE COMMUNICATE VIA EMAIL BEFORE SENDING TAPES
contact: michael@...
@ PROYECTO CORTO CANAL PLUS
============================================
English Department (MSN 3E4)
4400 University Drive
Fairfax, VA 22030
@ RESIDENCIA EN EL HYPER MEDIA STUDIO DEL SCHOOL OF THEATER, FILM AND TV, UNIVERSITY OF CALIFORNIA AT LOS ANGELES
===========================================
prazo/plazo/deadline: n/c
Se ofrece una plaza para un artista de cualquier disciplina que desee explorar las caracteristicas esteticas y los procesos de realizacion del arte digital interactivo. El Hyper Media Studio busca generar obras artisticas participativas aprovechando la capacidad de interaccion de la computadora con su entorno y pone enfasis en las relaciones entre computacion, medios, instalaciones y espectaculos (performances). La beca es por un ano academico y consiste en el pasaje, los aranceles universitarios, $12.000 para gastos de subsistencia y hasta $2000 adicionales para un trabajo final. Se requiere que los candidatos hablen ingles. Para mas informacion sobre el Hyper Media Studio consultar su pagina en la Internet:<http://www.hypermedia.ucla.edu>.
@ ARTIGOS PARA SESSOES DO IMAGIN RIO, A REVISTA DE CINEMA EDITADA PELO PPGCOM DA FAMECOS.
============================================
prazo/plazo/deadline: 12/10/2001
Amigos.
Estamos peparando a edicao de mais um numero da revista Sessoes do Imaginario, a revista de cinema editada pelo PPGCOM da FAMECOS.
O lancamento sera dia 8 de novembro, durante o V Encontro da SOCINE, que sera realizado de 7 a 10 de novembro, aqui na PUCRS, juntamento com o livro SOCINE 2000, com a selecao de trabalhos apresentados no IV Encontro, em Florianopolis.
Estaremos recebendo artigos sobre cinema, com ate 15 paginas, em corpo 12, Times New Roman, espaco 1,5, ate o dia 12 de outubro.
Cordialmente,
Joao Guilherme Barone - Conselho Editorial
barone@...
@ CALL FOR TAPES: ANOTHER WORLD IS POSSIBLE. THE INDEPENDENT MEDIA CENTER
============================================
prazo/plazo/deadline: n/c
The Independent Media Center is calling for international participation in its next video production. The program will document the peace convergences around the world and will document international responses to the events of 9/11 and what this means for the larger globalization movement.
We request raw footage and pre-produced segments that document the ways in which your communities are mobilizing for peace and how individuals are coming to terms with recent events in regard to the broader movement for economic and social justice. We need footage of rallies and mobilization as well as interviews with participants. We also encourage producers to submit their own edited segments for inclusion in the program.
SUGGESTIONS FOR SUBMISSIONS:
RAW FOOTAGE: Please send video selects of key interviews, B-roll and documentation of events. Do not send hours of footage (!).
SEGMENT PRODUCTION;
Please post your thoughts on segment content and length prior to production. Use the <imc-video@... and cc me at michael@...>. If we discuss the segments in process we can help avoid unnecessary or duplication of efforts.
PROGRAM PRODUCTION
We encourage other video producer groups and collectives to make 28 minute programs for distribution with the IMC series. These programs should be thematic in nature and examine specific issues related to the emerging war and it's impact on communities locally and worldwide.
ON-LINE DATABASE
To assist in segment and program production, we have started an on-line activist video database for videographers to post descriptions of their footage/segments so program producers can search and locate material they may need. The database is available at: http://www.mediajumpstart.net/intake-db/
DISTRIBUTION
Finished programs will be satellitecast and cablecast throughout the U.S. and made available throughout the IMC network for use internationally in teach-ins and organizing.
Tapes (for now) can be sent to
Paper Tiger TV c/o IMC,
339 Lafayette Street,
New York, NY 10012
PLEASE COMMUNICATE VIA EMAIL BEFORE SENDING TAPES
contact: michael@...
@ PROYECTO CORTO CANAL PLUS
============================================
prazo/plazo/deadline: n/c
Es una convocatoria de Proyectos de Cortometraje
que premia a 15 aspirantes al ano. Cada ayuda asciende a 1.500.000 pesetas en concepto de compra anticipada de los derechos de emision del corto. Si
quieres las bases del proyecto o informacion para enviarnos tu corto ya realizado, encontraras todo en nuestra web
http://plus.es/codigo/cine/cine_zonacortos_lanoche01.asp
@ RED DE AUDIOVISUALES Y MULTIMEDIA. CENTRO DE ARTE CONTEMPOR NEO WIFREDO LAM Y LA 8VA BIENAL DE LA HABANA
============================================prazo/plazo/deadline: n/c
El Centro de Arte Contemporaneo Wifredo Lam y la 8va Bienal de La Habana anuncian el lanzamiento de la Red de Audiovisuales y Multimedia. Inspirada en la positiva experiencia de la Muestra de Audiovisuales y Multimedia y el Seminario Internacional, estrenada durante la 7ma Bienal de La Habana, la proxima edicion presentara
nuevamente esta iniciativa. Ambos eventos seran organizados por la Red de Audiovisuales y Multimedia, responsable del contenido curatorial de la Muestra y su Simposio. La direccion de la Red esta a cargo de Nelson
Herrera Ysla (director del Centro de Arte Contemporaneo Wifredo Lam de La Habana), y el equipo curatorial esta conformado por Raysa White (La Habana), Alanna Lockward (Bonn-Santo Domingo) y Malin Barth (Nueva
York-Oslo). La RED aglutinara y estimulara en especial a los creadores de la region caribena y latinoamericana, creara y atendera un archivo de obras y convocara un concurso de video-arte y multimedia, cuyas bases seran
difundidas proximamente.
Para mayor informacion favor de dirigirse a:
Alanna Lockward. P.O. Box 7452.53074 Bonn. Alemania
Fax +49 228 79 78 42
Email: jardin_errante@...
@ DISTRIBUCION: CANELA FILMS PRODUCCI N Y DISTRIBUCI N, S.A
============================================prazo/plazo/deadline: n/c
La empresa CANELA Films Produccion y Distribucion, S.A. de C.V. necesita peliculas de largometrajes y cortometrajes de cualquier pais de America Latina para su posible comercializacion en Television, tanto pan continental via satelite, como en Mexico. Los interesados contactar a:
Claudia Rivera
2a. Privada de Calzada de Los Reyes 21, Altos B, Col. Tetela del Monte,
C.P.62130, Cuernavaca, Mor. MEXICO
Tel/Fax: (52.7) 311.7469
Celular: (52.2) 192.3359
Estudio: (52.5) 393.5746
E-mail:clariv67@...
fonte: Fundavisual Latina. www.fundavisual.org.ve
@ DISTRIBUCION. CANAL CINEMAN A PROGRAMA - DOCUMAN A
============================================prazo/plazo/deadline: n/c
CANAL CINEMAN A Programa - DOCUMAN A emite documentales de todos los generos y procedentes de cualquier parte del mundo. Para ello, se puede enviar una copia en VHS (PAL a ser posible), con los documentales que se desea vender. En caso de que los documentales se adapten a la programacion de Documania, se pondran en contacto con los realizadores con la maxima brevedad posible, de no ser asi, se les devolvera la cinta. Informacion:
DOCUMANIA
Sra. Nieves Sanchez
C/ Gran Via 32, 4o Planta
MADRID - 28013 ESPANA
http://www.documania.com
Webmaster@...
fonte: Fundavisual Latina. www.fundavisual.org.ve
@ DISTRIBUCION. CANAL NATURA.
============================================ prazo/plazo/deadline: n/c
Xavier Arnella, CANAL NATURA:http://www.canalnatura.com busca documentales ambientales. Este canal paga 3.000 USD por hora.
fonte: Fundavisual Latina. www.fundavisual.org.ve
@ DISTRIBUCION: MORPHE ART PICTURES
============================================ prazo/plazo/deadline: n/c
es una compania especializada en la distribucion de cortometrajes y animacion para canales de television de todo el mundo. El catalogo esta formado por aproximadamente 140 titulos de muy diferentes nacionalidades que han sido seleccionados en los festivales internacionales mas importantes del circuito. Entre otros titulos estan "Kovat Miehet" (Nominado a los premios EFAS 2001), "Back Room" (Nominado a los premios Goya 2000) y "Who's my favourite girl?" (ganador de los premios Bafta 2000). La diferencia de esta empresa consiste en un estricto criterio de adquisicion en cuanto a la calidad de las obras y, por otro lado, en una ajustado servicio a las necesidades y estilo de programacion de los clientes, algunos de los cuales son ARTE y Canal + en sus diferentes territorios. Tras tres anos de actividad, Morphe Art Pictures se ha posicionado como una de las companias europeas lideres en su ambito de actividad. EL catalogo esta compuesto principalmente por titulos europeos, norteamericanos y australianos, sin embargo desean ampliarlo con cortometrajes latinoamericanos para distribuir en las televisoras europeas. Informacion:
Es una convocatoria de Proyectos de Cortometraje
que premia a 15 aspirantes al ano. Cada ayuda asciende a 1.500.000 pesetas en concepto de compra anticipada de los derechos de emision del corto. Si
quieres las bases del proyecto o informacion para enviarnos tu corto ya realizado, encontraras todo en nuestra web
http://plus.es/codigo/cine/cine_zonacortos_lanoche01.asp
@ RED DE AUDIOVISUALES Y MULTIMEDIA. CENTRO DE ARTE CONTEMPOR NEO WIFREDO LAM Y LA 8VA BIENAL DE LA HABANA
============================================prazo/plazo/deadline: n/c
El Centro de Arte Contemporaneo Wifredo Lam y la 8va Bienal de La Habana anuncian el lanzamiento de la Red de Audiovisuales y Multimedia. Inspirada en la positiva experiencia de la Muestra de Audiovisuales y Multimedia y el Seminario Internacional, estrenada durante la 7ma Bienal de La Habana, la proxima edicion presentara
nuevamente esta iniciativa. Ambos eventos seran organizados por la Red de Audiovisuales y Multimedia, responsable del contenido curatorial de la Muestra y su Simposio. La direccion de la Red esta a cargo de Nelson
Herrera Ysla (director del Centro de Arte Contemporaneo Wifredo Lam de La Habana), y el equipo curatorial esta conformado por Raysa White (La Habana), Alanna Lockward (Bonn-Santo Domingo) y Malin Barth (Nueva
York-Oslo). La RED aglutinara y estimulara en especial a los creadores de la region caribena y latinoamericana, creara y atendera un archivo de obras y convocara un concurso de video-arte y multimedia, cuyas bases seran
difundidas proximamente.
Para mayor informacion favor de dirigirse a:
Alanna Lockward. P.O. Box 7452.53074 Bonn. Alemania
Fax +49 228 79 78 42
Email: jardin_errante@...
@ DISTRIBUCION: CANELA FILMS PRODUCCI N Y DISTRIBUCI N, S.A
============================================prazo/plazo/deadline: n/c
La empresa CANELA Films Produccion y Distribucion, S.A. de C.V. necesita peliculas de largometrajes y cortometrajes de cualquier pais de America Latina para su posible comercializacion en Television, tanto pan continental via satelite, como en Mexico. Los interesados contactar a:
Claudia Rivera
2a. Privada de Calzada de Los Reyes 21, Altos B, Col. Tetela del Monte,
C.P.62130, Cuernavaca, Mor. MEXICO
Tel/Fax: (52.7) 311.7469
Celular: (52.2) 192.3359
Estudio: (52.5) 393.5746
E-mail:clariv67@...
fonte: Fundavisual Latina. www.fundavisual.org.ve
@ DISTRIBUCION. CANAL CINEMAN A PROGRAMA - DOCUMAN A
============================================prazo/plazo/deadline: n/c
CANAL CINEMAN A Programa - DOCUMAN A emite documentales de todos los generos y procedentes de cualquier parte del mundo. Para ello, se puede enviar una copia en VHS (PAL a ser posible), con los documentales que se desea vender. En caso de que los documentales se adapten a la programacion de Documania, se pondran en contacto con los realizadores con la maxima brevedad posible, de no ser asi, se les devolvera la cinta. Informacion:
DOCUMANIA
Sra. Nieves Sanchez
C/ Gran Via 32, 4o Planta
MADRID - 28013 ESPANA
http://www.documania.com
Webmaster@...
fonte: Fundavisual Latina. www.fundavisual.org.ve
@ DISTRIBUCION. CANAL NATURA.
============================================ prazo/plazo/deadline: n/c
Xavier Arnella, CANAL NATURA:http://www.canalnatura.com busca documentales ambientales. Este canal paga 3.000 USD por hora.
fonte: Fundavisual Latina. www.fundavisual.org.ve
@ DISTRIBUCION: MORPHE ART PICTURES
============================================ prazo/plazo/deadline: n/c
es una compania especializada en la distribucion de cortometrajes y animacion para canales de television de todo el mundo. El catalogo esta formado por aproximadamente 140 titulos de muy diferentes nacionalidades que han sido seleccionados en los festivales internacionales mas importantes del circuito. Entre otros titulos estan "Kovat Miehet" (Nominado a los premios EFAS 2001), "Back Room" (Nominado a los premios Goya 2000) y "Who's my favourite girl?" (ganador de los premios Bafta 2000). La diferencia de esta empresa consiste en un estricto criterio de adquisicion en cuanto a la calidad de las obras y, por otro lado, en una ajustado servicio a las necesidades y estilo de programacion de los clientes, algunos de los cuales son ARTE y Canal + en sus diferentes territorios. Tras tres anos de actividad, Morphe Art Pictures se ha posicionado como una de las companias europeas lideres en su ambito de actividad. EL catalogo esta compuesto principalmente por titulos europeos, norteamericanos y australianos, sin embargo desean ampliarlo con cortometrajes latinoamericanos para distribuir en las televisoras europeas. Informacion:
Morphe Art Pictures
PO Box 96032 - 08080
Barcelona - Espana
Telf: +34 932 858 009
Fax: +34 932 858 079
info@...
http://www.morphe.com
fonte: Fundavisual Latina. www.fundavisual.org.ve
@ CONVOCATORIA PARA LIBROS DE ARTISTA, OBJETOS, INSTALACIONES Y OBRA GRAFICA SOBRE BORGES
============================================
prazo/plazo/deadline: 10/03/2002
Invitamos a todos los artistas a participar en este proyecto en homenaje a Jorge Luis Borges.
Para ello deben enviar su trabajo referido a la vida u obra del escritor, en las disciplinas de
LIBROS DE ARTISTA, OBJETOS, INSTALACIONES Y OBRA GRAFICA
no habiendo limitaciones en cuanto a tamano ni tecnica.
Los trabajos deben ser enviados a:
CENTRO DE ARTE MODERNO
Dorrego 176
B1878IYD Quilmes
Buenos Aires
Argentina
Fecha limite de recepcion: 10 de marzo de 2002, la exhibicion se realizara en mayo; los trabajos recibidos no seran devueltos y pasaran a formar la coleccion del Centro de Arte Moderno. Se enviara documentacion a todos los participantes.
Por favor copiar y difundir entre sus amigos artistas.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
FIN/FIM
PO Box 96032 - 08080
Barcelona - Espana
Telf: +34 932 858 009
Fax: +34 932 858 079
info@...
http://www.morphe.com
fonte: Fundavisual Latina. www.fundavisual.org.ve
@ CONVOCATORIA PARA LIBROS DE ARTISTA, OBJETOS, INSTALACIONES Y OBRA GRAFICA SOBRE BORGES
============================================
prazo/plazo/deadline: 10/03/2002
Invitamos a todos los artistas a participar en este proyecto en homenaje a Jorge Luis Borges.
Para ello deben enviar su trabajo referido a la vida u obra del escritor, en las disciplinas de
LIBROS DE ARTISTA, OBJETOS, INSTALACIONES Y OBRA GRAFICA
no habiendo limitaciones en cuanto a tamano ni tecnica.
Los trabajos deben ser enviados a:
CENTRO DE ARTE MODERNO
Dorrego 176
B1878IYD Quilmes
Buenos Aires
Argentina
Fecha limite de recepcion: 10 de marzo de 2002, la exhibicion se realizara en mayo; los trabajos recibidos no seran devueltos y pasaran a formar la coleccion del Centro de Arte Moderno. Se enviara documentacion a todos los participantes.
Por favor copiar y difundir entre sus amigos artistas.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
FIN/FIM
Enviar correo