P R O @ R T E C L I P S
Boletim Eletronico do Projeto ProArte Brasil
Ano 10- N. 95+96 6/2006
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@CONVOCATORIA PARA EVENTOS TEORICOS DEL FESTIVAL DE CINE DE CARTAGENA 2007
==========================================
prazo/plazo/deadline: N/C

El Festival Internacional de Cine y Television de Cartagena invita a
todos los interesados a enviar sus proyectos para los eventos
teoricos del Festival 2007, que se llevara a cabo del 2 al 9 de marzo.
En la proxima edicion del festival habra dos ejes tematicos para las
conferencias, talleres y seminarios: "El cine y el periodismo" y "El
jazz y el cine". El objetivo es profundizar sobre cada uno de estos
ejes durante la semana del evento. Se reciben propuestas antes del 1
de mayo.
manuellozanopineda@...
www.festicinecartagena.com

@ CONVOCATORIA EXPERIMENTA COLOMBIA
==========================================
prazo/plazo/deadline: 31 JUL 2006

La Muestra Nacional de Artes Electronicas Experimenta Colombia,
convoca a los artistas nacionales o residentes en Colombia que
desarrollen propuestas de videoarte a participar en la segunda
version de la muestra, que tendra lugar en el mes de septiembre de
2006. La convocatoria estara abierta entre el 5 de abril y el 31 de
julio. Experimenta Colombia, organizado por un grupo
interdisciplinario independiente, llevo a cabo su primera edicion en
marzo de 2005 en Bogota y Medellin, con una muestra latinoamericana
que incluyo la participacion de cinco paises: Argentina, Brasil,
Mexico, Peru y Colombia.
www.experimentacolombia.org

@ PROYECTO MEMORIARTE, DE ENRQUE PINEDA BARNET (CUBA) BUSCA COLABORADORES
==========================================
prazo/plazo/deadline: N/C

PROYECTO MEMORIARTE
Memoriarte es lo opuesto de Olvidarte.

Este Proyecto tiene el proposito de proteger y rescatar la memoria de
nuestros cineastas y personas del cine, de la manera mas sencilla y
economica.

SE TRATA DE UNA ENTREVISTA DE CADA PERSONAJE, REGISTRANDO MEMORIA, EN
SU VIDA Y EN SU QUEHACER EN EL MUNDO DE LA IMAGEN.

PRIORIZAMOS LOS CASOS EN SUS CORRESPONDIENTES CATEGOR AS,
CIRCUNSTANCIAS, SIGNIFICACI N, INTERES, POSIBILIDADES DE RECORDAR Y
CONTAR.

NO IMPORTA SU ESPECIALIDAD EN EL MEDIO DEL CINE CUBANO, COMO TAMPOCO
SU PROCEDENCIA o CRITERIOS.

LOS "MEMORIARTE" SON PRODUCTOS INDIVIDUALES, QUE POSTERIORMENTE
PODR N AGRUPARSE O NO. LO FUNDAMENTAL ES QUE ESA MEMORIA NO SE PIERDA.
YA QUE EL PROYECTO ES PARA SU PRONTA Y POSIBLE REALIZACI N, SIN
INMISCUIR A TERCERAS PARTES NI PATROCINADORES NI INSTITUCIONES, NOS
VEREMOS M S DIFICULTADOS DE MEMORIAR A FIGURAS EN LA MEDIDA QUE SEAN
M S INALCANZABLES.

SIN EMBARGO, INVITAMOS A COLEGAS EN DIFERENTES PAISES, QUE PUEDEN
ENCARGARSE DE REALIZAR LOS CASOS DENTRO DE SU ENTORNO.

RECUERDEN QUE DE LO QUE SE TRATA ES DE RESCATAR LA HISTORIA DEL CINE CUBANO

MODELO BASE PARA LA ENTREVISTA (ENRIQUECIBLE, SEGUN EL CASO):

El ano que viene, manana mismo, dentro de cinco minutos, quizas, o
dentro de cien anos, alguien, con cualquier intencion, se encargara
de hablar o escribir por nosotros en general o por cada uno. Ese
alguien pretendera expresar nuestra memoria, nuestros pensamientos e
ideas, como le venga bien.

Vamos, pues, a adelantarnos: vamos a decir lo que queremos decir, lo
que queremos que digan por nosotros, lo que no hemos dicho nunca o lo
que queramos inventar.

Alguien dijo a la posteridad: sean benevolos con nosotros que no
pudimos serlo con nosotros mismos.

Digamos lo que nos de la gana, para eso somos nosotros.

Esta es la esencia de la entrevista :

p.-?Como y cuando se incorporo al cine? ?Como llego al cine o como le
llego el cine?

p.-?Que ha hecho y cual ha sido el momento mas feliz de su vida en el cine?

p.-Y el momento mas terrible de su vida en el cine?

p.-Cuentenos algo de sus memorias en el cine
p.-?Que esta haciendo ahora en el cine?

p.-?Que haria para el futuro del cine?

p.-Algo que no quiera quedarse sin decir.

COMO COLABORAR?

Agradecemos la colaboracion de quienes puedan realizar las
entrevistas en MINI DV y hacernoslas llegar.

La lista de personajes del cine cubano no es mas que una referencia
de colegas que sabemos donde estan y que pudieran ayudar. Pero todos
pueden colaborar con sus entrevistas de si mismos y de otros.

Tambien puede colaborar con el proyecto indirectamente, aportando
nombres a la lista o donandonos casettes y/o apoyo tecnologico para
cubrir y/o digitalizar el material.

PARA PARTICIPAR O COLABORAR CON EL PROYECTO COMUN QUESE CON:

Enrique Pineda Barnet
puentear@...
Telf: (53-7) 833-4618

Pablo Massip Ginesta
pmassipg@...

LO IMPORTANTE ES: NO QUEDARNOS SIN MEMORIA.


@ CALL FOR CONTRIBUTIONS FOR PUBLICATION: CREATIVITY, INNOVATION AND
E-COLLABORATIO. SPECIAL ISSUE OF THE JOURNAL:INTERNATIONAL JOURNAL
OF E-COLLABORATION
==========================================
prazo/plazo/deadline: 1 JUL 2006

<http://www.idea-group.com/>

Guest editors:

Jane Fedorowicz, Bentley College, USA

Isidro Laso-Ballesteros, Scientific Officer, European Commission, Belgium

Antonio Padilla-Melendez, University of Malaga, Spain

IJeC editor:

Ned Kock, Texas A&M International University

Topics:

In the global economy, collaboration within groups of geographically
dispersed knowledge workers is quickly becoming the locus of
creativity and innovation. Advanced Information and Communication
Technologies (ICT) that
enable e-Collaboration enhance group work, especially when teams must
share information and make decisions across business and national
boundaries.
These e-Collaboration technologies within multidisciplinary and
technologically complex work groups are paving the way towards
collaborative environments involving both human and artificial
artefacts. Collaborative environments will orchestrate interaction
within networks of workers, partners and customers to boost
creativity and innovation.

E-collaboration technologies will supply seamless connectivity to
allow work anywhere and anytime. Moreover, they will help to manage
the complexity
derived from the diversity of workers, knowledge and other resources
that must coordinate effort on a collective creative task.
E-Collaboration technologies will ensure access to contextualised
services (such as shared
digital images) and will assure easy interaction among team members.

Environments endowed by e-Collaboration technologies will provide
access to expanded, shared experience and knowledge and facilitate
meetings among team
members to deliver more creative ideas. More participants can be
involved in the innovation process, qualified by knowledge and not by
proximity. User
friendly "physual" (i.e., combining physical and virtual)
collaborative environments will support the participation of
previously unavailable expertise (e.g., from the elderly) into the
creation of new innovative products.

We welcome submissions that address issues associated with
e-collaboration involving creativity and innovation processes.
Contributions might focus on
the design of e-collaboration technologies, their impact on team
composition and outcomes, or the collaborative processes the teams
adopt to address their creativity and innovation needs. Examples of
topics include (but are
not limited to):

1. Design of effective e-Collaboration enabled creativity and
innovation processes

2. Measuring the impact of e-Collaboration technologies on team
innovation and creativity

3. E-collaboration technologies to support innovation and creativity

4. Knowledge activation in creative teams

5. Creative collaborative environments responding to users' demands

6. P2P creative collaborative environments

7. Knowledge worker role in creativity and innovation

8. Diversity and e-Collaboration to foster creativity and innovation

9. E-Collaboration technologies and techniques for human-robotic teams.

10. Creativity techniques for decentralized teams

11. Creative leadership and governance of e-collaborations

12. E-collaboration technologies for cross-cultural innovation

13. Computed Aided Innovation (CAI)

14. Professional virtual communities and innovation

15. Creative problem solving processes for e-collaboration

16. Creative ICT support for collaborative decision making and negotiation

17. Trust in virtual teams

Important dates:

Below are tentative dates for all the main steps involved in the production
and publication of the Special Issue:

1. July 1, 2006: All submissions are due to the guest editors.

2. October 1, 2006: Decisions and review comments are sent to authors.

3. December 1, 2006: Revised and resubmitted manuscripts are sent back
out for review.

4. February 1, 2007: Final decision letters are sent to authors.

5. April 1, 2007: Final revised manuscripts are due to Editor.

6. June 1, 2007: Special Issue goes to Idea Group for publication.

7. July 1, 2007: Proofs go to authors.

8. January 1, 2008: Special Issue is published.

Submission guidelines:

All submissions must be in English, and should represent the original
work of the authors. Improved versions of papers previously published
in conference proceedings are welcome, provided that no copyright
limitations exist. Submissions must be made electronically via e-mail
to Jane Fedorowicz, Isidro Laso-Ballesteros or Antonio
Padilla-Melendez (address
below). The manuscript should be included as an attachment in MS Word format.

Jane Fedorowicz: jfedorowicz@...

Isidro Laso-Ballesteros Isidro.LASO@...

Antonio Padilla-Melendez: apm@...

Antonio Padilla-Melendez, D.B.A.
Associate Professor of Management
[ apm@... ] University of Malaga
Faculty of Economics and Business
Studies - Malaga - Andalucia - Spain

------------------------------------------------------------
Guest Editor, Special Issue International Journal of eCollaboration
"Creativity, Innovation and eCollaboration":

<http://www.campusvirtual.uma.es/ebusiness/call_for_papers.htm>
Web: <http://campusvirtual.uma.es/contgest/profes_e.html>

@ ANCINE DISPONIBILIZARA ONLINE DADOS SOBRE O CINEMA E AUDIOVISUAL BRASILEIRO
==========================================
prazo/plazo/deadline: N/C

Atraves do Sistema Interativo do Cinema e do Audiovisual (Sica), a
Agencia Nacional do Cinema (Ancine) pretende fazer um levantamento
das informacoes referentes as obras audiovisuais brasileiras. Atraves
do site da Ancine
(<http://www.ancine.gov.br>www.ancine.gov.br) a empresa produtora
podera disponibilizar informacoes que vao desde os numeros da
realizacao e lancamento, ate a participacao em festivais, mostras,
premios recebidos, entre outros. Atraves desse sistema, o
site tambem fornecera informacoes sobre DVD, televisao publica e
privada e vendas no exterior.

O preenchimento dos dados devera ser feito pelo realizador da obra,
que deve estar cadastrado na Ancine. Confira mais detalhes sobre o
Sistema Interativo e
outros servicos disponibilizados no site da Ancine <http://www.ancine.gov.br>.

@ EDITAL COM REGULAMENTO E FICHA DE INSCRICOES PARA A V MOSTRA RIO
SAO PAULO DE TEATRO DE RUA DE PARATY (BRASIL)
==========================================
prazo/plazo/deadline: N/C

A Secretaria Municipal de Turismo e Cultura de Paraty, esta lancando
o edital com regulamento e ficha de inscricoes para a V Mostra Rio
Sao Paulo de Teatro de Rua que acontecera na cidade no periodo de 08
a 10 de dezembro de 2006 no site http://www.mostrateatroparaty.com.br
Esta mostra, em sua quinta edicao, objetiva promover o encontro de
grupos dos estados do Rio de Janeiro e Sao Paulo que pesquisam e
trabalham com a linguagem de teatro de rua, visando a preservacao, o
resgate e o incentivo desta manifestacao cultural nas ruas de Paraty.
Com este projeto, cremos que alem de estarmos contribuindo para o
enriquecimento artistico e cultural da cidade atraves do incentivo a
formacao de plateias para a arte teatral, a criacao e atualizacao de
grupos de teatro e propiciando um aumento do fluxo de turismo num
periodo de baixa sazonalidade, estaremos tambem viabilizando um
momento de encontro e discussao a respeito da importancia e
possibilidades deste fazer teatral nas ruas de nosso pais.
Gostariamos de poder contar com seu apoio no sentido de divulgar e/ou
participar de tal evento.
Cordialmente,
Ailton Amaral
Organizacao e Curadoria
V Mostra Rio Sao Paulo de Teatro de Rua em Paraty
Sheylla Taufnner
Assessoria de Imprensa - Secretaria de Turismo - Prefeitura de Paraty


@ LLAMADO A COLABORAR CON LA EDICION DE LIBRO SOBRE ANIMACION EN
AMERICA LATINA Y CHILE
==========================================
prazo/plazo/deadline: N/C

Hola amigos y colegas,

este es mi segundo llamado a colaborar con mi proyecto (Fondo
Audiovisual): un libro de animacion que lleva una investigacion de la
animacion en America Latina y Chile. Por favor, los animadores
envienme un curriculum corto, nombre y ficha tecnica de sus obras,
premios obtenidos, y dos imagenes de ellas en buena resolucion (300
dpi) con una carta de autorizacion para publicarlas. Tambien me
interesa cualquier informacion sobre los pioneros de la animacion en
cada pais y actuales realizadores.

Ha habido cualquier colaboracion desde Argentina, Cuba, Uruguay y
Brasil, sin embargo aca en Chile han sido solamente dos los
interesados en aparecer o aportar datos. Es muy importante ya que no
existe ninguna investigacion al respecto.

Gracias!

Vivienne Barry
<http://artemiafilms.tvheaven.com>
vivienne.barry@gmail-com

@ BANFF NEW MEDIA PROGRAM. NEW MEDIA Co-production RESIDENCY (CANADA)

BNMI has just launched its new co-production residency model which
includes three exceptional programs led by three peer advisors. Apply
today for one of these outstanding opportunities!

BNMI's Co-production program is devoted to the production and
presentation of the work of new media practitioners. The connections
between art, technology, media, and cultures are continuously
explored, by bringing together interdisciplinary participants in
intensive co-production media lab residencies. The residencies
support individuals and teams in the creation of new works,
knowledge, and technology. The program is international in scope,
accepting applications on a tri-annual basis. Applications are peer
adjudicated.

For more information and to apply visit:
<http://www.banffcentre.ca/bnmi/coproduction>


Co-production Lab: Liminal Screen
Program Dates: March 5 - March 30, 2007
Peer Advisors: Willy Le Maitre, Kate Rich, Amra Baksic Camo
Application Deadline: October 2, 2006
FEE: $1,430

Liminal Screen examines the ambiguity, openness, and indeterminacy of
cinema in current new media practice. Working with peer advisors and
technicians, participants are invited to work independently or
collaboratively to focus on questions of screen-based work that is in
transition.

Co-production Lab: Reference Check
Program Dates: June 24 - July 21, 2007
Peer Advisors: Andreas Broeckmann, Anne Galloway, Sarat Maharaj
Application Deadline: December 1, 2006
FEE: $1,540


Reference Check invites post-graduate students and researchers whose
work connects to new media, to come to Banff to develop concepts,
create prototypes, have group discussions and realize projects.
Reference Check welcomes applications for both theoretical and
applied research at all stages.



@ CALL FOR SUBMISSIONS: PIXEL POPS! INTERNATIONAL EXHIBITION IN
OCTOBER 2006 IN PRAGUE, CZECH REPUBLIC.
==========================================
prazo/plazo/deadline: 8 JUL 2006

This is an artist-organized exhibition, coordinated by Natalia
Vasquez (Miami, US), Michal Blazek (Prague, Czech Republic), and Joan
Sanchez (Barcelona, Spain).

There are no fees to enter.

This will be a juried show based on work submitted.

We will arrange to display a variety of digital works. All work must
show evidence of extensive computer manipulation or be otherwise
highly digital.

Acceptable Formats:
---Web-based Works (No live Internet available for exhibit, all work
should be self-contained. See information below.)

---Short Videos & Animations (1-3 minutes preferred, will accept up to 7
minutes)

*Upload a tiny file (180x120 is OK) for jurying.

*It is important that you also send us a file that is big enough for
display (up to 10megabytes by email) by the 8 July deadline.

*Also send a DVD with your work by 22July (this will ensure high
quality resolution for projection)

* see shipping address below

---Interactive Works (Flash, Director, MaxMSP/Jitter)

Interactive works can be "recorded" and uploaded up to 10megabytes.
Interactive works must have an additional auto-run mode.


Information:
*All submitted work must be able to run locally (on a hard drive) in a
web browser such as Netscape or Firefox. Please submit by sending an
email to <mailto:poppingpixels@...>poppingpixels@... with
an attachment or web link to your work.

*Attach a brief artist statement and a description of your work (up
to 1 page) as a word document. Texts accepted in English, Espanol,
Francais.

*Copyright Info: All artists accepted for this exhibition will retain
ownership of copyright and all other rights to their artwork. We
retain the right to use images of accepted artwork for promotional
reasons concerning the exhibition or future projects.

*Multiple submissions are accepted and encouraged!
*All participating artists will have their work added to the Popping
Pixels site.
www.poppingpixels.org
(Last year's exhibition: New Haven, CT, US- Coordinated by artists
Cynthia Beth Rubin and Colleen Tully)
*Artists interested in selling your work, please specify with your
submission. We will have a list and will connect you with the
interested buyer. We will NOT handle sales directly!

*********Digital Photographers- this will not be a photography
exhibition, but if you've made any remarkable slideshows, videos from
stills, or have made your images interactive, please submit!

Accepted entries will be announced on Friday 18 August 2006
SUMMARY:

-SUBMISSION DEADLINE: 8 July 2006

-SUBMISSION E-MAIL: poppingpixels@...
(Subject: SUBMISSION)
-ATTACH:

Submission(see above for formats)
Artist Statement
Description of your work.

-CD/DVD DEADLINE: 22 July 2006

Shipping Address:
Natalia Vasquez
Ondrickova 7
130 00 Praha 3
Czech Republic

@ CALL FOR ESSAYS: SHAKESPEARE BULLETIN/ - SPECIAL ISSUE.
SHAKESPEAREAN SCREEN ADAPTATIONS FOR THE TEEN MARKET
==========================================
prazo/plazo/deadline: 15 DEC 2006

/Shakespeare Bulletin/, a journal of performance criticism
and scholarship incorporating the /Shakespeare on Film Newsletter/,
announces a special issue devoted to Shakespearean Screen Adaptations
for the Teen Market. Essays should address questions concerning the
transformation of Shakespeare's plays from their textual incarnations
to cinematic and video renderings designed for teenage audiences.
Subjects that might be addressed in such essays include:

The definition of a Shakespearean teen film adaptation

Recent trends in Shakespearean films aimed at teenagers

The differences between a teen film version,
an adaptation, and a spinoff

The effects of teen film conventions on
Shakespearean film adaptations

The language of Shakespearean film adaptations
intended for the teen market

Shakespearean teen film adaptations and the
DVD as a viewing medium

Shakespearean adaptations designed for teen TV audiences

Strategies for marketing Shakespearean film adaptations to teenage viewers

The social and historical context of
Shakespearean film adaptations for teens

The use of Shakespearean film adaptations in the high school or
college classroom

Essays may explore these subjects in a theoretical manner, or they
may focus attention on one or more films (such as /Romeo + Juliet/,
/10 Things I Hate about You/, or /She's the Man/) that illuminate
some aspect of these issues. Documentation of sources in such essays
should conform to the most recent edition of the /MLA Style Manual/.
Contributions should be sent in electronic form (Word format) by
December 15, 2006 to the issue's special editor, Michael Friedman, at
friedmanm1@...


Michael D. Friedman
University of Scranton
friedmanm1@...


@ CALL FOR CONTRIBUTIONS: CULTURE MACHINE
==========================================
prazo/plazo/deadline: N/C

http://www.culturemachine.net

'Scientists from all major Dutch universities officially launched a
website a couple of weeks ago where all their research material can
be accessed for free. Interested
parties can get hold of a total of 47,000 digital documents from 16
institutions the Digital Academic Repositories.'
('Narratives in Media and eCommunication: A blog by lvaro Ramirez',
posted June 05, 2005)


Culture Machine is currently seeking contributions to a similar
international open access archive - in this case for cultural studies
and related fields: new media, digital culture, communication and
media studies, visual culture, literary, critical and cultural
theory, post-colonial theory and so on.

The archive, called CSeARCH, which stands for Cultural Studies
e-Archive, is completely free to download from and upload into.

You can find CSeARCH at:

http://www.culturemachine.net/csearch

Here you can browse the archive and read and download its contents.
It already contains over 500 books, book chapters, journal issues,
articles, interviews and lectures by everyone from Adorno, Agamben,
Badiou and Baudrillard, through Deleuze, Flusser, Foucault, Kittler,
Luhmann and Mouffe, to Nancy, Negri, Poster, Stiegler, Virilio, Virno
and Zizek, to mention just some of the most well known names.

What's more, recent figures suggest research published as 'open
access' is between two and four times more likely to be read and
cited than if it is published in print-on-paper form only.

To upload work into the archive go to the 'Submit' page. Fill in the
brief details and you'll then be sent a login name and password via
e-mail together with a direct link. Click on the link and you'll be
there - no need to login at that point the first time. (The password
just ensures no one but you can edit your entries.)

Thanks, Gary


ABOUT CULTURE MACHINE

Culture Machine is an umbrella term for a series of experiments in
culture and theory.

The Culture Machine journal http://www.culturemachine.net
Culture Machine Reviews http://culturemachine.tees.ac.uk/bk_rev.htm
The Culture Machine InterZone
http://culturemachine.tees.ac.uk/InterZone/index.htm
The Culture Machine book series (published by Berg and including City
of Panic by Paul Virilio)
The Culture Machine open access archive CSeARCH
http://www.culturemachine.net/csearch

Culture Machine has an International Advisory Board that includes
Geoffrey Bennington, Robert Bernasconi, Lawrence Grossberg, Peggy
Kamuf, Alphonso
Lingis, Meaghan Morris, Paul Patton, Mark Poster, Avital Ronell,
Nicholas Royle and Kenneth Surin.

For more information, visit the Culture Machine site at:
http://www.culturemachine.net

@ S T U D E N T C H A N E L . C O M: PODVISION NET VIDEO LIBRARY.
NATIONAL ACADEMY FOR FILM AND THEATER (SOFIA BULGARIA)
==========================================
prazo/plazo/deadline: N/C

Students association at National Academy for Film and Theater in
Sofia Bulgaria are currently working on the development of a special
distribution network on internet for students and new authors. The
objective is to provide a stage to young artists and to enable them
to get fair profit from their works. In addition our goal is to
create a distribution system in which the artistic component will be
central.

We already have a commitment from companies in Canada and in Bulgaria
to deal with the organization and distribution of our signal on a low
definition for cellular phone users in 5 East European countries. The
signal will be on internet for free, but a broadcasting quality
could be obtained with payment. From the profit 10% will go for the
technical support and the rest will be divided between the author
and the university. In case of an independent production 90 % of the
profit will go to the author of the material.

Open to institutions or students interested in the project.


Jordan Petrov
Project coordinator
<http://www.nod32.com/>

S T U D E N T C H A N E L . C O M

Objecives
Studentchanel.com is an innovative concept of a distribution network
of feature films, documentaries, news, and science programmes created
by young or new producers and directors. The existence of such a
network, where content rather than technical effects will be
emphasized is long overdue. It will also give an opportunity only to
many talented directors, some of whom win awards in festivals but do
not get their work presented on the international stage.

Process
1)Submission
Via internet the works of the authors will be received compressed
into 20 mb files and will be offered to the public Quick Time PC -Mac
format. The material submitted will obligatory have to attach an
affidavit about copyrights ownership and author's responsibility.

2)Selection
The structure of the network will be built on democratic principles.
The material submitted will be checked on line by a commission
composed of members located in different parts of the world. They
will be voting with yes or no and the selected material will be added
in a chronological order to the memory of the computer. It will be
strictly forbidden for the members of the commission to be in contact
with each other. Their work will be on a volunteer basis. The
voluntary involvement is triggering big interest among students in
some Canadian universities with whom preliminary conversations took
place. They see this as a very important and forming experience The
only people who will be payed are the technical support staff, the
adninistration and the advisors. Their salaries will be based by the
network financial capacity, workload and experience.

3)Broadcasting
A specially created computer programme will take the selected
material and will edit the final signal. Only the news will be
treated differently. Due to the emergency of the information the
selection processe will be simplified. The news will be separated by
regions as well as by some important topics as seen through the eyes
of the young journalists and cameramen. There will be news editors on
duty who will be allowed to make decisions on the spot. A chance will
be given to scientist from different fields to demonstrate their
achievements and points of view as well. English will be the working
language with an option for broadcasting in some other languages. The
final signal will be going into the Net through a Streaming server.


Finance
Access to the signal will be free. Viewers or organisations who are
interested in obtaining a broadcasting quality have to be in contact
with a separate server and pay for that. The price will be determined
by only one factor - the average salary of the country from which the
buyer is located. This system will give a chance to distributors and
organisations all over the world to have reasonable prices. Eighty
per cent (90% ) of the money earned from the sales will go to the
director and the producer of the broadcasted material and the rest
will be for administrative work and technical suport. The only
organizations which will manage the network and the financial aspect
of it are Studentchanel.com and NATFIZ.

Market
Studentchanal.com is for viewers of all age groups. There are already
cable distributors in Eastern Europe who are interested in organising
a simultaneous translation. This does not include the people who will
have chance to look at it virtualy everywere with PC, Palm PC or
selluler pfone. All this makes the chanel an attractive place for
advertisement. The organisations which would like to participate in
this project will have to provide an access to fast speed internet to
their its people in order to have the right to submit names to serve
as members of the juries.


@ CHAMADA DE PROJETOS DE ARTES VISUAIS DO PACO DAS ARTES (SAO PAULO)
==========================================
prazo/plazo/deadline: 9 AGO 2006

Lancando um edital a cada dois completa anos, agora em sua 6a edicao,
e conhecida em todo o Brasil por ser um programa que abre espaco para
a producao
artistica emergente e a consequente reflexao que a acompanha.

Para o bienio 2007-2008, o programa TEMPORADA DE PROJETOS e realizado
pelo Paco das Artes, instituicao que mostra e pensa a arte
contemporanea
atraves de exposicoes, cursos, ciclos de debates, palestras,
oficinas, publicacoes e visitas monitoradas, promovendo a integracao
entre todos os segmentos das artes visuais.

A TEMPORADA DE PROJETOS 2007-2008 realizara 20 (vinte) exposicoes
individuais em espaco coletivo, selecionadas dentre os projetos
inscritos.

As inscricoes vao de 15 de junho a 09 de agosto. Visite o site
www.pacodasartes.sp.gov.br/tempo.htm para maiores informacoes sobre
cronograma, regulamento e envio de projetos.

Paco das Artes
Av. da Universidade, 1 Cidade Universitaria
Sao Paulo-SP CEP 05508-040
(t) 3814 4832 (f) 3815 7904
pacodasartes@...
http://www.pacodasartes.sp.gov.br

@ BASE DE DATOS UMDB (URUGUAY MOVIE DATA BASE)
==========================================
prazo/plazo/deadline: N/C

La ASOCIACION DE PRODUCTORES Y REALIZADORES DE CINE Y VIDEO DEL
URUGUAY (ASOPROD) convoca a los realizadores uruguayos a inscribir
sus obras en
la base de datos UMDB (Uruguay Movie Data Base).

El objetivo es centralizar en un catalogo web las producciones
uruguayas, tanto de largos como cortos, incluyendo los generos
ficcion, animacion y documental. Para ello se envia una ficha tipo
para rellenar que luego sera ingresada.

El objetivo es poder ofrecer un listado completo de la produccion
uruguaya, que en los ultimos anos ha aumentado pero de la cual aun no
hay informacion sistematizada. Esta seria difundida a festivales y
muestras del exterior, para que puedan consultar sobre obras
existentes y les permita comunicarse directamente con los
productores, sin depender de un tercero que establezca el contacto.

Cabe destacar que en los ultimos anos ha crecido el interes en el
extranjero por realizar muestras de cine uruguayo y creemos que esta
herramienta es cada vez mas necesaria. Este link serviria como una
ventana al mundo de nuestra oferta, el cual seria difundido tambien
por el INA y la Cinemateca Uruguaya.

Luego de ser llenadas, las fichas deben ser enviadas a:
umdb@...
para comenzar a elaborar la base de datos.

Agradecemos desde ya su participacion en este proyecto que creemos es
beneficioso para todos los realizadores y productores.

La comision directiva
ASOPROD


@ ARTLAB_SAN SERVOLO ARTIST RESIDENCY (ITALIA)
==========================================
prazo/plazo/deadline: 25 JUN 2006


artLAB_San Servolo artist residency is a residency programme that
takes place on the Island of San Servolo in Venice during the month
of August, open to 10 visual artists from Italy and abroad who are in
the initial phase of their careers. The programme offers
participating artists room and board on the island, studio spaces,
and the budget to create an original work.

The residency is intended to create a space for dialogue and
professional growth for emerging artists from various geographical
areas and with different artistic approaches, enabling them to create
projects specifically in response to the experience of group
exchange. The projects are developed individually by each artist, but
the initiative is particularly focussed on the collective experience
that runs throughout all the phases of the residency, from discussion
on the residency theme, to the creation of the projects, to the
organisation of the final exhibition. Another fundamental aspect of
the programme is the attention given to the historical, social, and
natural context provided by the residency location.

The works created will be shown in an exhibition that will take place
on the island in October, concurrently with the Venice International
Biennial Exhibition of Architecture, and will be accompanied by a
catalogue.
The working language of the residency is English.

Island of San Servolo

Situated in the Basin of San Marco and featuring a complex of
historical buildings and a large park, the Island of San Servolo was
the seat of a monastery for over a thousand years. For two hundred
years it hosted the Province of Venice insane asylum, which was shut
down in 1978 along with all the mental hospitals in Italy.

Rehabilitated by the Province of Venice, which is committed to
restoring and returning the island to the city of Venice, today San
Servolo is the seat of prominent institutions for advanced study and
training as well as for the promotion of cultural events.

Sponsoring organisations

artLAB_San Servolo artist residency is a programme promoted by San
Servolo Servizi in collaboration with the Province of Venice and the
following institutions: Fondazione Bevilacqua La Masa, Fondazione
Querini Stampalia, Venice International University, the Faculty of
Arts&Design at the IUAV University of Venice, the Venice Academy of
Fine Arts, the Abate Zanetti School for Glass of Murano, European
Association Pro Venetia Viva.

Further information and application form can be found at<
http://www.sanservolo.provincia.venezia.it/>
http://www.sanservolo.provincia.venezia.it/
For any question please write to artlab@...



@ FUNDACINE LANCA PROGRAMA DE BANCO DE PROJETOS
==========================================
prazo/plazo/deadline: 30 JUN 2006

Os produtores independentes e entidades do setor audiovisual do Rio
Grande do Sul passam a partir de agora a ter a oportunidade de
desenvolver projetos em parceria ou com a consultoria da Fundacine. A
fundacao lanca o Programa de Banco de Projetos Fundacine, uma
iniciativa que tem como objetivo incentivar a producao de trabalhos
independentes na area cinematografica tais como seminarios,
exposicoes, livros e catalogos, entre outros. A selecao dos projetos
levara em conta a qualidade das propostas e sua consonancia com os
objetivos da Fundacine.

As propostas devem ser de entidades, empresas ou pessoas fisicas
atuantes na area cultural, ligadas diretamente ao setor audiovisual
do Rio Grande do Sul. Nao serao aceitos projetos para producao ou de
finalizacao de filmes de animacao, ficcao e documentarios.

A inscricao e gratuita e o nao ha restricao quanto ao numero de
projetos apresentados. A ficha de inscricao e todas as informacoes
estao disponiveis no site da Fundacine
(<http://www.fundacine.org.br>). O formulario de inscricao deve ser
completamente preenchido e assinado, e entregue pessoalmente ou via
Correios na sede da Fundacine (Rua dos Andradas, 1234 sala 1006,
Porto Alegre RS). O prazo de inscricao e de 2 de maio a 30 de junho
de 2006. Nao serao aceitos projetos fora do prazo de inscricao.

A selecao dos projetos serao analizados por uma comissao composta por
membros do conselho curador e da diretoria da entidade. A Fundacao
Cinema RS e a instituicao formada por entes publicos e privados e
desenvolve os projetos RodaCineRGE, Premio RGE Governo RS de Cinema e
a Cinemateca Capitolio. Por excelencia, a entidade coordena os
esforcos pela implantacao da industria cinematografica gaucha. Seus
projetos e programas de trabalho preveem a formulacao de politicas e
estrategias dirigidas a aglutinacao de agentes publicos e privados e
a construcao de um sistema economico apto a potencializar o talento e
a capacidade de empreendimento dos agentes locais.

@ CONVOCATORIA PARA LA EXPOSICION DE FOTOGRAGRAFIA "UNA FOTO ESCUELA
/ FOTOTECA DE ENTRE R OS" (ARGENTINA)
==========================================
prazo/plazo/deadline: N/C
Se convoca a los fotografos de Cuba y del resto de America Latina
que deseen exponer en la "Una Foto Escuela/Fototeca de Entre Rios".
Para ello deben enviar sus trabajos en CD con las fotos a exponer o
enviar un link para seleccionar trabajos con el proposito de armar
muestras individuales durante el ano 2006 y 2007 en las salas de la
Fototeca. Se ofrece albergue gratuito y comidas durante la estadia y
otros espacios a designar durante la visita del fotografo al pais. La
Galeria esta dirigida por el reconocido fotografo, musico, cineasta y
artista argentino Eduardo Segura.

Este espacio cultural es muy respetado por los fotografos y artistas
que lo visitan. Por ello desde el 2005 se ha formado un grupo de
trabajo constante de investigacion proponiendo un intercambio
Turistico-Cultural. a las actividades para que a partir de alli
puedan presentarse nuevas ideas y estrategias relacionadas a las
artes fotograficas actuales y, lograr en el futuro un polo
fotografico. Parana hace unos anos ya es considerada un espacio
cultural fotografico, que se debe en parte a la labor realizada
desde esta galeria y escuela.

La galeria consta de 4 salas de exposicion iluminadas y equipadas con
los elementos de exposicion basica y tambien a los fotografos que
deseen venir a exponer se les alberga en un Appart Hotel durante su
estadia, tambien el espacio propone

otras muestras en espacios y galerias asociadas en Argentina. Todo
sin costo para los expositores.

Favor de contactar con:
Eduardo Segura
Director Academico y Curador
(Asesor del Fondo Iberoamericano de Fotografia)
Una Foto Escuela Fototeca de Entre Rios
Yrigoyen 329, Parana, Argentina
03434030283
info@...

<http://www.eduardosegura.com.ar/>


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