P R O @ R T E C L I P S
Boletim Eletronico do Projeto ProArte Brasil
Ano 8 N. 80 11/2004
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 6: CONGRESSOS E CONFERENCIAS: CHAMADAS PARA TRABALHOS /
CONGRESOS Y CONFERENCIAS: CONVOCATORIA PARA TRABAJOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ CALL FOR SUBMISSIONS: SYMPOSIUM
COMPONENT OF ITS 8TH ANNUAL FESTIVAL ON SUBTLE TECHNOLOGIES.
University of Toronto (Toronto Canada)
==========================================
prazo/plazo/deadline: 15 JAN 2005


Subtle Technologies Festival Celebrates World Year of Physics
May 26 - May 29 2005

Recognized internationally as a unique forum that encourages new
insights and collaborations between artists and scientists, Subtle
Technologies challenges physicists, geneticists, engineers,
mathematicians, astronomers, architects, dancers, media artists and
musicians to contemplate how art and science act upon one another and
reshape perspectives. Throughout four days of presentations, we aim
to cover a wide variety of subjects. People who have attended the
festival remark that although the individual topics at the festival
are extremely interesting it is often the unexpected threads that are
woven between the various presentations that make the festival a
unique experience for presenters and audience members.

This year, while still offering a diverse program in many subjects,
we will be celebrating the international "World Year of Physics" with
a special session on the work of artists and scientists who
investigate physics in their work. The "World Year of Physics"
coincides with the
centennial of the publication of three of Einstein's papers that
changed the way we would think about physics.

Apart from the session celebrating the "World Year of Physics",
programming of the symposium will be shaped by the submissions
received and is meant to broaden the scope of disciplines or areas of
research for those who attend. In the past, topics addressed have
included
architecture, quantum physics , quantum computing and other
unconventional computing technologies, music, dance, neurology,
imaging technologies, holography,animation, genetics, sonic
explorations,
sensing systems and devices, social systems, complexity theory, and
artificial intelligence.

We encourage demonstrations, and can accommodate / provide technical
support for almost any type of presentation.

Summaries of past presentations are archived on our website. We
strongly urge those interested in submitting a proposal to acquaint
themselves with our history of programming.


Criteria:

The festival is open to the public and presentations must be
accessible to a non-specialized audience. Each presentation must fill
40 minutes, followed by a ten minute question and answer period.

It is strongly recommended that parties interested in submitting a
proposal visit our archives at http://www.subtletechnologies.com to
get
better idea of our programming.

All presenters receive an honorarium and their festival registration
fees are waived.

Deadline for Proposals: January 15, 2005.

PDF version of Call for Submissions:
http://www.subtletechnologies.com/news/index.html

How to Apply
Go to our website at:
http://www.subtletechnologies.com/submissions/index.html


If you have any questions please send an email to
Programming Director: Jim Ruxton
programming@...


@ CALL FOR PAPERS: REFRESH! FIRST INTERNATIONAL CONFERENCE ON THE
HISTORIES OF MEDIA ART, SCIENCE AND TECHNOLOGY
Banff New Media Institute, Canada
==========================================
prazo/plazo/deadline: 1 DEZ 2004

September 28 - October 3, 2005
http://www.mediaarthistory.org
Deadline: Dec. 1st 2004


Recognizing the increasing significance of media
art for our culture, this Conference (Evening of
Sept. 28th, Sept. 29th, 30th, October 1st) on the
Histories of Media Art will discuss for the first
time the history of media art within the
interdisciplinary and intercultural contexts of
the histories of art. Leonardo/ISAST, Banff New
Media Institute the Database for Virtual Art and
UNESCO DigiArts are collaborating to produce the
first international art history conference
covering art and new media, art and technology,
art-science interaction, and the history of media
as pertinent to contemporary art.

For more information on the conference, please visit:
http://www.MediaArtHistory.org

I. MediaArtHistories: Times and Landscapes I and II
II. Methodologies
III. Art as Research / Artists as Inventors
IV. Image Science and 'Representation': From a Cognitive Point of View
V. Collaborative Practice/ Networking (history)
VI. Pop/Mass/Society
VII a. Collecting, preserving and archiving the media arts
VII b. Database/New Scientific Tools
VIII. Cross-Culture - Global Art
IX. What can the History of New Media Learn from
History of Science/Science Studies?
X. Rejuvenate: Film, sound and music in media arts history
XI. High Art/Low Culture - the future of media art sciences?


Please send a 200 word proposal and a very brief
curriculum vitae by December 1st, 2004 via e-mail
to MediaArtHistories@.... Full
papers (5000 to 7000 word long) must be received
via e-mail by July 1st., 2005.
Details about their format will be sent separately to the participants.
All Papers will be considered for publication.
Registration information soon: www.banffcentre.ca/bnmi/
http://www.MediaArtHistory.org

SUPPORTED BY:
LEONARDO, BANFF NMI, DATABASE OF VIRTUAL ART,
GERMAN RESEARCH FOUNDATION, UNESCO DIGIARTS, VILLA VIGONI, INTEL

HONORARY BOARD
Rudolf ARNHEIM; Frank POPPER; Jasia REICHARDT; Itsuo SAKANE, Walter ZANINI

ADVISORY BOARD
Andreas BROECKMANN, Berlin; Paul BROWN, London;
Karin BRUNS, Linz; Annick BUREAUD, Paris; Dieter
DANIELS, Leipzig; Diana DOMINGUES, Caxias do Sul;
Felice FRANKEL, Boston; Jean GAGNON, Montreal;
Thomas GUNNING, Chicago; Linda D. HENDERSON,
Austin; Manrai HSU, Taipei; Erkki HUHTAMO, Los
Angeles; ngel KALENBERG, Montevideo; Ryszard
KLUSZCZYNSKI, Lodz; Machiko KUSAHARA, Tokyo;
W.J.T. MITCHELL, Chicago; Gunalan NADARAJAN,
Singapore; Eduard SHANKEN, Durham; Barbara
STAFFORD, Chicago; Christiane PAUL, New York;
Louise POISSANT, Montreal; Jeffrey SHAW, Sydney;
Tereza WAGNER, Paris; Peter WEIBEL, Karlsruhe;
Steven WILSON, San Francisco.


BANFF
Sara DIAMOND, Director of Research and Artistic Director of BNMI (Local Chair)
Susan KENNARD, Executive Producer of BNMI (Organisation)
www.banffcentre.ca/bnmi/

LEONARDO
Annick BUREAUD, Director Leonardo Pioneers and
Pathbreakers Art History Project, Leonardo/OLATS
www.olats.org

PUBLICATIONS COMMITTEE
Chair: Roger F MALINA, Chair Leonardo/ISAST
www.leonardo.info

CONFERENCE DIRECTOR & ORGANISATION
Oliver GRAU, Director Immersive Art & Database of Virtual Art
Humboldt University Berlin
http://virtualart.hu-berlin.de

@ DEADLINE EXTENDED: THE FIRST INTERNATIONAL CONGRESS OF QUALITATIVE
INQUIRY. UNIVERSITY OF ILLINOIS, URBANA-CHAMPAIGN
==========================================
prazo/plazo/deadline: 15 JAN 2005

Due to the growing interest in new conference panels and increasing
volume of requests for submission deadline extension, the deadline
for submissions
of open-panel session proposals and all papers to the First
International Congress of Qualitative Inquiry is now extended to
January 15, 2005, while the previous deadline of December 1, 2004
still holds effect for
closed-panel session proposals. Notification of the acceptance of
closed-panel proposals will be given by December 15, 2004. Please
continue to visit our conference website www.qi2005.org for more
information, and take advantage of this extension to work on your
proposal and papers.

The First International Congress of Qualitative Inquiry will take
place at the University of Illinois, Urbana-Champaign, from May 5-7,
2005. The theme of the First International Congress of Qualitative
Research focuses on "Qualitative Inquiry in a Time of Global
Uncertainty." The mission of the conference is to provide a forum for
conversations on the interdisciplinary implications of positivist
legislation and academia for critical qualitative
scholarship especially in indigenous, border, feminist, race, queer,
and ethnic studies, and to build and expand the already robust
tradition of Qualitative Inquiry.

Following topics are supposed to be taken up in the conference
Autoethnography & Performance Studies
Critical Ethnography as Performance
Critical Pedagogy
Cultural Policy
Cultural Studies, Education & Pedagogy
Decolonizing Neo-colonial Methodologies
Developments in Participatory Action Research
Ethics, IRBs & Academic Freedom
Ethnicity & Race
Feminist Qualitative Research in the new Century
Foucault's Methodologies
Global Ethnography
Grounded Theory & Social Justice Research
Human Subject Research
Indigenous Approaches to Creating Knowledge
Indigenous Policy Studies
Mixed-methods designs & inquiry in Global Studies
Nationhood & Nationalism
New Media & Information Technology
Postcolonial Methodologies
The Audit Culture & Neoliberalism
The Global Consumer Culture

The organization committee of the conference is chaired by Professor Norman
K.Denzin.


@ CALL FOR PAPERS. CROSS-CONNEXIONS: COMMUNICATIONS, SOCIETY &
CHANGE INTERNATIONAL CONFERENCE (SCIENCE MUSEUM, LONDON, UK)
==========================================
prazo/plazo/deadline: 31 DEZ 2004

11th -13th November 2005, Science Museum, London, UK
>
> Goals of the conference
> To stimulate scholarly research in the history of
>telecommunications, the conference will bring together all those
>interested to discuss developments in telecommunications. The
>conference will understand the interactions over time between
>telecommunications and computing, electrical engineering, space
>technologies,
government, culture and business practice.
The conference will be structured thematically and may include:

> * Communications and shifting social power
> * Introduction of automated, analogue and
> * digital technology
> * Empire
> * Military power
> * Technology transfer
> * Relationship between innovation and utility
> * Satellite and mobile phone technologies
> * Material collections
> * Empowerment and identity
> * Historiography
>
> Call for papers
We invite all prospective speakers to send a one page preliminary
abstract (via email or postal mail) for a 30 minute paper with name
and postal/email address. The deadline for paper submission is 31st
December 2004.
> All prospective speakers will be notifi ed regarding acceptance by
>1st February 2005. A published selection of papers is anticipated.
> Potential organizers of themed symposia should submit proposals by
>31st October 2004 detailing theme, possible papers and speakers with
>contact details for the symposium organizers.
>
> Registration
> If you wish to register your interest in attending the conference,
>to deliver a paper or not, please contact Chris
Chilvers at christopher.chilvers@... or by telephone +44 (0)20
79424183. A web page address will
shortly become available. By post: Chris Chilvers, BT Connected Earth
Senior Research Fellow, Science Museum, Exhibition Road, London, SW7
2DD, United Kingdom.
>
Organized by: Science Museum, IEEE, Connected Earth, Newcomen Society.

@1ST INTERNATIONAL CONFERENCE ON E-SOCIAL SCIENCE (UNIVERSITY OF
MANCHESTER, UK)
==========================================
prazo/plazo/deadline: N/C

Dear Colleagues

I have great pleasure in announcing the 1st International Conference
on e-Social Science to be held at the University of Manchester, UK on
the 22nd - 24th of June 2005.
The initial announcement has been released and we will soon be
inviting contributions from members of the social science and Grid
research communities with experience of - or interests in -
exploring, developing and applying e-Social Science research methods,
practices, tools and
technologies. Submission categories include: long and short papers,
posters, workshops and tutorials.
More information can be found on the conference website
(http://www.ncess.ac.uk/conference_05.htm) where details of
submission formats and deadlines will be announced shortly.
If you would like any further information please do not hesitate to contact me.

Thank you for your assistance,
Gillian Sinclair
Dr Gillian Sinclair
Programme Manager
National Centre for e-Social Science (NCeSS)
University of Manchester
Zochonis Building
Oxford Road
Manchester
UK
M13 9PL

Tel: 0161 276 8234
Email: gillian.sinclair@...
Website: http://www.ncess.ac.uk
News mailing list: http://www.jiscmail.ac.uk/E-SOCIAL-SCIENCE-NEWS

@ CALL FOR PAPERS FOR THE CHARLES CHAPLIN CONFERNECE. BRITISH FILM
INSTITUTE,THE UNIVERSITY OF SOUTHAMPTON AND THE LONDON COLLEGE OF
COMMUNICATION (LONDON)
==========================================
prazo/plazo/deadline: 28 FEV 2005

21-24 July, 2005
London College of Communication, London UK.

The British Film Institute, in conjunction with the University of
Southampton and the London College of Communication, will be holding
a major conference in the summer of 2005 on the work and worldwide
cultural
influence of Charles Chaplin. This will coincide with the
establishment of the BFI s Charlie Chaplin Research Foundation, which
is designed to foster innovative research in relation to Chaplin and
his contemporaries. The emphasis will be on dialogue and the bringing
together of archivists, researchers and scholars from a wide range of
disciplines for the presentation of papers and symposia to reassess
Chaplin s impact and
influence on film and the arts and modern culture. Proposals are
invited for papers covering areas of study such as, but not
exclusively, film history and aesthetics, archive and restoration,
literary and cultural modernism, theatre history, transnational
currents of production and
reception, and social and cultural history.

We wish to encourage a wide range of approaches and areas of study
but as a guide possible areas of focus are:

Performance History: Papers for this area are invited concerning
Chaplin and the performing traditions that informed his work as well
as his influence on subsequent artists and traditions in the realms
of Film, Music Hall, Dance, Nineteenth and Twentieth Century Theatre
History.

Chaplin as Transnational Star: Chaplin s star persona and his
popularity have often been cited as Ouniversal . Papers are invited
here to consider and question this axiom in relation to his popular
critical reception both
inside and outside the United States but particularly the
interrelation between Chaplin as Hollywood icon and the negotiation
with that image beyond the US. Areas of focus could include Chaplin
Imitators, Chaplin as International Icon, Chaplin and Fan magazines.

Chaplin and Sentiment: Much has been made over the years of Chaplin s
use of sentimentality and this has most often been invoked as a
critique. Rather than resurrect this, approaches are invited which
address sentiment along lines which explore Chaplin s use of, and
influence by, this tradition in Victorian popular culture ranging
from popular fiction to popular theatre and music hall.

Chaplin and Comic Traditions: Chaplin s influence on film and
television comedy in the work of, for example, Jerry Lewis, Jacques
Tati, Lucille Ball, Carol Burnett or Danny Kaye, is evident if not
entirely well recognised. Possible areas of focus could consider both
the vulgar roots of Chaplin s comedy and/or his enduring influence,
recognised or not, on subsequent and contemporary comedians in, but
not limited to, Hollywood (e.g. Adam Sandler, Jackie Chan, Jennifer
Saunders etc.).

History of Film Aesthetics: Entering the film industry in 1914
Chaplin learned his craft alongside the rise of what is now referred
to as the classical Hollywood style. Papers here could focus on
Chaplin's contribution to the development of film aesthetics in areas
such as his use
and engagement with the Hollywood style, Comedy and the rise of
Narrative Cinema or the rise of the feature film. Chaplin is also
pertinent to wider issues in film aesthetics such as Auteurism, the
Avant-Garde, or
non-narrative filmmaking.

Industry History: Chaplin s relationship with the Hollywood majors
was unique and often antagonistic. Papers here could include areas
such as Chaplin and United Artists, Chaplin as Independent
producer/director,
Chaplin and the Hollywood System, Chaplin s role in Hollywood
Exhibition and Distribution history worldwide.

Chaplin and the Intellectuals: Twentieth Century thinkers such as
George Bernard Shaw, the Frankfurt School, Henri LeFebvre and
artists such as Rene Clair to Samuel Becket found in Chaplin a cipher
for the modern subject. Papers here could include work on Chaplin
and Walter Benjamin, Chaplin and the Frankfurt School, Chaplin and
the City, Chaplin s Ohigh culture critical reception and modern
taste formations.

History and Uses of Chaplin Os Star Image: Chaplin s star image has
been appropriated and incorporated in almost innumerable ways perhaps
most famously in the 1970s by IBM. This area encourages papers on a
wide range of the ways in which Chaplin s image in its many forms
(i.e. tramp, inebriate, immigrant, cross-dresser) has been utilised
for varied ends and purposes.

Literary History: Chaplin s tramp character has been the springboard
for works of fiction as well as critical speculation. In turn his
characters,the settings as well as the narratives themselves, drew
upon literary as
well as theatrical antecedents. Papers here may consider areas
concerning Chaplin s relationship to literature in areas such as
Chaplin and Dickens, Chaplin and Popular Literature, Literary
Modernism, Chaplin and Ohigh literary culture .

Macro and Cultural Politics: Chaplin s status as immigrant and,
according to the FBI, potential political agitator are just two of a
number of areas for exploration as is his work and image in relation
to cultural politics from issues of globalisation to identity
politics. Areas of interest would be McCarthyism, The American Left,
Exile and Diaspora, Chaplin and Jewishness, Class, Gender and
Sexuality.

Preservation of Chaplin films: The work of Association Chaplin in
Paris, Progetto Chaplin at Bologna University and the Chaplin
Foundation at the British Film Institute are central to the
preservation and restoration of Chaplin s work. However, his films,
particularly the early material exist in numerous forms and editions.
This area invites archivists and researchers to offer work on
approaches to archiving and restoring the multiple versions and
permutations of his work that is out there now.

Chaplin and Music: Chaplin s work on film music and as a songwriter
offer a range of possible areas of work, from his influences to his
compositions for his own films. Proposals are invited on any of the
varied aspects of
Chaplin and music.

Papers are expected to be no longer than 20 minutes in length.
Proposals of no more than 300 words should be sent by post or email
attachment no later than February 28, 2005 to:

The Charles Chaplin Conference
c/o Alison Kirwan
British Film Institute
21 Stephen Street
London W1T 1LN
Email: alison.kirwan@...
Fax: +44 (0) 20 7436 7950


@ CALL FOR PAPERS: 'DESIGNS FOR LIVING: SPACE AND PLACE IN THE
CINEMA',UNIVERSITY OF LONDON (MILE END CAMPUS)
==========================================
prazo/plazo/deadline: 10 JAN 2004

28-30 June 2005

Venue: Queen Mary, University of London (Mile End Campus)

This interdisciplinary conference invites proposals from scholars
interested in the role played by sets and locations in filmic
representation. The aim of the conference is to create a forum for
interrogating both design practice and its creative effects in a
variety
of national and transnational contexts. By highlighting the
performative role of sets and locations in filmic expression, we hope
to initiate debate about how design practice inscribes space as place
in the cinema.

Proposals and plenary papers will reflect both the diversity and
hitherto underinterrogated nature of the subject. We are
particularly interested in proposals relating to the following areas,
as well as further angles appropriate to current research:

* new perspectives on the role of the set in established film
styles (expressionism, poetic realism)
* the impact of film design in the light of particular artistic
movements (art deco, constructivism, modernism)
* the work of particular production designers and art directors
* the collaborative nature of the studio design process
* the particular artistic and cultural influences brought to
bear on the representation of space in specific national contexts
* how priorities in design practice might be compared across
national industries
* questions of authenticity and realism in the representation of place
* the complex interrelationship between the set and the star
* the stages involved in set construction or location shooting
* the representation of major urban centres
* case studies of individual films in which the set underpins a
particular visual style


The ideas here are by no means exhaustive, but suggest avenues that
may be fruitful in addressing the core issues of the conference. The
conference organisers welcome proposals from specialists in film
studies, cultural studies, geography, history, art history,
architecture, design practice and other appropriate disciplines. We
especially welcome proposals for pre-constituted panels (three
speakers maximum). There is no restriction with regard to period,
national context, genre or theoretical approach. Please send
proposals in the form of 250 word abstracts to Laura Wykes
(l.c.wykes@...)
(Designs for Living conference assistant) by 10 January 2005. A
preliminary programme will be available online from February 2005.

Conference organisers:

Dr Sue Harris
Centre for Film Studies
Queen Mary, University of London

Professor Sarah Street
Department of Film, Theatre, Drama and Television
University of Bristol

CALENDARIO INTERNACIONAL DE CONGRESSOS E CONFERENCIAS
------------------------------------------------------------------------
N O V I E M B R E
--------------------------------------------------------------------------
3RD EUROPEAN CONFERENCE ON E-LEARNING
Universite Paris-Dauphine
Paris, France
25-26 November s
Submissions@...

------------------------------------------------------------------------
E N E R O
--------------------------------------------------------------------------
V JORNADAS SOBRE ARTE Y MULTIMEDIA ORGANIZADAS POR LA MEDIATECA DE
CAIXAFORUM DE LA FUNDACI N "LA CAIXA"
METANARRATIVA(S)? :: ENCUENTRO INTERNACIONAL SOBRE LA INICIATIVA
ART STICA DE NARRATIVAS Y SINTAXIS AUDIOVISUALES Y MULTIMEDIA
Barcelona, Espana
28 y 29 enero 2005
http://www.mediatecaonline.net/mediatecaonline/jsp/index.jsp

------------------------------------------------------------------------
F E B R E R O
--------------------------------------------------------------------------
IDEAS IN CYBERSPACE EDUCATION.
University of Edinburgh, Coventry University, and the Institute of
Education, University of London.
23-25 feb 2005
http://www.malts.ed.ac.uk/ice2/call.htm


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