P R O @ R T E C L I P S
Boletim Eletronico do Projeto ProArte Brasil
Ano 9 N. 88+89 8/2005
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 6: CONGRESSOS E CONFERENCIAS: CHAMADAS PARA TRABALHOS /
CONGRESOS Y CONFERENCIAS: CONVOCATORIA PARA TRABAJOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ CALL FOR PAPERS: ENGAGING BAUDRILLARD:AN INTERNATIONAL
MULTI-DISCIPLINARY CONFERENCE (UK)
==========================================
prazo/plazo/deadline: 30 SET 2005

4-6th September 2006
at
Swansea University, United Kingdom

Celebrating the establishment of the International Journal of
<http://www.ubishops.ca/baudrillardstudies/> Baudrillard Studies we
are pleased to announce the first international, multi-disciplinary
conference on Baudrillard's work to be held in the United Kingdom.

Jean Baudrillard is one of the world's most well-known, important,
and talked about thinkers; the author of over 30 books and
innumerable articles; and the inventor of a vast array of influential
concepts and suggestive strategies that have touched upon an
extremely diverse range of fields.

Although his work was initially received within the context of
debates over postmodernism, the last decade has witnessed a more
rounded and nuanced appreciation of the full complexity of
Baudrillard's oeuvre.
The enrichment of our engagement with his ideas, concepts and
strategies has primarily been accomplished in a variety of
disciplinary contexts.
However, the proliferation of engagements across a host of academic
disciplines and non-academic arenas poses the problem of how we can
gather together and make sense of the numerous versions of
Baudrillard.

Accordingly, the conference aims to explore how Baudrillard's work
has been taken up within different disciplines; to consider how these
relate to one another; and to ponder their likely legacy. Thus, the
conference
will bring together people from all disciplines who have engaged with
Baudrillard's ideas, including enthusiasts, critics and sceptics.

Abstracts are invited for papers from scholars in all disciplines.
The conference will be organised into panels, themed by academic
discipline, exploring Baudrillard's contribution to each field and
considering how specific scholars have taken up, interpreted and
employed his ideas.
Possible disciplinary panels include:

* Sociology

* Cultural Studies

* Media and Communication Studies

* Geography and Urban Studies

* Cyberculture

* Politics, International Relations & Conflict Studies

* Literature & Literary Theory

* Gender Studies

* Photography and the Arts

* Visual Culture

* Film Studies

* Architecture

* Anthropology

* Philosophy

* American Studies

* French Studies

* Management Studies

* History and Cultural History

Abstracts of no more than 200 words should be sent to William Merrin
: w.merrin@...> by 30th September 2005.

Participants should also please indicate which disciplinary panel(s)
they would like to present within. Possible panels are listed above
but suggestions for others are also welcome at this initial stage. As
the
conference aims to promote the future of Baudrillard studies we would
especially welcome abstracts from doctoral students & non-academics
currently employing Baudrillardian ideas and themes in their work. A
selection of papers will be published in (1) International Journal of
<http://www.ubishops.ca/baudrillardstudies/> Baudrillard Studies; (2)
special issues of other international journals; and (3) an edited
book.

Located in the South Wales region of the United Kingdom, with direct
and easy access to Cardiff and London, the Swansea University campus
is flanked by parkland, gardens, and leisure activities. The campus
enjoys an enviable beachfront location on the edge of the Gower
Peninsula. The 19-mile Gower Peninsula was the UK's first designated
area of outstanding natural beauty, and its picturesque coastline
with long,
sandy beaches and rocky coves has made it one of the UK's premier
surfing venues.

For all enquiries please contact:

William Merrin
Department of Media and Communications
Swansea University
Singleton Park
Swansea
SA2 8PP
United Kingdom

Email: w.merrin@...

Tele: (01792) 205678 (ext. 3765)

Web: <http://www.swan.ac.uk/mediastudies/staff.html>

@ CALL FOR PAPERS: 31ST ANNUAL FILM AND LITERATURE CONFERENCE AT
FLORIDA STATE UNIVERSITY. DOCUMENTING TRAUMA, DOCUMENTING TERROR
==========================================
prazo/plazo/deadline: 1 OCT 2005

February 3-5, 2006

As terms denoting psychological states, "trauma" and "terror" each
mark limits of expression. Representations of the traumatic past may
just as easily repeat or act out an injury as resolve or work through
it. Terror's present is famously blind, unthinking, sublime. Each of
these terms thus suggests a failure of representation. Yet both
trauma and terror have become central to the political discussions
that chart our future, discussions that often aim to solidify and
make actionable the difference between perpetrators and victims,
terrorists and the terrorized, inhuman atrocity and justifiable
retribution.

What does it mean to document trauma or terror under such historical
conditions? How might attempts to work through traumas be
distinguished from the act of compulsively repeating them? Can the
two ever be fully distinguished? These questions have long been
central to considerations of how filmmakers, writers, and artists
document the Holocaust. They have been important to investigations of
U.S. racism, from the Middle Passage and Indian Removal, through
lynching campaigns
and the internment of Japanese Americans, to more recent hate crimes.
Questions about what it means to document trauma are also
increasingly germane to representations of September 11, 2001. The
2006 FSU Film and Literature conference will extend these inquiries
and look beyond them to considerations of many traumas and terrors.

We hope the conference will also discuss the comparative field
generated by "trauma" and "terror" as rubrics. Is it appropriate to
see all traumas as comparable, as posing similar ethical challenges
of documentation? Or do holocausts, lynchings, genocides, and hate
crimes demand different explanatory frames? Are particular procedures
necessary to represent an event as a trauma or an act of terror? If
so, what are they? Do they differ in visual and verbal media? Do
forms characterized as fiction employ different procedures from those
characterized as nonfiction? In what ways and to what ends have
filmmakers,playwrights, novelists, poets, journalists, and other
documenters distinguished the perpetrators from victims and
bystanders?
How and with what consequences have they challenged or undermined
those distinctions?

Finally, the conference will consider the role the act of documenting
plays in making traumatic histories possible. In what ways have
assertions of the "way things are"--whether they represent traumas or
not--contributed to unfolding horrors? Weimagine a wide range of
discussion from considerations of the figure of "the terrorist" in
recent U.S. films and newspapers, to inquiries into the German and
American propaganda films of World War II.

Keynote Speakers
Dominick LaCapra is Professor of History and Bowmar Professor of
Human Studies and Comparative Literature at Cornell University.
LaCapra is the recipient of various awards, including the 2001 Dactyl
Foundation Award for Aesthetic Theory.
His books include: History, Politics, and the Novel (1987);
Representing the Holocaust: History, Theory, Trauma(1994); History
and Memory after Auschwitz (1998); Writing History, Writing Trauma
(2001), and most recently, History in Transit: Experience, Identity,
Critical Theory (2004).

Brian Winston, is a Pro-Vice Chancellor (Vice-President) at the
University of Lincoln. As an active journalist, documentary
filmmaker, and writer, he worked as a producer/director at Granada
Television and BBC-TV in the 1960s and 1970s. In 1985, he won a U.S.
prime-time Emmy for documentary scriptwriting (at WNET, New York).
His books include: Media Technology and Society (1998); Lies, Damn
Lies, and Documentaries (2000); and Messages: Free Expression, Media,
and the West from
Gutenburg to Google (forthcoming, October 2005).

Janet Walker is Professor of Film Studies at the University of
California, Santa Barbara where she is also affiliated with the
Women's Studies Program. She is the recipient of various awards,
including a 2001 Distinguished Teaching Award from UCSB and a recent
grant from the California Council for the Humanities to make a series
of experimental video portraits of
local Holocaust survivors and refugees. Her edited and authored books
include: Feminism and Documentary, editor with Diane Waldman (1999);
Westerns: Films through History (2001); and most recently, Trauma
Cinema: Documenting Incest and the Holocaust (2005).

Keith A. Beauchamp is a filmmaker who has dedicated 10 years of his
life to telling the story of Emmett Till, the 14-year-old black boy
brutally slain in Mississippi in the summer of 1955. His
self-financed documentary is entitled The Untold Story of Emmett
Louis Till. Beauchamp studied Criminal Justice and Civil Rights at
Southern University (Baton Rouge, LA) and then
moved to New York to become a filmmaker. He has worked in music video
production with Big Baby Films and is founder of
Till Freedom Comes Productions (TFCP), which is devoted producing,
developing and distributing high quality entertainment that is both
socially significant and educational.

The deadline for conference panel proposals and abstracts is October 1, 2005.

For further updates, please visit our website at
http://english3.fsu.edu/~filmlit2006.

Conference Organizers:
Caroline "Kay" Picart (English), Mark Garrett Cooper (English), and
Frank P. Tomasulo (Film School)


@ CONGRESO VIRTUAL (GRATUITO) "INTEGRACI N SIN BARRERAS EN EL SIGLO XXI "
==========================================
prazo/plazo/deadline: 15 OCT 2005

6to. CONGRESO VIRTUAL "Integracion sin Barreras en el Siglo XXI"
Objetivos:
Propiciar el intercambio de experiencias y de nuevos conocimientos
logrados por el uso de la tecnologia en comunicaciones y fomentar el
desarrollo de las relaciones humanas en la Red, fundamentados
en la cooperacion cientifica y tecnologica que debe ser un
instrumento basico para la articulacion de la Comunidad
Iberoamericana en Internet.
Modalidad Congreso Virtual de inscripcion libre y gratuita.
Dirigido a: Un amplio espectro multidisciplinario no limitante, que
permite debatir en una misma comision a investigadores, docentes,
profesional de todas las areas, junto con interesados en los temas a
desarrollar.
Modo de participacion:
- Presentacion de ponencia o trabajo de investigacion.
- Presentacion de taller.
- Participacion en los grupos y/o talleres por medio de la lectura y/o
comentario de los trabajos expuestos.
- Presentacion de conferencia en linea.
- Participacion en las conferencias en linea.
envios a: ponencias@...
Organiza:
Red de Integracion Especial (RedEspecial WEB)
Temario:
Se convoca a los investigadores, academicos e interesados en la
tematica a desarrollar a presentar sus articulos de investigacion, de
aplicacion practica, experiencias o talleres en las areas siguientes:
- Educacion y globalizacion. Educacion formal y no formal. Educacion
a distancia. La investigacion cientifica y las nuevas tecnologias.
- Genero y educacion. Comunicacion y lenguaje.
- Software libre.
- Impacto social de las nuevas tecnologias
- Los vinculos en la Red. Autonomia y dependencia. Censura y control
en la Red. El derecho a la intimidad.
- Educacion y derechos humanos. Ciudadania, participacion y
exigibilidad de derechos. Educacion en valores
- Accesibilidad en la Red. Internet para todos. Criterios
internacionales de diseno. Validadores de sitios.
- Las nuevas formas de edicion y sus alcances. Bibliotecas Virtuales.
La nuevas formas de escritura. El Libro Digital. Los derechos de
autor y propiedad intelectual.
- Los Derechos Humanos y la atencion a la diversidad. Los grupos
vulnerables. Grupos de riesgo. Tercera Edad y discriminacion. La
educacion multicultural y la promocion de las minorias etnicas.
- Discapacidad y tecnologias compensadoras. Uso de la
computadora por personas con deficit cognitivo, sensorial y fisico.
- Proyectos en desarrollo en tiempo de promesas. Nuevas propuestas.
- Innovacion en legislacion. Aspectos legales de la discapacidad y la
integracion social en los paises de habla hispana y portuguesa.
- El uso de Internet en el avance de la ciencia. Medicina Virtual.
Informatica al servicio de la salud. Centro Medico Virtual: una
realidad en marcha.
- Teletrabajo. Desarrollo de esta modalidad de trabajo a distancia.
Autogeneracion de trabajo. Insercion y reinsercion laboral.
- Ocio creativo en Internet.
IDIOMAS DEL CONGRESO
Espanol y portugues.
Fechas de interes:
Inscripcion al Congreso como participante: hasta el 31 de octubre
de 2005
Fecha limite de envio de ponencias y resumenes de talleres: 15 de
octubre de 2005 a ponencias@...
Notificacion de aceptaciones: mes de octubre
Duracion del Congreso: desde el 1 al 30 de noviembre de 2005
Por cualquier duda o consulta comunicarse con:
congreso@...

SITIO DEL CONGRESO:
http://www.redespecialweb.org/congreso6.htm

@ THE FOURTH ANNUAL MEETING OF THE CULTURAL STUDIES ASSOCIATION
(U.S.) WASHINGTON. D.C. (GEORGE MASON UNIVERSITY, ARLINGTON CAMPUS)
==========================================
prazo/plazo/deadline: 15 OCT 2005

April 19-22,
2006

The Cultural Studies Association (U.S.) invites participation in its
Fourth Annual Meeting from all areas and on all topics of relevance
to Cultural Studies, including but not limited to literature,
history, sociology,
geography, anthropology, communications, popular culture, cultural
theory, queer studies, critical race studies, feminist studies,
postcolonial studies, media and film studies, material culture
studies, performance and visual arts studies.

The conference this year will feature plenary sessions on the culture
of science and technology, cultural studies and the social sciences,
and global cities and citizenship.

We welcome proposals in the following categories:

1: Individual papers. Proposals for individual papers are due by
October 15, and should be submitted at
http://www.csaus.pitt.edu/conf/submit.php?cf=3
Successful submission will be acknowledged. If you do not receive an
acknowledgement within 24 hours, please resubmit. The acknowledgement
will say that your proposal has been "successfully submitted," which
does NOT mean your proposal has been accepted.

All paper proposals require:

a. The name, email address, institutional affiliation of the author,
entered on the website.

b. A 500 word abstract for the 20 minute paper entered on the website.

c. Any needed audio-visual equipment must be noted following the
abstract in that space on the site.

2. Preconstituted paper sessions, roundtable* sessions, or workshops.*
These should NOT be submitted on this website, but should be sent to
csaus@... with the words "Session Proposal" in the subject line.
Session proposals are due by October 15th. All proposals will be
acknowledged, but please allow at least two business days before
inquiring.

All session proposals require:

a. The name, email address, phone number, and institutional
affiliation of the proposer.

b. A 500 word overview of the session, identifying the type of
session proposed. For paper sessions, also include 500 word
abstracts of each of the papers: maximum, four papers per session;
minimum three papers per
session.

c. The names, email addresses, and institutional affiliations of each
participant.

d. A request for any needed audio-visual equipment. All AV equipment
must be requested with the proposal.

P. David Marshall Ph.D
Professor and Chair, Communication Studies
101 Lake Hall, Northeastern University
Boston Ma. 02115
Phone 617 373 5517; Fax: 617 373 8533
d.marshall@...

departmental website: www.commstudies.neu.edu

Just Released New Media Cultures (book) website: www.newmediacultures.co.uk

Just Released "fame" issue of m/c a journal of media and culture at
http://www.media-culture.org.au/

Web Theory (book) website: www.webtheory.nu

Cultural Studies Association (US) Conference website: www.csaus.pitt.edu
Cultural Studies Association (US) Conference: Tucson, Arizona
April 21-24, 2005


@ II SIMPOSIO INTERNACIONAL 'IM GENES DEL CINE ARGENTINO E IBEROAMERICANO'.
==========================================

SE REALIZAR ENTRE 22 Y EL 24 DE SEPTIEMBRE EN LA SEDE DEL ARCHIVO
GENERAL DE LA NACI N, EN LA CIUDAD DE BUENOS AIRES.

El II Simposio Internacional Imagenes del Cine Argentino e
Iberoamericano se llevara a cabo los dias 22, 23 y 24 de septiembre
de 2005 en la sede del Archivo General de la Nacion en la Ciudad
Autonoma de Buenos Aires.

El Simposio tiene como objetivos centrales la discusion y el
incentivo del estudio de la cinematografia argentina e
iberoamericana. Especialistas, docentes, teoricos, cineastas y
criticos de cine participaran con exposiciones relacionadas en torno
a diferentes ejes tematicos, como asi tambien integrando mesas
redondas, conferencias al termino de exhibiciones cinematograficas,
reportajes y debates.

Este ano se realizara, en el marco de las actividades del Simposio,
la primera edicion del Concurso Iberoamericano de Cortometrajes. El
concurso esta dividido en dos modalidades: Modalidad Guion en la cual
podran participar guiones de cortometraje ineditos en las categorias
documental y ficcion (argumental, animacion, experimental y otros); y
Modalidad Realizacion, en la cual podran participar cortometrajes de
todas las categorias (documental, argumental, animacion, experimental
y otros).

Los premios consisten en la produccion de los mejores guiones y en el
aporte de nuevos medios para la narracion cinematografica a las
mejores peliculas del concurso.

Organizado por el Archivo General de la Nacion y la Universidad de
Buenos Aires (UBA), con el apoyo del Instituto Nacional de Cine y
Artes Audiovisuales (INCAA), la Consejeria Cultural de la Embajada de
Espana, el Centro Cultural Recoleta, la Revista de Cine, Kodak
Argentina, Cinecolor Argentina, Imagen Producciones, Dynamic Films,
Diva Producciones, Alta Definicion Argentina y Vienna Independent
Shorts.

Mas informacion <http://www.imagenesdelcine.com.ar>


@ PROGRAMACAO DO 1o CONGRESSO BRASILEIRO DE ILUMINACAO C NICA
==========================================

04/09 - DOMINGO

Local: Teatro Paulo Machado de Carvalho

Exposicoes: Equipamentos Antigos, Imagens/Textos e Acervo Literario.

Displays: Editoras convidadas (Lume, Luz & Cena, Espaco Cenografico,
L+D e Lumiere) e dos Movimentos Afins (Coordenacao de Circo, ABCine,
Cenografia Brasil e Cooperativa Paulista de Teatro.

18h as 20hs

Homenagem ao Prof. Dr. Hamilton Saraiva

Abertura Oficial com a presenca de Ney Bonfante (GEPHIC), Antonio
Carlos Neves Pinto (Fundacao das Artes), Jose Aurichio Junior
(prefeito de Sao Caetano do Sul), representante da Secretaria de
Estado da Cultura e Sergio Mamberti (representante do Ministerio da
Cultura).

Apresentacao da Orquestra Filarmonica de Sao Caetano do Sul. O
repertorio sera Villa Lobos (tambores de protesto) e a final com
Haydn (Sinfonia de Despedida). A apresentacao tera Projeto de Luz
feito pelo GEPHIC, como experimento inovador na linguagem
luminotecnica.

05/09 - SEGUNDA

Local: Fundacao das Artes - Unidade 1

ESPACO 1 - PESQUISADOR

09h as 13h e das 14h as 20h

Box 1 - Softwares

Terminal de computador com: Soft Plot, Auto Cad, Lightwright, Wysiwyg, etc.

Box 2 - Metodologia

As biblias dos espetaculos: Les Miserables, A Bela e a Fera e Chicago

ESPACO 2 - PESQUISADOR DO GEPHIC

09h as 13h e das 14h as 20h

Box 1 - Acervo Tecnico do GEPHIC

Equipamentos Antigos

Box 2 - Acervo Literario do GEPHIC

Livros, Colecao de Revistas, Programas de Teatro, Teses Academicas, etc.

Box 3 - A Producao Cultural do GEPHIC

Apostilas dos Encontros Regionais, Colecao de CD's - 6 cd's contendo
diversos assuntos, Exposicao de Fotografias, nossos artigos em
Revistas (Luz & Cena, Lumiere, Espaco Cenografico, etc.), Anais do
Congresso, etc.

ESPACO 3 - TRABALHOS

9h as 13h30

Mesa Redonda: "Painel Geografico Regional".

Participantes:

Bahia: Eduardo Tudella (Iluminador/Professor UFBA)

Rio Grande do Norte: Savio Araujo (Professor UFRN)

Brasilia: Jamile Tormann (Iluminadora/Professora UNB)

Rio Grande do Sul: Alexandre Lopes (Iluminador/Empresario)

Santa Catarina: Irani Brunner (Teatro CIC)

Rio de Janeiro: Eduardo Salino (Iluminador/Empresario)

Sao Paulo: Ney Bonfante (Iluminador/Empresario)

Minas Gerais: Morrison Deolli (Fund. Acesita)

Parana: Luiz Nobre (Iluminador)

Mediador: Valmir Perez (Unicamp)

15h as 16h30

Painel: "A Legislacao e a Organizacao da Classe"

Participantes: Nezito Reis/SP e Ruy Souza Filho/SC

Mediadora: Natalie Lima (Revista Luz & Cena)

16h as 19h30

Mesa Redonda: "Os Movimentos Afins e o GEPHIC"

Participantes:

Cooperativa Paulista de Teatro

Coordenacao de Circo

Cenografia Brasil

ABCine

Gephic
Mediador: Sergio Azevedo (FASCS)

ESPACO 4 - TRABALHOS

9h as 10h30

Palestra: "Transmissao do conhecimento atraves de oficinas de curta duracao"

Palestrante: Nadia Luciani/PR

10h as 12h30

Painel: "O mercado da Iluminacao Cenica - do surgimento aos dias de hoje."

Participantes: Jeronimo Cruz (Empresario de Artes Cenicas) e Claudia
Cavallo (Editora Revista LUME)

Mediador: Jose Henrique Moreira/RJ

12h as 13h30

Palestra: "A Luz precursora de Renato Vianna (1894 - 1953)"

Palestrante: Sebastiao Milare (Critico e Pesquisador de Teatro)

15h as 16h30

Palestra: "O Direito Autoral e a Etica nas relacoes interpessoais e comerciais"

Participante: Juarez Farinon/RJ

Mediador: Jose Henrique Moreira/RJ

16h30 as 18h

Palestra: "A Formacao Academica na Iluminacao Cenica"

Palestrante: Eduardo Tudella/BA

18h as 19h30

Palestra: "A utilizacao de Projecao em Espetaculos"

Palestrante: Samuel Betts/RJ

ESPACO 5 - EXPERIMENTAL

9h as 12h

Workshop: "Movings Lights"

Orientador: Rogerio Wiltgen / RJ

12h as 13h30

Palestra: "A Evolucao das Ferramentas do Iluminador: Papel e Caneta
ate os Softwares"

Palestrante: Luiz Paulo Nenen/RJ

16h30 as 19h30

Oficina: "Processo de Criacao de Luz da Cerimonia de abertura do Congresso"

Orientadores: Alexandre Lopes/RS, Jorginho de Carvalho/RJ, Ney
Bonfante/SP e Wagner Freire/SP

ESPACO 6 - CINEMA

9h as 10h30

Espaco para apresentacao de Video Institucional.

10h30 as 13h30

Filme com tematica relativa a Iluminacao Cenica e posterior debate
com os interessados.

15h as 16h30

Espaco para apresentacao de Video Institucional.

16h30 as 19h30

Video de espetaculo teatral e posterior debate com os interessados.

Espetaculo: Anti-Nelson Rodrigues, Dir. Edson Bueno da Cia
Banalissima Arte de Curitiba/PR

Comentarista: Nadia Luciani (PR)

ESPACO 7 - TIMOCHENCO WEHBI

15h as 16h30

Palestra: "Tema Livre - Entrevista"

Palestrante: Ney Matogrosso (Cantor, Diretor e Iluminador)

Entrevistadora: Juliana Pedreira (Espaco Cenografico)

19h30 as 21h

Painel: "Uma vida no Teatro"

Participantes: Jorginho de Carvalho/RJ e Aurelio de Simoni/RJ

Mediador: Luiz Nobre/PR

06/09 - TERCA

Local: Fundacao das Artes - Unidade 1

ESPACO 1 - PESQUISADOR

09h as 13h e das 14h as 20h

Box 1 - Softwares

Terminal de computador com: Soft Plot, Auto Cad, Lightwright, Wysiwyg, etc.

Box 2 - Metodologia

As biblias dos espetaculos: Les Miserables, A Bela e a Fera e Chicago

ESPACO 2 - PESQUISADOR DO GEPHIC

09h as 13h e das 14h as 20h

Box 1 - Acervo Tecnico do GEPHIC

Equipamentos Antigos

Box 2 - Acervo Literario do GEPHIC

Livros, Colecao de Revistas, Programas de Teatro, Teses Academicas, etc.

Box 3 - A Producao Cultural do GEPHIC

Apostilas dos Encontros Regionais, Colecao de CD's - 6 cd's contendo
diversos assuntos, Exposicao de Fotografias, nossos artigos em
Revistas (Luz & Cena, Lumiere, Espaco Cenografico, etc.), Anais do
Congresso, etc.

ESPACO 3 - TRABALHOS

9h as 12h

Mesa Redonda Institucional: "Que acoes estao sendo tomadas no sentido
de Estudar, Pesquisar, Resgatar e Preservar a Historia da Iluminacao
Cenica no Brasil"

Instituicoes representadas: Fundacao das Artes de Sao Caetano do Sul,
Servico Social da Industria - SESI, Cooperativa Paulista de Teatro,
Associacao de Produtores de Espetaculos Teatrais do Estado de Sao
Paulo - APETESP, Fundacao Nacional das Artes - FUNARTE e Sindicato
dos Artistas e Tecnicos de Espetaculos de Diversao do Estado de Sao
Paulo - SATED/SP.

Mediador: Milton B. Piedade/SP

12h as 13h30

Palestra: "A Teoria e a Pratica de um Projeto de Luz - Modificacoes,
Causas e Consequencias"

Palestrante: Paulo Cesar Medeiros/RJ

15h as 16h30

Palestra: "A eletricidade - Aterramento, 110/220/380, trifasico,
seguranca, etc."

Palestrante: Marcos Bille/RJ

16h30 as 18h

Painel: "Iluminador ou Tecnico - Nossa Vida Profissional"

Participantes: Jamile Tormann/DF e Milton B. Piedade/SP

Mediador: Jose Henrique Moreira/RJ

18h as 19h30

Painel: "Procedimentos em uma casa de espetaculo - Organizacao e
metodo de trabalho"

Participantes: Joyce Drummond/SP e Cleverson Cavalheiro/PR

Mediador: Jamile Tormann/DF

ESPACO 4 - TRABALHOS

9h as 10h30

Palestra: "Conceitos Basicos de Iluminacao"

Palestrante: Jose Henrique Moreira/RJ

10h30 as 13h30

Mesa Redonda: "A Iluminacao Cenica e as outras areas"

Participantes:

Paulo Pelico (Produtor/SP)

Jorge Takla (Diretor/SP)

Jose Dias (Cenografo/RJ)

Fabio Namatame (Figurino/SP)

Raul Teixeira (Sonoplastia/SP)

Mediador: Jamil Dias/SP

15h as 16j30

Palestra: "A Historia dos Equipamentos - Das velas, passando pelo
sapao ate o Catalyst"

Palestrante: Gianzinho Bortolotti/SP

16h30 as 19h30

Mesa Redonda: "As areas de atuacao da Iluminacao Cenica e as funcoes
de trabalho."

Participantes:

Henrique Leiner (Televisao/RJ)

Lauro Escorel (Cinema/SP)

Cesio Lima (Show/SP)

Andre Boll (Danca/SP)

Jorginho de Carvalho (Teatro/RJ)

Mediador: Valmir Perez/SP

ESPACO 5 - EXPERIMENTAL

9h as 10h30

Palestra: "As Estruturas de Suporte e o Box Truss"

Palestrante: Pablo Enriquez/RJ

10h30 as 13h30

Workshop: "O Controle de Luz - Analogico x Controle DMX - Diferencas
de Uso, Roteiro, Programacao e Operacao"

Orientadores: Marga Ferreira/RS e Bathista Freire/RS

15h as 18h

Oficina: "Teoria da Cor e sua aplicacao na Iluminacao Cenica"

Orientador: Yacov Hillel (USP)

ESPACO 6 - CINEMA

09hs as 10:30hs

Espaco para apresentacao de Video Institucional.

10h30 as 13h30

Filme com tematica relativa a Iluminacao Cenica e posterior debate
com os interessados.

15h as 16h30

Espaco para apresentacao de Video Institucional.

16h30 as 19h30

Video do espetaculo teatral comentado.

Espetaculo: "Madeimoselle Chanel" com Marilia Pera, direcao Jorge Takla.

Comentarista: Jorge Takla/SP

ESPACO 7 - TIMOCHENCO WEHBI

Neste dia o Espaco sera usado exclusivamente para Reunioes dos
membros do GEPHIC, desde o seu Conselho Editorial ate uma Reuniao
Plenaria onde se discutira os rumos do movimento, suas atividades e
objetivos futuros.

07/09 - QUARTA

Local: Teatro Paulo Machado de Carvalho

Exposicoes: Equipamentos Antigos, Imagens/Textos e Acervo Literario.

Displays: Editoras convidadas (Lume, Luz & Cena, Espaco Cenografico,
L+D e Lumiere) e dos Movimentos Afins (Coordenacao de Circo, ABCine,
Cenografia Brasil e Cooperativa Paulista de Teatro.

9h30 as 11h30

Leitura da Carta Aberta do Gephic.

Palestra do Iluminador Peter Gasper.

Encerramento do Congresso.

@ CALL FOR PAPERS: IMAGINING IRAN: A SYMPOSIUM ON IRANIAN CINEMA.
SCHOOL OF MEDIA, FILM AND THEATRE AT THE UNIVERSITY OF NEW SOUTH
WALES (AUSTRALIA)
==========================================
prazo/plazo/deadline: 23 SET 2005

The conveners of Imagining Iran are now calling for papers from
academics, postgraduates, writers and industry practitioners to
present 20 minute papers at a one-day symposium to be held in the
School of Media, Film and Theatre at the University of New South
Wales in mid-November 2005 (date to be confirmed).

Over the past decade Iranian cinema has been the subject of immense
international attention and critical debate, often being the primary
topic of discussions around the question of contemporary 'art cinema'
and the
continuing formal and philosophical evolution of film itself. This
symposium seeks to bring local scholars together to consider the
phenomenon not only of the Iranian cinema itself from a variety of
different perspectives, but also the extraordinary international
response it has received in frequently being offered as primary
evidence for a 'world cinema' feasibly outside the economic, cultural
and conceptual axis of 'Hollywood'-style approaches to feature
filmmaking.

The purpose of the symposium is to bring together scholars working on
various aspects of Iranian cinema, in order to exchange and
disseminate research in this area and to generate future possible
scholarly
collaborations in this lively field of study.

Scholars working in related fields (eg. media, visual arts, theatre
etc.) are also invited to submit proposals.

Possible topics include but are not limited to:

The work of individual directors
Pre- and Post- Revolutionary Cinema
Women, feminism, gender
The role of children and children s cinema
Iranian cinema and contemporary cinephilia
The international critical reception of Iranian cinema
Iranian cinema and conceptions of film history
International co-productions
Film festivals
Censorship
The Nation
Cinema and Islam
Iranian diasporas (incl. filmmaking and reception)
Teaching Iranian cinema
Theoretical and conceptual aspects
Allegory

For more information please contact the conveners:
Dr Michelle Langford m.langford@... phone: +61 (0)2 9385 4489
Dr Hamish Ford h.ford@...

Please submit a 300 word proposal stating the topic, aims and scope
of the paper along with a brief CV (no more than 1 page) via email to
Michelle Langford by the deadline.

Deadline for proposals: Friday 23 September, 2005.
Successful proposals will be notified ASAP after this date.

@ CALL FOR SUBMISSIONS: THE INFINITE GENEALOGY: INTERCULTURAL
APPROACHES TO NEW MEDIA ART SIMON FRASER UNIVERSITY, Vancouver,
==========================================
prazo/plazo/deadline: 1 DEC 2005

May 2006

The Infinite Genealogy is a conference for international scholars,
artists, and researchers from a variety of fields to explore
non-Western genealogies and intercultural understandings of
contemporary new media art. Submissions are invited for papers and
artists' presentations and performances.

The premise of this conference is that contemporary new media are
already informed by the histories, knowledges, and worldviews that
come to us from Chinese, Indian, Arab, African, indigenous, and other
worlds of science, mathematics, cosmology, spirituality, and
technology. We are interested not only in non-Western adaptations and
critiques of new media, but also in affinities and historical
connections between new media and traditional and "hybrid" cultural
practices. The goal is to refresh our understandings of new media in
the light of traditional cultural paradigms; and to locate the most
interesting emergent approaches that result. The conference will
bring together people from the disciplines of art history, cinema and
media studies, music, communications, anthropology, history of
technology, history of science, history of mathematics, computer
programming, biology, and physics; and artists working in and across
these disciplines.

Examples of topics: Traditional cosmologies as models for digital
virtuality; ethnomathematics and new media; non-Western models for
algorithmic and computative art forms (e.g. calligraphy); traditional
understandings of autopoesis and artificial life; worldviews from
which to approach genetics; how cultural understandings of
communication inform new media practice; specific ways in which
spirituality and mysticism inform new media; how traditional
algorithms inform musical composition; textiles as proto-digital
media; cross-cultural understandings of embodiment and performance.

Submissions for papers and artists' presentations should include a
500-word abstract, equipment requirements, and a curriculum vitae. We
plan to accommodate a variety of lengths and formats of presentation,
but presentations of 30 minutes stand the best chance of acceptance.

Deadline: December 1, 2005
Send to: Laura Marks, lmarks@...
For inquiries and to be on mailing list: lmarks@...


CALENDARIO INTERNACIONAL DE CONGRESSOS E CONFERENCIAS

------------------------------------------------------------------------
S E P T I E M B R E
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ENGAGING BAUDRILLARD:AN INTERNATIONAL MULTI-DISCIPLINARY CONFERENCE
Swansea University,
United Kingdom
4-6th September 2006
http://www.ubishops.ca/baudrillardstudies/

CINEMATIC ROME: AN INTERNATIONAL CONFERENCE
Nottingham Institute for Research in Visual Culture (NIRVC)
17-18 September 2005.
richard.wrigley@...

II SIMPOSIO INTERNACIONAL 'IM GENES DEL CINE ARGENTINO E IBEROAMERICANO'.
Archivo General de la Nacion
Ciudad Autonoma de Buenos Aires.
22, 23 y 24 de septiembre de 2005
http://www.imagenesdelcine.com.ar

REFRESH! FIRST INTERNATIONAL CONFERENCE ON THE HISTORIES OF MEDIA
ART, SCIENCE AND TECHNOLOGY
Banff New Media Institute, Canada
September 28 - October 3, 2005
http://www.mediaarthistory.org

FORO LATINOAMERICANO DEL DOCUMENTAL Y LA COMUNICACION.
VII Festival Nacional de Cine y Video Documental (BS AS)
septiembre
http://www.documentalistas.org.ar/
------------------------------------------------------------------------
O C T U B R E
--------------------------------------------------------------------------
"CINEMA/CINEMAS": ANNUAL CONFERENCE OF THE LITERATURE/FILM ASSOCIATION
Dickinson College,
Carlisle, PA
October 13-16, 2005
mellersk@...

IX ENCONTRO SOCINE
Unisinos, em Sao Leopoldo, RS
19 a 22 de outubro de 2005
socine@...

------------------------------------------------------------------------
N O V I E M B R E
--------------------------------------------------------------------------
CONGRESO VIRTUAL (GRATUITO) "INTEGRACI N SIN BARRERAS EN EL SIGLO XXI
1 al 30 de noviembre de 2005
http://www.redespecialweb.org/congreso6.htm

ACM MULTIMEDIA 2005 INTERACTIVE ART PROGRAM
Singapore,
November 6-12, 2005
http://acmmm05.comp.nus.edu.sg/artprogram.htm

RESEARCH SYMPOSIUM ON SOCIETIES AND CITIES IN THE AGE OF INSTANT ACCESS.
University of Utah
Salt Lake City, Utah USA
10 November - 12 November 2005
http://www.geog.utah.edu/instant_access/

CROSS-CONNEXIONS: COMMUNICATIONS, SOCIETY & CHANGE INTERNATIONAL CONFERENCE
Science Museum
London, UK
11th -13th November 2005
christopher.chilvers@...

VI REUNI N DE ANTROPOLOG A DEL MERCOSUR: IDENTIDAD, FRAGMENTACI N Y DIVERSIDAD.
Montevideo
16 -18 noviembre
www.fhuce.edu.uy/antrop/congreso/portada.html

IMAGINING IRAN: A SYMPOSIUM ON IRANIAN CINEMA.
School of Media, Film and Theatre at the University of New South Wales
Australia
mid-November 2005 (date to be confirmed)
langford@...
h.ford@...

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