P R O @ R T E C L I P S
Boletim Eletronico do Projeto ProArte Brasil
Ano 9 N. 88+89 8/2005
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PARTE 4: OPORTUNIDADES
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@ AJUDAS AO DESENVOLVIMENTO DE ROTEIRO DO FESTIVAL INTERNACIONAL DO
FILME DE AMIENS
==========================================
prazo/plazo/deadline: 12 SET 2005

Data:16 e 17 de novembro de 2005;
Data limite para inscricao:12 de setembro de 2005;
Contato: contact@...;
www.filmfestamiens.org

A ajuda ao desenvolvimento de roteiro do Festival Internacional do
Filme de Amiens (7.600 euros/projeto) objetiva financiar o
desenvolvimento dos melhores projetos de longas do Sul e ajudar os
autores a melhorar a defesa de seus projetos.

Os projetos recebidos sao submetidos a um comite de pre-selecao
formado por membros do comite artistico do Festival de Amiens.

Cerca de 20 projetos sao defendidos por seus autores, acompanhados de
seus produtores diante de um juri internacional de profissionais
-especialistas no setor de co-producoes com paises do Sul. Ao final
das apresentacoes serao anunciados os 04 projetos vencedores que
serao beneficiados de uma bolsa de
ajuda a roteirizacao.

Formulario de inscricao e regulamento disponiveis no Servico
Audiovisual no Consulado Geral da Franca no Rio de Janeiro
Contato: marcio@...

@ CALL FOR PAPERS: War and Society. ENTERTEXT (UK)
==========================================
prazo/plazo/deadline: 1 FEB 2006

Submissions for this edition are invited by 1 February 2006. The
theme, War and Society, can be interpreted broadly or narrowly, and
submissions are welcome in a variety of formats, including:

* scholarly articles (normally up to 8,000 words)
* short 'notes and comments' pieces
* commentaries on documents
* creative submissions of any kind suitable for electronic
publication, including artwork, photography, poetry, short stories,
drama scripts, etc.

Multi-media submissions are especially welcome, including still and
moving images and sound-clips.

Some possible topics are:

* war and social change
* war and gender
* war and children
* war and human rights
* war and elections
* war as an instrument of politics
* war and religion
* war in popular culture
* teaching war in the classroom
* culture and military strategy

Submissions can be political, historical or cultural, or may use a
combination of disciplinary perspectives.

Details of Entertext, submission guidelines etc can be seen at
http://people.brunel.ac.uk/~acsrrrm/entertext/home.htm

All submissions can be sent to the Editors at entertext@....

Please direct queries to Dr. Martin Folly (martin.folly@...)

@ CALL FOR PARTICIPATION IN THE NETMAGE 06
==========================================
prazo/plazo/deadline: 15 OUT 2005

Creative and innovative images on art, media, communication, 6th edition,
Bologna, 25-28 January 2006.
We are currently accepting applications to participate in the 2006
Netmage-International Live Media Floor.
The festival welcomes all projects that make use of visual and audio
devices (electronic, electro-acoustic, digital, analogue and
cinematographic), with the aim of providing an outlet for the
various aesthetics and practices connected to contemporary visual
production.

Each performance should last around twenty minutes. The groups and/or
artists selected will receive a contribution of 1,000 euro towards
accommodation and daily allowance.

In addition, by agreement with the Festival, travel will be reimbursed.

Deadline for application: No later than 15th October 2005.

Send to: Netmage, Via Ca' Selvatica 4D, 40123 Bologna, Italy.

Application and info on-line: www.netmage.it
E-mail: bando@...


@ INDUSTRY OFFICE de LOS ANGELES LATINO INTERNATIONAL FILM FESTIVAL (LALIFF)
==========================================
prazo/plazo/deadline: 10 SET 2005

LALIFF abrira por segundo ano consecutivo la INDUSTRY OFFICE durante
los dias del Festival. En esta Oficina los compradores de peliculas
podran visionar las peliculas disponibles para el mercado de USA.

El ano pasado mas de 35 companias estadounidenses estuvieron
acreditadas en la INDUSTRY OFFICE y pudieron visionar las peliculas
alli presentes. Companias como HBO, STUDIO LATINO, WARNER
INDEPENDENT, FOCUS, MAVERICK, LIONS GATE, FILMS TRANSIT, INDICOM,
VANGUARD, etc., ademas de visionar las peliculas se llevaron un
catalogo realizado por LALIFF en el que se detallaban todas las
peliculas disponibles para USA con las disponibilidades en todas las
modalidades, sinopsis, ficha tecnica y artistica y todos los datos de
interes de cada pelicula disponible en la INDUSTRY OFFICE.

Si quiere que su pelicula este presente este ano en nuestra INDUSTRY
OFFICE debera enviarnos los siguientes materiales:
- 2 DVD o VHS de la pelicula subtitulada al ingles (si solo
puede enviar uno servira)
- 5 pressbooks
- Rellenar el formulario adjunto con los datos de la o las
peliculas y enviarlo a la direccion de mail que se especifica en
dicho formulario antes del 10 de septiembre.

La pelicula, ademas, pasara automaticamente a formar parte del
catalogo que LALIFF tiene tambien en la pagina web LATINOFILMWORKS
(www.latinofilmworks.com).

El envio de las peliculas y los pressbooks debera realizarse a la
siguiente direccion antes del 30 de septiembre:

LOS ANGELES LATINO INTERNATIONAL FILM FESTIVAL (LALIFF)
INDUSTRY OFFICE*
6777 Hollywood Blvd. Suite 500
Los Angeles, CA 90028, USA

*Es fundamental que en el envio especifiquen INDUSTRY OFFICE para
que los materiales vayan directamente a dicha oficina.

Para cualquier duda, por favor, escribannos a esta misma direccion.

Atentamente,
EDWARD JAMES OLMOS
Presidente

MARLENE DERMER
Directora
industryoffice@...


@ PROGRAMA DE RESIDENCIAS PARA CINEASTAS INICIANTES DO FESTIVAL DE CANNES
==========================================
prazo/plazo/deadline: 19 SET 2005

Ja se encontram abertas as incricoes para o Programa de Residencia
do Festival de Cannes 2006, evento que acontece desde 2000 e
proporciona a seis cineastas iniciantes - de diferentes partes do
mundo - toda a infraestrutura necessaria para que possam desenvolver
seus projetos de primeiro ou segundo longas-metragens. O programa
dura quatro meses e meio, tempo em que os selecionados ficam
hospedados em Paris por conta da organizacao do Festival.

As incricoes para a proxima temporada - que acontecera entre os dia
28 de fevereiro e 10 de julho de 2006 - vao ate o dia 19 de setembro
e devem ser feitas atraves do site http://www.festival-cannes.org. A
selecao final do juri acontece em 9 de dezembro.

@ ESTANCIAS PARA ARTISTAS EN EL DE ATELIERS (AMSTERDAM)
==========================================
prazo/plazo/deadline: 31 DEZ 2005

Convocante: De Ateliers. Solicitud: Stadhouderskade, 86, 1073 AT
Amsterdam. The Netherlands. Plazo: 31/12/05. Dotacion: asignacion sin
especificar; alojamiento. Dirigidas a: jovenes artistas que esten al
inicio de su carrera profesional y quieran realizar estancias en el
De Ateliers, instituto independiente para artistas, para conseguir
desarrollo y motivacion bajo la supervision de profesionales.

Encontrareis informacion mas detallada consultando nuestra base base
de datos a texto completo.

fonte: www.estudiasotrabajas.com.

@ BECAS KARRVAZ EN RESIDENCIA 2005-2006 (ESPANA)
==========================================
prazo/plazo/deadline: 31 DEZ 2005

Requisitos: Dirigido a todos artistas y creativos profesionales o
aficionados, estudiantes de arte, escritores, poetas, periodistas,
guionistas de cine y TV y todo aquel que quiera trabajar y convivir
con artistas o disfrutar de su propia soledad en un entorno natural
de incomparable belleza, cualquiera que sea su edad, nacionalidad y
residencia, quienes no tengan conocimientos suficientes para trabajar
con soltura con las maquinas y herramientas de los talleres, deberan
realizar un cursillo previo en el propio Centro.

Dotacion: 3000 euros.

No Becas: 100

Fecha cierre: 31/12/2005

Duracion: Entre 7 y 90 dias fechas a elegir durante un ano natural
desde la fecha de concesion. Para extranjeros, especialmente de otros
continentes se puede ampliar hasta 6 meses.

Informacion: Documentacion: Declaracion de Artista, Curriculum y 5
fotografias de obra reciente o una direccion web donde se puedan ver.
Cumplimentar la solicitud oficial y enviar a la direccion:
fundacion@....
http://www.karrvaz.com/
http://www.institutoruraldearte.tk

Observaciones: El Instituto Rural de Arte Hoz del Jucar, tiene como
objetivo la realizacion de la persona a traves del arte, en el Centro
trabajan y conviven artistas y creativos de todo el mundo en un
ambiente de colaboracion y mutuo respeto.
Pretende que artistas y creativos de todo el mundo trabajen, convivan
e intercambien experiencias en un enclave natural de incomparable
belleza, lo cual estimula los sentidos y desarrolla la vision
espacial. Trabajar lejos de su entorno habitual, sin la presion
laboral y familiar de la vida cotidiana, en un ambiente tranquilo y
relajado, favorece la fluidez de ideas y contribuye a desarrollar la
capacidad artistica y creativa innata de los artistas.


Correo Electronico: becas@...
fundacion@...

@ RESEARCH/SABBATICAL/VACATION HOUSING.
==========================================
prazo/plazo/deadline: n/c

Child friendly. Newly renovated apartment in Lucca, Italy. 880 square
feet with 400-square-foot terrace. Two bedrooms and studio or three
bedrooms, depending on use, plus spacious kitchen/living room and
bathroom. Ideally equipped for researchers (high-speed internet,
voltage transformers, etc.).
Air conditioned with dishwasher and washing machine. Tenants entitled
to 10% discount on Italian language courses. Available from October
7, 2005 till
late May or possibly late June 2006, preferably for rentals of 2
weeks or more. For more information, photos, and prices see:
www.film.queensu.ca/Burke/Lucca.html. Email contacts: Frank Burke at
burkef@..., Annette Burfoot at burfoota@....

Frank Burke, Ph.D.
Professor, Department of Film Studies
Queen's University
Kingston, ON Canada K7L 3N6
Tel 613 533-6000 Ext. 77021
Fax 613 533-2063

In Italy:
Viale Castracani, 282
Arancio
55100 Lucca
Italia
Tel: (011 39) 0583 49 17 73
Cell: (011 39) 338 851 5330


@ CFP: TWO SPECIAL ISSUES OF FILM CRITICISM
==========================================
prazo/plazo/deadline:
Complex Narratives--due January 15, 2006
Digital Special Effects--due April 1, 2006

Complex Narratives
Papers are invited for a special issue of Film Criticism devoted to
recent complex narratives. Since Pulp Fiction, numerous films have
employed complicated story/plot structures to various ends.
Manuscripts should focus on either analysis of individual examples or
the phenomenon as a whole. All published essays will, however, do
more than describe complex narratives. They will also explain causes
for this trend and/or contribute to existing critical approaches for
analyzing these narratives. All critical methods are encouraged.
Queries should be directed to the guest editor, Janet Staiger:
jstaiger <uts.cc.utexas.edu>.
Deadline for submission: January 15, 2006
Manuscripts should be in MLA format, 15-20 pages in length
Please send one copy and disc (Word format is preferred) to:
Janet Staiger
Department of Radio-Television-Film (CMA 6.128)
University of Texas at Austin
One University Station A0800
Austin, TX 78712

Digital Special Effects
Film Criticism seeks essays for a special issue on contemporary
cinema and digital special effects. We are particularly interested in
work that moves beyond the spectacle vs. narrative debate to consider
how digital special effects have impacted film aesthetics (color,
style, etc.), genre, narrative, film bodies, setting and mise en
scene, animation, and motion. Essays do not necessarily have to focus
on technical aspects of the production of digital special effects. A
broad range of critical approaches is welcome. Send queries to guest
editor Kristen Whissel <kwhissel@...>.
Deadline for submission: April 1, 2006
Manuscripts should be MLA format and approximately 20 pages in length.
Please send one copy and disc (Word format or pdf file) to:
Kristen Whissel
Film Studies Program
7408 Dwinelle Hall #2670
University of California
Berkeley, CA 94720-2670

Founded in 1976, Film Criticism recently completed its twenty-eighth
year of continuous publication, making it the third oldest academic
film journal in the country. FC has published the work of such
international scholars as Dudley Andrew, David Bordwell, David Cook,
Robin Wood, Janet Staiger, Ann Kaplan, Andrew Horton, Wheeler Winston
Dixon, Marcia Landy, and Peter Lehman. Equally important, we continue
to present the very best writing from a new generation of film
historians, theorists, and critics representing many different
disciplines, cultures, and critical perspectives. "The critical
analysis found in the essay-length articles is of a particularly high
quality... Researchers will profit from the excellent book review
section " (Katz's Magazines for Libraries). In addition, Film
Criticism regularly publishes single-theme issues, extensive
interviews, and festival reports. The journal is peer-reviewed.


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