P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 50+51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ PROGRAMA DE APOIO A NOVOS REALIZADORES. INSTITUTO DRAGAO DO MAR (FORTALEZA, BRASIL)
==========================================
SECULT
INSTITUTO DRAGAO DO MAR
Centro de Realizacao Audiovisual
A realizacao do Programa de Apoio a Novos Realizadores e mais uma etapa da politica que a Secretaria de Cultura do Estado de Ceara vem promovendo na area audiovisual, com o objetivo de estimular a capacitacao continua, a experimentacao e renovacao de linguagens e a difusao de novos talentos.
Essa politica vem sendo instrumentada e consolidada pelo IDM, atraves da capacitacao e reciclagem profissional de mais 2000 jovens de todo o estado nas areas de cinema e video, assim como no fomento a realizacao de operas primas em curta-metragem atraves do Premio Dragao do Mar de Cinema e Video, que ja distribuiu R$ 735.000 entre jovens talentos cearenses.
O Instituto e tambem pioneiro na realizacao de laboratorios de desenvolvimento de roteiro no nordeste (formato hoje de ampla difusao em todo o pais) contribuindo a valorizacao do conteudo brasileiro nos meios de comunicacao de massa e a descentralizacao da producao audiovisual no pais.
Dentro do esquema de difusao de novos talentos, a Secretaria de Cultura, atraves do Instituto e da Casa Amarela Euselio Oliveira, apoia a participacao de as obras dos novos realizadores no contexto do Festival Cine Ceara, um dos mais importantes do circuito nacional, especialmente para curta metragens e documentarios.
E justamente dentro do contexto de este esforco por nivelar as possibilidades de intercambio, capacitacao, pesquisa e atualizacao dos artistas e profissionais do nordeste, que podemos situar o Programa de Apoio a Novos Realizadores do Instituto Dragao do Mar.
O diferencial deste programa e que ele privilegia o processo criativo per se, desde o inicio no desenvolvimento de roteiro, para ir se-articulando com outras iniciativas complementares de formacao e treinamento, que contemplam inclusive, a concessao de ajudas de producao para os candidatos de maior potencial.
Acredito, que embora todos os participantes deste Programa desejem ver seus projetos entre os ganhadores da proxima edicao do Premio Ceara de Cinema e Video, nenhum ira desaproveitar as oportunidades pessoais, profissionais e artisticas que certamente surgirao no percurso do proximo ano.
Silas de Paula
Diretor
Instituto Dragao do Mar
O Programa:
As fases:
1) LABORAT RIO DE ROTEIROS
o objetivo do laboratorio e que atraves de uma assessoria individual cada participante termine o processo com uma primeira versao de um filme curta-metragem de ficcao, com duracao entre 05 e 15 minutos. O laboratorio se realizara atraves de encontros coletivos e assessorias individuais alem de acompanhamento via email.
de 6 de maio a 5 de julho de 2002
inscricoes ate 19 de abril
anuncio dos 10 selecionados: 26 de abril
2) LABORAT RIO DE DOCUMENT RIO
o objetivo e permitir que os participantes desenvolvam seus proprios projetos na area de documentario, orientados atraves de encontros coletivos e assessorias individuais alem de acompanhamento via email.
de 6 de maio a 5 de julho de 2002
inscricoes ate 19 de abril
anuncio dos 10 selecionados: 26 de abril
3) LABORAT RIO DE DESENVOLVIMENTO DE PROJETOS E AN LISE DE VIABILIDADE DE PRODUCAO
o objetivo e permitir que os participantes desenvolvam seus proprios projetos, a partir da analise de viabilidade de producao e o gerenciamento dos distintos os aspectos relacionados a producao, desde a captacao de recursos ate a prestacao de contas. O laboratorio se realizara atraves de encontros coletivos, workshops e assessorias individuais.
de 30 de setembro a 25 de outubro de 2002
inscricoes ate 13 de setembro
anuncio dos selecionados: 20 de setembro
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 50+51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ PROGRAMA DE APOIO A NOVOS REALIZADORES. INSTITUTO DRAGAO DO MAR (FORTALEZA, BRASIL)
==========================================
SECULT
INSTITUTO DRAGAO DO MAR
Centro de Realizacao Audiovisual
A realizacao do Programa de Apoio a Novos Realizadores e mais uma etapa da politica que a Secretaria de Cultura do Estado de Ceara vem promovendo na area audiovisual, com o objetivo de estimular a capacitacao continua, a experimentacao e renovacao de linguagens e a difusao de novos talentos.
Essa politica vem sendo instrumentada e consolidada pelo IDM, atraves da capacitacao e reciclagem profissional de mais 2000 jovens de todo o estado nas areas de cinema e video, assim como no fomento a realizacao de operas primas em curta-metragem atraves do Premio Dragao do Mar de Cinema e Video, que ja distribuiu R$ 735.000 entre jovens talentos cearenses.
O Instituto e tambem pioneiro na realizacao de laboratorios de desenvolvimento de roteiro no nordeste (formato hoje de ampla difusao em todo o pais) contribuindo a valorizacao do conteudo brasileiro nos meios de comunicacao de massa e a descentralizacao da producao audiovisual no pais.
Dentro do esquema de difusao de novos talentos, a Secretaria de Cultura, atraves do Instituto e da Casa Amarela Euselio Oliveira, apoia a participacao de as obras dos novos realizadores no contexto do Festival Cine Ceara, um dos mais importantes do circuito nacional, especialmente para curta metragens e documentarios.
E justamente dentro do contexto de este esforco por nivelar as possibilidades de intercambio, capacitacao, pesquisa e atualizacao dos artistas e profissionais do nordeste, que podemos situar o Programa de Apoio a Novos Realizadores do Instituto Dragao do Mar.
O diferencial deste programa e que ele privilegia o processo criativo per se, desde o inicio no desenvolvimento de roteiro, para ir se-articulando com outras iniciativas complementares de formacao e treinamento, que contemplam inclusive, a concessao de ajudas de producao para os candidatos de maior potencial.
Acredito, que embora todos os participantes deste Programa desejem ver seus projetos entre os ganhadores da proxima edicao do Premio Ceara de Cinema e Video, nenhum ira desaproveitar as oportunidades pessoais, profissionais e artisticas que certamente surgirao no percurso do proximo ano.
Silas de Paula
Diretor
Instituto Dragao do Mar
O Programa:
As fases:
1) LABORAT RIO DE ROTEIROS
o objetivo do laboratorio e que atraves de uma assessoria individual cada participante termine o processo com uma primeira versao de um filme curta-metragem de ficcao, com duracao entre 05 e 15 minutos. O laboratorio se realizara atraves de encontros coletivos e assessorias individuais alem de acompanhamento via email.
de 6 de maio a 5 de julho de 2002
inscricoes ate 19 de abril
anuncio dos 10 selecionados: 26 de abril
2) LABORAT RIO DE DOCUMENT RIO
o objetivo e permitir que os participantes desenvolvam seus proprios projetos na area de documentario, orientados atraves de encontros coletivos e assessorias individuais alem de acompanhamento via email.
de 6 de maio a 5 de julho de 2002
inscricoes ate 19 de abril
anuncio dos 10 selecionados: 26 de abril
3) LABORAT RIO DE DESENVOLVIMENTO DE PROJETOS E AN LISE DE VIABILIDADE DE PRODUCAO
o objetivo e permitir que os participantes desenvolvam seus proprios projetos, a partir da analise de viabilidade de producao e o gerenciamento dos distintos os aspectos relacionados a producao, desde a captacao de recursos ate a prestacao de contas. O laboratorio se realizara atraves de encontros coletivos, workshops e assessorias individuais.
de 30 de setembro a 25 de outubro de 2002
inscricoes ate 13 de setembro
anuncio dos selecionados: 20 de setembro
4) PR MIO CEAR DE CINEMA E V DEO
Concessao de apoio financeiro e acompanhamento tecnico aos projetos de obras audiovisuais de curta-metragem que sejam selecionados. Os vencedores do Premio nos anos anteriores nao poderao participar desta edicao.
5) WORKSHOP DE REALIZACAO (DO ROTEIRO A EDICAO)
o objetivo e providenciar ao participante uma imersao radical no processo de realizacao audiovisual; da preparacao do roteiro tecnico, pre-producao, gravacao de audio e video ate pos-producao e finalizacao. Os participantes aprenderao a operar diferentes tipos de equipamentos como fotometros, luzes, camaras e ilhas de edicao. Durante todo o modulo, a pratica (concretizada na realizacao de um exercicio conjunto de 5 min em video) se configura como uma metodologia de ensino que contextualiza e poe em acao a teoria.
de 18 de novembro a 6 de dezembro de 2002
inscricoes ate 4 de novembro
anuncio dos selecionados: 11 de novembro
COORDENACAO E CONSULTORIA
COORDENACAO
Direcao Instituto Dragao do Mar
Silas de Paula
Centro de Realizacao Audiovisual
Direcao: Patricia Martin
Coordenacao Geral: Carlos Gibaja
CONSULTORES PERMANENTES
Tete Vasconcelos, Breno Kuperman, Joaquim Assis, Isabela Cribari, Antonio Urano, Nicolas Hallet, Vicente Duque Estrada, Helio Godoy, Tibico Brasil
CONSULTOR DO LABORAT RIO DE ROTEIRO
Joaquim Assis
CONSULTOR DO LABORAT RIO DE DOCUMENT RIO
Breno Kuperman
CONSULTORES DO LABORAT RIO DE DESENVOLVIMENTO DE PROJETOS
Isabela Cribari - Antonio Urano
COORDENADOR DO WORKSHOP DE REALIZACAO
Nicolas Hallet
COORDENADOR DO PR MIO CEAR DE CINEMA E V DEO
Tibico Brasil
@ PESQUISA A RESPEITO DE PROJETOS DE TELEDRAMATURGIA REGIONAL NO BRASIL
==========================================
prazo/plazo/deadline: n/c
Caros colegas,
estou fazendo uma pesquisa a respeito de projetos de teledramaturgia regional no Brasil. Gostaria muito de saber o que anda sendo produzido (em car ter efetivo ou experimental, em qualquer formato, curtas ou longas-metragens, miniss ries, especiais, etc.) nos rinc es deste pa s, incluindo projetos de co-produ o entre cinema e TV. Acostumados a valorizar
o que produzido apenas no eixo Rio-S o Paulo, geralmente n o tomamos conhecimento dessas produ es que tem muito a nos ensinar sobre nossa
cultura, sobre formas de produ o, subven o e realiza o.
Participei de um projeto semelhante h alguns anos, no Cear , com o longa-metragem "Oropa, Fran a e Bahia" (roteiro escrito por mim e pelo diretor Glauber Filho, adaptado de pe a de minha autoria), inteiramente realizado com equipe e elenco nordestino, que ganhou o Pr mio Jovem Realizador de V deo da Funda o Vitae. O longa-metragem acaba de ser adquirido pelo Canal Brasil e provavelmente ser exibido no decorrer de
2002.
Minha id ia reunir material e informa es bastante para, quem sabe, realizar uma pequena mostra. Quem souber de projetos nesse sentido ou
participar de algum, favor entrar em contato em privado (embora eu ache que pode ser interessante expor isso ao f rum, caso n o haja nenhuma restrin o nesse sentido.
abra os a todos, sucesso sempre!!
DANIEL DIAS DA SILVA
ator / roteirista / autor
diretor teatral
<verdesmares@...>
@ CURTAS.NET
BUSCA CORTOS PARA SU P GINA .
==========================================prazo/plazo/deadline: n/c
Esta es una iniciativa de Filmes da Rua, productora portuguesa que quiere aumentar la informacion en la web sobre cortometrajes de todo el mundo.
Desde aqui queremos hacer un llamamiento a todos los interesados.
Para mas informacion, poneros en contacto con:
curtasnet@....
Claudia Freire.
La pagina, estara pronto activa.
http//www.curtas.net
@ CALL FOR PARTICIPATION. MARATHON ART WEBCAST 'ORAI' @ ISEA2002.
==========================================
prazo/plazo/deadline: n/c
The Link foundation in Holland is preparing a 3 x 24 h webcast from the ISEA2002 symposium in Nagoya Japan (October 27-31).
There are 3 components:
1. The webcast itself
2. An interactive art work people can enter and which serves as the
portal
to:
3. Art pieces by different artists and artist groups from all over the
world
We are looking for:
A. Parties that want to cooperate in the webcast, preferably on location in Japan
B. Artists and art collectives that want to contribute with web artwork from anywhere in the world
C. Participants to join us interactively during the webcast, from all over the world.
You are required to contact us asap if you are interested. We hope to make this an event both state of the art in artistic content, as multi disciplinary as possible and as culturally diverse as never seen before in the electronic art world.
contact: w.vanderplas@...
@ THE 12HR-ISBN-JPEG PROJECT
==========================================
prazo/plazo/deadline: n/c
`round-the-clock posting of sequenced hypermodern imagery from Brad Brace.
The hypermodern minimizes the familiar, the known, the recognizable; it suspends identity, relations and history. This discourse, far from determining the locus in which it speaks, is avoiding the ground on
which it could find support. It is trying to operate a decentering that leaves no privilege to any center.
The 12-hour ISBN JPEG Project
-----------------------------
began December 30, 1994
Pointless Hypermodern Imagery... posted/mailed every 12 hours... a spectral, trajective alignment for the 00`s! A continuum of minimalist masks in the face of catastrophe; conjuring up transformative metaphors
for the everyday... A poetic reversibility of exclusive events...
A post-rhetorical, continuous, apparently random sequence of imagery... genuine gritty, greyscale... corruptable, compact, collectable and compelling convergence. The voluptuousness of the grey
imminence: the art of making the other disappear. Continual visual impact; an optical drumming, sculpted in duration, on the endless present of the
Net.
An extension of the printed ISBN-Book (0-9690745) series... critically unassimilable... imagery is gradually acquired, selected and re-sequenced over time... ineluctable, vertiginous connections. The 12hr dialtone...
[ see ftp.idiom.com/users/bbrace/netcom/books.txt
]
Every 12 hours, another!... view them, re-post `em, save `em, trade `em, print `em, even publish them...
Here`s how:
(Note: all "Teleport" addresses (web/ftp/email) have been eliminated: no
thanks to Earthlink scum. Please choose alternates listed below:)
~ Set www-links to -> http://www.eskimo.com/~bbrace/12hr.html
-> http://bbrace.laughingsquid.net/12hr.html
Look for the 12-hr-icon. Heavy traffic may require you to specify
files
more than once! Anarchie, Fetch, CuteFTP, TurboGopher...
~ Download from -> ftp.pacifier.com /pub/users/bbrace
Download from -> ftp.idiom.com /users/bbrace
Download from -> ftp.rdrop.com /pub/users/bbrace
Download from -> ftp.eskimo.com /u/b/bbrace
Download from -> hotline://artlyin.ftr.va.com.au
* Remember to set tenex or binary. Get 12hr.jpeg
~ E-mail -> If you only have access to email, then you can use FTPmail to do essentially the same thing. Send a message with a body of 'help' to the server address nearest you:
*
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@...
bitftp@... bitftp@...
bitftp@... bitftp@...
bitftp@... bitftp@...
* *
~ Mirror-sites requested! Archives too!
The latest new jpeg will always be named, 12hr.jpeg
Average size of images is only 45K.
*
Perl program to mirror ftp-sites/sub-directories:
src.doc.ic.ac.uk:/packages/mirror
*
We are looking for:
A. Parties that want to cooperate in the webcast, preferably on location in Japan
B. Artists and art collectives that want to contribute with web artwork from anywhere in the world
C. Participants to join us interactively during the webcast, from all over the world.
You are required to contact us asap if you are interested. We hope to make this an event both state of the art in artistic content, as multi disciplinary as possible and as culturally diverse as never seen before in the electronic art world.
contact: w.vanderplas@...
@ THE 12HR-ISBN-JPEG PROJECT
==========================================
prazo/plazo/deadline: n/c
`round-the-clock posting of sequenced hypermodern imagery from Brad Brace.
The hypermodern minimizes the familiar, the known, the recognizable; it suspends identity, relations and history. This discourse, far from determining the locus in which it speaks, is avoiding the ground on
which it could find support. It is trying to operate a decentering that leaves no privilege to any center.
The 12-hour ISBN JPEG Project
-----------------------------
began December 30, 1994
Pointless Hypermodern Imagery... posted/mailed every 12 hours... a spectral, trajective alignment for the 00`s! A continuum of minimalist masks in the face of catastrophe; conjuring up transformative metaphors
for the everyday... A poetic reversibility of exclusive events...
A post-rhetorical, continuous, apparently random sequence of imagery... genuine gritty, greyscale... corruptable, compact, collectable and compelling convergence. The voluptuousness of the grey
imminence: the art of making the other disappear. Continual visual impact; an optical drumming, sculpted in duration, on the endless present of the
Net.
An extension of the printed ISBN-Book (0-9690745) series... critically unassimilable... imagery is gradually acquired, selected and re-sequenced over time... ineluctable, vertiginous connections. The 12hr dialtone...
[ see ftp.idiom.com/users/bbrace/netcom/books.txt
]
Every 12 hours, another!... view them, re-post `em, save `em, trade `em, print `em, even publish them...
Here`s how:
(Note: all "Teleport" addresses (web/ftp/email) have been eliminated: no
thanks to Earthlink scum. Please choose alternates listed below:)
~ Set www-links to -> http://www.eskimo.com/~bbrace/12hr.html
-> http://bbrace.laughingsquid.net/12hr.html
Look for the 12-hr-icon. Heavy traffic may require you to specify
files
more than once! Anarchie, Fetch, CuteFTP, TurboGopher...
~ Download from -> ftp.pacifier.com /pub/users/bbrace
Download from -> ftp.idiom.com /users/bbrace
Download from -> ftp.rdrop.com /pub/users/bbrace
Download from -> ftp.eskimo.com /u/b/bbrace
Download from -> hotline://artlyin.ftr.va.com.au
* Remember to set tenex or binary. Get 12hr.jpeg
~ E-mail -> If you only have access to email, then you can use FTPmail to do essentially the same thing. Send a message with a body of 'help' to the server address nearest you:
*
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@...
bitftp@... bitftp@...
bitftp@... bitftp@...
bitftp@... bitftp@...
* *
~ Mirror-sites requested! Archives too!
The latest new jpeg will always be named, 12hr.jpeg
Average size of images is only 45K.
*
Perl program to mirror ftp-sites/sub-directories:
src.doc.ic.ac.uk:/packages/mirror
*
~ Postings to usenet newsgroups:
alt.12hr
alt.binaries.pictures.12hr
alt.binaries.pictures.misc
alt.binaries.pictures.fine-art.misc
* * Ask your system's news-administrator to carry these groups! (There are also usenet image browsers: TIFNY, PluckIt, Picture Agent, PictureView, Extractor97, NewsRover, Binary News Assistant,
EasyNews)
~ This interminable, relentless sequence of imagery began in earnest on December 30, 1994. The basic structure of the project has been over twenty-four years in the making. While the specific sequence of
photographs has been presently orchestrated for more than 12 years` worth of 12-hour postings, I will undoubtedly be tempted to tweak the ongoing
publication with additional new interjected imagery. Each 12-hour posting is like the turning of a page; providing ample time for reflection, interruption, and assimilation.
~ The sites listed above also contain information on other cultural projects and sources.
~ A very low-volume, moderated mailing list for announcements and occasional commentary related to this project has been established at topica.com /subscribe 12hr-isbn-jpeg
This project has not received government art-subsidies. Some opportunities still exist for financially assisting the publication of editions of large (33x46") prints; perhaps (Iris giclees) inkjet duotones
or extended-black quadtones. Other supporters receive rare copies of the first three web-offset printed ISBN-Books. Contributions can also be made
at http://bbrace.laughingsquid.net/buy-into.html
ISBN is International Standard Book Number. JPEG and GIF are types of image files. Get the text-file, 'pictures-faq' to learn how to view or translate these images. [ftp ftp.idiom.com/users/bbrace/netcom/]
@ PROJETO FORUM DE CI NCIA E CULTURA DA UFRJ (RIO DE JANEIRO)
==========================================
prazo/plazo/deadline: n/c
O Forum de Ciencia e Cultura da UFRJ, em 2002 dara continuidade ao Projeto Cursos do Forum e convida os docentes de toda a Universidade do Brasil para participarem do Projeto, propondo cursos e ministrando aulas.
Os Cursos do Forum so podem ser coordenados por docentes do corpo permanente da UFRJ, portadores do grau minimo de Doutor. As aulas podem ser ministradas por varios professores e por alunos dos programas de pos-graduacao (doutorandos, de preferencia). Caso o coordenador do curso queira incluir docentes ou pesquisadores de outras instituicoes, a inclusao se dara, em carater excepcional e como intercambio academico, uma vez que o Projeto destina-se a divulgacao da producao intelectual da propria UFRJ. O planejamento antecipado e necessario, tendo em vista o uso dos espacos fisicos no Palacio e a divulgacao interna e externa.
As informacoes sobre este e qualquer outro projeto do Forum de Ciencia e Cultura podem ser obtidas pelo e-mail: info@..., atraves do telefone 2295-1595 (ramal 103 ou 130) ou pela pagina <http://www.forum.ufrj.br>
Cadastre-se <http://www.forum.ufrj.br/cadastro.htm>
para receber, regularmente, em sua caixa-postal, todos os eventos organizados pelo Forum.
@ VIDEOTECA DEL SUR DE NUEVA YORK ABRE SEDE EN LA HABANA E INVITA REALIZADORES LATINOAMERICANOS A PARTICIPAR CON SUS OBRAS
==========================================
prazo/plazo/deadline: n/c
Videoteca del Sur de Nueva York tiene el agrado de anunciar la inauguracion de su sede en la ciudad de La Habana, Cuba. Videoteca del Sur-La Habana iniciara sus actividades en el marco del 23 Festival
Internacional del Nuevo Cine Latinoamericano a llevarse a cabo del 3 al 13 de diciembre del 2001. Videoteca del Sur-La Habana ofrecera una programacion periodica y exhibira lo mas relevante de la produccion audiovisual latinoamericana. En un inicio las exhibiciones se llevaran a cabo en las instalaciones del Centro Cultural ICAIC, localizado en calle 23 entre 10 y 12, Vedado, frente al ICAIC.
El Comite de Honor de Videoteca del Sur-La Habana esta presidido por Humberto Solas, y lo componen por Cuba: Alquimia Pena, Directora de la Fundacion de Nuevo Cine Latinoamericano, Edmundo Aray, Director de la Escuela de Cine y TV de San Antonio de los Banos, Lissete Vilas, de la UNEAC; Susana Sardinas; Directora de Relaciones Internacionales del ICRT, y los cineastas Fernando Perez, Enrique Pineda Barnet y Julio Garcia Espinoza. Por los Estados Unidos sus miembros son: Richard Pena, Director de Programacion del Lincoln Center/Director del New York Film Festival; Carol Rosenberg, de la Fundacion Ludvig; Jorge Rufinelli,
Especialista en Cine
Latinoamericano/Profesor de Literatura de Stanford University, y
Jerry Carlson Profesor de Cine de CUNY.
Invitamos a todos los realizadores, productores y distribuidores a participar con sus obras (largometrajes, cortos, documentales, animacion, etc.). Deben enviar copias -optima calidad- en formato de video en Betacam, DV o VHS, en idioma espanol o subtituladas a:
Videoteca del Sur, Inc.
Att. Pedro Zurita
84 East 3rd Street, 5-A
New York, New York 10003-9253 USA
Tel. 212 674.5405 Fax 212 614.0464
Las copias deben incluir fotos, sinopsis y ficha tecnica. Las fotos pueden ser enviadas via email jpeg- a videlsur@...
Escribanos para informacion sobre su envio.
Para mas informacion escribanos o visite www.videlsur.org
Pedro Zurita <videlsur@...>
Videoteca del Sur
@ CALL FOR CHAPTERS . VIRTUAL RESEARCH ETHICS: ISSUES AND CONTROVERSIES
==========================================
prazo/plazo/deadline: 01/06/2002
A book edited by Elizabeth A. Buchanan, Ph.D., University of Wisconsin- Milwaukee, USA (eliz1679@...)
All types of formal research are now being conducted via the Internet. >From strict quantitative data collection to virtual ethnography to survey research, researchers want to tap into the vast riches of online communities, those that oftentimes exist only in a virtual reality.
However, these forms of research often seem in conflict with-or a challenge to-long-standing principles of research ethics.
Chapters in this book will focus on the use of the Internet/WWW itself as a medium for conducting research. Online research or virtual research is quickly emerging as a unique research methodology,
complete with its own methodological specificity, its own guidelines on how to conduct research online, as well as codes of researcher conduct.
Nowhere is the challenge surrounding online research greater than in the offices of institutional review boards, which find themselves struggling with new protocol language, new means of data selection and collection, and new and increasingly difficult challenges to the ethical treatment and protection of human subjects.
The goals of this book include:
1. To introduce readers to online research protocols
2. To introduce readers to online research ethics issues
3. To provide guidelines for the conduct of online research
4. To explore ethical considerations and problems in the conduct of
virtual research
Representative topics include but are not limited to the following:
Tradtional research ethics and IRB protocols
Philosophical dilemmas of online research ethics
Conducting online research
Ethical codes of conduct for online research
IRB Guidelines for human subject protection
Case studies of online research in action
Case studies in online research ethics violations
"Success stories" in IRB handlings of online research ethics
Legal issues in online research
SUBMISSION PROCEDURE
Researchers and practitioners are invited to submit on or before June 1, a 2-5 page manuscript proposal clearly explaining the mission and concerns of the proposed chapter. Authors of accepted proposals will be notified
by June 30 about the status of their proposals and sent chapter organizational guidelines. Full chapters are expected to be submitted by October 15, 2002.
All submitted chapters will be reviewed on a blind review basis. I am pleased to announce that the book will be published by Idea Group Inc., publisher of the Idea Group Publishing, Information Science Publishing and IRM Press imprints.
Inquiries and Submissions can be forwarded electronically (Word or RTF format) to:
Elizabeth Buchanan, Ph.D. University of Wisconsin-Milwaukee Milwaukee, WI 53211
Tel: 414.229.4707 Fax: 414.229.4848 Email: eliz1679@...
@ CALL FOR PAPERS: STARTLING! HEARTBREAKING! REAL!: REALITY TV AND THE RE-MAKING OF TELEVISION CULTURE
==========================================
prazo/plazo/deadline: 15/05/2002
Contributions are sought for an edited volume examining the complex economic, aesthetic, generic, philosophical, and cultural implications of the recent rise of reality television.
Invitamos a todos los realizadores, productores y distribuidores a participar con sus obras (largometrajes, cortos, documentales, animacion, etc.). Deben enviar copias -optima calidad- en formato de video en Betacam, DV o VHS, en idioma espanol o subtituladas a:
Videoteca del Sur, Inc.
Att. Pedro Zurita
84 East 3rd Street, 5-A
New York, New York 10003-9253 USA
Tel. 212 674.5405 Fax 212 614.0464
Las copias deben incluir fotos, sinopsis y ficha tecnica. Las fotos pueden ser enviadas via email jpeg- a videlsur@...
Escribanos para informacion sobre su envio.
Para mas informacion escribanos o visite www.videlsur.org
Pedro Zurita <videlsur@...>
Videoteca del Sur
@ CALL FOR CHAPTERS . VIRTUAL RESEARCH ETHICS: ISSUES AND CONTROVERSIES
==========================================
prazo/plazo/deadline: 01/06/2002
A book edited by Elizabeth A. Buchanan, Ph.D., University of Wisconsin- Milwaukee, USA (eliz1679@...)
All types of formal research are now being conducted via the Internet. >From strict quantitative data collection to virtual ethnography to survey research, researchers want to tap into the vast riches of online communities, those that oftentimes exist only in a virtual reality.
However, these forms of research often seem in conflict with-or a challenge to-long-standing principles of research ethics.
Chapters in this book will focus on the use of the Internet/WWW itself as a medium for conducting research. Online research or virtual research is quickly emerging as a unique research methodology,
complete with its own methodological specificity, its own guidelines on how to conduct research online, as well as codes of researcher conduct.
Nowhere is the challenge surrounding online research greater than in the offices of institutional review boards, which find themselves struggling with new protocol language, new means of data selection and collection, and new and increasingly difficult challenges to the ethical treatment and protection of human subjects.
The goals of this book include:
1. To introduce readers to online research protocols
2. To introduce readers to online research ethics issues
3. To provide guidelines for the conduct of online research
4. To explore ethical considerations and problems in the conduct of
virtual research
Representative topics include but are not limited to the following:
Tradtional research ethics and IRB protocols
Philosophical dilemmas of online research ethics
Conducting online research
Ethical codes of conduct for online research
IRB Guidelines for human subject protection
Case studies of online research in action
Case studies in online research ethics violations
"Success stories" in IRB handlings of online research ethics
Legal issues in online research
SUBMISSION PROCEDURE
Researchers and practitioners are invited to submit on or before June 1, a 2-5 page manuscript proposal clearly explaining the mission and concerns of the proposed chapter. Authors of accepted proposals will be notified
by June 30 about the status of their proposals and sent chapter organizational guidelines. Full chapters are expected to be submitted by October 15, 2002.
All submitted chapters will be reviewed on a blind review basis. I am pleased to announce that the book will be published by Idea Group Inc., publisher of the Idea Group Publishing, Information Science Publishing and IRM Press imprints.
Inquiries and Submissions can be forwarded electronically (Word or RTF format) to:
Elizabeth Buchanan, Ph.D. University of Wisconsin-Milwaukee Milwaukee, WI 53211
Tel: 414.229.4707 Fax: 414.229.4848 Email: eliz1679@...
@ CALL FOR PAPERS: STARTLING! HEARTBREAKING! REAL!: REALITY TV AND THE RE-MAKING OF TELEVISION CULTURE
==========================================
prazo/plazo/deadline: 15/05/2002
Contributions are sought for an edited volume examining the complex economic, aesthetic, generic, philosophical, and cultural implications of the recent rise of reality television.
For the purposes of this book, the editors have defined "reality TV" as non-fiction programming that claims to represent ordinary people in ordinary or extraordinary "real life" situations. (Examples include Survivor, Big Brother, The Loft, COPS, The Real World, America Undercover, Millionaire, Blind Date, Court TV, Temptation Island, Pop Stars, American High, Trading Spaces, and A Wedding Story.)
Possible topics include, but are not limited to, the following:
The Political Economy of Reality TV
* corporate synergy and concentration
* global flow of reality formats
* production practices
* actor's labor and celebrity
* Publicity and advertising strategies
* new technologies
Generic Conventions and Definitions
* visual and narrative strategies
* the influence of documentary conventions and techniques
* historical precedents and influences
* the process of generic classification
Cultural Politics
* representations of race, class, gender and sexuality
* implications for conceptions of "truth" and everyday life
* ideology and mythology
* uses and appropriations of the "other"
* voyeurism and surveillance
Audiences and Reception
* viewing practices and contexts
* fan communities
* comparative studies of audiences in an international context
* demographics
* media and popular discourses
Please email a one to two page proposal and brief vitae by May 15, 2002 to:
Susan Murray or Laurie Ouellette
Assistant Professor Assistant Professor
Culture & Communication Journalism & Media Studies
New York University Rutgers University
susan.murray@... laurieo@...
@ CALL FOR PAPERS ELECTRONIC COMMERCE RESEARCH JOURNAL SPECIAL ISSUE: ELECTRONIC COMMERCE IN DEVELOPING COUNTRIES
==========================================
prazo/plazo/deadline: 31/03/2002
The convergence between computing and data telecommunication technologies and the resultant advent of the Internet may have profound effects on developing countries similar to those already experienced and expected in the future in other countries of the world.t The way developing countries respond to the many implications of the Internet, and especially those relevant to Electronic Commerce (EC), will undoubtedly have a significant influence on the social, political, cultural, and economic development of these societies.t The failure of
managers, administrators, and politicians in public and private organizations in these countries to understand how to exploit EC in accordance with their national culture(s) will only act as a barrier rather than an enabler of development. The purpose of this special issue
of Electronic Commerce Research Journal is to provide a forum for topics addressing EC issues in developing countries. Conceptual and empirical contributions from authors around the world are strongly encouraged.
This special issue intends to incorporate a wide array of EC issues in developing countries. Papers based on research from both academia and industry are encouraged.t Papers dealing with (but not limited to) the
following topics are invited:
S Effects of EC on public- and private-sector organizations
S Effects of EC on social, economic and political structures and
functions
S Effects of EC on national relations between developing countries
S Effects of EC on relations between developing and developed countries
S EC strategy issues at organizational and national levels
S EC infrastructure issues
S EC education and training issues
S EC implementation issues
S EC measurement and evaluation issues
S EC ethical and legal issues
S EC trust and security issues
Submission Guidelines:
All submissions must be in English, should represent original work of the author(s), and must not have been published/accepted for publication or currently under consideration for publication elsewhere. All contributions will be subjected to a double-blind review process.
Manuscripts should be prepared according to Electronic Commerce Research Journal format (http://www.baltzer.nl/journalhome.htm/1389-5753). There is no page limit on paper submissions. Submission should be made electronically to one of the guest editors:
Adel M. Aladwani
Department of QM & IS
College of Administrative Sciences
Kuwait University
E-mail:t adwani@...
Mahesh S. Raisinghani
Graduate School of Management
University of Dallas
E-mail: mraising@...
Nicolau Reinhard
Faculdade de Economia, Administracoa e Contabilidade
Fundacao Instituto de Administracoa
Universidade de Sao Paulo
E-mail: reinhard@...
Paul Licker
Deaprtment of IS
Faculty of Commerce
University of Cape Town
Email: plicker@...
Important Dates:
31 March 2002tttttttttttt Deadline for submission
30 June 2002ttttttttttttttt First round of reviews returned to the authors
30 September 2002ttttt Deadline for re-submission
30 November 2002ttttt Final acceptance of papers
The special issue is scheduled for publication in mid-2003.
@ CALL FOR PAPERS:TRANSNATIONAL CULTURE AND THE POLITICS OF IDENTITY
INTERSECTING: RACE, SEX, PLACE (BOOK SERIES)
==========================================
prazo/plazo/deadline: 01/05/2002
Rodopi, Amsterdam.
Issue Editor: Sudeep Dasgupta
Series Editors: Ernst van Alphen, Inge Boer, Sudeep Dasgupta, Isabel =
Hoving
Description of proposed volume
Transnational Culture and the Politics of Identity
The temporal and spatial dimensions of contemporary globalization are profoundly altering the location of culture as the shifting ground for articulating forms of identity. In particular, the frames of tradition and modernity, identity and difference are mediated by discourses grounded in the fluid movements of labour, capital, representations and technologies. Institutions, texts and the representational practices understood as "cultural"are always situated within the concrete constellations of power/knowledge of globalization as politico-economic =
and social expansion. Given that these processes are contradictory, cultural politics is necessarily imbricated in these webs of power relations as the coding of cultural value within a broader material/symbolic economy. The proposed volume will focus on the representational dynamics of a range of cultural politics that call into question the boundaries which have divided, however contingently, the discourses of home and the world, cosmopolitanisms and travel. In the context of the present redrawing of the borders of the planet around "civilization"and "religion", the recrudescence of this logic of separation will be critiqued from the perspective of cultural analysis of texts, practices and institutions that are imbricated in the proliferation, consolidation and critique of notions of cultural belonging. A focus on the importance of sexuality, race and class in contemporary cultural politics is encouraged. Further, a critical and constructive engagement with the discourse on "difference" and "hybridity" as a theoretical frame deployed in intellectual work, and as an organizing principle in cultural politics is encouraged.
Words: Approx. 10,000
Deadline: May 1, 2002
Please email abstracts to:
Sudeep Dasgupta
dasgupta@...
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