P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 52+53 5/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ I-CONTACT VIDEO NETWORK
==========================================
prazo/plazo/deadline: n/c
http://www.cultureshop.org
i-Contact Video Network (a non-for profit media group in Bristol) has
finally got there site to distribute independent/radical/political
issue based videos live! This site was created in partnership
with others whoare actually making the films to help in solving the
problem we have been talking about for years - Distribution.
If you have any films you wish to distribute please contact us.
@ CALL FOR PAPERS: SURVEILLANCE & SOCIETY, THE TRANSDISCIPLINARY
INTERNATIONAL JOURNAL OF SURVEILLANCE STUDIES
==========================================
prazo/plazo/deadline: 31/05/2002
the deadline for the first issue is the 31st of May 2002
publication is scheduled for Summer 2002.
Surveillance & Society is a part of a new international
initiative to bring surveillance studies to wider attention, within
academia and beyond.
It is online for maximum accessibility, and because we hope to
encourage multimedia, photographic and video submissions that could
not be published in conventional paper journals.
All submissions will be fully peer-reviewed to the most rigorous
quality standards.
We are interested in papers on any aspect of surveillance from all
disciplines.
Surveillance & Society has two sister sites:
Surveillance Resources, a resource base for surveillance studies,
including an interactive 'Encyclopedia of Surveillance', and
a Discussion Forum, which will be based on submitted Opinion
pieces of up to 2000 words. Both will be operational by Summer
2002.
Please visit the website, or contact the Editors
for further details.
@ ISEA IS SEARCHING FOR A DESIGNER
to develop a printed card for our upcoming membership outreach
campaign. We are looking for a design that
will be inexpensive to reproduce (1 or 2 colors), and be mailed
easily in postcard format or as a folded letter.
What will you get for contributing to this effort? Free
membership for a year, and the chance to discretely put your own
contact information on the card, which will be distributed
world-wide, and a credit on our web site. More importantly, you
will be contributing to building the
community of individuals and organizations involved in the Electronic
Arts
Please send us your web site address or a few small jpgs of your work
with
your reply.
Madris Duric, ISEA-HQ
madris@...
@ SELECAO DE PROJETOS 2002/2. CRIARTE CASA DE ARTE E CULTURA (Rio
de Janeiro)
A CRIARTE CASA DE ARTE E
CULTURA esta abrindo selecao de projetos de espetaculos,
exposicoes e cursos para o segundo semestre de 2002.
Se voce possui algum
projeto, por favor nos envie por email ou entregue-o em nossa
secretaria.
E se nao possui, opina e
sugira qual curso ou evento voce gostaria de ver na CRIARTE. Basta
responder este email, preenchendo a frase abaixo:
Gostaria que a CRIARTE oferecesse o curso/ evento
_______________________________________.
Criarte Casa de Arte & Cultura
R. Jose Clemente 30/ 2o andar - Centro de Niteroi
Tel.: 2719-6405 e 2620-2487
www.go.to/criarte
criartecac@...
@ CALL FOR ARTIST PARTICIPATION: A MAIL ART PROJECT
==========================================
prazo/plazo/deadline: n/c
We are a group of design students at the School of the Museum of Fine
Arts in Boston, MA, USA. Lorne Falk recommended that we contact
you in regards to our project that follows.
The events that occurred on September 11, 2001
prompted us to initiate a visual dialogue with other nations in
regards to the worldwide problem of terrorism. To facilitate this
dialogue we designed Postmarked: A Mail Art Project.
As we discussed the ideas behind the project, the
following questions were raised: Who is a terrorist?
How does one view a terrorist? What is an act of
terrorism? We decided to focus on addressing these
questions.
In an effort to acquire a diverse group of responses, we have
compiled a database of countries and areas categorized as having been
exposed to non state-sponsored acts of terrorism in the past 25
years. We decided to send packages of ten postcards to five art
schools in each of the more than eighty-five
countries, inviting a response. Art schools are the primary focus
because we are looking for a visual response. We hope to spark a
visual dialogue with our peers in other countries.
In the end, our intention was to create a postcard
design that would invite the recipient to respond and therefore
create a correspondence that involves many different participants,
from many different nations, all commenting on a universal issue.
We are currently mailing the postcards to institutions of learning
worldwide. We hope that our design will inspire people from all over
the globe to write, draw, paint on, manipulate, or even create a new
card, all to be sent back to us. We will host an exhibition of the
responses in September 2002.
We are currently looking for artists who would like to participate in
the project. We are especially looking for contacts at art
institutions and thought you might have some contacts either in
Brazil or other parts of
the world. If you can provide even one name and email address, it
will be very helpful.
In addition, if you or anyone else you know would like to
participate, please let us know, as it would be greatly
appreciated.
Thank you for you time and interest in our project.
Sincerely,
Postmarked: A Mail Art Project
www.postmarked2boston.org
postmarked2boston@...
@ PARTICIPACAO NO PROJETO PLURAL MAPS: LOST IN SAO PAULO
Ola pessoal,
estou com um projeto de net arte colaborativa que estara
participando da Bienal de SP e gostaria de convidar a todos para
participar.
O projeto preve a construcao de uma cartografia da cidade
de Sao Paulo a partir de material enviado pelos internautas.
Segue abaixo mais informacoes,
um abraco a todos
Lucia Leao
25a.Bienal de Sao Paulo
Nucleo de Net Arte
Curadoria Brasil: Agnaldo Farias
Curadoria Net Arte Brasil: Christine Mello
Producao: Daniel Seda
Plural maps: lost in Sao Paulo
Artista: Lucia Leao
Plural maps: lost in Sao Paulo e um projeto de net arte
colaborativa que incorpora labirintos construidos em VRML e links
que levam a pontos especificos da cidade.
O objetivo deste projeto e se apropriar da WWW para a
construcao de uma cartografia da cidade de Sao Paulo. Essa
cartografia sera criada a partir de pontos previamente locadas pela
artista e por escolhas enviadas pelos participantes da WWW.
Participacao no Projeto Plural maps: lost in Sao Paulo
O projeto Plural maps: lost in Sao Paulo e uma estrutura
aberta a participacao de internautas e sera constantemente
alterada durante a Bienal. Qualquer pessoa podera participar do
projeto enviando seu mapa ou retrato da cidade (imagens, sons,
textos, videos, webcams, etc). Cada imagem enviada e um novo
olhar sobre a cidade e sera incorporada na estrutura do sistema,
constituindo um novo link do labirinto em VRML.
Endereco: www.lucialeao.pro.br/pluralmaps
Participacao: enviar o material ou o link para
labweb@...
@ POPULAR COMMUNICATION: call for articles
==========================================
prazo/plazo/deadline: n/c
Editors
Sharon R. Mazzarella, Ithaca College
Norma Pecora, Ohio University
Popular Communication, a new journal from Lawrence Erlbaum
Associates, will publish articles on popular communication texts,
artifacts, audiences, events, and practices. Commencing
publication in 2003, this
peer-reviewed journal will consider all aspects of popular culture
that is mediated by or related to mass media. We welcome essays
on such
topics as:
the Internet _ youth culture _ representation _ fandom _ film _
sports_ spectacles _sexuality _ advertising _ consumer culture _ the
digital revolution _television _ radio _music _ magazines
_ zines _ dance _ comic books _ computer
games
The journal welcomes diverse theoretical and methodological
perspectives.
Popular Communication is intended for scholars, researchers, and
educators in mass communication, advertising, media studies, visual
communication, and cultural studies. It will also appeal to readers
in
family studies, gender studies, race/ethnic studies, sociology,
social psychology, women's studies, American studies, and other
disciplines with an emphasis on or interest in popular
communication.
The paper submission deadline for Volume 1, Issue 2, is June 1,
2002.cArticles will be reviewed on an ongoing basis for publication
in subsequent issues of the journal.
Submissions: Submit five hard copies of the manuscript to Dr. Norma
Pecora, Co-Editor, Popular Communication, c/o School of
Telecommunications, 221 RTV Building, Ohio University, Athens, OH
45701 (phone: 740-593-4864; fax: 740-593-9184; e-mail:
pecora@...
Electronic submissions cannot be accepted.
Manuscript Preparation: Manuscripts should be prepared according to
the guidelines of the Publication Manual of the American
Psychological Association (5th ed.) Double space all material,
including title page, abstract, text, quotations, acknowledgments,
references, appendixes
tables, figure captions, and footnotes. The title page should
include the title of the manuscript; names and affiliations of all
authors; name address, phone and fax numbers, email address of the
corresponding
author; and a running head of not more than 48 letters and spaces.
Only the title page should contain identifying information. The
second page should include the manuscript title, an abstract of 100
to 150 words, and a list of key words for use in indexing. All
figures must be camera ready.
@ catalogo Panorama do Documentario Brasileiro 1995-2001
==========================================
prazo/plazo/deadline: n/c
Quem desejar receber um exemplar do catalogo Panorama do
Documentario Brasileiro 1995-2001 deve solicita-lo, mandando o
endereco postal completo,
ao Secretario do Audiovisual Jose lvaro Moises, pelo
e-mail
<assessoriasav@...>
O catalogo foi organizado por Orlando Senna e lista 340 filmes e
videos documentarios sobre a diversidade cultural, social e
geografica do Brasil.
@ CURTAS.NET
BUSCA CORTOS PARA SU P GINA .
==========================================prazo/plazo/deadline: n/c
Esta es una iniciativa de Filmes da Rua, productora portuguesa que
quiere aumentar la informacion en la web sobre cortometrajes de
todo el mundo.
Desde aqui queremos hacer un llamamiento a todos los interesados.
Para mas informacion, poneros en contacto con:
curtasnet@....
Claudia Freire.
La pagina, estara pronto activa.
http//www.curtas.net
@ VIDEOTECA DEL SUR DE NUEVA YORK ABRE SEDE EN LA HABANA E
INVITA REALIZADORES LATINOAMERICANOS A PARTICIPAR CON SUS OBRAS
==========================================
prazo/plazo/deadline: n/c
Videoteca del Sur de Nueva York tiene el agrado de anunciar la
inauguracion de su sede en la ciudad de La Habana, Cuba.
Videoteca del Sur-La Habana iniciara sus actividades en el marco
del 23 Festival
Internacional del Nuevo Cine Latinoamericano a llevarse a cabo del 3
al 13 de diciembre del 2001. Videoteca del Sur-La Habana
ofrecera una programacion periodica y exhibira lo mas
relevante de la produccion audiovisual latinoamericana. En un
inicio las exhibiciones se llevaran a cabo en las instalaciones del
Centro Cultural ICAIC, localizado en calle 23 entre 10 y 12, Vedado,
frente al ICAIC.
El Comite de Honor de Videoteca del Sur-La Habana esta presidido
por Humberto Solas, y lo componen por Cuba: Alquimia Pena,
Directora de la Fundacion de Nuevo Cine Latinoamericano, Edmundo
Aray, Director de la Escuela de Cine y TV de San Antonio de los
Banos, Lissete Vilas, de la UNEAC; Susana Sardinas;
Directora de Relaciones Internacionales del ICRT, y los cineastas
Fernando Perez, Enrique Pineda Barnet y Julio Garcia Espinoza.
Por los Estados Unidos sus miembros son: Richard Pena, Director de
Programacion del Lincoln Center/Director del New York Film
Festival; Carol Rosenberg, de la Fundacion Ludvig; Jorge
Rufinelli,
Especialista en Cine
Latinoamericano/Profesor de Literatura de Stanford University, y
Jerry Carlson Profesor de Cine de CUNY.
Invitamos a todos los realizadores, productores y distribuidores a
participar con sus obras (largometrajes, cortos, documentales,
animacion, etc.). Deben enviar copias -optima
calidad- en formato de video en Betacam, DV o VHS, en idioma
espanol o subtituladas a:
Videoteca del Sur, Inc.
Att. Pedro Zurita
84 East 3rd Street, 5-A
New York, New York 10003-9253 USA
Tel. 212 674.5405 Fax 212 614.0464
Las copias deben incluir fotos, sinopsis y ficha tecnica. Las
fotos pueden ser enviadas via email jpeg- a
videlsur@...
Escribanos para informacion sobre su envio.
Para mas informacion escribanos o visite www.videlsur.org
Pedro Zurita <videlsur@...>
Videoteca del Sur
@ CALL FOR CHAPTERS . VIRTUAL RESEARCH ETHICS: ISSUES AND
CONTROVERSIES
==========================================
prazo/plazo/deadline: 01/06/2002
A book edited by Elizabeth A. Buchanan, Ph.D., University of
Wisconsin- Milwaukee, USA (eliz1679@...)
All types of formal research are now being conducted via the
Internet. >From strict quantitative data collection to
virtual ethnography to survey research, researchers want to tap
into the vast riches of online communities, those that
oftentimes exist only in a virtual reality.
However, these forms of research often seem in conflict with-or
a challenge to-long-standing principles of research ethics.
Chapters in this book will focus on the use of the Internet/WWW
itself as a medium for conducting research. Online research or
virtual research is quickly emerging as a unique research
methodology,
complete with its own methodological specificity, its own guidelines
on how to conduct research online, as well as codes of researcher
conduct.
Nowhere is the challenge surrounding online research greater than in
the offices of institutional review boards, which find themselves
struggling with new protocol language, new means of data selection
and collection, and new and increasingly difficult challenges to the
ethical treatment and protection of human subjects.
The goals of this book include:
1. To introduce readers to online research protocols
2. To introduce readers to online research ethics issues
3. To provide guidelines for the conduct of online research
4. To explore ethical considerations and problems in the conduct
of
virtual research
Representative topics include but are not limited to the
following:
Tradtional research ethics and IRB protocols
Philosophical dilemmas of online research ethics
Conducting online research
Ethical codes of conduct for online research
IRB Guidelines for human subject protection
Case studies of online research in action
Case studies in online research ethics violations
"Success stories" in IRB handlings of online research
ethics
Legal issues in online research
SUBMISSION PROCEDURE
Researchers and practitioners are invited to submit on or before June
1, a 2-5 page manuscript proposal clearly explaining the mission and
concerns of the proposed chapter. Authors of accepted proposals will
be notified
by June 30 about the status of their proposals and sent chapter
organizational guidelines. Full chapters are expected to be submitted
by October 15, 2002.
All submitted chapters will be reviewed on a blind review basis. I am
pleased to announce that the book will be published by Idea Group
Inc., publisher of the Idea Group Publishing, Information Science
Publishing and IRM Press imprints.
Inquiries and Submissions can be forwarded electronically (Word or
RTF format) to:
Elizabeth Buchanan, Ph.D. University of Wisconsin-Milwaukee
Milwaukee, WI 53211
Tel: 414.229.4707 Fax: 414.229.4848 Email:
eliz1679@...
@ CALL FOR PAPERS: STARTLING! HEARTBREAKING! REAL!: REALITY TV AND
THE RE-MAKING OF TELEVISION CULTURE
==========================================
prazo/plazo/deadline: 15/05/2002
Contributions are sought for an edited volume examining the complex
economic, aesthetic, generic, philosophical, and cultural
implications of the recent rise of reality
television.
For the purposes of this book, the editors have defined "reality
TV" as non-fiction programming that claims to represent ordinary
people in ordinary or extraordinary "real life" situations.
(Examples include Survivor, Big Brother, The Loft, COPS, The Real
World, America Undercover, Millionaire, Blind Date, Court TV,
Temptation Island, Pop Stars, American High, Trading Spaces, and A
Wedding Story.)
Possible topics include, but are not limited to, the following:
The Political Economy of Reality TV
* corporate synergy and concentration
* global flow of reality formats
* production practices
* actor's labor and celebrity
* Publicity and advertising strategies
* new technologies
Generic Conventions and Definitions
* visual and narrative strategies
* the influence of documentary conventions and techniques
* historical precedents and influences
* the process of generic classification
Cultural Politics
* representations of race, class, gender and sexuality
* implications for conceptions of "truth" and everyday
life
* ideology and mythology
* uses and appropriations of the "other"
* voyeurism and surveillance
Audiences and Reception
* viewing practices and contexts
* fan communities
* comparative studies of audiences in an international context
* demographics
* media and popular discourses
Please email a one to two page proposal and brief vitae by May 15,
2002 to:
Susan Murray
or
Laurie Ouellette
Assistant Professor
Assistant
Professor
Culture & Communication
Journalism &
Media Studies
New York University
Rutgers University
susan.murray@...
laurieo@...
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
FIN/FIM
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 52+53 5/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 6: NOVIDADES NA INTERNET / NOVEDADES EN LA INTERNET
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ SITE DE LA ASOCIACI N IBERO AMERICANA DE TEATRO UNIVERSITARIO,
AIATU
======================================
http://www.unimoron.edu.ar
Estimados amigos:
Les escribo para comunicarles que a partir del dia de la fecha la
Asociacion Ibero Americana de Teatro Universitario, AIATU, cuenta
con un espacio en la web.
Para acceder a la misma se debe ingresar por medio de la pagina que
tiene la Universidad de Moron, y en la misma encontraran toda la
informacion y los documentos con los que hemos trabajado durante
este tiempo.
La direccion es:
www.unimoron.edu.ar
Les hago llegar a todos un cordial y afectuoso saludo.
Arq. Luis Ricardo Asensio
Presidente AIATU
"Asoc. Iberoamericana de Teatro Univ"
<aiatu@...>
@ EXPRESSIONISMO.PRO.BR
Criado pela animadora, designer e webmistress Adriana Bicalho, e
que apresenta os bastidores da producao de um ciclo de
animacoes em estilo expressionista, intitulado Trilogia do Caos,
e para o qual dois episodios ja foram produzidos: A Flor do Caos
(Formato Betacam, Premio da Secretaria Municipal de Cultura da
Prefeitura de Belo Horizonte) e Selenita Acusa! (Formato Betacam e
35mm, Premio Estimulo da Associacao Curta Minas/CEMIG). O
ultimo episodio da trilogia, Dr. Cretinus Retorna..., esta em
fase de producao. Reunidos, os tres capitulos constituirao
o primeiro longa-metragem em computacao grafica produzido em
Minas Gerais. A equipe da producao, que integra o projeto de
pesquisa academico Animacao Expressionista, envolve 18
professores, tecnicos e alunos de graduacao e
pos-graduacao da Escola de Belas Artes da UFMG. Demais
informacoes podem ser buscadas no site, que e atualizado
regularmente com as ultimas noticias das producoes.
fonte: Luiz Nazario <luiz.nazario@...>
@ BASE DE DATOS DEL CORTOMETRAJE LATINOAMERICANO
======================================
http://www.fundavisual.org.ve/
Fundavisual Latina ha desarrollado la Base de Datos del Cortometraje
Latinoamericano, con el objetivo de difundir y promover este bien
cultural, y activar asi el intercambio y conocimiento del mismo y
posibilitar su programacion en medios de comunicacion de masas,
como salas cinematograficas, festivales, canales de television,
cable, satelite, home-video, entre otros, o simplemente crear una
puerta a la investigacion sobre nuestra memoria audiovisual. Visite
nuestra pagina, registre su cortometraje y proyectelo en la red.
Informacion: <mailto:flatina@...>
<http://www.fundavisual.org.ve/>
http://www.clickandgovideo.ac.uk/
@ CLICK AND GO VIDEO PROJECT
======================================
http://www.clickandgovideo.ac.uk/
The JISC/DNER Click and Go Video project aims to provide academic and
support staff with the resources and information necessary to
evaluate and choose the most appropriate technology and pedagogy to
use with their students. The project is developing a methodology for
the educational use of video and audio streaming that can be
customised and personalised."
Discussion list at:
http://www.jiscmail.ac.uk/lists/clickandgovideo.htm--
Nick Bolton becomes the second New Zealander to make e-mail history
with his excellent freeware spam killing program. The first is David
Harris, the creator of Pegasus Mail. Spam is one of the certainties
on the Net. You don't even have to leave your e-mail address on a web
site to start getting Spam. Sometimes just leaving your business card
somewhere will start the nefarious
messages.
Mailwasher downloads your Pop mail before it arrives on you
computer.You can use MW sophisticated filters or you can filter the
messages manually. Once you establish a message as Spam the e-mail
address is on the "BlackList" and will be automatically
deleted the next time
it arrives.
But wait there is more. MW will send a message back to the Spammer
indicating that your address is not valid. Even moronic spammers will
not waster their time on what they interpret as a bounced e-mail.
Before MW I was devoting a minimum of 30 minutes per day filtering
Spam. MW has cut that down to about 5 minutes. Besides the time
saving I don't have to look at my junk mailbox and scan to see if
there are any important messages. RUN, DON'T WALK TO
MAILWASHER.
@ FAST MAIL
======================================
http://www.fastmail.fm
Readers of this newsletter know I am an advocate of having several
web-based e-mail addresses. I use and highly recommend Ureach and
Myrealbox.
Fastmail, a free web-based e-mail system becomes more attractive now
that Yahoo and Hotmail will be charging for their services. Easy
interface, excellent features. Notice the fm is not a mistake
in the url below.
@ LISTA DE INTERES IBEROAMERICANA DE ARTE, NUEVOS MEDIOS, CIENCIA Y
TECNOLOG A. [IBEROAMERICA-ACT]
======================================
Si desea recibir mensajes de la lista, envie un mail a:
iberoamerica-act-subscribe@egroups.com
Moderadores: Rodrigo Alonso <rodrigo.alonso@...>
(Argentina) / Jose-Carlos Mariategui <jcm@...>
(Peru)
@ RUSSIAN ARCHIVES ON THE INTERNET: THE 20TH CENTURY THROUGH SOVIET
EYES
======================================
http://www.abamedia.com/aba/
While working on a television project a few years after the
Soviet Union's 1991 demise, Mr. Johnson stumbled upon the
Russian State Film and Photo Archive at Krasnogorsk, a four-block
facility containing all the country's nonfiction films.
Web surfers now can access nearly 25,000 of the films in Russian
and about 5,000 films in English. Thousands of pictures
already are online, including Soviet propaganda posters and cartoons,
and diary entries written by the Romanovs.
For further information:
Abamedia: Russian Archives Online
http://www.abamedia.com/aba/
Looking for hard to get, never before exposed images and sounds
from the vast territory of the former Soviet Union? Russian
Archives Online represents prominent archives like the Russian State
Film & Photo Archive
Krasnogorsk, Russian State Archive of Scientific & Technical
Documents and various other institutions of the Russian State....one
of the largest owners of images and sounds in the world. Here, you
will find collections of Russian archival collections of photograhps
and films, audio, clips and transcripts from the 15 republics of the
former Soviet Union, including Russia, Ukraine, Georgia and many
more.
* Welcome to the World of French Cinema
The mission of The Children of The French Cinema is to bring
together all those who are passionately fond of French Cinema.
The year 2000 was a record year for French films in the United
States, with 31 French films and 30 French co-productions shown on
the American screens. This represents a 100% increase compared to the
1990's. This kind of information and more on the newly launched
French-cinema.com
@ NUEVO PORTAL DE INTERNET DELA REAL ACADEMIA ESPANOLA CON
ACCESO DIRECTO AL DICCIONARIO
======================================
http://www.rae.es
Ya esta en marcha la nueva pagina web de la RAE que ha sido
actualizada, disenada y entregada 'llave en mano' por el gigante
informatico IBM, informo El Pais.
El portal, que fue presentado por el academico ngel Martin
Municio y la presidenta de IBM Espana, Amparo Moraleda, en la sede
de la RAE, incluye el acceso directo a la edicion digital del nuevo
Diccionario, con un buscador para consultar por palabras y una
opcion que incorpora el Diccionario al navegador de Internet
La pagina incorpora en la ventana izquierda el acceso a los
servicios de la Academia: las consultas linguisticas; un avance
del Diccionario de dudas; las base de datos del espanol (CREA y
CORDE), una aplicacion llamada Conjugacion verbal, que presenta
todos los tiempos del verbo que se elija (tiene 5.000 entradas); el
registro comparado de los diccionarios elaborados por la Academia
(llamado el Nuevo Tesoro Lexicografico), y el acceso al catalogo
de la Biblioteca de la RAE, que contiene cerca de 74.000 registros y
ha requerido seis anos de trabajo.
En la ventana derecha de la pagina aparecen los apartados de
informacion institucional, en la que se puede encontrar una breve
historia de la Academia y la novedad de acceder a los distintos
departamentos de forma separada.
Segun informaron los especialistas informaticos de la RAE
Fernando Sanchez y Octavio Pinillos, el nuevo Observatorio del
Neologismo, cuya creacion fue acordada en Valladolid la semana
pasada por todas las academias de la lengua, se incorporara a la
pagina en cuanto este en marcha.
Una modernizacion que empezo hace doce anos, dijo, 'cuando IBM
trajo los ordenadores, entraron por la puerta de Felipe IV y
revolucionaron muchas mentes de esta casa'. Desde entonces, segun
Martin Municio, la RAE se ha convertido 'en uno de los mejores
centros de linguistica computacional de Espana'. Y lo ha hecho,
dijo, gracias, entre otras cosas, 'al impulso desinteresado y
amistoso de IBM'.
Amparo Moraleda califico como un placer ayudar a la RAE a velar por
la unidad de la lengua en un momento en que el espanol es el sexto
idioma de Internet (un 6% del total), tras el ingles (70%),
japones, aleman, chino y frances. Moraleda destaco que IBM
invierte '6.000 millones de dolares anuales en I+D en el mundo,
cifra equivalente a la que dedica a ese capitulo el Gobierno
espanol en un ano'.
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N.52+53 5/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 2: CURSOS E CAPACITACAO / CURSOS Y CAPACITACION
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ CURSOS DE CINEMA E VIDEO EM CUBA
MAIO - DEZEMBRO 2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
convenio projeto proarte brasil-escuela internacional de cine y tv,
cuba
(OBS: estes cursos nao tem vestibular nem limite de idade)
CURSOS NO CAMPUS DA ESCUELA INTERNACIONAL DE CINE Y TV SAN ANTONIO DE
LOS BANOS:
ROTEIRO CINEMATOGRAFICO
(2 semanas) maio 6 -17 com PATRICK CATTRYSSE (Belgica) 1000
U$S
Aulas teoricas e praticas sobre o processo de ciracao de roteiro
cinematografico. Analise e discussao de filmes selecionados e
praticas com exercicios de dramaturgia.
o professor: Patrick e escritor, diretor e produtor independente. E
Diretor da Flanders Script Academy e consultor de varias outras
academias.
FOTOGRAFIA CINEMATOGRAFICA
(3 semanas) maio 6 -25 com RAUL RODRIGUEZ (Cuba) 1500 U$S.
A visao consciente, ajuste de cor, sensitometria e tecnica de
filmagem, fundamentos de iluminacao, luz dura e luz blanda, lentes,
filtros, intrumentos de medicao de luz, laobratorio, copia final,
revelado normal e forcado, praticas utilizando suporte video,
filmagens em exteriores e interiores.
o professor: Raul trabalhou como diretor de cinematografia em mais de
150 documentais em 35 mm, longa-metragens de ficcao, video-clips e
curtas com importantes cineastas em Cuba e outros paises, entre eles
Enrique Pineda Barnes, Richard Pierce e Jorge Sanjines.
REALIZACAO E ROTEIRO
(3 semanas) junho 10-28 com PASCAL AUBIER (Franca-USA) 1800 U$S
Oficina intensiva focalizada nas areas de producao e roteiro. Debates
sobre realizacao com enfase nos equipamentos eletronicos, a camera,
composicao visual, etc. Sera realizado um exercicio pratico para
discussao durante o curso.
o professor: Pascal e filosofo e antropologo. Escreve, produz e
dirige seus filmes, alguns dos quais obtiveram importantes premios
internacionais. Tambem tem uma ampla filmografia como
assistente de direcao de famosos diretores como Claude Chabrol, Eric
Rohmer e Jean Luc Goddard.
TEORIA E PRATICA DA MONTAGEM CINEMATOGRAFICA
(3 semanas) junho 10 -28 com NELSON RODRIGUEZ (Cuba) 1200 U$S
Oficina teorico-pratica sobre a edicao de um filme, da recepcao dos
materiais ate a copia final para exibicao. Pratica na mesa de
montagem a partir da edicao de imagens e som.
o professor: Nelson editou algumas das obras mais importantes do
cinema cubano, alem de colaborar com outros cineastas
latinoamericanos como Miguel littin, Jaime Humberto Hermosillo,
Lisandro Duque e Jorge Ali Triana, entre outros. Trabalhou tambem
para o famoso noticiario ICAIC sob a direcao de Santiago Alvares.
Como editor ja recebou importantes premios internacionais.
ROTEIRO CINEMATOGRAFICO
(2 semanas) julho 1-12 com ELISEO ALTUNAGA (Cuba) 1000 U$S
Aulas teoricas e praticas sobre o processo de ciracao de roteiro
cinematografico. Analise e discussao de filmes selecionados e
praticas com exercicios de dramaturgia.
o professor: Eliseo e escritor de romances, jornalista, ensaista e
roteirista de cinema, radio e televisao. E tambem professor do
Instituto Superior de Arte de Cuba e ja ministrou oficinas de roteiro
em diferentes paises.
FOTOGRAFIA CINEMATOGRAFICA
(3 semanas) julho 1 - 19 com KEN PETTERSON (USA) 1500 U$S
A visao consciente, ajuste de cor, sensitometria e tecnica de
filmagem, fundamentos de iluminacao, luz dura e luz branda,
lentes, filtros, fotometros, laboratorio, copia final, revelado
normal, praticas utlizando suporte video, filmagens em exteriores e
interiores.
o professor: Ken tem uma vasta experiencia como diretor de fotografia
e supervisor de efeitos visuais na televisao americana (Discovery
Channel e NBC) Recebeu varios premios e distincoes pelos seus
trabalhos fotograficos e jornalisticos e ja ministrou oficinas de
fotografia e camera em diversos paises.
REALIZACAO DE DOCUMENTARIOS
(3 semanas) julho 1 -19 com BELKIS VEGA (Cuba) 1500 U$S
Introducao a historia do documentario. Metodologia de pesquisa.
Especificiades da realizacao de documentarios como interpretacao
criativa da realidae. Trabalhos praticos baseados na elaboracao de
projetos de documentario e analise de casos concretos.
a professora: Belkis e roteirista e diretora de cinema e video.
Leciona no Instituto Superior de Arte de Cuba Belkis. Seu experiencia
como correspondente de guerra reforzou seu extenso trabalho academico
sobre historia e realizacao de documentarios em instituicoes cubanas
e internacionais.
OFICINA AVANCADA DE ROTEIRO
(5 semanas) setembro 16 -outubro 18 com TERESA DELGADO (Cuba), JULIO
CESAR ROJAS (Chile) e ROSA TEICHMANN (Argentina) 1500 U$S
Estruturas narrativas literarias. Roteiro cinematografico. Adaptacao
cinematografica.
os professores:
Teresa Delgado e Doutora em Filologia, escritora e Professora da
Universidad de La Habana.
Julio Cesar Rojas e roteirista e Professor de roteiro na Escuela de
Cine de Chile. E tambem assessor e auditor de roteiro.
Rosa Teichmann e Professora de roteiro na Universidad Nacional de La
Plata, na especialidade de adaptacao.
OFICINA DE DOCUMENTARIO SANTIAGO ALVAREZ
(5 semanas) setembro 23-outubro 25 com ENRIQUE COLINA (Cuba) ,
BRUCE ELLIOT LANE (USA), JORGE FUENTES (Cuba), JOSEBA MACIAS
(Espanha) e 2 professores do Sundance Institute 1800 U$S
Teoria. Historia e estetica do documentario. Pesquisa e producao.
Trabalho Pratico: Desenvolvimento de projetos. Producao e
post-producao dos exercicios.
os professores:
Enrique Colina e critico de cinema e realizador de documentarios. E
professor titular do Instituto Superior de Arte de Cuba e professor
convitado na Universite Michel de Montaigne, Bordeaux III, assim como
da Escole Superiure d'Audiovisuelle (ESAV) em Toulousse, Franca.
Desde 1968 dirige o programa "24 quadros por minuto" sobre
critica e apreciacao cinematografica, um dos de maior rating da
televisao cubana.
Bruce Elliot Lane e Doutor em Film Studies & Folklore e professor
na Texas University. Leciona tambem no Departamento de Antroplogia da
Universidad Autonomo de Morelos, Mexico. Seus filmes receberam
importantes premios internacionalis.
Jorge Fuentes (Cuba) Professor da Universidad de La Habana e do
Instituto Superior de Arte de Cuba. e tambem poeta, jornalista,
roteirita e diretor cinematografico. E autor de importantes
roteiros do cinema cubano que receberam premios nacionais e
internacionais.
Joseba Macias (Espanha) Roterista e diretora de series para a
televisao europeia. Seu trabalho obteve varios premios e distincoes.
E autora de varios livros especializados.
2 professores do Sundance Institute
DA PRODUCAO DE CAMPO A PRODUCAO EXECUTIVA NO MERCADO INTERNACIONAL
(8 semanas) outubro 1-novembro 22 com especialistas internacionais
coordenados por SANFORD LIEBERSON (USA-Inglaterra) U$S 2100
O papel do produtor, produccao do grandes estudios e cinema
independente. Desenvolvimento de projetos e o papel do
produtor. Introducao ao Pitch. O mercado de televisao. Plano de
filmagem e orcamento. Co-producoes, venda internacional, distribuicao
e exibicao. Problemas legais.
diretor da oficina:
Sanford Lieberson (USA- Inglaterra) Produtor independente. Jefe de
departamento da National Film and Television School. Especialista em
distribuicao de filmes na Inglaterra. Foi presidente supervisor de
producoes internacionais da MGM. Seu trabalho inclui filmes de grande
sucesssso como "Alien", "Julia", "Chariots
of Fire" e "Blade Runner" ,etnre outras.
professores:
Santiago Llapur (Cuba) produtor cinematografico. Pruduziu mais de 20
documentais e 30 longas importantes da cinematografia cubana.
Participou de diversas co-producoes internacionais em Cuba e realiza
trabalhos como assessor de producao.
Julio Raffo (Argentina) Advogado. Membro fundador da Camara Argentina
da Industria Cinematografica. Publicou diferentes materias e livros
sobre legislacao de Cinema. Trabalhou como assessor juridico de
producoes na Argentina. Professor-expositor de legislacao em
diferentes universidades.
Ana Ayesta (Espanha) Executiva de vendas internacionais da Hanway
Films de Londres. Trabalhou como assistente de direcao e manager de
producao de longas, musicais e comerciais.
Shelly Bancroft (Inglaterra) Diretora, produtora e produtora
executiva de importantes filmes que ganaharam reconhecimento
internacional. Autora de um guia de producao para produtores
independentes.
Alexandra Stone (Inglaterra), Ex- vice presidente, agora Jefe de
Desenvolvimento da empresa RECORDED PICTURE COMPANY, London & Los
Angeles. Diretora de Desenvolvimento de Spring Creek
Productions, Warner Bros., Los Angeles. Ha trabalhado com
importantes diretores e produtores como Bertolucci, Lasse Halstrom e
Paula Weinstein como assistente de direcao.
Hector Abadie (Mexico) Diretor de programacao do Canal 40 de
televisao CNI de Mexico ( Corporacao de Noticias e
Informacao). Ampla experiencia na producao, programacao
e comercializacao de cinema e programas de TV. Dirige a
programacao dos canais 7,13 e 22 de Mexico. Fundador da
produtora nacional de radio e televisao (PRONARTE) e do
Instituto Mexicano de la television (IMEVISION).
OFICINA DE REALIZACAO CINEMATOGRAFICA
(4 semanas) outubro 28 - novembro 22 com JOSE SANTISO
(Argentina) 1500 U$S
Linguagem cinematografica. Conceito de estilo cinematografico.
Roteiro tecnico. Exercicios praticos de realizacao em video.
DIRECAO DE CENA
(3 semanas) novembro 11- 29 com MIRIAN LEZCANO (Cuba) 1500
U$S
Estruturas dramaticas.Tecnicas de atuacao, improvisacao. Mis en
scene.
os precos incluem:
matricula + hospedagem + refeicoes na escola
-----------------------------------------------------------------------
CURSOS NO CAMPUS II - HOTEL LAS YAGRUMAS
OFICINA DE ROTEIRO
(2 semanas) maio 20 -31 com ORLANDO SENNA (Brasil) 1000 U$S
"Brainstorm" teorico-pratico centralizado na
elaboracao de ideias dramaticas e no desenvolvimento e
estructuracao de esas ideias segundo as exigencias
dramaturgicas e formais da comunicacao audiovisual atual.
o professor: Orlando Senna e roteirista, jornalista e diretor de
cinema e teatro. Roteirista do O rei da noite (1976, Hector
Babenco), Coronel Delmiro Gouveira (1977, Geraldo Sarno), em
colaboracao com Chico Buarque: Opera do Malandro (1986, Ruy
Guerra) e com Gabriel Garcia Marquez Edipo Alcalde (1996, Jorge
Ali Triana). Entre 1991 e 1994 foi diretor da EICTV.
Atualmente e Sub-secretario do Audiovisual do Estado do Rio de
Janeiro.
A MUSICA NO CINEMA
(2 semanas) julho 1 -12 com JOSE ROSADO (Cuba) 1000 U$S
O espaco, estrutura e importancia da musica na obra
cinematografica. Como a musica identifica-se com os personagens,
os nodos dramaticos. Analise comparativa da musica no radio, a
televisao e o cinema. Estruturas dramaturgicas e musicais.
Elementos generais da composicao.
o professor: Professor do Departamento de Canto e Musicologia
do Instituto Superior de Arte de Havana, professor fundador da EICTV.
Especialista em Folclore Cubano, Musica Contemporanea e Musica
Popular Cubana Tradicional.
ESTETICA DO DOCUMENT RIO
(2 semanas) julho 15 A 26 com JORGE FRAGA (Cuba) 1000 U$S
Identificacao dos principios e metodos que orientam a
concepcao e a realizacao de documentarios. Analise de
diferentes tipos de documentarios atraves de exemplos
visualizados, assim como as funcoes da musica, o som e outros
elementos utilizados, o participante podera escrever um ensaio de
reflexao pessoal sobre a relacao entre as suas experiencias
na oficina e o seu conceito sobre o documentario.
o professor: Diretor de documentarios e filmes de
longa-metragem, assim como 700 programas para televisao em todos os
generos e formatos. Dirigiu o Noticiero Cinematografico
Latinoamericano e foi assessor de roteiro no Instituto Cubano de
cinematografia. Tem materias publicadas em revistas e livros
especializados cubanos e estrangeiros. Conta com uma ampla
experiencia docente, tanto em Cuba como na Colombia.
Sobre as oficinas do Campus II no Hotel Las Yagrumas:
Estas oficinas constituem uma nova linha de cursos na area
audiovisual combinados com opcoes diversificadas de lazer,
visitas culturais, intercambio com intelectuais e artistas,
propiciando assim um maior contato com o processo dinamico da
cultura cubana.
Estao particularmente orientados a pessoas interessadas em conhecer
o universo audiovisual, sendo possivel se inscrever mesmo quem
nao tem experiencia previa na area.
O Hotel tem facil acesso desde o aeroporto (19 km) e desde
Havana (22 km).
Todos os quartos tem ar acondicionado e TV por satelite. As
instalacoes incluem piscina para adultos e criancas, discoteca,
ginasio, sala de massagens e terapeutica, servicos medicos e
infraestrutura para esportes nauticos de rio.
os precos incluem:
matricula + hospedagem + refeicoes no hotel
/////////////////////////////////////////////////////////////////////////////////
contatos para inscricoes:
Alfredo Calvino / Patricia Martin - Projeto Proarte Brasil -
telefax:
022-26291493 (Buzios) celular: 022-92171620
email:
mailto:alfrec@...
mailto:patriciamartin@...
@ MASTER DE DIRECCI N CINEMATOGR FICA. CENTRO DE ESTUDIO
PROFESIONALES DE LA FUNDACI N UNIVERSITARIA SAN PABLO-CEU
(ESPANA)
============================================
El Centro de Estudio Profesionales de la Fundacion Universitaria
San Pablo-CEU de Madrid ha abierto la convocatoria para su Master de
Direccion Cinematografica. Es un curso de un ano lectivo, con
mas de 1.000 horas de duracion. Al finalizar el curso cada alumno
habra dirigido 5 cortos en 16mm
y video digital. Hay un cupo de 14 alumnos. Los interesados deben
ponerse en
contacto antes del 31 de Mayo con joregut@... o llamar al Tel.
915435701.
@ CURSO ACADEMICO 2002 - 2003. SEPTIMA ARS DE MADRID
===========================================
La escuela Septima Ars de Madrid ha abierto la inscripcion para el
curso academico 2002 - 2003. Se recuerda que al estar ya cubiertas
mas de la mitad
de las plazas disponibles por alumnos inscritos en Diplomaturas de
dos y tres anos, las plazas restantes para nuevos alumnos se
cubriran por riguroso
orden de inscripcion. http://www.septima-ars.com/
@ Curso de Formatacao de Projeto para Concursos e Editais. MAM.
SAO PAULO
===========================================
Comeca amanha, terca-feira 7 de maio, o Curso de Formatacao
de Projeto para Concursos e Editais, ministrado por Luciana Lopes no
MAM e abordando tecnicas e dicas de formatacao de projetos para
realizador audiovisual interessado em apresentar projetos em concurso
de audiovisual.Os principais topicos abordados sao analise
tecnica, orcamento, formatacao de curriculo,
declaracoes necessarias, leis, etc. Como pre-requisito, ao
iniciar o curso o
aluno devera ter um roteiro concuido. Maiores informacoes pelos
(11) 5085.1313 ou 3662.5052 ou no site
<http://www.mam.org.br>
@ CURSOS DE VERANO. ESCOLA SUPERIOR DE CINEMATOGRAF A DE CATALUNYA
(ESCAC)
===========================================
La Escola Superior de Cinematografia de Catalunya (ESCAC) ha
abierto la pre-inscripcion para sus cursos de verano que tendran
lugar de 1 al 19 de Julio. Os informan en marijo@... o
http://www.escac.es. El plazo de inscripcion finaliza el 3 de
Junio.
ccardoso@...
@ INSCRICOES ABERTAS PARA CICLO SOBRE NOVAS TECNOLOGIAS DE IMAGEM
E SOM
===========================================
ATE 31/05 CICLO DE WORKSHOPS RECEBE INSCRICOES
Ate o dia 31 de maio os interessados em direcao de fotografia-
Basico e Avancado, Producao de Cinema e Direcao de
Arte podem se inscrever para o VIII CICLO DE WORKSHOPS NOVAS
TECNOLOGIAS * BRASIL PARA CINEMA E TELEVISAO. Organizado ha oito
anos pela Stein Producoes, o projeto visa informar e reciclar
estudantes e profissionais do meio audiovisual.
Ministrados por alguns dos mais reputados profissionais do mercado
audiovisual brasileiro, os workshops oferecidos acontecem nos meses
de junho e julho em Sao Paulo. No total, sao sete segmentos,
incluindo ainda Assistencia de Camera de Cinema, Assistencia de
Direcao e Continuidade e Eletrica para Cinema.
Entre os profissionais que ministram os workshops estao o diretor
de arte Luis Rossi, o fotografo Alziro Barbosa, a diretora de
producao Eliane Bandeira e a fotografa Katia Coelho, Andreia
Scansani , Eduardo Aguilar e Toni Gorbi.
Regulamento e fichas de inscricao podem ser solicitados pelo tel.
(011) 6959.6245, pelo e-mail stein@..., pelo site
<http://www.steinproducoes.com.br/> ou no escritorio do
evento, Rua Dr. Zuquim 1902 sala 9, Santana, Sao Paulo (SP), cep
02035-022 (de segunda a sexta-feira das 9h30 as 18h00). O valor de
cada inscricao e de R$ 320,00.
A programacao do VIII Ciclo de Workshops Novas Tecnologias *
Brasil para Cinema e Televisao e o seguinte:
Direcao de Fotografia Avancado - coordenado por Alziro
Barbosa;
Assistencia de Camera de Cinema - coordenado por Andrea
Scansani;
Assistencia de Direcao e Continuidade - coordenado por Eduardo
Aguilar;
Eletrica para Cinema - coordenado por Toni Gorbi.
Direcao de Arte no Cinema e na Televisao - coordenado por Luis
Rossi;
Direcao de Fotografia Basico coordenado por Katia
Coelho
Producao de Cinema - coordenado por Eliane Bandeira e Van
Fresnot;
O VIII CICLO DE WORKSHOPS NOVAS TECNOLOGIAS * BRASIL PARA CINEMA E
TELEVISAO tem o co-patrocinio de RPJ Estudios, Quanta Locadora
de Equipamentos e MegaColor. A iniciativa conta ainda com o apoio
cultural da Central de Locacoes, Laboratorios Curt & Alex,
Alltech Projecoes, Revista de Cinema, Gorbitec, Motion e
Kodak.
Sugestao para Entrevistas:
Stein (Coordenador Geral do Ciclo)- tel (11) 6959.6245
stein@...
@ CURSO SOBRE TECNICAS CINEMATOGR FICAS. UNION LATINA.
============================================
24 de mayo. <http://www.fundavisual.org.ve/>Union
Latina organiza Curso sobre Tecnicas Cinematograficas. La
direccion de cultura y comunicacion de la union latina organiza
la cuarta edicion del ciclo de formacion profesional sobre
tecnicas cinematograficas. Este evento se realizara en paris
del 1 al 26 de julio de este ano, en el conservatorio europeo de
escritura audiovisual y tratara sobre tecnicas de escrituras de
guion. Los interesados a participar en este taller deben tener
experiencia profesional en escritura de guion, entre 20 y 35 anos
de edad y poseer conocimiento del lenguaje frances, tanto escrito
como hablado. Los candidatos deben enviar una carta de motivacion,
curriculum vitae, una fotografia de frente y una sinopsis de 2
o 3 paginas de un corto o un largometraje escrito en idioma
frances. Los documentos exigidos deben ser entregados a la union
latina antes del 24 de mayo de 2002.
@ OFICINA DE CINEMA COM PRODUCAO EM SUPER8 (Rio de Janeiro)
============================================
Ja estao abertas as inscricoes para a Oficina de Cinema
com Producao em Super8, que
vai acontecer em maio/junho na mais
tradicional Escola de Fotografia do Rio, o Atelie da
Imagem, na Urca.
A orientacao sera de Marcio Oliveira, Manu Sobral,
Guilherme Galarraga e Guilherme Whitaker. A oficina tambem conta
com o apoio de Julia Limaverde, Rodrigo Savastano, Chico Serra,
Camila Santo, Carlo Sansolo, Igor Cabral e Denise Duarte.
A oficina vai promover encontros com Rubens Gerchman,
Pedro Bronz e Kuarasy O-Berab.
As aulas serao aos sabados de tarde, as vagas sao
limitadas e o preco e 2 mensalidades de R$250,00.
As incricoes podem ser feitas no Atelie da Imagem, tel:
25427078, ou online atraves do site Curta o Curta, em
<http://www.curtaocurta.com.br> onde tambem se encontram
todas as informacoes sobre a oficina, como o cronograma
e a metodologia.
Tal Oficina e uma producao independente e conta com o
fundamental apoio da escola de fotografia Atelie da Imagem, do
site Curta o Curta e da produtora de cinema e video Usina da
Imagem.
@ CURSO B SICO DE FOTOGRAFIA E ILUMINACAO CINEMATOGR FICA.
FUNARTE. (SAO PAULO)
============================================
Duracao: 92 horas - dividido em duas etapas.
Primeira etapa
Iniciacao aos conhecimentos basicos de Iluminacao e
Fotografia Cinematografica:
- Luz, temperatura das cores e graus Kelvin;
- Uso de filtros na camera e nas fontes de luz;
- Medidas de intensidade de luz: Lux e Foot Candles;
- Objetivas: Distancia focal, luminosidade e profundidade de
campo;
- Fotometria, exposicao, densidade e contraste;
- Principios de iluminacao cinematografica: Luz principal,
secundaria, contra luz e luz de fundo; Iluminacao com luz
pontual, difusa e refletida;
- Composicao de quadros.
Duracao: 32 horas
Aulas com: 4 horas
Dias das aulas: de tercas a sabado
Horarios: durante a semana das 19h as 23h.
Sabados: das 9h as 13h.
Numeros de participantes: 12 alunos
Segunda Etapa
Pratica consciente de tecnicas de fotografia, iluminacao e
linguagem cinematografica
- O negativo: Sensibilidade, Curva caracteristica e latitude;
- Enquadramento e composicao de quadros;
- Travelling e panoramicas;
- Continuidade fotografica;
- Colorimetria;
- Uso de filtros na camera e nos refletores;
- Filmagens em exteriores e interiores com luz natural e luz
artificial.
- Exibicao de filmes consagrados: Comentarios e analise sobre
fotografia e iluminacao;
- Visita a laboratorio cinematografico
- processo de revelacao.
- Novas tecnologias de pos producao - telecinagem, correcao
de luz e cor.
Aulas teoricas e praticas ministradas em sala/estudio com
camera fotografica, camera de video, camera
cinematografica e moderno equipamento de iluminacao.
Duracao: 60 horas
Aulas com: 4 horas
Dias das aulas: de terca a sabado
Horarios: durante a semana das 19h as 23h.
Sabados: das 9h as 13h.
Numeros de participantes: 12 alunos
Inicio das aulas: todo comeco de mes.
Funarte - Fundacao Nacional de Artes
Alameda Nothmann, 1058 - Campos Eliseos - Sao Paulo
Estacao Metro Santa Cecilia.
A Secretaria do curso funciona a noite de terca a sabado.
Para inscricao, falar com a Marta das 18 as 21 horas. Fone
(011) 3662-5177
Informacoes: Waldemar 011 3871-2453; e-mail:
lima.w@...
@ ABERTAS AS INSCRICOES
PARA NOVAS OFICINAS DE ATUALIZACAO PROFISSIONAL
NO CENTRO DE REALIZACAO AUDIOVISUAL
DO INSTITUTO DRAGAO DO MAR (Fortaleza, Brasil)
============================================
Trata-se de oficinas e cursos com duracao entre uma semana e dois
meses, com programacao que responda as carencias endemicas
e circunstanciais dos mercados brasileiro e latino-americano,
abarcando as expressoes cinematografica, videografica,
televisiva e infografica.
Programadas a partir de pesquisas de mercado e tambem procurando a
consolidacao das competencias especificadas para o Curso
tecnico, o calendario inclui Roteiro, Edicao, Producao,
Fotografia, Novas Tecnologias, Critica Analise Cinematografica,
Marketing e Distribuicao.
Todos os cursos sao gratuitos.
============================
CURSOS PROGRAMADOS PARA O PRIMEIRO SEMESTRE:
============================
OFICINA DE VIDEO COMUNITARIO
maio 6 - 24 (40 h/a)
prof: VICENTE DUQUE ESTRADA
LABORATORIO DE ROTEIROS
maio 6 - julho 5
prof: JOAQUIM ASSIS
LABORATORIO DE DOCUMENTARIOS
maio 6 - julho 5
prof: BRENO KUPERMAN
WORKSHOP DE CINEMATOGRAFIA ELETRONICA
junho 3 - 14 (40 h/a)
prof: CARLOS EBERT
HISTORIA DO CINEMA
julho 8 -12 (20 h/a)
prof: HELIO GODOY
SEMINARIO DE CRITICA CINEMATOGRAFICA
julho 15 - 19 (20 h/a)
prof: JOSE GATTI
WORKSHOP INTERNACIONAL DE
INTERATIVIDADE E NARRATIVAS NAO LINEARES
"Criatividade, Tempo e Espaco no Universo da Multimidia"
julho 22 - 31 (40 h/a)
prof: HEITOR CAPUZZO (UFMG) e VIBEKE SORENSEN (USC)
Maiores informacoes:
Instituto Dragao do Mar
Centro de Realizacao Audiovisual
@ PROGRAMACAO PARA MAIO E JUNHO DOS CURSOS DO CENTRO DE
COMUNICACAO E ARTES - SENAC (SAO PAULO, BRASIL)
============================================
OFICINA DE ROTEIRO PARA DOCUMENT RIOS - Carga horaria: 60 h
O que e Documentario: tecnicas fundamentais dessa modalidade de
roteiro como instrumento de trabalho e pesquisa. 06 mai a 21
jun seg qua
sex19h00 as
22h00
OFICINA DE ROTEIRO PARA V DEOS EMPRESARIAIS - Carga horaria: 60
h
Ideias que viram imagens! Um video empresarial, antes de tudo,
e um video, portanto precisa entreter, ter qualidade e gerar
beneficios reais para a empresa.
06 mai a 21 junseg qua sex19h00 as
22h00
PRODUCAO PARA TV E V DEO - Carga horaria: 42 h
Tecnica da gestao de producao para TV e video. Elaborar, a
partir da interpretacao de roteiros, solucoes para a
viabilizacao de uma producao audiovisual.
17 JUN A 04 JULseg a
sex19h00 as 22h00
B SICO DE EDICAO EM CORTE SECO - carga horaria: 24h
Principio da edicao em video. Diferenciacao de formatos e
sinais, sistemas de cor e estilos de edicao.
10 jun a 19 junseg a
sex19h00 as 22h00
EDICAO EM 3 M QUINAS - Beta - carga horaria: 42h
Conhecimentos e nocoes gerais na constru&c
cedil;ao e finalizacao de
edicao, visando desenvolver a tecnica de utilizacao dos
varios equipamentos que compoem a ilha.
03 jun a 28 junseg qua sex14h00 as
17h30
OFICINA DE V DEO - carga horaria: 59h
Conhecimentos tecnicos basicos em camera, iluminacao,
roteiro e edicao, para a realizacao de um video.
06 mai a 10 jun seg a
sex14h00 as
17h30
TREINAMENTO DE LOCUCAO PARA TV - carga horaria: 35h
Orientacoes com relacao a pratica do locutor
noticiarista, atraves da interpretacao de laudas de telejornal
e acompanhamento fonoaudiologico.
07 mai a 06 junter e qui09h00 as 13h00
TELEVISAO E CINEMA: UMA AN LISE COMPARADA - carga
horaria: 84h
Analise do produto audiovisual sob as perspectivas de critica da
forma e de critica da sociedade, possibilitando ao part
icipante a decodificacao dos discursos televisivos.
03 JUN A 29 JULseg qua sex19h00 as
22h30
CENOGRAFIA - DIVERSOS CAMINHOS - carga horaria:72h
Nocoes basicas de criacao e execucao de projetos
cenograficos visando capacitar o aluno a trabalhar nas diversas
areas de atuacao da cenografia.
06 MAI A 29 JULseg e qua19h00 as 22h00
Para mais informacoes entre em contato conosco pelo tel:
3866-2500 ou acesse nosso site
<http://www.sp.senac.br/comunicacao>
@ SEMINARIOS, TALLERES Y CONFERENCIAS EXTRACURRICULARES
2002.INSTITUTO SUPERIOR DE ENSENANZA RADIOF NICA (BUENOS AIRES,
ARGENTINA)
============================================
Segundo Cuatrimestre de 2002 (agosto-octubre).
El Instituto Superior de Ensenanza Radiofonica ha decidido
implementar una serie de cursos extracurriculares destinados a todo
publico interesado en temas de cultura y comunicacion social.
S "La Produccion en Cine y Television" (4 clases).
Diana Frey.
S "La Produccion de Programas Culturales" (4 clases).
Eduardo Raspo.
S "La Investigacion Periodistica en TV" (4 clases).
Miriam Lewin.
S "Hibridacion de los generos en la Television". (4
clases).
Oscar Steimberg (Semiologo, profesor universitario).
S "Industria de la ficcion en America Latina" (4
clases).
Nora Mazziotti (profesora universitaria y coordinadora de la
carrera de guion del ISER).
"El Inconsciente y los medios de comunicacion. La
emergencia de la verdad mas alla del mensaje" (4 clases).
Carlos Weisse.
"Los medios de comunicacion y la sociedad contemporanea:
un analisis critico" (4 clases).
Leonor Arfuch (investigadora y profesora
universitaria, UBA).
S "Cultura, informacion, comunicacion y medios. Cambios y
desafios especificos y estructurales". (4 clases).
Anibal Ford (profesor universitario).
S "El tratamiento de la informacion en Radio y TV" (4
clases)..
Eduardo Aliverti.
S "El casting en TV" (4 clases).
Eugenia Levin.
S "Introduccion a la Direccion en Television" (12
clases).
Rodolfo Hermida.
S "El Telefilme: ficcion o documental" (4 clases).
Jose Santiso (Director de cine, teatro y TV. Guionista,
documentalista).
S "Sistema de digitalizacion de audio y automatizacion
de radios" (6 clases).
Eduardo Esarte (docente del ISER).
S "Diseno acustico de estudios de Radio y TV" (8
clases).
Roberto Ottobre (docente del ISER).
"El humor como medio de comunicacion" (4
clases)
Lic. Alicia Rut
Levin
"La otra locucion" (8 clases).
Susana Tonelli (Locutora y periodista de America TV).
"Periodistas en internet" (4 clases).
Alejandro Pintamalli (Periodista, Editor de contenidos de paginas
de Internet).
"Comunicacion organizaciona" (4 clases).
Pablo Falik (Lic. en
Comunicacion Social, Consultor).
"Analisis cuali-cuantitativo de audiencias y
productos" (4 clases).
Gustavo Orza (Docente UBA, Dr. en Medios Audiovisuales, Universidad
de Barcelona).
Se preven otros cursos y talleres de extension, entre otros:
"Puntos de encuentro entre el cine y la TV", "El
federalismo en la radiodifusion" y "Taller de
iniciacion teatral".
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 52+53 5/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 3: OFERTAS DE TRABALHO / OFERTAS DE TRABAJO
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ ABERTURA DE PROCESSO SELETIVO PARA CONTRATACAO DE DOCENTE -
ECA/USP
Estao abertas pelo prazo de 30 (trinta) dias, a contar da data de
12 de abril de 2002 , de 2o a 6o das 9h as 11h e das 14h as
16h, nos dias uteis, exceto aos sabados, as inscricoes ao
processo seletivo de provas para contratacao de um docente na
categoria de Professor Doutor em Regime de Dedicacao Integral a
Docencia e a Pesquisa (40 horas semanais), recebendo o salario
de R$ 3.864,09 (maio/2001), junto ao Departamento de Artes
Plasticas. As provas serao realizadas com base no programa das
disciplinas "CAP-0242: Projeto de Graduacao em Multimidia
e Intermidia, CAP-0148:
Fundamentos da Linguagem Visual I, CAP-0149: Fundamentos da Linguagem
Visual
II, CAP-0281: Pratica de Fundamentos da Linguagem Visual, CAP-0156:
Projeto Grafico".
As inscricoes serao feitas na Assistencia Academica da
Escola de Comunicacoes e Artes, sita a Av. Prof. Lucio Martins
Rodrigues, 443, 1o andar, sala C-10, na Cidade Universitaria -
USP.
Para maiores informacoes acesse o site:
http://www.recad.usp.br/drh/
e clique em vagas, depois docente e processo seletivo.
Ou entre em contato com a Assistencia Academica da ECA, tel:
30914041
@ PRODUCTION COORDINATOR
EMMEDIA GALLERY & PRODUCTION SOCIETY. (CALGARY, CANADA)
==========================================
prazo/plazo/deadline: 14/06/2002
Wanted: One individual to work in a non-profit media arts
organisation; coordinating, facilitating and maintaining all aspects
of EMMEDIA's production and technical operations (digital video,
audio and other electronic media).
The successful candidate will have comprehensive knowledge of
EMMEDIA's production and post-production equipment and must have a
professional level of understanding of digital video, audio and data
formats. In addition, a high level of skill in wiring and
assembling
broadcast-level video systems is important. The successful candidate
will also have experience working within a non-profit arts
environment and a comprehensive knowledge of the media arts in
Canada. You will have a proven record of accomplishment in grant
writing and a demonstrated understanding of arts funding in
Alberta
and Canada. You will require exceptional communications skill
(written and oral), project management experience, an understanding
of the importance of responding to the needs of a community and be
willing to develop new links and partnerships. You will also
coordinate production programs, conduct orientations for producers
and prepare all aspects of basic, intermediate and advanced
workshops. Strong organizational abilities are required and critical
writing abilities would be an asset. The Production Coordinator works
closely with the Executive Director, Programmer, Board of Directors
and the membership to develop access strategies. You will have good
humour, a sense of fun and the desire to be part of a team that
leads
a nationally recognized electronic media arts centre.
EMMEDIA is a Macintosh environment. Our facility contains extensive
video production and post-production equipment. Production boasts a
Canon XLI Camera, a Sony PD 100 Camera, and a professional quality
Sony DSR300 Camera with Wide Angle lens and Miller 25 tripod, Pepper,
Rifa and Strand light kits and an extensive selection of grip gear
and location audio equipment support the cameras. The Sony CS10
projector is a fully portable 1000 lumen projector used for
out-of-house screenings, performances and installations. We have two
Media 100 Digital Video Editing Suites. Also, two Multimedia Labs
that are equipped with a PowerMac G4 -733 DVD-R/CD-RW and a PowerMac
G4-533 CD-RW Dual Processor with 1.536 GB RAM, FinalCut Pro,
Macromedia Flash, Media Cleaner, Dreamweaver Fireworks Studio,
Illustrator, PhotoShop, Adobe Acrobat, After Effects with Production
Bundles and a high-speed cable internet connection. One Lab is
also
equipped with DVD Studio Pro. A third
Multimedia Lab offers high-end, user-friendly digital audio editing
capabilities via Nuendo by Steinberg. Two DVCam decks and a Beta SP
playback/recording deck support the suites in-house.
36 hours per week - Salary: $23,000 annually and Personal Health
Benefits
Start date: August 2002
Application deadline: Friday, June 14, 2002: 4:30 PM
Please apply in confidence to:
EMMEDIA - Human Resources Committee (Production Coordinator)
#203 - 351 - 11th Avenue SW
Calgary, Alberta T2R 0C7
Only short listed candidates will be contacted. No telephone calls
please.
***EMMEDIA is an equal opportunities employer***
.......................................................................
EMMEDIA is a non-profit arts centre that responds to the needs of the
Calgary and Southern Alberta arts/cultural sector and public by
providing affordable access to high quality electronic tools,
education and services. It also maintains public media arts
exhibition programs, archives and other resources. EMMEDIA has
established ongoing support from all levels of government, as well as
its own self-generated revenues. Building on a proud 22-year history,
EMMEDIA looks confidently towards a dynamic future.
EMMEDIA Gallery & Production Society gratefully acknowledges the
support of The Canada Council for the Arts, The Calgary Community
Lottery Board, The Alberta Foundation for the Arts, The Calgary
Region Arts Foundation, The National Film Board of Canada, Webcore
Labs, our many members, artist-producers, volunteers and the
Calgary community.
EMMEDIA Gallery & Production Society
#203, 351 - 11 Ave. SW.
CALGARY, ALBERTA
T2R 0C7
CANADA
PHONE: 403.263.2833
FAX: 403.232-8372
NEW GENERAL EMAIL: info@...
http://www.emmedia.ca
@ MADAGASCAR MEDIA AND MESSAGE (M3) PROGRAM
CHIEF OF PARTY
==========================================
prazo/plazo/deadline: n/c
Delivering civic education messages to a wide audience through
appropriate and accessible mass media. Delivering civic education
messages through formal educational structures. French fluency; USAID
management experience; regional experience a plus.
http://www.comminit.com/vacancy763.html
Contact: Dana D. Reilly - dreilly@...
@ UNIVERSITY OF OTAGO (DUNEDIN, NEW ZEALAND)
LECTURER/SENIOR LECTURER (TWO POSITIONS)COMMUNICATION STUDIES/FILM
AND MEDIA STUDIES
==========================================
prazo/plazo/deadline: 24/05/2002
SCHOOL OF LANGUAGE, LITERATURE AND PERFORMING ARTS
Applications are invited for the two positions at Lecturer/Senior
Lecturer level in Communication Studies/Film and Media Studies,
located in the
Department of Communication Studies in the School of Language,
Literature and Performing Arts. Exceptionally well qualified
candidates may be appointed at a higher level.
Applicants should have a PhD in an area relevant to Communication
Studies/Film and Media Studies, together with a strong research
profile, a
record of successful university teaching, and the ability to work in
an interdisciplinary programme.
The appointee will be expected to teach courses at all levels,
including postgraduate; to supervise postgraduate student research;
to engage personally in research; and to participate in the
development of a growing, broadly based programme in Communication
Studies.
We are especially interested in applicants with expertise in one or
more of the following areas: Media History; Historiography; Mass
Communication; Communication Research Methods; Media and
Intercultural Communication; Public Sphere and Communication;
Trans-nationalism; Global media and Diaspora; Asian
Media Contexts; Political Economy of Communication; and Media
Institutions.
Specific enquiries may be directed to Professor Hilary Radner, Head
of Communication Studies, Tel 64 3 479 3987, Email
hilary.radner@... or to Dr Thierry Jutel, Lecturer,
Film and Media Studies, Tel 64 3 479 8685, Email
thierry.jutel@...
Reference Number: AG02/16. Closing
Date: Friday 24 May 2002.
APPLICATION INFORMATION
For application information and a full job description go to:
www.otago.ac.nz/jobs Alternatively, contact the Human Resources
Division,
Tel 64 3 479 8269, Fax 64 3 474 1607, Email
katherine.van-der-vliet@....nz
Equal opportunity in employment is University policy.
E tautoko ana Te Whare Wananga o Otago i te kaupapa
whakaorite whiwhinga mahi.
@ PROJECT DIRECTOR, AFGHANISTAN MEDIA PROJECT. IMPACS
==========================================
prazo/plazo/deadline: 24/05/2002
Location: Kabul
Last Date: May 24, 2002
Email: given inside the Link (Reference: DevNetJobs.org)
URL: http://devnetjobs.tripod.com/impacs-afghan.html
Project Director, Afghanistan Media Project
IMPACS the Institute of Media, Policy and Civil Society seeks an
experienced journalist and project director to lead the
implementation of its women s media
capacity-building project based in Kabul, Afghanistan. The incumbent
will be responsible for project development and management,
delivering training
programs, financial management and reporting.
Specific duties will include developing project work plans, liaising
with key stakeholders, overseeing all aspects of training, managing a
small team of national staff and coordinating all aspects of project
implementation. The
Project Manager will be reporting to and be supported by IMPACS staff
in Vancouver. Contract is for one year and extending based on
availability of funding.
Qualification Requirements:
The ideal candidate will have a minimum of five years senior project
management experience, preferably working within an international
context. S/ he will have
an excellent knowledge of electronic media have fundraising
experience. The candidate will posses a university degree in
communications, political studies
(or a related discipline), S/he will have excellent communications
skills, exhibit sound judgment and be capable of living and working
in a conflict environment. Preference will be given to Canadians and
Canadian permanent residents. Women candidates are encouraged to
apply.
Interested persons may consult the IMPACS Website (www.impacs.org)
for the full
job description.
Please forward a letter of interest and resume no later than May 24,
2002 to
International Programs
IMPACS Institute for Media, Policy and Civil Society
910 / 207 Wets Hastings St.
Vancouver
V6B 1H7
Canada.
@ FUNDACI N FORD. OFICIAL DE PROGRAMAS- DESARROLLO FINANCIERO Y
DESARROLLO ECON MICO EN LA REGI N ANDINA Y EL CONO SUR (SEDE EN
SANTIAGO DE CHILE)
==========================================
prazo/plazo/deadline: n/c
Desarrollara y dirigira actividades programaticas en el campo
de finanzas para el desarrollo y la seguridad economica. Requiere
habilidad para analizar politicas financieras de desarrollo y
promover la investigacion aplicada que favorezca el campo.
Asi mismo, requiere solidas capacidades conceptuales y
organizacionales, destrezas en comunicacion oral y escrita en
Espanol e Ingles.
http://www.comminit.com/vacancy674.html
Contacto: Ms. M. Baldwin - M.Baldwin@...
@ INICIATIVA REGIONAL AMERICA LATINA Y EL CARIBE
ALC COORDINADOR REGIONAL
==========================================
prazo/plazo/deadline: n/c
posible sede en la region de ALC para facilitar y acelerar el
trabajo.
Trabajara con el personal de USAID y Synergy para liderar y manejar
asesores y alcanzar los objetivos de la Iniciativa Regional de
ALC. Asegurara la entrega de productos concretos y de alta
calidad en el marco de los cronogramas y el presupuesto.
Fluidez en Ingles y Espanol (Portugues es una ventaja).
http://www.comminit.com/vacancy677.html
Contacto: Jin Park - jin@...
@ EXECUTIVE DIRECTOR. WOMEN IN FILM & VIDEO/NEW ENGLAND
==========================================
prazo/plazo/deadline: 10/05/2002
Job Category: Administration, Management
Type: Part time
Salary: $20K with opportunities for growth
Description: Exciting opportunity to lead Women in Film &
Video/New England, a well respected, 20-year-old organization of
professional women in the media in New England. The role of the
Executive Director will be to formulate a vision and plan for
WIFV/NE's future as well as implementation of goals for fundraising,
membership, and coordinated industry activities and events. Please
visit www.wifvne.org to see the full job
description.
Education: No minimum requirement
Languages: English
Additional Qualifications: Management experience and excellent
interpersonal, team-building, and communications skills required;
fundraising experience and understanding of non-profit environment
and entertainment industry preferable.
How to Apply: Please email as attachments (rich text format
preferred) cover letter, resume, and references to
brittmw@....
Last day to apply: May 10, 2002
Area of Focus: Arts, Media, Women's Issues
Organization: Women in Film & Video/New England
URL: http://www.wifvne.org
Phone: (617) 491-5222
Location: Cambridge, Massachusetts, 02138, United States
Job posted on: April 29, 2002
@ JEFE DE COMUNICACI N Y PARTICIPACI N. ESTACION CIENTIFICA
CHARLES DARWIN. GALAPAGOS, ECUADOR
==========================================
prazo/plazo/deadline: 31/05/2002
Job Category: Activism & Organizing
Type: Full time
Salary: De acuerdo al Candidato
Description: El proposito principal es lograr apoyo y
participacion a todos los niveles de la sociedad en la ejecucion
de una estrategia global de conservacion de Galapagos, que
combina las ciencias naturales con las acciones sociales.
Education: Master (MA, MSW, etc.)
Languages: English, Spanish
Additional Qualifications: Minimo 8 anos de experiencia profesional, en paises en
desarrollo, en la realizacion de programas relacionados con la
organizacion social de comunidades dentro de espacios naturales
protegidos, con metodologias participativas. Conocimiento de tecnicas
de intervencion social y de manejo y resolucion de conflictos con
base socio-ambiental. Versatilidad
para el entendimiento y capacidad de integracion de las distintas
disciplinas que componen las funciones del departamento de
Comunicacion y Participacion (educacion ambiental,
comunicacion, proyeccion institucional, formulacion de
politicas y normativas, fortalecimiento gremial, etc). Capacidad de negociacion
y cabildeo en las relaciones inter-institucionales y aptitud para
construir buenas relaciones. Capacidad probada en procesos de planificacion/evaluacion
de estrategias de conservacion de espacios naturales protegidos,
que integran manejo de recursos y acciones sociales. Excelente espanol y redaccion en este idioma e ingles
bueno. Aptitud para trabajar en un equipo y
ambiente multicultural, capacidad de comunicacion y liderazgo para
manejar un equipo numeroso de profesionales. Experiencia en administracion y
manejo de proyectos y gerencia de departamentos.
How to Apply: Enviar hoja de vida con tres recomendaciones a la
direccion aplicaciones@...
Last day to apply: May 31, 2002
Area of Focus: Community Service and Volunteering, Education,
Environment, Foundations and Fundraising Coalitions, Media, Wildlife
and Animal Welfare
Organization: Estacion Cientifica Charles Darwin
URL: http://darwinfoundation.org
Phone: 593-5526146
Location: Puerto Ayora, Galapagos, 17013891, Ecuador
Job posted on: April 25, 2002
Mail this job to a friend
Job Category: Marketing, Maintenance & Janitorial, Library
sciences, Legal, Health & Medical, Graphic design, Gardening,
Grants administration, Fundraising & Development, Food service,
Event planning, Engineering, Education & Training, Driving,
Direct social services, Customer service, Counseling, Construction,
Computing & Internet, Clerical & Data-entry, Architecture,
Advertising, Administration, Activism & Organizing, Accounting
& Finance, Photography, Project management, Public relations,
Research, Sales, Telemarketing
Type: Full time
Salary: negotiable
Description: PROJECT MANAGER and e commerce corporate specialist will
work under the direct supervision of the The Chief Trustee and will
be responsible for the research and development of WECANHELP.COM
market segment strategy. Field testing work will be required and will
involve:
1. Market research
2. Networking and external relations
3. Service and product development
4. Client solicitation and sales
PM will have 7 years in e-commerce
business and work experience in private sector and/or international
development with emphasis on project management, corporate
responsibility and public-private partnerships for development.
Previous work in developing a branding and intellectual asset is a
prerequisite for this position. PM will inherently posses excellent
communication, sales and project management skills. PM will play the
role of catalyst and ability to think creatively and strategically
and to deal with a multiplicity of organizational and national
cultures in the technology and commercial environment
The purpose of this position is to create,develop and organize
services geared at developing and strengthening the infrastructure of
this project from ground up.This position will coordinate multiple
projects aimed at assisting agencies in accessing a larger pool of
volunteers, relevant gifts in kind, necessary training for its staff
and volunteers.
Education: No minimum requirement
Languages: English
Additional Qualifications:
Have learning, love and leadership qualities with strong system,
organization, and successful time oriented accomplishment. This is a
challenging position for a dynamic, smart, intelligent, matured and
hardworking candidate with minimum 10 years operational background in
the respective work. The applicant will have start-up business
experience from idea to implementation and finally listing through
various conduits on the major stock exchanges and utilize the
tradable stock for social giving. Have entrepreneurial ability and
can make happen approach. Knowledge of not for profit and profit
sector resources helpful. Be able to lead by example and hands on
experience of previously developed an effective and result oriented
small team from startup. Also have very strong training,
organizational and operation experience. PM will work well with
people of varying cultures. This high-powered motivated efficient
team would be target and time sensitive. PM will be responsible for
complete implementation of this project. Many other responsibilities
are attached to the project including locating, matching, identifying
and coordinating necessary resources for the projects locally and
globally. For the successful outcome of the project the applicant
will have ability to form global and local partnerships through
creation and development of strategic alliances and joint ventures.
The candidate will also develop global network of volunteers along
with the required system and infrastructure to implement these
project in cost effective manner so as to make it affordable to the
communities in which we serve. Prefer some previous experience in
recruiting, screening, matching and managing, volunteers and
volunteer pool. PM will achieve this volunteerism objectives for the
project by attracting various segment of society such as retired
business executives, bureaucrats, civil servants, army personnel's,
students, teachers faculty members, parents and corporate sponsored
employees. The PM will accomplish these projects through
international partnership and contacts in profit and not for profit
sector. PM will also have ability to nurture and broker relationships
with key outside government and funding agency personnel connected
with the operation and effective function of the division. PM will
have very strong training, organizational and system experience of
building a high powered motivated efficient team that is target and
time sensitive. PM would have powerful presentation, writing and
communication skills and demonstrated comfort in speaking before
large groups. PM will have ability to coordinate relevant workshops
for participating private and government agencies and update existing
workshops when necessary. PM will be competent and professional with
responsibility from the bottom up to the highest level to interface
with various outside agency representatives and other key
stakeholders The PM will be a general all rounder with special events
planning, public speaking, fundraising, financial planning, sales,
marketing, promotion and advertising and public relations. Background
of chain and multiple unit operation, distribution and Franchising
will be an added advantage. Provide professional training to create
an infrastructure to supply effective qualitative assistance to the
project concern within the overall objective of the organization.
Train a devoted and committed pool of managers and human resources to
run other locations in virtual context by taking optimum benefit and
use of technology and also by creating and managing databases
(ACCESS) under a focused, purposeful, designed and effective planned
standard operating procedures, guidance, systems and directions.
Familiarity and experience in creating and using web-based programs,
internet and e-commerce background will be an added advantage. The
greatest strength of the PM will be wisdom to foresee and identify
opportunities in matured economies for match making with emerging
markets and vice versa through ability to pay close attention to
detail and coordinate multiple tasks simultaneously via an efficient
use of SASI foundations global intellectual resources to create and
generate social wealth from global capital markets functions for
social and philanthropic giving.
How to Apply:
Please send application with detail resume, CV and biographical
information alongwith your future plans for next 5 years and
renumeration expection alongwith history of salary direct to
Firoz Shroff
Chief Trustee and President
SASI FOUNDATION
Sasi House, G-02,Block 9,
Main Clifton Road
Karachi 75600
Pakistan
ph 9221 5832443
sasi@...
sasifoundation@...
Last day to apply: December 18, 2002
Area of Focus: Arts, Children and Youth, Community Building and
Renewal, Community Net or Freenet, Community Service and
Volunteering, Computers and Technology, Consumer Protection, Crime
and Safety, Disability Issues, Disaster Relief , Economic
Development, Education, Energy Conservation, Environment, Family and
Parenting, Farming and Agriculture, Foundations and Fundraising
Coalitions, Gay, Lesbian, Bi & Trans Issues, Government Oversight
and Reform, Health, Health, Mental, Housing and Homelessness, Human
Rights and Civil Liberties, Immigration, Job Training and Workplace
Issues, Legal Assistance, Library or Resource Center, Media, Men's
Issues, Multi-Service Community Agency, Network of Nonprofit
Organizations, Peace and Conflict Resolution, Personal Finance,
Poverty and Hunger, Prison Reform, Race and Ethnicity, Recovery,
Addiction and Abuse, Recreation and Leisure, Religion, Rural Issues,
Seniors and Retirement Issues, Spiritual and Metaphysical Issues,
Veterans of Wars, Voting and Democracy, Wildlife and Animal Welfare,
Women's Issues
Organization: SASI FOUNDATION.....PAKISTAN - USA
URL: http://www.geocities.com/sasifoundation/Sasi.html
Phone: 92-21- 5373106
Location: Karachi, Sindh, 75600, Pakistan
Job posted on: April 19, 2002
@ SPECIAL EMPLOYMENT ANNOUNCEMENT. CAREER OPPORTUNITIES AT CCP. Johns
Hopkins University
==========================================
prazo/plazo/deadline: n/c
The Johns Hopkins University/Center for Communication Programs
(JHU/CCP) is currently seeking potential applicants for upcoming
employment opportunities. As we grow, we are continually looking for
suitable candidates to fill positions with our organization.
Employment opportunities may be based at our headquarters in
Baltimore, Maryland, or located overseas in over 30 countries in five
geographic regions including Africa, Asia, Latin America, Near East,
Eastern Europe and the Newly Independent States.
We currently are anticipating a need for Program Officers, Senior
Program Officers, Senior Advisors, Country Representatives, and
Resident Advisors with at least five years of professional experience
and have a master's in business administration/marketing, public
health, communication or related field. A background or interest in
any area of public health such as: reproductive health, child health
and child survival, infectious diseases, HIV/AIDS, maternal health,
adolescent health and environmental health,is preferred. Applicant
must be willing to travel internationally, and/or relocate to
overseas posts.
JHU/CCP has a comprehensive salary program and offers an outstanding
employee benefits package including:
medical and dental plans
paid vacation, holidays, and sick leave
personal accident insurance
403(b) retirement plan
life and disability insurance
travel insurance
education assistance plan
and more
If you believe your background, education, and experience meet our
requirements, simply send us your resume or curriculum vitae as an
email attachment in MSWord or WordPerfect to hremail@....
Please include in subject line "Special Employment
Announcement".
Your resume will become part of our database in which we use to
search for qualified candidates. With your resume on file, you may be
contacted by JHU/CCP whenever a new job opportunity arises that
matches your background and experience. Even if you are not looking
for a job, this is a great way to learn about new career
opportunities at JHU/CCP.
EOE M/F/D
JHU/CCP is a smoke/drug free employer
@ SUMMER YOUTH PROGRAM COORDINATOR QAS (QUICKDRAW ANIMATION SOCIETY,
IN CALGARY) ==========================================
prazo/plazo/deadline: 17/05/2002
requires assistance this summer with our Quick Kids and Teen
animation camps.
Wage: $10/hr
Application deadline: May 17, 2002
Details about the job at http://www.cam.org/~ifva/Job-Details.html
Information on QAS at http://www.awn.com/qas
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N.52+53 5/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 1: BOLSAS DE ESTUDO / BECAS DE ESTUDIO
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ CPB/PBS PRODUCERS WORKSHOP "SCHOLARSHIP"
==========================================
prazo/plazo/deadline: 31/5/2002
The CPB/PBS Producers Academy is offering a "Scholarship"
opportunity to 15 individuals for a Producers Workshop to be held at
WGBH Boston, from Sunday, July 14 through Saturday, July 20, 2002.
Each scholarship will include the cost of the workshop, and
reasonable expenses for airfare, hotel accommodations, meals, and
limited ground transportation.
Complete details and an application for the stipend can be found
at
www.pbs.org/producers (Producing for PBS) or at www.cpb.org
@ PROGRAMA IBERMEDIA
==========================================
prazo/plazo/deadline: 07/07/2002
Encontram-se abertas de 5 de abril a 7 de julho as inscricoes
para o Programa Ibermedia, criado para apoiar financeiramente
projetos audiovisuais dos paises ibero-americanos. Instituido em
1997, o programa envolve doze paises:
Argentina, Brasil, Bolivia, Colombia, Cuba, Chile, Espanha,
Mexico, Portugal, Peru, Uruguai e Venezuela.
Este ano, o fundo apoiara as seguintes areas: Formacao para
Profissionais da Industria Audiovisual; Apoio a Co-producao
de Filmes Ibero-americanos; Apoio a Distribuicao e Promocao
de Filmes Ibero-americanos e Apoio ao Desenvolvimento de Projetos de
Cinema e Televisao.
Os formularios e documentos exigidos deverao ser enviados a
Unidade Tecnica
Ibermedia (UTI) - AECI - Avenida Reyes Catolicos 4, 5o andar,
Madrid - Cep.
280040, Espanha; ou a Secretaria do Audiovisual, Coordenacao de
Intercambio
Audiovisual - Esplanada dos Ministerios, Bloco B, Sala 319, CEP
70068-900,
Brasilia - DF - Brasil.
Informacoes no site www.programaibermedia.com ou pelo telefone
(61) 316-2230.
@ PROGRAMA DE PASANT AS PARA ESCRITORES PROFESIONALES 2002
==========================================
prazo/plazo/deadline: 06/06/2002
Hasta el 6 de junio, el Consejo Nacional del Libro convoca a
autores literarios para que presenten un proyecto que debe ser
ejecutado en una region distinta a la que residen.
http://www.mineduc.cl/cultura/noticias/Abril/N2002043010525921861.html
@ BECAS DE CREACI N LITERARIA PARA ESCRITORES N VELES 2002.
==========================================
prazo/plazo/deadline: 06/06/2002
El Consejo Nacional del Libro y la Lectura convoca a escritores
chilenos que se inician en la actividad literaria. El plazo para
postular vence el proximo 6 de junio.
http://www.mineduc.cl/cultura/noticias/Abril/N2002043010180314748.html
>
@ PROGRAMA DE FORMACAO ARTISTICA E CULTURAL / BOLSA VIRTUOSE.
MINISTERIO DA CULTURA
==========================================
prazo/plazo/deadline: 15/05/2002
O Programa tem por finalidade a concessao de Bolsas de Formacao, no
Brasil e no exterior, visando ao aperfeicoamento, a especializacao e
a reciclagem de autores, artistas e tecnicos ligados diretamente a
producao artistica e cultural. O Programa pretende apoiar iniciativas
que trarao contribuicoes para o desenvolvimento profissional e para
um melhor desempenho do individuo no mercado de trabalho.
As bolsas sao destinadas a profissionais que tenham alcancado um
estagio de reconhecida maturidade profissional, escolhidos a partir
de um processo de selecao, que levara em consideracao o curriculo do
candidato, a qualidade de seu projeto de formacao e/ou plano de
aperfeicoamento, assim como a excelencia da instituicao escolhida.
O Programa nao inclui o atendimento a solicitacoes de bolsas para a
realizacao de cursos de mestrado e doutorado, objeto de programas de
instituicoes governamentais especificas, como CNPq e CAPES, nem as
provenientes de jovens talentos com menos de 30 anos de idade, para
os quais existe o Programa APARTES/CAPES (Aperfeicoamento em Artes)
do Ministerio da Educacao. O Programa tambem nao atende a
solicitacoes de bolsas para o desenvolvimento de projetos de
criacao.
As areas de abrangencia do programa
sao as seguintes: artes cenicas, musica, artes plasticas, patrimonio
historico e cultural, audiovisual, literatura e ciencia da
informacao.
I - OBJETIVO
Possibilitar o aperfeicoamento e a especializacao de profissionais da
area da cultura e das artes em:
S cursos de especializacao e estagios de aperfeicoamento em
instituicoes no Brasil; e
S cursos de especializacao e estagios de aperfeicoamento em
instituicoes no exterior, desde que nao tenham similar no pais.
II - QUEM PODE SE CANDIDATAR
Artistas, autores e tecnicos ligados diretamente a producao artistica
e cultural, brasileiros, com 30 anos completos, que comprovem seu
desempenho profissional e a aceitacao no curso ou estagio
pretendido.
Observacoes:
S cada individuo so podera ser beneficiado uma unica vez com a Bolsa
Virtuose;
S cabe ao candidato indicar a instituicao formadora;
S o candidato que indicar a instituicao formadora localizada no
Estado ou Regiao (Brasil) de sua moradia e/ou trabalho somente podera
optar pela bolsa parcial, fazendo juz, tao-somente, a cobertura dos
custos com as taxas escolares na forma prevista no item VII deste
Manual.
S nao serao concedidas bolsas a quem estiver em debito, de qualquer
natureza, com o Programa Nacional de Apoio a Cultura/PRONAC, ou com
outros programas de apoio ou fomento do Ministerio da Cultura; e
S nao sera apreciada a candidatura de pessoas vinculadas direta ou
indiretamente a qualquer membro da Comissao de Avaliacao da Bolsa
Virtuose ou da Comissao Nacional de Incentivo a Cultura/ CNIC.
III - DURACAO DA BOLSA
De 3 a 12 meses, de acordo com o plano de formacao e/ou
aperfeicoamento do candidato, bem como o programa do curso e/ou
estagio. A bolsa e prorrogavel por, no maximo, 6 meses, uma unica
vez, mediante a comprovacao de aproveitamento do bolsista e da
necessidade de mais esse periodo, fornecida pela instituicao
formadora. A renovacao fica condicionada a disponibilidade
orcamentaria do Ministerio da Cultura.
Observacao:
S para os candidatos a cursos regulares, o inicio e o termino da
bolsa devem estar vinculados ao calendario do ano letivo da
instituicao.
IV - DOCUMENTACAO OBRIGAT RIA
As solicitacoes deverao ser encaminhadas as Secretarias do
Ministerio, de acordo com a area de formacao do candidato.
Os documentos a seguir relacionados deverao ser enviados ao
Ministerio da Cultura, em uma unica via, ate a data limite para as
inscricoes, em uma unica remessa, observando-se, para tanto, a data
da postagem.
S formulario de solicitacao da bolsa preenchido e assinado;
S uma foto 3X4, datada, com menos de 6 meses;
S copias autenticadas da Carteira de Identidade e do CPF do
candidato;
S programa do curso ou estagio, fornecido pela instituicao
formadora;
S declaracao de dispensa do orgao empregador, no caso de funcionario
publico, informando se o candidato se afastara com vinculo, com ou
sem vencimentos;
S carta de aceitacao da instituicao formadora, ou correspondencia
trocada com a instituicao, com a aceitacao provisoria, emitida pelo
setor oficial de admissao da escola;
S documento da instituicao formadora com detalhamento das taxas
escolares;
S curriculum vitae resumido do orientador;
S curriculum vitae do candidato, com detalhamento no que se refere as
atividades e qualificacoes profissionais na area de especializacao
pretendida, com indicacao dos cursos mais recentes realizados na area
(anexar copia de comprovacao de diplomas, titulos, premios recebidos,
programas, material de imprensa, catalogos ou folders de exposicoes
realizadas, etc.);
S historico escolar da graduacao ou de outros cursos, se for o
caso;
S portfolio contendo copias e/ou exemplares da obra do candidato, e
registros de sua producao artistica ou cultural, compativel com a
proposta de trabalho, na area de atuacao solicitada. O candidato
devera indicar com clareza, seu nome, em todas as pecas.
S candidato na area de artes plasticas devera apresentar entre 10 e
15 reproducoes (por scanner ou fotografia) dos seus trabalhos mais
relevantes, dispostos em ordem cronologica, contendo indicacoes sobre
o tipo de trabalho (tecnica, dimensoes e data). No caso de
instalacoes, especificar as dimensoes e o modo de ocupacao do espaco.
E imprescindivel a qualidade tecnica da reproducao do material
artistico enviado, para que o candidato nao seja prejudicado no
processo de analise.
S candidato na area de literatura
devera enviar copia de manuscritos e de textos publicados.
S candidato na area do audiovisual devera apresentar reproducao de
seus trabalhos realizados em fita VHS, quando for o caso, ou por meio
e forma que registre sua atuacao apropriadamente;
S duas cartas de recomendacao versando sobre o trabalho e
qualificacoes profissionais do candidato e sobre a pertinencia da
formacao pretendida, firmadas por profissionais da sua area de
atuacao e que tenham reconhecido merito, com a identificacao dos
signatarios (profissao e instituicao de trabalho, cargo que ocupa,
endereco e telefone), e mencao ao tempo de conhecimento do trabalho
do candidato;
S comprovante de proficiencia no idioma do pais de destino, emitido
nos ultimos dois anos, de acordo com as seguintes exigencias:
S para paises de lingua inglesa deve ser apresentado certificado do
TOEFL/Test of English as Foreign Language com, no minimo, 550 pontos
(paper-based) ou 213 pontos (computer/based); ou do
IELTS/International English Language Test, com, no minimo, 6,0
pontos;
S para paises de lingua francesa deve ser apresentado certificado da
Alianca Francesa, com, no minimo, 70 pontos;
S para paises de lingua alema deve ser apresentado certificado do
Instituto Goethe, com classificacao de, no minimo, nivel G III ou M
III;
S candidatos com destino a outros paises nao especificados
anteriormente deverao apresentar certificado de proficiencia no
idioma do pais, emitido por instituicao oficialmente reconhecida,
tais como: embaixadas, consulados, representacoes e instituicoes de
ensino de idioma reconhecidas;
S caso o curso seja ministrado em outra lingua, que nao a do pais
(com a devida comprovacao da instituicao), o candidato devera
apresentar certificado da lingua em que sera dado o curso, ou
realizado o estagio;
S somente ficara isento da apresentacao de comprovante o candidato
que ja tiver residido durante um periodo minimo de 12 meses, nos
ultimos cinco anos, em pais de lingua correspondente ao curso/estagio
pretendido; e
S projeto de formacao ou plano de aperfeicoamento, com no maximo 5
paginas, contendo os objetivos, definicao e delimitacao do objeto de
estudo, com os principais topicos de interesse a que pretende dar
enfase no seu curso ou estagio, metodologia a ser empregada,
descricao das etapas especificas do trabalho, programa e cronograma
detalhado de atividades, indicacao da existencia de infra-estrutura
adequada na instituicao de destino que viabilize a execucao do
trabalho proposto, relevancia do plano apresentado para o
desenvolvimento profissional na area especifica, precisando as
expectativas, ou seja, as atividades em que pretende aplicar a
formacao recebida, e justificativa da escolha do tema e da
instituicao formadora.
Observacoes:
S todos os documentos em lingua estrangeira deverao estar
acompanhados de traducao;
S podera ser apresentada posteriormente a documentacao complementar
(ver cronograma) que corresponde ao comunicado oficial da instituicao
formadora com aceitacao definitiva para os candidatos que tiverem
aprovacao condicionada a apresentacao desse documento, com
especificacao do curso/estagio e data de inicio e termino das
atividades, e a declaracao de dispensa do orgao empregador, no caso
de funcionario publico, informando se o candidato se afastara com
vinculo, com ou sem vencimentos. No caso de servidor civil da
administracao publica federal, o afastamento e regido pelo Decreto no
1.387, de 07/02/95. Servidores da administracao publica estadual ou
municipal sao regidos por legislacao propria;
S nao sera apreciado, em hipotese alguma, pedido de bolsa com
documentacao incompleta (com excecao dos dois documentos anteriores),
ou apresentada fora dos prazos definidos no cronograma;
S nao serao aceitas inscricoes via fax ou e-mail;
S nenhum documento sera devolvido para o candidato, em hipotese
alguma, inclusive o portfolio; e
S para melhor instrucao do processo, caso seja necessario, poderao
ser solicitados documentos adicionais.
V - PROCESSO DE SELECAO
Esse processo sera realizado em tres etapas:
1a - analise documental - fase eliminatoria (equipe tecnica do
MinC)
Nessa fase a equipe tecnica do
Ministerio da Cultura confere a documentacao apresentada, bem como o
preenchimento integral e correto do formulario de inscricao, assim
como a adequacao do pedido de bolsa aos objetivos e condicoes do
Programa.
2a - analise de merito - fase classificatoria (Comissao de
Avaliacao)
A Comissao de Avaliacao, a ser escolhida pelo Ministro de Estado da
Cultura, composta por representantes do Ministerio e personalidades
de reconhecida contribuicao nas diversas areas culturais, e nomeada
em portaria a ser publicada no Diario Oficial da Uniao, analisa o
pedido considerando:
a) a existencia de programas equivalentes no Brasil, sendo dada
prioridade a areas em que o trabalho no exterior (no caso de pedido
de bolsa para o exterior) seja imprescindivel para a realizacao da
formacao;
b) a qualificacao do candidato quanto ao curriculo, a experiencia e
desempenho profissional, a qualidade do plano de trabalho a ser
desenvolvido e a expectativa de sua futura contribuicao; e
c) instituicao de destino, sendo priorizadas as candidaturas que
envolvem instituicoes de renomada excelencia e prestigio
internacional. Tera prioridade o candidato que ja tenha definidos
orientador e plano de trabalho.
3a - selecao final
A direcao do Ministerio da Cultura, respeitando a ordem de
classificacao definida pela Comissao de Avaliacao, concede as bolsas
de acordo com suas disponibilidades orcamentarias. O resultado sera
publicado no Diario Oficial da Uniao e os candidatos serao informados
por carta. Para os resultados em carater condicional, a carta de
comunicacao informara as condicoes a serem preenchidas.
Observacao:
- nao cabera recurso das decisoes do processo de selecao.
VI - CRONOGRAMA
InscricoesAte 15 de
maio de 2002
Analise DocumentalEntre 16 e 24 de maio de 2002
Reuniao da Comissao de AvaliacaoEntre 27
e 29 de maio de 2002
Divulgacao dos ResultadosAte 14 de junho de
2002
Entrega da Documentacao ComplementarEntre 17 e 28 de junho de 2002
Contatos com Instituicoes
FormadorasEntre 01 e 31
de julho de 2002
Implementacao dos Cursos/EstagiosEntre 01 de agosto
de 2002 e 30 de abril de 2003
S Observacao:
O nao envio da documentacao complementar, no devido prazo, implica
eliminacao do candidato.
VII - VALORES DA BOLSA
A Bolsa Virtuose inclui os seguintes itens:
S ajuda mensal, destinada a manutencao do bolsista, de US$ 1.500, 00
para os que vao para o exterior e R$ 1.700,00 para as bolsas no
Brasil. Este valor sofre alteracao no caso de o bolsista receber
rendimento proveniente de vinculo empregaticio durante esse periodo.
O beneficiado com a bolsa, se funcionario publico, devera encaminhar
ate 30 de junho o contracheque (holerite) referente ao mes de maio
juntamente com a declaracao do empregador informando se o afastamento
se dara com ou sem vencimento, para o calculo da mensalidade. O
pagamento das ajudas mensais sera efetuado trimestralmente, por meio
de deposito em conta bancaria do bolsista. No caso de bolsa no
exterior, o bolsista devera abrir, as suas expensas e iniciativa,
conta bancaria para esse fim, no pais onde ocorrer a formacao. O
primeiro pagamento sera pago antecipadamente, para assegurar melhores
condicoes de instalacao do bolsista no local de destino, de acordo
com a data prevista para o inicio das atividades.
S passagem aerea de ida e volta, em classe economica e tarifa
promocional, com a duracao maxima de 1 ano, para assegurar o
deslocamento da cidade onde reside ao local de destino, ou aeroporto
mais proximo, e para seu retorno. O bolsista devera efetuar a reserva
em companhia aerea e enviar ao Ministerio da Cultura as informacoes
para a emissao do bilhete. Este podera ser retirado em qualquer
agencia da respectiva companhia aerea. O prazo de validade para a
retirada da passagem e de 30 dias apos a sua emissao. Caso o bolsista
nao a retire nesse prazo, a passagem sera cancelada e o Ministerio da
Cultura nao autorizara a emissao de outra. Bolsistas que ja se
encontram no exterior, farao jus, apenas, a passagem de retorno ao
Brasil, a ser emitida em ate 15 (quinze) dias apos o termino do curso
ou estagio.
S auxilio seguro-saude, destinado a
cobertura da aquisicao de seguro saude no pais de destino ate o
limite maximo de US$ 800,00 por ano. O seguro sera proporcional a
duracao da bolsa. As providencias para a contratacao do seguro-saude
sao de inteira responsabilidade do bolsista. Copia da apolice,
devidamente quitada, devera ser, obrigatoriamente, encaminhada ao
Ministerio da Cultura, no prazo maximo de 60 (sessenta ) dias, apos o
seu pagamento, sob pena de suspensao da ajuda mensal.
S taxas escolares, destinadas unica e exclusivamente a cobertura de
despesas com a instituicao formadora, entendendo-se, neste caso, a
matricula e as anuidades escolares. A fatura original das taxas
escolares devera ser emitida pela instituicao formadora, devidamente
assinada pelo responsavel, no nome completo do bolsista, que a
atestara e a remetera para o Ministerio da Cultura para analise e
pagamento, que sera feito diretamente na conta bancaria da
instituicao. Para tanto, a instituicao devera comunicar as suas
referencias bancarias.
Observacoes:
S nao serao fornecidos ajuda de custos, seguros ou apoio para o
transporte de obras ou equipamentos ou para excesso de peso alem do
limite permitido pelas companhias aereas;
S nao sera concedida qualquer ajuda financeira para familiares ou
dependentes;
S nao serao cobertas despesas com cursos extras, cursos de idioma,
agremiacoes escolares, compra de material, fotocopias, taxas para
bibliotecas e afins; e
S o Ministerio da Cultura nao complementa bolsa de outras
instituicoes, nem permite o acumulo de bolsas.
S O Ministerio da Cultura, em funcao da dotacao orcamentaria aprovada
para o Programa, se reserva o direito de estabelecer limites
referentes a taxas escolares.
VIII - OBRIGACOES DO BOLSISTA
O bolsista devera apresentar, obrigatoriamente, relatorios a cada
tres meses. O desempenho do mesmo sera acompanhado por avaliadores
mediante a analise desses relatorios, do historico escolar, quando
for o caso, e da avaliacao do orientador. O pagamento da bolsa sera
suspenso quando nao for cumprida a obrigatoriedade de apresentacao do
relatorio ou caso seja verificado o desempenho insuficiente. Os
bolsistas deverao dedicar-se integralmente as atividades previstas no
Plano de Formacao e/ou programa de curso/estagio durante a vigencia
da bolsa. Uma vez concedida a bolsa para projeto e instituicao
especificos, o bolsista obriga-se a nao proceder qualquer alteracao
do Plano de Formacao e/ou instituicao formadora ou mudanca de local
e/ou pais.
No decorrer de um ano, apos o termino da formacao, o Ministerio da
Cultura podera solicitar, a titulo de contrapartida do bolsista, sua
participacao em atividades em prol da arte e cultura no Pais, como
workshops, apresentacoes e consultorias.
Cabera ao bolsista providenciar vistos e demais documentos exigidos
para entrada no pais onde ocorrera a formacao.
IX - ENDERECOS PARA CORRESPOND NCIA
Ministerio da Cultura
Esplanada dos Ministerios, Bloco "B"
CEP 70068.900 - Brasilia - DF
S Secretaria da Musica e Artes Cenicas - sala 208
S Secretaria do Patrimonio, Museus e Artes Plasticas - sala 219
S Secretaria do Livro e Leitura - sala 320
S Secretaria do Audiovisual - sala 321
@ AVIS DE CONCOURS POUR LA 4o SESSION DE FORMATION FORMATION A
L'ECRITURE DE SCENARIO >. UNION LATINE
==========================================
prazo/plazo/deadline: 24/05/2002
1er - 26 juillet 2002
DIRECTION CULTURE ET COMMUNICATION
SERVICE AUDIOVISUEL
L'Union Latine est une organisation intergouvernementale creee en
1954 qui regroupe 35 Etats de langue et de culture neo-latines.
Les peuples de langue romane sont d'origines tres diverses; ils ont
cependant en commun un patrimoine linguistique et un systeme de
references historiques et culturelles. Dotee d'un reseau
international de bureaux et de correspondants, l'Union Latine
developpe des projets multilateraux concernant tous les Etats
membres dans les domaines de la culture et de la communication, de la
promotion et de l'enseignement des langues et celui de la
terminologie et des industries de la langue.
Le Service Audiovisuel de la Direction Culture et Communication de
l'Union Latine, conscient de l'importance de toute initiative
tendant a preserver et a diffuser le patrimoine
cinematographique de chaque pays, procede a la restauration de
films, a l'organisation de retrospectives cinematographiques
annuelles et au soutien des principaux festivals latins. Il accorde
une importance particuliere aux jeunes cineastes des pays membres
souhaitant integrer le domaine du cinema et met chaque annee en
place une session de formation professionnelle sur les techniques
cinematographiques.
Le cycle de formation precedent s'est deroule a Paris du
5 au 30 novembre 2001. Il a ainsi permis a dix jeunes
cineastes d'approfondir leur connaissances techniques, mais aussi
de developper un reseau relationnel avec les professionnels.
COURS DE FORMATION 2002
Formation a l'ecriture de scenario
L'Union Latine propose a 10 jeunes cineastes des pays membres
de l'Organisation de participer a la Formation a l'ecriture
de scenario qui se deroulera a Paris du 1er au 26 juillet 2002,
en collaboration avec le Conservatoire Europeen d'Ecriture
Audiovisuelle de Paris.
Tous les frais d'organisation du cours de formation, les transports
(du pays d'origine a Paris, le retour et dans Paris intra muros),
l'hebergement et la demi-pension sont a la charge de l'Union
Latine.
Les modalites de recrutement, soumises au jugement sans appel de
l'Union Latine, sont les suivantes :
- justifier d'une formation ou d'une experience professionnelle
en ecriture de scenario (attestations, certificats, documents
officiels, etc.)
- etre de nationalite de l'un des 35 Etats membres de l'Union
Latine
- etre age de 20 a 35 ans
- posseder une bonne connaissance de la langue francaise
(ecrite et orale)
Les candidats devront envoyer :
- une lettre de motivation
- un curriculum vitae
- une photographie d'identite
- un synopsis (2-3 pages) de court-metrage ou de long metrage en
francais.
Tous les documents devront etre envoyes a l'Union Latine avant
le 24 mai 2002 (le cachet de la poste faisant foi) a l'adresse
suivante :
Union Latine - Service Audiovisuel
131, rue du Bac
75007 Paris - France
Union Latine
Direction Culture et Communication
Service audiovisuel
131, rue du Bac
75007 Paris - France
Telephone: (33) 1.45.49.66.21
Telecopie: (33) 1.42.22.83.19
Courrier electronique: audio.dcc@...
@ RESIDENCY AT THE JAN VAN EYCK AKADEMIE, MAASTRICHT, THE NETHERLANDS
(12 MONTHS)
==========================================
prazo/plazo/deadline: 01/06/2002
Discipline: design, fine arts and theory.
The host and partner institution: the Jan van Eyck Akademie is a
post-academic institute for research and production in the fields of
Design, Fine Arts and Theory. The Academy offers artists, designers,
and theoreticians the opportunity to carry out research and set up
productions. It is thus not a training institute but a place for
reflection and production. An alternative view of research and
production is mainly about being prepared to go along, as much as
possible, with the specificity of the discipline (fine arts, design
and theory) as well as the specificity of the research project in
hand (and thus the personal objectives of the artist, designers and
theoretician).
For further information, please contact:
Mr Leon Westenberg
Jan van Eyck Akademie
Academieplein 1
6211 KM Maastricht, The Netherlands
Tel.: (31 (0) 43) 350 37 24 Fax: (31 (0) 43)
350 37 59
E-mail: info@...
Internet: http://www.janvaneyck.nl
Facilities provided: an artistic environment enriched by colleagues
and advisory-researchers including experts and guests. Individual
studios and access to production facilities including computers,
video and photo studios, material workshops (wood and metal) as well
as printing/graphic equipment.
Nature of the bursary: round trip travel, studio, health insurance,
production and living expenses.
Dates of the residency: January-December 2003.
Eligibility: visual artists, theoreticians or designers from
Eastern/Central Europe or Latin America, with a first degree in the
arts and at least 3 years of professional experience, or an
equivalent combination of education and experience. Candidates for
the theory department should either be practitioners who want to
investigate 'visual thinking' or the theories of visual
production, or curators interested in exhibition practice. Working
knowledge of English required.
How to apply: request an application form from the Jan
van Eyck Akademie or download one from the website:
www.janvaneyck.nl. Return completed application to the Academy,
together with a curriculum vitae, a recent photo, a statement of
intent and 12-20 photos or slides (or other visual documentation) of
recent work.
Deadline: 1st June 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
@ CINEFONDATION: CANDIDATURAS PARA A RESIDENCE D'ARTISTES
==========================================
prazo/plazo/deadline: 31/05/2002
Este projeto tem por objetivo ajudar e apoiar jovens e talentosos
realizadores estrangeiros que preparam um longa.
Condices p/candidatar-se:
1.ter realizado um ou mais curtas, ou um longa de ficcao;
2.saber exprimir-se em ingles ou frances;
3.preencher um formulario de candidatura (disponivel via o site
www.festival-cannes.org);
4.enviar uma copia em VHS dos filmes realizados;
5.enviar o argumento ou roteiro do projeto de longa;
6.04 fotos de identidade e 01 foto de passaporte;
A Residence existe desde o ano passado e acolhe seis jovens
realizadores apos selecao.
Caracteristicas:
I.alojamento no coracao de Paris por um periodo de quatro meses e
meio;
II.uma bolsa no valor de aproximadamente US$ 700,00 / mas;
III.acesso gratuito a um grande numero de salas de cinema;
IV.curso de frances (opcional);
V. participacao na programacao da Cinefondation (coletivos ou
individuais) /
consultar o site: www.festival-cannes.org
Duas selecoes por ano:
Proxima data: 31 de maio 2002
Envio das candidaturas:
Festival de Cannes
Cinefondation
99, Bd Malesherbes
75008 Paris / France
Caso queira mais informacoes contactar:
Sylvie de Perras
Diretora da Cinefondation
Tel: (33.1) 45.61.66.01
residence@...
Atenciosamente,
Xavier GUERARD
Adido Audiovisual
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
FIM
P R O @ R T E C L I P
S
Boletin Electronico del Proyecto ProArte
Brasil
Ano 6 N.52+53 5/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
pro@rte clips es una iniciativa mas a favor de la democratizacion de
las comunicaciones.
tiene como objetivo la divulgacion de novedades, eventos, cursos,
becas de estudio, ofertas de trabajo y oportunidades de reciclaje
artistico y profesional dentro del contexto de las artes
audiovisuales y escenicas, medios de comunicacion y nuevas
tecnologias.
los clips que componen nuestro boletin electronico provienen de
listas de discusion, newsgroups y forums con base en la internet, y
son reproducidos en version original, tal como circulan en el
cyberspace.
agradecemos su cooperacion en la divulgacion de estas informaciones
para personas y organizaciones sin acceso a correo electronico.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
INDICE:
>>>>>>
PARTE 1: BECAS Y
AYUDAS DE ESTUDIO
@ cpb/pbs producers workshop "scholarship"
@ programa ibermedia
@ programa de pasantias para escritores profesionales 2002
@ becas de creacion literaria para escritores noveles 2002.
@ programa de formacao artistica e cultural / bolsa virtuose.
ministerio da cultura
@ avis de concours pour la 4o session de formation formation a
l'ecriture de scenario >. union latine
@ residency at the jan van eyck akademie, maastricht, the netherlands
(12 months)
@ cinefondation: candidaturas para a residence d'artistes
PARTE 2:
CURSOS Y CAPACITACION
@ cursos de cinema e video em cuba
maio - dezembro 2002
@ master de direccion cinematografica. centro de estudio
profesionales de la fundacion universitaria san pablo-ceu
(espana)
@ curso academico 2002 - 2003. septima ars de madrid
@ curso de formatacao de projeto para concursos e editais. mam.
sao paulo
@ cursos de verano. escola superior de cinematografia de catalunya
(escac)
@ inscricoes abertas para ciclo sobre novas tecnologias de imagem
e som
@ curso sobre tecnicas cinematograficas. union latina.
@ oficina de cinema com producao em super8 (rio de janeiro)
@ curso basico de fotografia e iluminacao cinematografica.
funarte. (sao paulo)
@ abertas as inscricoes
para novas oficinas de atualizacao profissional
no centro de realizacao audiovisual
do instituto dragao do mar (fortaleza, brasil)
@ programacao para maio e junho dos cursos do centro de
comunicacao e artes - senac (sao paulo, brasil)
@ seminarios, talleres y conferencias extracurriculares
2002.instituto superior de ensenanza radiofonica (buenos aires,
argentina)
PARTE 3: OFERTAS DE TRABAJO
@ abertura de processo seletivo para contratacao de docente -
eca/usp
@ production coordinator
emmedia gallery & production society. (calgary, canada)
@ madagascar media and message (m3) program
chief of party
@ university of otago (dunedin, new zealand)
lecturer/senior lecturer (two positions)communication studies/film
and media studies
@ project director, afghanistan media project. impacs
@ fundacion ford. oficial de programas- desarrollo financiero y
desarrollo economico en la region andina y el cono sur (sede en
santiago de chile)
@ iniciativa regional america latina y el caribe
alc coordinador regional
@ executive director. women in film & video/new england
@ jefe de comunicacion y participacion. estacion cientifica
charles darwin. galapagos, ecuador
@ project manager wecanhelp.com. sasi foundation. karachi,
pakistan.
@ special employment announcement. career opportunities at ccp. johns
hopkins university
@ summer youth program coordinator qas (quickdraw animation society,
in calgary)
PARTE 4:
OPORTUNIDADES
@ i-contact video network
@ call for papers: surveillance & society, the transdisciplinary
international journal of surveillance studies
@ isea is searching for a designer
@ selecao de projetos 2002/2. criarte casa de arte e cultura (rio
de janeiro)
@ call for artist participation: a mail art project
@ participacao no projeto plural maps: lost in sao
paulo
@ popular communication: call for
articles
@ catalogo panorama do documentario brasileiro 1995-2001
@ curtas.net /busca cortos para su pagina .
@ videoteca del sur de nueva york abre sede en la habana e
invita realizadores latinoamericanos a participar con sus obras
@ call for chapters . virtual research ethics: issues and
controversies
@ call for papers: startling! heartbreaking! real!: reality tv and
the re-making of television culture
PARTE 5: NOVEDADES EN LA WEB
@ site de la asociacion ibero americana de teatro universitario,
aiatu
@ expressionismo.pro.br
@ base de datos del cortometraje
latinoamericano
@ click and go video project
@ mailwasher - supremo spam killer
@ fast mail
@ lista de interes iberoamericana de arte, nuevos medios, ciencia y
tecnologia. [iberoamerica-act]
@ russian archives on the internet: the 20th century through soviet
eyes
@ launched french-cinema.com
@ nuevo portal de internet dela real academia espanola con
acceso directo al diccionario
PARTE 6:
PREMIOS Y CONCURSOS
@ concurso para proyectos de primer largometraje
@ iii premio internacional audiovisual "antonio machado"
@ concurso fotografico "os rios do brasil"
@ concurso para curso de roteiro cinematografico. uniao latina.
franca - conservatoire europeen d'ecritureaudiovisuelle de
paris
@ premio uniao latina de filme documentario
@ programa transmidia . programa do itau cultural contempla
convergencia de midias
@ premio megatrix para guion de serie animada,
@ concurso europeo de cortometrajes amateur "yo no soy de
aqui"
@ ibermedia 2002
PARTE 7: CONGRESSOS,
CONFERENCIAS Y LLAMADAS DE TRABAJOS
@ the vrd 4th annual digital reference conference
charting the course of reference: toward a preferred
future. call for proposals: papers and presentations
@ call for papers: cultural diversity for sale: global economies of
art and entertainment
an interdisciplinary conference at virginia tech, blacksburg, va,
@ symposium on the art and practices of sound (film, radio,
music & the digital media)
@ call for papers "nuns, whores, and wives in cinema" mla
special session panel (new york)
@ inscricao para ouvintes no iv congresso brasileiro de
cinema.(rio de janeiro)
PARTE 8: FESTIVALES DE CINE, VIDEO
Y NUEVAS TECNOLOGIAS
@ international film festival of the art of cinematography. 10th
anniversary edition of camerimage festival (lodz, poland)
@ bordeaux international festival of women in cinema (france)
@ mix festival (nyc)
@ digital visions film festival (chicago)
@ call for submissions of student works for 4th annual dance for the
camera festival and workshop at the university of utah in salt lake
city.
@ i festival internacional del cine pobre.(cuba)
@ filmmakers and screenwriters invited to submit their works for the
fourth ajijic festival (jalisco, mexico)
@ cinemakids 2002 (austin, texas)
@ convocatoria festival internacional de cine de mannheim-heidelberg
(alemania)
@ documedh. festival internacional de documentales sobre derechos
humanos
@ festival international du nouveau cinema et des nouveaux medias
de montreal
@ vide video 2002 (niteroi, brasil)
@ telluride film festival
@ 9o festival internacional de cine de valdivia (chile)
PARTE 8.A CONVOCATORIAS DE FESTIVALES INTERNACIONALES
PARTE 8.B CALENDARIO DE DE FESTIVALES
INTERNACIONALES
PARTE 8.C LISTA GENERAL DE FESTIVALES CON INSCRIPCION ABIERTA
PARTE 9:
OTROS EVENTOS
@ agora 2002. the annual regional mediterranean summit (atenas,
grecia)
@ conferencia sobre la colaboracion en el sector cinematografico
y audiovisual en la union europea y terceros paises (madrid)
@ xii encuentro de la red de promotores culturales de
latinoamerica y el caribe (guatemala)
@ providing web access to cultural collections. the northeast
document conservation center (massachuesetts)
@ v encuentro iberoamericano "mujer y comunicacion"(la
habana)
@ xiv encuentro nacional de investigadores de la comunicacion.
"tendencias de la investigacion de la comunicacion: hacia la
construccion de un nuevo escenario" (mexico)
@ avanca 2002 - encuentro internacional de cine, television, video
y multimedia
@ amarc conferencia mundial de la
asociacion mundial de radios comunitarias, (kathmandu, nepal)
@ iv mercado cultural (bahia, brasil)
@ foro documental (buneos aires)
@ mayo teatral. casa de las americas (la habana)
@ nicolas guillen y el caribe. centro de estudios del caribe de
la casa de las americas (la habana)
@ iv salon y coloquio internacional de arte digital (la habana)
@ ciclo de debates a cultura da favela.
centro cultural banco do brasil (rio de janeiro)
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>++++++++++++++++++++++++++++++++++++++++++++
El Proyecto ProArte Brasil es una coalicion virtual dedicada a
promover el reciclaje profesional, el intercambio cultural y el
acceso democratico a las nuevas tecnologias digitales.
++++++++++++++++++++++++++++++++++++++++++++>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Proyecto ProArte Brasil - Buzios-
caixa postal 112372
28950-000 Buzios-RJ
Brasil
telefax: 5522-26291493
celular: 5522- 92171620
directores:
Patricia Martin - patriciamartin@...
Alfredo Calvino - alfrec@...
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
para cancelar su subscripcion al boletin envie un mensaje en blanco
a:
<proarteclipsESP-unsubscribe@gruposyahoo.com.ar>
Estimados amigos,
Les recordamos que nuestro Boletín está abierto a las sugerencias y
colaboraciones de todos ustedes.
Quien tenga interés en divulgar GRATUITAMENTE una beca, curso, premio, concurso,
site, evento, festival o publicación, por favor envíe su clip para:
mailto:patriciamartin@...
El Proyecto Pro@rte Brasil es una coalición virtual de artistas y profesionales
de comunicación, cine, vídeo, televisión y nuevos medios, pionera en América
Latina. Usted forma parte de ella. Participe!
Patricia Martin
Editora
Boletín Pro@rte Clips
============================================
El Proyecto Pr@rte Brasil se reserva el derecho de editar o rechazar
informaciones enviadas para nuestra redacción si éstas no corresponden al
objetivo específico do nuestro Boletín.
============================================
Estimados amigos,
Les recordamos que nuestro Boletín está abierto a las sugerencias y
colaboraciones de todos ustedes.
Quien tenga interés en divulgar GRATUITAMENTE una beca, curso, premio, concurso,
site, evento, festival o publicación, por favor envíe su clip para:
mailto:patriciamartin@...
El Proyecto Pro@rte Brasil es una coalición virtual de artistas y profesionales
de comunicación, cine, vídeo, televisión y nuevos medios, pionera en América
Latina. Usted forma parte de ella. Participe!
Patricia Martin
Editora
Boletín Pro@rte Clips
============================================
El Proyecto Pr@rte Brasil se reserva el derecho de editar o rechazar
informaciones enviadas para nuestra redacción si éstas no corresponden al
objetivo específico do nuestro Boletín.
============================================
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 50+51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 8: OUTROS EVENTOS /
OTROS EVENTOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>@ MAYO TEATRAL. CASA DE LAS AMERICAS (LA HABANA)
==========================================
del 10 al 19 de mayo del 2002
Estimado colega:
La Casa de las Americas organiza la cuarta edicion de Mayo
Teatral, temporada unica de teatro latinoamericano y del Caribe,
que celebraremos con la presencia de los grupos Sportivo Teatral, de
Argentina, Teatro de los Andes, de Bolivia, La Troppa, de Chile, y
Matacandelas, de Colombia, entre otros, que ofreceran junto a una
seleccion de colectivos cubanos una muestra representativa de lo
mejor de la escena de la region.
Mayo Teatral promovera el dialogo de los teatristas con el
publico cubano y propiciara el intercambio entre los
participantes, a traves de conferencias, desmontajes de
espectaculos, demostraciones.
Los artistas, criticos, investigadores y estudiantes interesados en
participar en la temporada deben comunicarse con nosotros para
formalizar su inscripcion antes del 20 de abril. Para facilitar el
traslado de los participantes, les sugerimos contactar las agencias
de viaje de cada pais que operan con Cuba. La matricula, limitada
a la capacidad de los talleres y a un costo de $60.00 USD, incluye la
participacion en todas las sesiones del evento y se abonara en la
Casa de las Americas en el momento de la acreditacion. Al
concluir la temporada los participantes recibiran un certificado
acreditativo.
Le esperamos,
Vivian Martinez Tabares
Directora
Departamento de Teatro
Casa de las Americas
Tels.: (537) 552706/09, ext. 109 y 126. Fax: (537) 334554 y
327272 teatro@...
www.casa.cult.cu
TEMPORADA MAYO TEATRAL
10 al 19 de mayo
La Direccion de Teatro de la Casa de las Americas celebra la
cuarta edicion de Mayo Teatral, temporada unica de teatro
latinoamericano y caribeno, con la participacion de grupos y
figuras invitadas que ofreceran una muestra representativa de lo
mejor de la escena de la region y, paralelamente, mesas redondas,
conferencias, desmontajes de espectaculos y talleres. La
matricula para asistir como observador y/o tallerista estara
abierta hasta el 10 de abril del 2002.
@ NICOL S GUILLEN Y EL CARIBE. Centro de Estudios del Caribe de
la Casa de las Americas (La Habana)
==========================================
24 al 28 de junio del 2002
El Centro de Estudios del Caribe de la Casa de las Americas,
convoca a participar en el Encuentro Internacional Nicolas
Guillen y el Caribe, en ocasion de celebrarse el centenario del
natalicio del poeta. La cita ha sido concebida como un dialogo que
propicie el intercambio de informacion, ideas y experiencias acerca
de la naturaleza antillana que alienta en su obra asi como de su
trascendencia en el espacio cultural caribeno. Su programacion
abarcara sesiones teoricas, una exposicion de arte caribeno,
representaciones artisticas y proyeccion de materiales filmicos
relacionados con el tema. Se recibiran ponencias y materiales
audiovisuales hasta el 2 de mayo del 2002. Los interesados en
participar deberan confirmar su asistencia antes del 2 de junio.
Las inscripciones se realizaran el dia 24 del mismo mes.
@ Coloquio Internacional La poesia hispanica del siglo
XX
==========================================
16 al 20 de septiembre
En ocasion de cumplirse el centenario de los poetas Dulce Maria
Loynaz, Nicolas Guillen y Rafael Alberti, se convoca este
coloquio sobre poesia espanola e hispanoamericana del siglo XX.
El coloquio invita a los interesados a participar con ponencias
relacionadas con la historia y periodizacion del genero,
analisis comparatisticos por areas o momentos determinados,
vinculos de a poesia con otras esferas artisticas, estudio de
autores y textos especificos, o vaticinios sobre la poesia que
vendra. Los interesados deberan enviar el titulo y resumen de
su ponencia antes del 30 de julio de 2002. La cuota de inscripcion
sera de $ 100.00 USD.
El escritor y sus fantasmas
12 al 15 de noviembre del 2002
Durante el ultimo trimestre del ano y, como parte de un ciclo que
ha contado hasta ahora con la presencia de Ricardo Piglia y Antonio
Skarmeta, se dedicara una semana al estudio y discusion de la
obra de algunos de los mas sobresalientes escritores
latinoamericanos. La semana incluye intervenciones de especialistas,
presentaciones de libros, peliculas u obras teatrales basadas en
textos del autor y, sobre todo, el dialogo directo entre el y el
publico. La Casa de las Americas retoma, de esta forma, una
tradicion que inicio hace mas de cuarenta anos y gracias a la
cual acogio a prestigiosos escritores de la segunda mitad del siglo
XX.
"Departamento Teatro" <teatro@...>
@ XVI Encuentro Nacional y IX Internacional de Contadores de
Historias y Leyendas (Colombia)
==========================================
Este encuentro, organizado por la Fundacion Cultural El Grupo, se
desarrollara los dias 20, 21 y 22 de Noviembre de 2002.
El encuentro de contadores de historias y leyendas se realiza en la
ciudad de Buga, Colombia, desde el ano 1986. Muchos de los relatos
reunidos a lo largo de estos anos estan publicados en los libros:
"Memorias de Tres Encuentros", "Historias y leyendas de
Colombia", "Historias de Siempre", "Viejas historias contadas
hace poco tiempo", y "America fantastica".
El interesado en participar debe enviar una muestra de audio, que
incluya: Una historia de la tradicion oral de su region o
pais; Una historia de amor; y Una historia infantil.
Despues de evaluar las muestras de audio la organizacion
enviara invitacion escrita a los seleccionados.
Las muestras de audio, y los datos solicitados en la ENCUESTA FINAL,
deben ser enviados, antes del 31 de julio de 2002, a: Encuentro
Nacional E Internacional De Contadores De Historias Y Leyendas.
Apartado Aereo 5265. Buga. Colombia. America del Sur.
Se garantiza a los participantes alojamiento y alimentacion durante
el evento y transporte local.
Mayores informes: Telefax 57 2 2283006 o a
jaramillog@...
@ III Seminario Internet em Alta Velocidade
==========================================
Convida voce a participar do principal evento a discutir a
producao audiovisual para o mercado de banda larga no Brasil.
A revista Tela Viva, em parceria com a Converge Eventos, tem uma
oferta para voce. Assinantes da Tela Viva terao um desconto
especial para participar do segundo dia do III Seminario Internet
em Alta Velocidade, evento anual que reune os maiores especialistas
em Internet banda larga do Pais e do exterior.
Uma chance especial para encontrar profissionais de producao e
distribuicao de conteudos e fazer importantes contatos.
O conteudo para Internet tem destaque especial no segundo dia do
evento, com a presenca de profissionais que ha anos estudam e
experimentam novos formatos para esta midia. Debatendo a
viabilizacao do conteudo nos portais e servicos de alta
velocidade estarao Marion Strecker, diretora de conteudo do
portal UOL, e Michele Naili, da CircuiTV. Marion esta no UOL
desde a sua fundacao e hoje e responsavel pelo conteudo
multimidia do portal. Ela abordara, inclusive, a integracao
Internet/TV, totalmente em voga hoje com programas como "Casa
dos Artistas" e "BBB". Michele vem de mais de 15
anos de trabalho na TV Globo, onde negociava e produzia eventos
esportivos e culturais. Agora, com sua produtora CircuiTV, ela agrega
conteudos de varias fontes (alem de produzir o seu proprio) e
prepara-se para oferecer um modelo de distribuicao por varias
midias, incluindo Internet, TV paga, TV aberta e cinema.
Em outro bloco, o tema e o jornalismo na Internet, especialmente na
banda larga, que em muitos casos ja compete com outras midias
como o radio ou a TV. No debate, Paulo Henrique Amorim, do UOL
News, e Sandra Pecis, do Terra, produtora do Jornal da Lilian e do TV
Terra, entre outros.
Aproveite o preco especial para assinantes Tela Viva e inscreva-se
ja atraves do cupom anexo. Voce ainda ganha automaticamente uma
assinatura trimestral do jornal Valor Economico.
Veja a programacao completa no site
www.convergeeventos.com.br
Informacoes: (11) 3120-2351
info@...
@ IV SAL N Y COLOQUIO INTERNACIONAL DE ARTE DIGITAL (La Habana)
==========================================
En los ultimos tres anos nuestro Centro ha organizado el Salon
y Coloquio Internacional de Arte Digital cuya cuarta edicion
comenzara el proximo 17 de junio. Por el interes que ha
despertado la cita, a partir de este boletin comenzaremos a
difundir la Convocatoria Internacional y la Nacional (ambas aparecen
en la seccion CONVOCATORIAS).
Para mas informacion sobre estos salones de Arte Digital, le
invitamos a visitar el sitio www.artedigitalcuba.cult.cu y
www.artedigitalcuba.org
Para mas informacion puede tambien enviar un mensaje a:
centropablo@...
Convocatoria Internacional
El Centro Cultural Pablo de la Torriente Brau, con el auspicio de
Oficina del Historiador de la Ciudad de la Habana, el Museo Nacional
de Bellas Artes e HIVOS, convoca al IV Salon y Coloquio
Internacional de Arte Digital con el objetivo de promover los valores
artisticos y culturales generados a traves de las nuevas
posibilidades tecnologicas abiertas por la computacion.
El evento, que sera inaugurado el 17 de junio del ano 2002, se
propone continuar mostrando el trabajo que se realiza actualmente en
este campo y propiciar el intercambio y la reflexion entre los
disenadores, artistas plasticos y demas creadores y
especialistas relacionados con estas nuevas formas de expresion.
Podran participar disenadores, artistas plasticos,
fotografos, productores graficos y otros especialistas.
El evento comprende dos areas: el salon nacional que tiene
caracter competitivo y la muestra internacional, donde exhibiran
sus obras artistas residentes en otros paises, y que no tiene
caracter competitivo.
Las obras presentadas, sobre las que trabajara el jurado de
admision integrado por reconocidos artistas y criticos, seran
exhibidas en la Sala Majadahonda del Centro Cultural Pablo de la
Torriente Brau, salas de la Oficina del Historiador de la Ciudad y
salas del Museo Nacional de Bellas Artes.
MUESTRA INTERNACIONAL
El Centro Pablo convoca a artistas digitales de otros paises a
participar en la Muestra Internacional que se inaugurara
paralelamente al evento nacional. Con ello este IV Salon y Coloquio
Internacional de Arte Digital se propone reunir diversas visiones
artisticas dentro de esta modalidad expresiva y propiciar el debate
y la reflexion sobre sus lenguajes y poeticas.
En la Muestra Internacional participaran obras digitales impresas y
obras artisticas producidas en computadoras que no tengan como
finalidad ser impresas.
Obras impresas
Las obras impresas que se presenten a la Muestra Internacional deben
haber sido realizadas por medios digitalizados y reproducidas en
cualquier tipo de impresora.
Cada participante puede enviar hasta tres obras. Las obras impresas
pueden ser presentadas en cualquier formato. Ademas de la obra
impresa, el participante debe enviarla en disquete, CD o disco zip,
acompanada de un fichero de texto con esta informacion:
- Nombre y apellidos
- Profesion
- Direccion postal, telefono y direccion electronica
- Institucion a la que pertenece
- Pais
- Breve curriculum vitae
-Titulos de las obras presentadas
Obras no impresas
Esta categoria comprende las obras artisticas que no tengan como
finalidad ser impresas -videos, instalaciones, obras interactivas,
obras de computacion fisica (physical computing), presentaciones-
y que hayan sido realizadas en computadoras.
Cada participante puede presentar hasta tres obras en esta
categoria en video minidv, video VHS (NTSC o PAL), CD o disco zip,
acompanadas de un fichero de texto con esta informacion:
- Nombre y apellidos
- Profesion
- Direccion postal, telefono y direccion electronica
- Institucion a la que pertenece
- Pais
- Breve curriculum vitae
- Titulos de las obras presentadas
Un jurado de admision evaluara las obras enviadas al Centro
Cultural Pablo de la Torriente Brau antes del 1 de mayo de 2002.
El Centro Pablo no puede asumir la devolucion por correo de las
obras enviadas, y solicita su donacion a los artistas
participantes, para ser exhibidas, sin fines lucrativos, como
promocion de futuros salones de Arte Digital.
Convocatoria nacional
El Centro Cultural Pablo de la Torriente Brau, con el auspicio de
Oficina del Historiador de la Ciudad de la Habana, el Museo Nacional
de Bellas Artes e HIVOS, convoca al IV Salon y Coloquio
Internacional de Arte Digital con el objetivo de promover los valores
artisticos y culturales generados a traves de las nuevas
posibilidades tecnologicas abiertas por la computacion.
El evento, que sera inaugurado el 17 de junio del ano 2002, se
propone continuar mostrando el trabajo que se realiza actualmente en
este campo y propiciar el intercambio y la reflexion entre los
disenadores, artistas plasticos y demas creadores y
especialistas relacionados con estas nuevas formas de expresion.
Podran participar disenadores, artistas plasticos,
fotografos, productores graficos y otros especialistas.
El evento comprende dos areas: el salon nacional que tiene
caracter competitivo y el salon de invitados, donde exhibiran
sus obras artistas residentes en otros paises, y que no tiene
caracter competitivo.
Las obras presentadas, sobre las que trabajara el jurado de
admision integrado por reconocidos artistas y criticos, seran
exhibidas en la Sala Majadahonda del Centro Cultural Pablo de la
Torriente Brau, salas de la Oficina del Historiador de la Ciudad y
salas del Museo Nacional de Bellas Artes.
SALON NACIONAL
Este ano el evento ha ampliado su alcance. Podran participar
obras digitales impresas y obras artisticas producidas por medios
informaticos que no tengan como finalidad ser impresas: videos,
instalaciones, obras interactivas, presentaciones. En todos los
casos, la tematica de las obras es libre.
Obras impresas
Las obras impresas que se presenten deben haber sido realizadas por
medios digitalizados y reproducidas en cualquier tipo de
impresora.
Cada participante puede presentar hasta cinco obras. Las obras
impresas deben tener un formato bidimensional de Din A3 (297 x 420
mm), aunque se aceptaran tamanos menores. Ademas de la obra
impresa, el participante debe entregarla en disquete, CD o disco zip,
acompanada de un fichero de texto con la siguiente
informacion:
- Nombre y apellidos
- Profesion
- Direccion postal, telefono y direccion electronica
- Institucion a la que pertenece
- Breve curriculum vitae
- Titulos de las obras presentadas
Obras no impresas
Esta categoria comprende las obras artisticas que no tengan como
finalidad ser impresas -videos, instalaciones, obras interactivas,
obras de computacion fisica (physical computing), presentaciones-
y que hayan sido realizadas en computadoras.
Las obras no impresas deben ser acompanadas de la siguiente
informacion:
- Nombre y apellidos
- Profesion
- Direccion postal, telefono y direccion electronica
- Institucion a la que pertenece
- Breve curriculum vitae
- Titulos de las obras presentadas
Premios
El Salon Nacional otorgara los siguientes premios:
Para la categoria de obra impresa:
Primer premio: una computadora
Segundo premio: un scanner
Tercer premio: una impresora
Para la categoria de obra no impresa:
Premio unico: una computadora
El jurado, integrado por artistas de reconocido prestigio, cuyo fallo
sera inapelable, podra otorgar tambien las menciones
honorificas que considere necesarias en ambas categorias.
El evento solicitara de los participantes la donacion de las
copias de las obras presentadas, que se colocaran en el sitio web
Cuba Arte Digital del Centro Cultural Pablo de la Torriente Brau
(www.artedigitalcuba.cult.cu www.artedigitalcuba.org) y podran ser
difundidas en muestras y exposiciones, sin proposito lucrativo,
como parte de la promocion de estos Salones.
Las obras deben ser presentadas en el Centro Cultural Pablo de la
Torriente Brau antes del 1 de mayo del ano 2002. Los premios
seran entregados en la ceremonia de apertura del Salon, el 17 de
junio de este ano.
PARA MAS INFORMACI N PUEDE DIRIGIRSE A:
Centro Cultural Pablo de la Torriente Brau
Calle Muralla No.63 e/ Oficios e Inquisidor, Habana vieja, Ciudad de
La Habana
Tele-fax (537) 666585
Correo electronico: centropablo@ cubarte.cult.cu
Tambien le invitamos a visitar los sitios de Cuba Arte Digital y
del Centro Pablo en la siguientes direcciones:
@ VIII ENCUENTRO NACIONAL DE PSICODRAMA
PRE IV CONGRESO IBEROAMERICANO de PSICODRAMA
==========================================
Bs.As. 10 - 11 - 12 de Mayo de 2002
"EL TIEMPO ES HOY..."
PENSAMIENTO CR TICO Y PR CTICA SOCIAL
Encuentro interdisciplinario abierto a la comunidad
ES TIEMPO de Construccion de Espacios, de Pensamiento Critico y
Gestacion de nuevas practicas sociales.
ES TIEMPO de encontrarnos en una movida cultural para: Confrontar y
generar acuerdos desde las diferencias, Potenciar nuestras voces y
protagonismo como ciudadanos, Compartir la incertidumbre y
transformar la ira en potencia.
ES TIEMPO de reafirmar el valor creativo y terapeutico del
sociodrama y el psicodrama.
MODALIDAD DE TRABAJO
PANELES sobre PADECIMIENTO, ViOLENCIA Y ETICA a cargo de
Historiadores, Periodistas, Artistas, Filosofos, Sociologos,
Psicoterapeutas, Educadores. Funcionaran como disparadores para el
trabajo posterior en:
TALLERES de produccion grupal destacando la horizontalidad en toda
su potencia y
PLENARIO donde confluye la produccion de los distintos grupos.
@ XXV Bienal de Sao Paulo
23 de marco a 2 de junho de 2002 Parque Ibirapuera
Sao Paulo Brasil
Acesse <http://www.bienalsaopaulo.org.br>www.bienalsaopaulo.org.br para conhecer a obra de cada artista.
BRASIL
curador - Agnaldo Farias
REPRESENTACAO BRASILEIRA
Alexander Pilis - Barcelona
Ana Miguel - Brasilia
Brigida Baltar - Rio de Janeiro
Cao Guimaraes - Belo Horizonte
Capacete (Rio de Janeiro)
Carina Weidle - Curitiba
Carmela Gross (Sao Paulo)
Chelpa Ferro - Rio de Janeiro
Daniel Acosta - Pelotas
Eduardo Frota - Fortaleza
Eliane Prolik - Curitiba
Fabio Cardoso - Sao Paulo
Gil Vicente - Recife
Jose Bechara - Rio de Janeiro
Jose Damasceno - Rio de Janeiro
Jose Rufino - Joao Pessoa
Marcelo Sola - Goiania
Marcos Chaves - Rio de Janeiro
Marepe - Bahia
Oriana Duarte - Recife
Paulo Whitaker - Sao Paulo
Ricardo Basbaum - Rio de Janeiro
Sergio Sister - Sao Paulo
SALAS ESPECIAIS
Carlos Fajardo - Sao Paulo
Karin Lambrecht - Porto Alegre
Nelson Leirner - Rio de Janeiro
EXPOSICAO 12 METR POLES
SAO PAULO
Arthur Lescher
Lina Kim
Raquel Garbelotti
Rubens Mano
Vania Mignone
A 12a CIDADE
Alfons Hug
Arthur Omar
Isay weinfeld / Marcio Kogan
Mauricio Dias & Walter Riedweg
NET ART BRASIL
Christine Mello
Artur Matuck - <http://www.teksto.com.br>http://www.teksto.com.br
Diana Domingues e Grupo Artecno / Universidade de Caxias do Sul -
<http://artecno.ucs.br/ourobos>http://artecno.ucs.br/ourobos
Enrica Bernardelli -
<http://paralelosclandestinos.net>http://paralelosclandestinos.net
Gilbertto Prado - <http://www.itaucultural.org.br/desertesejo>http://www.itaucultural.org.br/desertesejo
Giselle Beiguelman -
<http://www.desvirtual.com/nike>http://www.desvirtual.com/nike
Kiko Goifman & Jurandir Muller -
<http://www.paleotv.com.br/cronofagia>http://www.paleotv.com.br/cronofagia
Lucas Bambozzi - <http://www.comum.com/diphusa/meta>http://www.comum.com/diphusa/meta
Lucia Leao - <http://www.lucialeao.pro.br/pluralmaps>http://www.lucialeao.pro.br/pluralmaps
Ricardo Barreto - <http://www.satmundi.com>http://www.satmundi.com
PA SES - ARTISTAS - CURADORES
frica do Sul - Pitso Chinzima - Prince Dube
Albania - Anri Sala - Corinne Diserens
Alemanha - Rupprecht Geiger - Helmut Friedel
Argentina - Dino Bruzzone - Jorge Glusberg
Armenia - Azat Sargsyan - Garo Keheyan
Australia - Robert Mc Pherson - Trevor Smith
ustria - Georg P. Thomann - Zdenka Badovinac
Belgica - Richard Venlet - Moritz Kung
Bolivia - Raquel Schwartz - Pedro Querejazu
Bulgaria - Marran Gosov - Bozhidar Boyadzhiev
Camaroes - Pascale Marthine Tayou
Canada - Stan Douglas - Daina Augaitis
Chile - Pablo Rivera - Justo Pastor Mellado/ Luisa Ulibarri
China - Wang Jian Wei - Fan Di An
Chipre - Yioula Hadjigeorghiou - Nicos Nicolaou
Cingapura - Hong Sek Chern - Bridget Tracy Tan
Colombia - Luis Fernando Pelaez - Maria Belen Saez de
Ibarra
Congo - Cheri Samba - Andre
Magnin
Coreia - Atta Kim - Yoon, Jin-sup
Costa Rica - Andres Carranza - Joaquin Rodriguez del Paso
Croacia - Ivan Faktor - Leonida Kovac
Dinamarca - Ingar Dragset/Michael Elmgreen - Dorthe Abildgaard
Egito - Abdel Salam Eid - Mohamed Ghoneim
El Salvador - Rodolfo Molina - Astrid Bahamond
Equador - Manuel Cholango - Lenin Ona
Eslovenia - Art Center Metelkova Mesto - Aleksander Bassin
Espanha - Rogelio Lopez Cuenca - Alicia Chillida
Estados Unidos - Kara Walker - Robert Hobbs
Finlandia - Seppo Renvall - Paula Toppila
Franca - Jean-Luc Moulene - Corinne Diserens
Gra Bretanha - Willie Doherty - Richard Riley
Grecia - Maria Papadimitriou - Efi Strousa
Guatemala - Melanie Rios - Rosina Cazali
Holanda - Atelier van Lieshout - Lily van Ginneken
Honduras - Johanna Montero Matamoros - Bayardo Blandino
Hungria - Tamas Komoroczky - Julia Fabenyi
Indonesia - Arahmajani - Astri Wright
Irlanda - Clare Langan - Patrick Murphy
Israel - Gal Weinstein - Tali Tamir
Italia - Margherita Manzelli - Paolo Colombo
Iugoslavia - Mrdjan Bajic - Vesna Milic
Japao - Kimio Tsuchiya - Kazuo Yamawaki
Latvia - Famous Five (F5) - Ojars Petersons/Liga Marcinkevica
Libano - Nabil Nahas - David Leiber
Mexico - Abraham Cruzvillegas - Luis Gallardo
Nicaragua - Patricia Belli - Raul Quintanilla Armijo
Noruega - Ole Jorgen Ness - NOART
Nova Zelandia - Gavin Hipkins - Robert Leonard
Palestina - Sliman Mansour - Khaled Hourani
Panama - Gustavo Araujo - Adrienne Samos
Paraguai - Jesus Ruiz Nestosa - Margarita Morselli
Peru - Philippe Gruenberg/ Pablo Hare - Frederick Cooper Llosa
Polonia - Katarzyna Kozyra - Anda Rottenberg
Porto Rico - Charles Juhasz-Alvarado - Marimar Benitez
Portugal - Joao Tabarra - Miguel von Hafe Perez
Russia - Sergey Bratkov - Joseph Backstein
Suecia - Annika Eriksson - Maria Lind
Suica - Fabrice Gygi - Pierre-Andre Lienhard
Trinidad - Edward Bowen
Turquia - Canan Beykal - Husamettin Kocan
Ucrania - Taras Polataiko - Jerzy Onuch
Uruguai - Marco Maggi - Clever Lara
Venezuela - Carlos Cruz-Diez - Elida Salazar
Vietna - Jun Nguyen-Hatsushiba - Le Thi Hong Gam
Taipei Fine Arts Museum, Taipei - Chien-Chi Chang - Fang-wei Chang
V DEOS AFRICANOS
Marcel Odenbach
frica do Sul - Moshekwa Langa
frica do Sul - Zwelethu Mthethwa
Camaroes - Goddy Leye
Gana - Mawuli Afatsiawo
Quenia - Ingrid Mwangi
Senegal - Papisthione
SALAS ESPECIAIS
Alfons Hug
Andreas Gursky - Alemanha
Jeff Koons - EUA
Juliao Sarmento - Portugal
Sean Scully - EUA
Thomas Ruff - Alemanha
Vanessa Beecroft - EUA
EXPOSICAO 12 METR POLES
BERLIN
Alfons Hug
Frank Thiel
Franz Ackermann
Katharina Grosse
Michael Wesely
Olaf Metzel
CARACAS
Elida Salazar
Alexander Apostol
Emilia Azcarate
Jose Antonio Hernandez-Diez
Luiz Molina Pantin
Marcel Odenbach
JOHANNESBURGO
Marilyn Martin
Bonita Alice
David Goldblatt
Jo Ractliffe
Ruth Motau
Santu Mofokeng
LONDRES
Richard Riley
Gillian Wearing
Glenn Brown
Keith Tyson
Michael Landy
Richard Wentworth
MOSCOU
Viktor Misiano
Alexander Vinogradov / Vladimir Dubosarsky
Anatoly Osmolovsky
Boris Mikhailov
Dmitry Gutov
Valery Koshliakov
NOVA YORK
Julian Zugazagoitia
Doug Hall
Lucinda Devlin
Nancy Davenport
Sarah Morris
Shirin Neshat
PEQUIM
Fan Di An
Gong Xin Wang
Lu Hao
Qiu Zhijie
Yan Lei
Zeng Hao
SAO PAULO
Agnaldo Farias
Arthur Lescher
Lina Kim
Raquel Garbelotti
Rubens Mano
Vania Mignone
SYDNEY
Trevor Smith
Adam Cullen
Jan Nelson
John Barbour
Raquel Ormella
Rodney Glick & Lynnette Voevodin
T QUIO
Fumio Nanjo
Aida Makoto
Kyoichi Tsuzuki
Mariko Mori
Tabaimo
Tatsumi Orimoto
A 12a CIDADE
Alfons Hug
Armin Linke - Italia
Arthur Omar - Brasil
Bodys Isek Kingelez - Congo
Carsten Hoeller - Alemanha
Huang Yong Ping / Shen Yuan - China
Isay weinfeld / Marcio Kogan - Brasil
Los Carpinteros - cuba
Mauricio Dias & Walter Riedweg - Brasil
Roberto Cabot - Brasil / Franca
Sarah Sze - EUA
Spencer Tunick - EUA
Yutaka Sone - Japao
NET ART
Rudolf Frieling, Centro de Arte e Tecnologia de Midia ZKM de
Karlsruhe - Alemanha
Calc & Johannes Gees - Espanha, Suica
<http://www.communimage.net/engl>http://www.communimage.net/engl
Carol Flax & TreborScholz - EUA
<http://www.arts.arizona.edu/boundaries>http://www.arts.arizona.edu/boundaries
Francesca da Rimini - Australia
<http://sysx.org/gashgirl>http://sysx.org/gashgirl
Gruppo A12, Udo Noll & Peter Scupelli - Italia, Alemanha,
EUA
<http://parole.aporee.org/work>http://parole.aporee.org/work
Heath Bunting & Olia lialina - Inglaterra, Russia
<http://www.teleportacia.org/swap>http://www.teleportacia.org/swap
Jody Zellen - EUA
<http://www.ghostcity.com>http://www.ghostcity.com
Kristin Lucas - EUA
<http://www.diacenter.org/lucas>http://www.diacenter.org/lucas
Marina Grzinic & Aina Smid - Eslovenia
<http://www.ljudmila.org/quantum.east>http://www.ljudmila.org/quantum.east
Roberto Cabot - Brasil / Franca
<http://www.mediamorphose.org>http://www.mediamorphose.org
Shi Yong - China
<http://www.Shanghart.com/artists/shiyong/syw/index.htm>http://www.Shanghart.com/artists/shiyong/syw/index.htm
Stanza - Inglaterra
<http://www.thecentralcity.co.uk>http://www.thecentralcity.co.uk
Fundacao Bienal de Sao Paulo
Parque ibirapuera, Portao 3
04098-900 - Sao Paulo - SP -
Brasil
Tel: 55 11 5574-5922
Fax: 55 11 5549-0230
Terca a sexta, das 13 as 20h. Sabados e domingos, das 10 as
21h.
-------------------------------------------------------
P R O @ R T e C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 50+51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 8: FESTIVAIS DE CINEMA, VIDEO E NOVAS MIDIAS / FESTIVALES DE
CINE, VIDEO Y NUEVOS MEDIOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 8.A CONVOCATORIAS DE FESTIVAIS INTERNACIONAIS /
CONVOCATORIAS DE FESTIVALES INTERNACIONALES
>>>>>>>>>>>>>>>>>>>>>>
@ FESTIVAL DO CINEMA BRASILEIRO DE MIAMI
MIAMI, EUA
============================================prazo/plazo/deadline: 02/04/2002
estao abertas ate 02 de abril de 2002 as inscricoes para o
6o Festival do Cinema Brasileiro de Miami, eUA, que sera
realizado entre 2 e 6 de junho de 2002.
Poderao participar do festival trabalhos de curta e longa
metragens, em feitas por produtores ou realizadores brasileiros ou
radicados no Brasil ha mais de 03 anos, que tenha sido
finalizados em 2001/2002, em 35mm, com legendas em ingles e
ineditos no mercado dos eUA.
Mais informacoes:
Inffinito Nucleo de Arte e Cultura
Av. Presidente Wilson, 210/grupo 1314
Centro, Rio de Janeiro, RJ, 20030-020
Telefone: +55(21) 2510-3608, 251034545
e-mail: festival@...
Internet: www.inffinito.com e www.brazilianfilmfestival.com
@ TELLURIDE FILM FESTIVAL
============================================prazo/plazo/deadline: 01/06/2002
The *new* dates for Telluride IndieFest 2002 are: August
30 -September 1 (over the Labor Day Weekend).
What is the 'difference' between the two festivals?
The Telluride Film Festival is not an independent film festival - it
is more of an 'arts cinema' event - and, it *requires* 'premieres' of
all selected films (and does not include screenplays).
Telluride IndieFest (on the other hand) showcases the best
*independent* films and screenplays in the world - and does *not*
require films to 'premiere' at its event.
------------- Telluride IndieFest 2002 entry Forms are NOW
Available!
Please go to the festival's web site at:
http://tellurideindiefest.com
and click on "Year 2002 entry Forms".
------------- Significant Dates:
entry Deadline: June 1, 2002 (*received* by the
festival - not 'postmarked').
entry *Selection* Announcement: August 1, 2002
------------- Important Note:
We are (again) *limiting* entries to 1000 (total of all films,
videos, and screenplays) - so enter eARLY - and take advantage of
*reduced* entry fees!
As well - once we *receive* 1000 entries we may close the event (to
any further entries).
Film and Write On,
Michael Carr
Founder/Director: Telluride IndieFest
http://tellurideindiefest.com
Showcasing the *best* independent films and screenplays in the
world!
PRIMEIRO WORKSHOP
Roteiro para Cine e Televisao - Luiz Bolognesi - SP (Roteirista do
Bicho de Sete Cabeca)
Acesso: matriculados
Direcao Cinematografica - Lais Bodanzky - SP (Diretora do
Bicho de Sete Cabeca)
Acesso: matriculados
PAINEL 1.
rea de discussao:Cinema Brasileiro e Mercado
Tema: Parceria Cinema/TV: Producao e Exibicao no Contexto do
Mercado Televisivo Nacional e Internacional.
Convidados:
Wilson Cunha - Canal Brasil - RJ
Leopoldo Nunes - Pres. da ABD Nacional -SP
PAINEL 2.
rea de discussao: Novas Tecnologias
Tema: Esteticas e Politicas do Cinema Digital
Convidados:
Luiz Fernando Petzhold - cineasta - RJ
Marcus Villar - cineasta - PB
Darcy Cunha - Cinema, Copiagem e Revelacoes Cinematograficas -
SP
PAINEL 3.
rea de atuacao: Curta Metragem
Tema: Os Caminhos da Producao, Distribuicao e Exibicao
Cinematograficas
Coordenador: Alessandro Amorim - ABD/SE
Convidados:
Adriana Rattes - Grupo Estacao - RJ
Torquato Joel - cineasta - PB
Lais Bodanzky - Circuito Mambembe - SP
PAINEL 5.
rea de atuacao: Cinema e Mercado Brasileiro.
Tema: Politica do Audiovisual
Coordenador: Rosangela Rocha - Pres. da ABD/SE
Convidados:
Assuncao Hernandes - Pres. do Congresso Brasileiro de Cinema-
SP
Leopoldo Nunes - Pres. da ABD Nacional
- SP
Antonio Leal - Pres. do Forum dos Festivais - RJ
Wolney Oliveira - Regiao Nordeste CBC - CE
Ivan Valenca - Sec.-Adjunto de Estado da Cultura - SE
@ VIDE V DEO 2002. VI FESTIVAL DE CINEMA E V DEO DA UFRJ
============================================prazo/plazo/deadline: 15/08/2002
A Escola de Comunicacao e a Comissao Organizadora do VI
Festival de Cinema e Video da UFRJ vem por meio desta avisar a
todos os possiveis participantes do Vide Video 2002 que as
inscricoes do festival este ano estarao abertas do
dia 08/04 ao dia 15/08. O festival sera realizado do dia
19/10 a 26/10 de 2002.
Para maiores informacoes,
ligue: (21) 38735076/ (21) 99597975
ou escreva para:
<mailto:videvideo@...>
@ 6TO FESTIVAL INTERNACIONAL DE VIDEO/ARTE/ELECTR NICA (LIMA,
PER )
============================================prazo/plazo/deadline: 22/04/2002
El 6to Festival Internacional de Video/Arte/Electronica, a llevarse
a cabo en Lima, Peru, durante el mes de mayo del 2002 invita a la
comunidad nacional e internacional de creadores, videastas y artistas
a inscribir sus
trabajos relacionados a los campos de videoarte, video instalacion,
musica electronica, video experimental, net.art, etc.
No hay restricciones en cuanto a duracion, genero o tecnica.
Solo se aceptaran los trabajos en formato BETACAM SP o VHS, ambos
en sistema NTSC.
Si el video se encuentra digitalizado en CD-ROM, solo se aceptara
el formato QuickTime con un codec compatible, y sin compresion de
audio. Los trabajos relacionados a net.art deberan llevar el URL
donde el site se encuentra
operativo. Los trabajos relacionados a instalacion deberan
incluir una detallada muestra -animada o fija- del proyecto en
accion, asi como los planos y requisitos del area
correspondiente.
Fecha limite de recepcion de material: Lunes 22 de abril del
2002
Los trabajos deberan ser enviados a:
Alta Tecnologia Andina - ATA
Calle Alcanfores 1096, esq. con Juan Fanning - Miraflores
Lima 18
Peru
Para mayor informacion, pueden contactar:
festival@...
www.ata.org.pe
http://www.ata.org.pe/festival/2002/cfs2002/index.html
@ THE SEVENTH INT'L FESTIVAL OF NEW FILM AT SPLIT (CROATIA)
============================================prazo/plazo/deadline: n/c
September 21-28, will once again be a place of discovery,
promoting new, creative, innovative, personal, radical,
subversive etc. work (Film, Video & New Media) of all
themes, genres and lengths, whether it's involving
traditional film techniques or the latest techniques
of
electronic image.
http://www.splitfilmfestival.hr/entry_1.html
@ IV FICA - FESTIVAL INTERNACIONAL DE CINEMA E V DEO AMBIENTAL
(GOI S, BRASIL)
============================================prazo/plazo/deadline: 18/04/2002
Ja estao abertas as inscricoes para o IV FICA - Festival
Internacional de Cinema e Video Ambiental. O prazo para as
inscricoes vai ate o dia 18 de abril de 2002.
Serao aceitas producoes realizadas a partir de janeiro de 2001,
nos formatos BETA, 16mm e 35mm; curtas, medias e longas metragens.
Os premios do Festival sao:
Melhor longa: Trofeu e R$ 35 mil.
Melhor media: Trofeu e R$ 25 mil.
Melhor curta: Trofeu e R$ 25 mil.
Melhor serie televisiva: Trofeu e R$ 25 mil.
E premio para melhor obra com o trofeu Cora Coralina e R$ 50
mil.
O IV FICA acontecera na historica cidade de Goias, Patrimonio
Historico da Humanidade e essa edicao tem como Coordenador
Geral o renomado cineasta Nelson Pereira dos Santos.
Visite nosso site ou fale conosco pelo e-mail
<mailto:fica@...>
IV FICA - Festival Internacional de Cinema e Video Ambiental
Av. Tocantins, 107, esq. c/ R.12 - Centro, Goiania, Goias -
Brasil.
CEP - 74015-010
Fone/Fax: 55 - 62 - 229-3745/ 213-3663
Website: <http://www.fica.art.br>
@ CINESUL 2002 - FESTIVAL LATINO-AMERICANO DE CINEMA E V DEO (Rio
de Janeiro - Sao Paulo)
============================================prazo/plazo/deadline: 30/03/2002
Este ano, o evento acontece no Rio de Janeiro de 11 a 20 de junho e
(pela primeira vez) em Sao Paulo de 14 a 23 de junho e vai
distribuir premiacoes no valor de R4 20 mil.
O CINESUL 2002 promove competicao de longas-metragens e videos.
Podem concorrer obras de ficcao ou documentario em
longa-metragem e videos de
qualquer duracao realizados por cineastas e videomakers
latino-americanos e concluidos entre marco de 2000 a marco de
2002.
Todos os trabalhos devem ser ineditos comercialmente no Rio de
Janeiro e Sao Paulo. Na categoria video, nao sao aceitos
trabalhos telecinados (realizados
anteriormente em pelicula).
Solicitacao de regulamentos e fichas de inscricao podem ser
feitas diretamente junto a organizacao do CINESUL 2002, pelo
telefax (21) 3826.0272, pelo telefone (21) 2524.4076, pelo e-mail
pulsartes@...
ou via correspondencia postal para o seguinte endereco: Avenida
graca aranha
416, sala 725, cep 20033-900, Rio de Janeiro, RJ.
@ XII CINE CEARA
============================================
JUNHO 21 -27
REGULAMENTO
FINALIDADE
O XII Cine Ceara tem por finalidade levar ao publico cearense uma
parcela significativa da producao de cinema e video do Pais,
possibilitando o intercambio entre os produtores dos diversos
estados brasileiros e divulgar os novos talentos nacionais e
internacionais na area do audiovisual.
ORGANIZACAO
- O XII Cine Ceara e uma promocao da Universidade Federal do
Ceara, atraves da Casa Amarela Euselio Oliveira com apoio do
Governo do Estado do Ceara, atraves da Secretaria da Cultura e
Desporto. A Realizacao e da Associacao Amigos da Casa
Amarela Euselio Oliveira e conta com patrocinio do Ministerio
da Cultura e de empresas privadas, atraves do beneficio fiscal da
Lei Estadual de Incentivo a Cultura (Lei Jereissati) e da Lei
Federal de Incentivo a Cultura (Lei Rouanet).
- O Cine Ceara e concebido por um Conselho Consultivo formado por
membros indicados pela Secretaria da Cultura e Desporto,
Associacao Cearense de Cinema e Video, Casa Amarela Euselio
Oliveira, Instituto Dragao do Mar de Arte e Industria
Audiovisual, Associacao Amigos da Casa Amarela Euselio Oliveira
e notaveis realizadores de cinema e video do Ceara.
MOSTRAS DE FILMES E V DEOS
Mostra Competitiva de Cinema e Video para Curta e Media
Metragem
1 - Poderao participar trabalhos de curta e media metragem feitos
por produtores e/ou realizadores nacionais ou radicados no
Pais ha mais de 03 (tres) anos que atendam as seguintes
especificacoes:
- Terem sido concluidos a partir de maio de 2001.
- Filme ou video de curta ou media metragem documental.
- Filme ou video de curta ou media metragem em ficcao.
- Filme ou video de curta ou media metragem em animacao ou
experimental.
2 - Serao considerados curta-metragem os videos ou filme ate
20 minutos de duracao e media-metragem os filmes ou videos
ate 30 minutos.
3 - Para a selecao os filmes e videos deverao ser
apresentados em fita VHS.
4 - Os filmes e videos selecionados serao projetados segundo
programa preparado pela organizacao do festival.
Mostra Competitiva de Cinema de Longa Metragem
1 - Poderao participar trabalhos de longa-metragem feitos por
produtores e/ou realizadores nacionais ou radicados no Pais
ha mais de 03 (tres) anos que tenham sido concluidos a partir
de maio de 2001.
2 - Serao considerados longa-metragem os filmes a partir de 70
minutos.
3 - Para a selecao os filmes e videos deverao ser
apresentados em fita VHS.
4 - Os filmes e videos selecionados serao projetados segundo
programa preparado pela organizacao do festival.
INSCRICAO E SELECAO
1 - A selecao dos filmes e videos inscritos no festival
sera feita por uma comissao nomeada pelo Conselho Consultivo.
2 - As fitas VHS, para a selecao, deverao ser enviadas
juntamente com a ficha de inscricao, preenchidas por completo,
acompanhadas de filmografia do realizador e de material de
divulgacao, sobretudo fotos. No caso de inscricoes pela
internet - site www.cineceara.com.br - a fita, ficha de
inscricao assinada e o material de divulgacao deverao
chegar ate o final do periodo de inscricao.
3 - O material acima referido devera ser enviado a Casa Amarela
Euselio Oliveira ate o dia 05 de maio de 2002, (valendo a data da
postagem dos Correios), para o seguinte endereco: XII CINE CEAR - Festival Nacional de Cinema e Video. Casa Amarela Euselio
Oliveira - Avenida da Universidade, 2591 - Benfica. Fortaleza -
Ceara - 60.020-180. Telefax: (85) 254.6614 / 253.6599 / 231.9291.
E-mail: cineceara@... .
JULGAMENTO E PREMIACAO
1 - Os premios do concurso serao outorgados por dois juris.
Um para cinema de longa-metragem e um para curta e media-metragem
em cinema e video. Cada juri sera composto por 07 (sete)
membros e estabelecera os criterios de trabalho em conjunto com a
Direcao do XII Cine Ceara.
2 - O Juri de Curta e Media-Metragem concedera premios em
dinheiro no valor bruto de R$ 3.000,00 (tres mil reais) ao melhor
video do certame (primeiro lugar). Outorgara ainda os trofeus
de:
- Melhor Direcao
- Melhor Fotografia
- Melhor Edicao
- Melhor Roteiro
- Melhor Animacao
- Melhor Video experimental
- Melhor Trilha Sonora Original
- Melhor Direcao de Arte
- Melhor Ator
- Melhor Atriz
3 - O Juri de Curta e Media-Metragem concedera premio
em dinheiro no valor bruto de R$ 5.000,00 (cinco mil reais) ao melhor
filme do certame (primeiro lugar). Outorgara ainda os trofeus
de:
- Melhor Direcao
- Melhor Fotografia
- Melhor Edicao
- Melhor Roteiro
- Melhor Animacao
- Melhor Video experimental
- Melhor Trilha Sonora Original
- Melhor Direcao de Arte
- Melhor Ator
- Melhor Atriz
4 - O Juri de Cinema de Longa-Metragem concedera premios em
dinheiro no valor bruto de R$ 15.000,00 (quinze mil reais) ao melhor
filme do certame (primeiro lugar). Outorgara ainda os trofeus
de:
- Melhor Direcao
- Melhor Fotografia
- Melhor Edicao
- Melhor Roteiro
- Melhor Animacao
- Melhor Video experimental
- Melhor Trilha Sonora Original
- Melhor Direcao de Arte
- Melhor Ator
- Melhor Atriz
5 - O Cine Ceara concedera um cache aos filmes de longa
metragem selecionados para Mostra Competitiva que tenha estreia
nacional no XII Cine Ceara. O valor bruto e de R$ 2.000,00 (dois
mil reais) pelo ineditismo da obra de longa metragem apresentada no
festival.
6 - Os juris poderao separadamente conceder premios especiais
e mencoes honrosas, desde que em comum acordo com a Direcao
do festival, podendo, no entanto, deixar de conceder qualquer um dos
premios ou trofeus quando julgar necessario.
7 - O juri de curta e media metragem concedera um premio no
valor bruto de R$ 5.000,00 (cinco mil reais) ao Diretor da melhor
Producao Cearense em Cinema ou Video.
8 - Caso as empresas privadas ou instituicoes governamentais
queiram conceder premios especiais aos filmes e videos do
concurso, poderao faze-lo por seus proprios criterios, com o
consentimento previo da Direcao do XII Cine Ceara.
DISPOSICOES GERAIS
1 - O XII Cine Ceara responsabiliza-se pelos custos de
armazenagem e seguro dos filmes sob sua guarda. Em caso de perda ou
dano, o ressarcimento esta limitado ao valor do custo de
copia.
2 - As copias em fita VHS dos filmes e videos inscritos no
certame, mesmo os nao selecionados, passarao a compor o acervo da
Casa Amarela Euselio Oliveira e poderao ser exibidos apenas em
programacoes nao comerciais. As despesas de remessa e retorno
das copias dos filmes ficarao a cargo do participante.
3 - A organizacao do XII Cine Ceara reserva-se o direito de
exibir extratos dos filmes e videos participantes para efeito de
divulgacao em qualquer midia.
4 - O procedimento e assinatura da ficha de inscricao para o
concurso de filme e videos vinculam o participante a
aceitacao deste regulamento.
5 - Os casos omissos serao solucionados pela Direcao do
festival.
@ 9o FESTIVAL INTERNACIONAL DE CINE DE VALDIVIA (CHILE)
============================================prazo/plazo/deadline: 12/08/2002
El 9o Festival Internacional de Cine de Valdivia invita a todos los
realizadores chilenos y extranjeros a participar en esta nueva
edicion del certamen, la cual se efectuara entre el 28 de
septiembre y el 4 de octubre del presente ano.
En nuestro sitio web encontraran las Bases 2002, las que contienen
toda la informacion referente a la seccion competitiva de esta
9o edicion. Nuestra
direccion es: www.festivalcinevaldivia.com
Les agradeceremos colaborar con la difusion de esta
informacion.
Cordialmente,
Andrea Osorio Klenner
Productora
Festival Internacional de Cine de Valdivia
BASES 9o FESTIVAL INTERNACIONAL
DE CINE DE VALDIVIA 2002
LEA CADA UNO DE LOS PUNTOS SENALADOS EN ESTAS
BASES
LAS OBRAS RECEPCIONADAS QUE NO CUMPLAN CON LAS CONDICIONES
GENERALES DE PARTICIPACI N Y LOS REQUISITOS DE PRESELECCI N NO
SER N INSCRITAS Y SE PROCEDER A SU DEVOLUCI N.
1.- FECHA DEL CERTAMEN : Tendra lugar en la ciudad de Valdivia,
desde el 28 de septiembre al 04 de octubre de 2002.
2.- OBJETIVOS : Ofrecer a los realizadores audiovisuales chilenos y
extranjeros un espacio de difusion y competencia y promover la
produccion audiovisual de calidad artistica.
3.- ORGANIZADORES : El Festival Internacional de Cine de Valdivia es
organizado por el Cine Club de la Direccion de Extension de la
Universidad Austral de Chile, Valdivia Film S. A. y la Corporacion
Festival Internacional de Cine de Valdivia.
4.- CATEGOR AS DEL CERTAMEN :
I.- CINE DE LARGOMETRAJE
Competencia oficial para peliculas cinematograficas de
largometraje, de alto contenido y valor artistico, sin limite de
duracion, terminadas en formato 35 mm. Podran participar
todas aquellas obras, chilenas o extranjeras, que no hayan sido
exhibidas con anterioridad en nuestro pais.
En esta categoria se privilegiara especialmente a aquellas obras
realizadas por directores jovenes, asi como tambien a
aquellas que participen en calidad de operas prima.
II.- CINE
En los siguientes generos:
a) Cine de Cortometraje: Competencia oficial para peliculas
cinematograficas, de duracion maxima 30 minutos, realizadas y
terminadas en formato 16 mm. o 35 mm., chilenas o extranjeras.
b) Cine Animacion : Competencia oficial para peliculas
cinematograficas que desarrollen el genero animacion en
cualquiera de sus expresiones, de duracion maxima 30 minutos,
realizadas y terminadas en formato 16 mm. o 35 mm., chilenas o
extranjeras.
c) Cine Documental : Competencia oficial para peliculas
cinematograficas que desarrollen el genero documental en
cualquiera de sus expresiones, sin limite de duracion, realizadas
y terminadas en formato 16 mm. o 35 mm., chilenas o extranjeras.
III.- VIDEO
a) Video Ficcion: Competencia oficial para videogramas que
desarrollen el genero ficcion, realizadas y/o terminadas en
formato video, de duracion maxima 30 minutos, chilenas o
extranjeras.
b) Video Animacion: Competencia oficial para videogramas que
desarrollen el genero animacion, realizadas y/o terminadas en
formato video, de duracion maxima 30 minutos, chilenas o
extranjeras.
c) Video Documental: Competencia oficial para videogramas que
desarrollen el genero documental en cualquiera de sus expresiones,
realizadas y/o terminadas en formato video, sin limite de
duracion, chilenas o extranjeras.
IV.- VIDEO REGIONAL
Competencia oficial para videogramas realizados, en su totalidad,
desde la VIII Region al sur de nuestro pais, en los siguientes
generos :
a) Video Ficcion : Competencia oficial para todas aquellas
obras realizadas en formato video, con tematica libre, de
duracion maxima 30 minutos.
b) Video Documental: Competencia oficial para todas aquellas
obras realizadas en formato video, que desarrollen el genero
documental, sin limite de duracion.
5.- TODAS LAS OBRAS EN COMPETENCIA DEBER N SER PRESENTADAS EN
VERSI N ORIGINAL EN ESPANOL O SUBTITULADAS EN DICHO IDIOMA.
6.- CONDICIONES GENERALES DE PARTICIPACI N:
a) En esta 9o version del certamen, las peliculas y
videos en competencia podran tener hasta dos anos de haber sido
producidas, al 30 de agosto del 2002.
b) Las obras recepcionadas para la Competencia, en las
distintas categorias, seran pre-seleccionadas.
c) Todos los realizadores, tanto de Cine como Video, deben
enviar una copia en formato VHS (NTSC) para la etapa de
preseleccion. Ademas deben incluir lo siguiente: una
fotografia, sinopsis argumental, ficha tecnica y datos completos
del director.
d) Las cintas en VHS (NTSC), para la etapa de preseleccion,
deberan ir dentro de una caja o estuche, cuya portada contenga la
siguiente informacion: categoria en la que participan, titulo
de la obra, nombre del director, ano de produccion, duracion y
pais de origen.
e) Las peliculas y videos clasificados para la Competencia
Oficial deben ser presentados por su director, productor o algun
representante.
7.- JURADO :
a) Estara formado por personalidades del medio audiovisual,
de las artes y la cultura, nacionales y extranjeras.
b) Estaran inhabilitados de formar parte del jurado personas
directamente relacionadas con las obras en competencia.
c) Existiran cuatro jurados oficiales para cada una de las
categorias en competencia.
S El FALLO ES INAPELABLE.
8.- PREMIOS
El 9o Festival Internacional de Cine de Valdivia entregara
los siguientes Premios:
a) Cine de Largometraje
-Premio al Mejor Largometraje: U$ 2.000 y Estatuilla Pudu.
-Premio de la Critica: Estatuilla Pudu.
-Premio del Publico: Estatuilla Pudu.
-Premio AFFCI: Carabela de Plata.
b) Cine
-Premio Mejor Cortometraje: U$ 1.000 y Estatuilla Pudu.
-Premio Mejor Animacion en Cine: Estatuilla Pudu.
-Premio Mejor Documental en Cine: Estatuilla Pudu.
c) Video
-Premio Mejor Video Ficcion: U$ 1.000 y Estatuilla Pudu.
-Premio Mejor Video Animacion: Estatuilla Pudu.
-Premio Mejor Video Documental: Estatuilla Pudu.
d) Video Regional
-Premio Mejor Video Regional Ficcion: Servicios de
Postproduccion y Estatuilla Pudu.
-Premio Mejor Video Regional Documental: Estatuilla Pudu.
NOTA: El 9o Festival Internacional de Cine de Valdivia
entregara premios especiales en las distintas categorias en
competencia, dependiendo de los auspicios otorgados por empresas y/o
instituciones para tal efecto.
9.- INSCRIPCI N DE LAS PEL CULAS Y VIDEOS EN COMPETENCIA :
a) Los participantes deberan cancelar una cuota de
inscripcion de U$ 20 (veinte dolares) o su equivalente en
pesos.
b) La inscripcion de una obra supone la aceptacion de este
reglamento.
c) LAS OBRAS RECEPCIONADAS QUE NO CUMPLAN CON LAS CONDICIONES
GENERALES DE PARTICIPACI N Y LOS REQUISITOS DE PRESELECCI N NO
SER N INSCRITAS Y SE PROCEDER A SU DEVOLUCI N.
d) Para casos no previstos en estas bases, su adscripcion
sera determinada por la direccion del certamen.
10.- FECHA DE INSCRIPCI N Y ENV O DEL MATERIAL :
La direccion postal del festival es :
UNIVERSIDAD AUSTRAL DE CHILE, CINE CLUB, 9o FESTIVAL INTERNACIONAL
DE CINE DE VALDIVIA 2002 - CAMPUS ISLA TEJA S/N. VALDIVIA-
CHILE. CASILLA 567.
Para mayor informacion conectate con nosotros a traves de
e-mail : cineclub@...
/ festicine@... o con nuestra pagina web :
www.festivalcinevaldivia.com
a) La ficha de inscripcion, el material en formato VHS
(NTSC), asi como toda la informacion requerida para la
preseleccion, deberan llegar a mas tardar el 12 de agosto de
2002 antes de las 24.00 hrs.
Nota: Se recomienda a los realizadores que participen en la
categoria Cine de Largometraje efectuar la inscripcion y el
envio de la copia en VHS (NTSC), para la preseleccion, con
anterioridad a la fecha limite indicada.
b) La seleccion de peliculas y videos sera informada por
telefono, fax o e-mail a su inscriptor a partir del 26 de agosto de
2002.
c) Las copias originales de los materiales seleccionados
deberan llegar a Valdivia a mas tardar el dia 20 de septiembre
de 2002.
d) Los formatos de proyeccion son :
CINE : 16 mm. o 35 mm. ; VIDEO : Betacam / VHS / S-VHS / DVCAM /
MiniDV / (NTSC)
e) Los materiales cinematograficos seleccionados para la
Competencia Oficial deberan ser enviados con las medidas necesarias
para proteger su contenido. Esto incluye sus correspondientes
bobinas de arrastre o "taco" de laboratorio.
11.- TRASLADO DE LAS COPIAS
a) Los gastos de envio de las obras, tanto para la
preseleccion como para la Competencia Oficial, seran de
responsabilidad del inscriptor. El certamen solo se hara
cargo de la devolucion de estas.
b) Las obras seleccionadas para la Competencia Oficial,
provenientes del extranjero, deben ser enviadas solo a traves de
Valija Diplomatica. Pueden ser depositados en cualquier
Embajada o Consulado General de Chile, dirigidos a la siguiente
direccion :
Direccion de Asuntos Culturales, Unidad Audiovisual,
Ministerio de Relaciones Exteriores. Atte :
Srta. Alejandra Cillero.
9o Festival Internacional de Cine de Valdivia.
c) En caso contrario a lo anterior, la Organizacion del
Certamen no se hara cargo de los gastos de traslado ni desaduanaje
de las obras.
12.- SEGUROS DE LAS COPIAS :
a) El certamen no se responsabiliza por los danos o
perdidas ocurridas durante el traslado de las copias.
b) En caso de dano grave o perdida durante el certamen, y
mientras este en su poder, la organizacion respondera por el
costo de reposicion de la copia, siempre y cuando esta situacion
sea notificada durante el certamen.
13.- LA DIRECCI N DEL CERTAMEN SE RESERVA EL DERECHO DE
FLEXIBILIZAR CIERTAS RESTRICCIONES FORMALES CUANDO LA SITUACI N
AS LO AMERITE.
Consultas a los telefonos: 56-63-221209 (fono-fax)/ 56-63-215622
E-mail : cineclub@... / festicine@...
@ EDINBURGH FILM FESTIVAL
============================================prazo/plazo/deadline: 19/04/2002
The Edinburgh International Film Festival welcomes filmmakers to
submit feature length and short films in the categories of
fiction, documentary, animation. All submissions must be
UK premieres i.e. films will not have received a public screening in
the UK before any screening at the 2002 Edinburgh International
Film Festival (14-25 August).
For more information, visit: www.edfilmfest.org.uk/submissions
@ CALL FOR SUBMISSIONS. PLANET IN FOCUS: THE TORONTO INTERNATIONAL
ENVIRONMENTAL FILM & VIDEO
============================================prazo/plazo/deadline: 01/04/2002
Festival, is now accepting entries for our third annual festival, to
be held Sept. 27-29, 2002. The mandate of Planet in Focus is to
promote th use of film and video as catalysts for reflection,
discussion and appropriate action on the social and ecological health
of the planet. Our
goal is to present to traditional and new audiences (including
children and youth) the most aesthetically interesting, educational,
thought provoking, and entertaining films and videos on social and
ecological themes. The festival features screenings of works from
around the world, post-screening discussions with filmmakers and
environmentalists, panels, workshops, and networking opportunities
for producers, distributors and broadcasters.
Recognizing that the 'environment' is contested terrain, both
as a biophysical entity and as a philosophical frame, Planet in Focus
invites submissions of films and videos, in all genres, that
critically examine the concept of 'environment' and challenge current
human/nature relations.
Special consideration will be paid to:
a. works that push the boundaries of accepted notions of
"environment"
b. works that present cultural perspectives that are
under-represented in
Canada
c. works that will have their world or Canadian premiere at Planet in
Focus
To obtain more information on the festival and download our entry
form,
please visit our website at: www.planetinfocus.org. Earlybird
deadline is April 1, 2002 and the final deadline for entries is May
1, 2002.
Planet in Focus is committed to screening works from all over the
world. We especially seek work by artists from communities and
regions of the world whose work is not usually seen in Canada. We are
also very interested in
works that are from the perspectives of, and made by, people from
within these under-represented communities and regions. We need your
assistance to
reach these artists and communities. Your help in passing along
this information to other interested parties would be much
appreciated!
Warm regards,
Mark Haslam, Founder & Executive Director
Planet in Focus: Toronto International Environmental Film & Video
Festival
NEW ADDRESS: 581 Markam Street, 3rd Floor, Toronto, Ontario, M6G 2L7,
Canada
NEW TELEPHONE NUMBER: 416-531-1769
NEW FAX NUMBER: 416-532-1338
Check out the 2001 festival photos on our website:
www.planetinfocus.org
<http://www.planetinfocus.org/>
PARTE 8.B CALENDARIO DE DE FESTIVAIS
INTERNACIONAIS
/ CALENDARIO DE FESTIVALES INTERNACIONAIS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
ABRIL
-Festival internacional de Cortos de Cergy-Pontoise (Francia) -abril
6-7. tyo@...
Internet: tyo.multimania.com
-E Tudo Verdade (Brasil) - Abril 11-21.
http://www.etudoverdade.com.br
-Festival Internacional de Cine Independiente de Buenos
Aires.(Argentina) programacion@...
http://www.bafilmfest.com/
-Zagreb Animation Festival (Croacia)
animafest@...
-Chicago Underground Film Festival (USA)
http://www.cuff.org/
-Festival Internacional de Cine sobre Arte y Biografia de Artistas
(Italia) artfilmfestival@...
http://www.artfilmfestival.com
-Seattle International Film Festival. (USA)
http://www.seattlefilm.com/
-Festival Internacional de Animacion de Sttugart (Alemania)
trickfilm@...
http://www.itfs.de
MAIO
-2nd San Francisco Documentary Festival. May 16-19.
www.sfindie.com, or call
-Directors Fortnight in Cannes.The Cannes Film Festival, May 15-26
www.quizaine-realisateurs.com.
JUNHO
-Festival Internacional de curtas de BH (Brasil) Jun 4-16.
festivaldecurtasbh@...
info@... .
www.festivaldecurtasbh.com.br
-Festival de Cinema Brasileiro de Miami (USA) - Jun 2-6.
festival@...
http://www.brazilianfilmfestival.com
-The 14th New York Gay and Lesbian Film Festival
Jun 6-16. www.newfestival.org
- CINESUL 2002. Jun 11-23. (Rio de Jnaeiro - Sao Paulo)
pulsartes@...
-XVII Cinema Jove (Valencia). Jun 15 -22. Mercado del
cortometraje. cinemajove@...
http://www.gva.es/cinemajove
-XII Cine Ceara. Jun21-27. cineceara@...
-XVII Festival Audiovisual de Vitoria-Gasteiz. Jun 24 -29.
monteav@...
http://www.vitoria-gasteiz.org/fvideo
PARTE 8.C LISTADO GERAL DE FESTIVAIS COM INSCRICAO ABERTA / LISTA DE
FESTIVALES CON INCRIPCION ABIERTA
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
OBS: a data que aparece no inicio corresponde a data limite de
inscricao
OBS: la fecha que aparece adelante es la fecha limite de
inscripcion
ABRIL/MAIO/JUNHO
30 Mar. Hollywood Latin Film festival (EUA)
http://www.latinstudios.com/
31 Mar.Hollywod Film Festival. Ago 1 - 20.
http://www.hollywoodfestival.com
31 Marzo. Pesaro Film Festival (Italia)
http://pesarofilmfest.it
1 Abril. Festival de Cannes. May 15 - 26.
http://www.festival-cannes.fr/default1.php
1 Abril. 30 Festival de Cine de Huesca.huescafest@...
http://www.huesca-filmfestival.com
2 Abril. Festival de Cinema Brasileiro de Miami (USA) - Jun 2-6.
festival@...
http://www.brazilianfilmfestival.com
15 Abril. XVII Cinema Jove (Valencia). Jun 15 -22. Mercado del
cortometraje. cinemajove@...
http://www.gva.es/cinemajove
18 Abril. IV FICA - Festival Internacional de Cinema e Video
Ambiental.fica@...
http://www.fica.art.br
19 Abril. Edinburgh International Film Festival. Ago 14
-25.www.edfilmfest.org.uk/submissions
21 Abril. XVII Festival Audiovisual de Vitoria-Gasteiz. Jun 24 -29.
monteav@...
http://www.vitoria-gasteiz.org/fvideo
22 Abril. 6to Festival Internacional de
Video/Arte/Electronica (Lima, Peru) festival@...
www.ata.org.pe
http://www.ata.org.pe/festival/2002/cfs2002/index.html
30 Abril. III Muestra de Documentales de America Latina. (Huelva -
Espana). Muestra-amlat@...
1 Jun. Telluride Film Festival (USA) - Ago 30-Set 1.
http://tellurideindiefest.com
27 Mayo. The World Film Festival (Canada)
http://www.ffm-montreal.org/
1 Junio. Telluride IndieFest (USA)
http://tellurideindiefest.com
1 Junio. International Short Film Festival Cologne (Alemania)
http://www.short-cuts-cologne.de
7 Junio. Festival of Film Schools (Alemania)
http://www.filmfest-muenchen.de
10 Jun. Palm Springs International Festival of Short Films (USA)
http://www.psfilmfest.org
15 Junio. Festival International du Cinema au Feminin. (Francia)
http://www.cinemafeminin.com
28 Junio. Uppsala International Short Film Festival (Suecia)
http://www.shortfilmfestival.com
30 Junio. International Short Film Festival in Drama (Grecia).
http://www.dramafilmfestival.gr
30 Junio. FAN International Animation Festival (Norwich - UK)
http://www.filmartsnorwich.co.uk
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
FIM/FIN
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 50+51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 6: CONGRESSOS E CONFERENCIAS: CHAMADAS PARA TRABALHOS
/
CONGRESOS Y CONFERENCIAS: CONVOCATORIA PARA TRABAJOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ CALL FOR PAPERS: CULTURAL DIVERSITY FOR SALE: GLOBAL ECONOMIES OF
ART AND ENTERTAINMENT
AN INTERDISCIPLINARY CONFERENCE AT VIRGINIA TECH, BLACKSBURG, VA,
============================================
prazo/plazo/deadline: 01/06/2002
September 20-21, 2002.
Papers invited in any discipline. Send 500-word abstract and short CV
to conference organizer Janell Watson, rjwatson@.... Electronic
submissions
only, please. Deadline: June 1, 2002.
While globalization enhances cultural diversity by bringing together
people from many countries and traditions, it also threatens cultural
diversity by creating an international mass culture through film,
television, and
advertising. This paradox has become familiar in globalization
studies.
Economic considerations often drive both the migration of people and
the spread of the new mass culture. What is the relationship between
economics and culture? What is the place of art and cultural
traditions in a world dominated by a market-driven global mass media?
Must cultural diversity offer itself for sale, in order to
survive?
The ever accelerating pace of globalization in what seems to be all
spheres further complicates the already daunting task of drawing
intelligent connections between economics and culture. Culture, high
and low, seems to
be but one more product circulating unevenly among rich and poor,
first world and third world, North and South, East and West. Cultural
products, along with their producers, marketers and consumers, are
marked by
differences of many kinds: gender, class, race, ethnicity,
nationality, religion, political affiliations, sexuality. The global
economy is itself multiple: there are global economies of goods,
services, and equities, but
there are also global economies of music, film, plastic and
performing arts, ideas, language, fashion, food, lifestyle, tourism,
sexuality, sports, psychic structure, belief, and even environment
(i.e., the trade in
pollution vouchers). Academic disciplines likewise comprise global
economies, involving transnational exchanges of scholars and
publications (print and electronic) which rely on a global
circulation of funding.
Cultural difference informs each of these economies.
Papers are invited which address the relationships between the global
economy and cultural difference in specific areas of art, literature
or culture, from a contemporary or historical perspective.
Dr. Janell Watson
Foreign Languages & Literatures
Virginia Tech
331 Major Williams Hall
Blacksburg, VA 24061-0225
office: (540) 231-9009
fax: (540) 231-4812
email: janell.watson@...
www.fll.vt.edu/french/
@ CALL FOR PAPERS "NUNS, WHORES, AND WIVES IN CINEMA" MLA
SPECIAL SESSION PANEL (New York)
============================================
prazo/plazo/deadline: n/c
December 27 -30, 2002
This panel invites papers that explore the attempted
institutionalization of women's identities and sexuality, and their
visual representation (sexualization, prohibition, voyeurism,
punishment). In many cases, these
institutionalized identities in cinema follow set stereotypes or
become confused when entangled with various desires. Wives get sold
as whores, the
convent turns into a brothel, the prostitute or raped woman finds
redemption through marriage, etc. Please send a 500-word
abstract and cv to tamao@...
Contact Information:
Tamao Nakahara
Department of Italian Studies
6303 Dwinelle, #2620
University of California, Berkeley
Berkeley, CA 94720-2620
phone: 510-527-6915
email: TAMAO@...
@ INSCRICAO PARA OUVINTES NO IV CONGRESSO BRASILEIRO DE
CINEMA.(Rio de Janeiro)
============================================
prazo/plazo/deadline: n/c
Prezados Senhores,
A coordenacao do IV CBC, de 14 a 18 de novembro, no Othon
Palace no Rio de Janeiro, informa que estao abertas as
inscricoes para os interessados em participar do congresso na
categoria ouvinte, sem direito a voz e voto.
As inscricoes deverao ser feitas atraves do
preenchimento de uma ficha cadastral no site do IV CBC,
www.congressocinema.com.br
Por ser um numero limitado de lugares sera feita uma
selecao levando em consideracao a ordem de chegada e o
curriculo profissional. Todos os selecionados terao acesso aos
grupos de trabalho e as plenarias, assim como aos dois
seminarios previstos: "Cinema Brasileiro e
Autosustentabilidade" e "Industria Cinematografica,
Infra-Estrutura e o Cinema Digital".
Cordialmente,
Tania Leite
Assessora de Imprensa do IV CBC
@ COLLABORATIVE INFORMATION VISUALIZATION ENVIRONMENTS (CIVES)SOAS,
University of London
============================================
10 - 11 - 12 July 2002
LONDON ENGLAND
An increasing number of commercial, research, and educational
projects are collaborative efforts that bring together people with
different skills and expertise. Computers are evolving into mediators
of human-to-human and human-to-data interaction. Domain experts are
often spread out in space and across time zones and consultation and
collaboration has to proceed remotely instead of face-to-face.
Distributed teams need to collaborate and access shared data while
some of their team members are outside of their office environments,
presenting a new set of challenges in terms of data usage and
share.
Collaborative Information Visualization Environments (CIVEs) enable
users to interact with the visualization itself: e.g. access,
explore, visualize and manipulate data as well as to interact with
one another
while enabling easy reference to the visualization: e.g. users can
chat with one another and, in the process, be able to refer to
elements of the visualization; and/or users can annotate a part or
state or even recorded segment of the visualization so that others
can see and comment
on it later. In addition, CIVEs often visualize user interactions
themselves to facilitate information access, collaboration, and
decision-making.
OBJECTIVES
This symposium aims to be a forum for discussion about CIVEs designed
for various user groups, application domains, and interfaces such as
2-D
desktop interfaces, 3-D virtual environments/virtual worlds, handheld
devices, etc. that utilize different information
visualizationalgorithms, interaction techniques, and modes of
collaboration (e.g.
synchronous, asynchronous). Main objectives include, but are not
limited to:
Increase our understanding of the design requirements for
CIVEs.
Closely examine long-term use of particular CIVEs.
Identify collaborative practices in collocated visualization
processes
that might be supported in CIVEs.
Gain a better understanding of architectural and
infrastructure
requirements for CIVEs.
You are invited to participate in the discussion by submitting
papers
and attending the symposium.
More information on the symposium is available at
http://vw.indiana.edu/cive02/.
Further details and registration form are available at the
conference
wed-site:
http://www.graphicslink.demon.co.uk/IV02/
All IV02-CIVE enquiries should be addressed to:
Dr Katy Borner
Information Science & Cognitive Science, SLIS, Indiana
University
10th Street & Jordan Avenue, Bloomington, IN 47405, USA
Phone: +01 812 855-3256, Fax: +01 812 855-6166
E-mail: katy@...,
WWW: http://ella.slis.indiana.edu/~katy/
OR
Dr Raquel Navarro-Prieto, Motorola UK Research Lab
Viables Industrial Estate, Jays Close, Basingstoke RG22 4PD, UK
Phone: +44 (0)1256 484037, Fax: +44 (0) 1256 471383
E-mail: Raquel.Navarro-prieto@...
All other enquiries should be addressed to:
Anita D'Pour
Conference Co-ordinator
P.O. BOX 29, HATFIELD, AL9 7ZL, United Kingdom.
T: (Int. +44) 1707 - 652 224
F: (Int. +44) 1707 - 652 247
E: IV02@...
U: www.graphicslink.demon.co.uk/IV02/
@ SYMPOSIUM ON THE ART AND PRACTICES OF SOUND (FILM, RADIO,
MUSIC & THE DIGITAL MEDIA)
============================================
Dear Colleagues,
We are pleased to announce the forthcoming International Symposium on
Sound, 'Sounding Out'
to be held at Staffordshire University (Stoke-on-Trent, England)
11-13 July 2002.
This Symposium brings leading practitioners and academics into
dialogue to explore the art and practices of SOUND in the changing
landscape of converging media,through a series of presentations,
discussion groups, and performances.
Presenters so far confirmed include:
Larry Blake, Supervising Sound Editor for Traffic, Erin Brockovich
Ocean's Eleven and Out of Sight
Gordon House, Head of BBC Drama
Gary Rydstrom, Oscar winning Sound Designer for Saving Private Ryan
& Terminator 2 (Specially prepared video presentation)
David Sonnenschein, Sound Designer, Author & Co-founder of Sonic
Strategies
Alan Beck, BBC Research Fellow in Radio Drama, University of Kent
Mike Forrester, Senior Lecturer in Psychology, University of Kent
Gianluca Sergi, Senior Lecturer in Film, Staffordshire University
Jon Thornton, Head of Sound Technology, Liverpool Institute of
Performing
Arts
Gordon Ross, Senior Lecturer in Sound, Liverpool Institute of
Performing Arts
Jonathon Holloway, Director, Redshift Theatre Company
Lucy Gough, Playwright and Scriptwriter for Hollyoaks
Robin Rimbaud, Sound Artist, 'Scanner'
John Dack, Senior Research Fellow in Electronic Arts, Middlesex
University
For a full calendar of events, conference fees and more information
on the speakers, please visit our web site at:
http://mcs.staffs.ac.uk/sound/conference.htm
or phone conference office (School of Humanities and Social Sciences,
Staffordshire University):
@ FOMENTANDO LA DIVERSIDAD CULTURAL Y EL DESARROLLO: ESTRATEGIAS
LOCALES, NACIONALES Y MUNDIALES
===========================================
TERCERA CONFERENCIA ANUAL DE LA
RED INTERNACIONAL POR LA DIVERSIDAD CULTURAL
CIUDAD DEL CABO, AFRICA DEL SUR
DEL 11 AL 13 DE OCTUBRE, 2002
www.incd.net
Artistas, activistas y organizaciones culturales de alrededor
del mundo se encontrar n este a o del 11 al 13 de octubre en la
Ciudad del Cabo, Africa
del Sur, para asistir a la Tercera Conferencia Anual de la RIDC y
as poder continuar construyendo la red internacional de ONGs.
Nosotros discutiremos
los desaf os con que se enfrenta la diversidad cultural y los
proyectos que nos permitan avanzar. Se ver tambi n como llevar a
cabo estrategias que fomenten la diversidad cultural tanto dentro de
las naciones como entre ellas, con relaci n a los programas que
establecen un lazo entre la cultura y el desarrollo.
Estrategias Mundiales: En los dos ltimos a os, la RIDC ha venido
discutiendo la creaci n de una nueva convenci n internacional
para la diversidad cultural. Este a o, daremos un segundo paso
hacia la realizaci n
de este objetivo. La convenci n preliminar publicada en febrero del
2002, servir de base a las discusiones que tendr n lugar entre
los miembros de la RIDC durante la primera mitad del a o, y que
culminar n en la conferencia de la Ciudad del Cabo. En Africa del
Sur, los delegados afinaran el documento preliminar, lo adoptar n y
lo har n p blico. Esta nueva convenci n se
presentar como nuestra contribuci n al di logo mundial entre
los ministros de la cultura, la UNESCO, y otras agencias e
instituciones importantes. Esta
convenci n ser la punta de lanza del movimiento internacional al
proveer una fundaci n legal de iniciativas que fomenten y protejan
la diversidad
cultural.
Estrategias nacionales y locales: En Africa del Sur, la RIDC
comenzar a examinar como la diversidad cultural interacciona con
la cultura y el desarrollo. Algunas preguntas a considerar
incluyen:
S oC mo
podemos asegurar que la diversidad cultural no sea afectada
negativamente por los proyectos de desarrollo?
S oC mo
podemos asegurar que las opiniones y aspiraciones de las culturas
locales, su liderazgo y sus organizaciones sean integradas dentro de
las estrategias de desarrollo y planificaci n de
proyectos?
S oQu se
puede hacer para mejorar las capacidades de las industrias culturales
en el mundo en desarrollo?
a.. oC mo se puede apoyar la diversidad de la expresi n
art stica dentro de las naciones mismas?
La conferencia de Ciudad del Cabo adoptar el m todo de
"grupo de trabajo" durante tres d as, permitiendo as que una gran variedad de asistentes e las salas y en el podio puedan
participar y darse a entender.
La fecha de la conferencia es del 11 al 13 de octubre, 2002,
teniendo lugar antes de la reuni n de los ministros de la Cultura
organizados en la Red
Internacional sobre Pol ticas Culturales. Los delegados de las dos
redes tomar n parte en una reuni n de trabajo para discutir la
convenci n de la RIDC y otros asuntos de inter s com n. Este
di logo continuo representa una oportunidad de colaboraci n rara
y de mucho valor entre el gobierno y la sociedad civil.
Esperamos que Ud. se una a nosotros en Africa del Sur para esta
conferencia hist rica.
Para mayor informaci n sobre la conferencia y para ser
miembro de la red, por favor comun quese con:
@ INTERNATIONAL CONFERENCE ON COMPUTERS IN EDUCATION (ICCE 2002)
AUCKLAND, NEW ZEALAND
============================================
prazo/plazo/deadline: 05/04/2002
3-6 December 2002
http://icce2002.massey.ac.nz
** Organised by AACE-APC
** Sponsored by
College of Business, Massey University, New Zealand
The International Conference on Computers in Education (ICCE) series
aims to foster the creation and dissemination of knowledge about the
use of information technology in education throughout the
Asia-Pacific region. Since 1995 the ICCE series has been organized by
the Asia-Pacific Chapter of AACE (Association for the Advancement of
Computing in Education). Subsequent ICCEs have been held in different
Asian countries - Singapore (1995), Malaysia (1997, held annually
ever
since), China (1998), Japan (1999), Taiwan (2000) and Korea (2001).
ICCE 2002 will be held in Auckland, New
Zealand.
Through ICCE 2002, New Zealand hopes to contribute enormously to the
valuable experience of the ICCEs and hence to reinforce all the
efforts to collaborate for the successful building of the new
paradigm of education in the information society. Every effort will
be made to make
this a truly professional worldwide conference providing
opportunities for discussion and dissemination of pertinent
information in computers and education internationally. We invite you
to ICCE 2002 New Zealand
where you can view the 21st century through sharing ideas and
prospects.
** Conference theme
"Learning communities on the Internet - Pedagogy in
implementation"
Some years ago there was a movement in education towards learning
alongside peers. The recent increase in accessibility to networks,
whether global or local, has provided an enormous impetus to practice
and research in which learners study and work together. However, many
questions on the effectiveness and efficiency of such learning
environments remain unanswered or at least have little empirical or
theoretical evidence to provide beyond intuitive responses:
- learners naturally have many misconceptions; would peer learning
simply spread such misconceptions?
- learning is personal; why should a colearner give better
help than a professional tutor?
- Internet resources are general; don't learners need
resources designed to meet their specific needs?
- learners' culture leads them to expect to be taught; why should
they have to work more?
- tutors' culture leads them to expect to teach; why should they
change that role?
- and many more....
ICCE 2002 invites submissions with a good theoretical base or
formalism that present new, yet unpublished, solid achievements based
on experiments, that come to answer concretely one or more of the
questions
above or can point to possible answers. Survey papers are also
accepted, if they are well documented, make a contribution to the
field, and reveal new aspects and perspectives, as well as future
directions.
** Topics of Interest
The topics of interest related to the conference theme
include but are not limited to:
* Agents technology
* Application of instructional design theories
* Architecture of learning technology systems
* Authoring tools
* Best mix of face-to-face and e-interactions
* Cognition and conceptual change
* Collaborative learning/Groupware/Co-operative learning
* Computer mediated communication
* Country specific developments
* Design principles
* Distributed learning
* Evaluation of impact
* Evaluation of learning systems
* Implementation experiences
* Instructor networking
* Integrated learning environments
* Inter-and Intranet use in conventional universities
* Internet based systems
* Methodologies for system design
* Networked social learning
* Policies, ethics, standards, and legal issues
* Research perspectives
* Teaching/learning strategies
* Tutor role in virtual communities
* Virtual lab/classroom/school
* Virtual universities
* WWW-based learning resources/tools
** Submissions
Submissions are invited in following categories:
- Full Papers
- Short Papers
- Posters
- Tutorials
- Workshops
- Doctoral Student Consortium
Details of submission procedure are available at:
http://icce2002.massey.ac.nz
** Important dates:
Friday 5 April 2002 : All types of submissions
* Contact information
Julie Lyons
Conference Secretary
Department of Information Systems
Massey University
Private Bag 11 222
Palmerston North
New Zealand
icce2002_admin@...
Telephone: 64 6 350 5233
Facsimile: 64 6 350 5725
CALENDARIO INTERNACIONAL DE CONGRESSOS E CONFERENCIAS:
============================================
A B R I L:
-----------------------------------------------------------------------------
SECOND INTERNATIONAL WORKSHOP ON NEW DEVELOPMENTS IN DIGITAL
LIBRARIES
ciudad real, spain.
april 2-3, 2002
http://www.iceis.org or
http://www.iceis.org/workshops/nddl/nddl-cfp.htm
PLAYING WITH THE FUTURE: DEVELOPMENT AND DIRECTIONS IN COMPUTER
GAMING
april 5-7, 2002
centre for research on innovation and competition, university of
manchester
manchester, england
http://www.cric.ac.uk/cric/gamerz/
EUROMEDIA 2002
modena,
italy
april 15-17, 2002
http://biomath.rug.ac.be/~scs/conf/euromd2002/index.htm
CONGRESO INTERNACIONAL DE INFORMACI N -INFORMACI N,
CONOCIMIENTO Y SOCIEDAD. RETOS DE UNA NUEVA ERA
palacio de las convenciones de la habana, cuba,
abril, 22 - 26, 2002
http://www.congreso-info.cu
-----------------------------------------------------------------------------
M A Y O:
-----------------------------------------------------------------------------
INPUT 2002 (INTERNATIONAL PUBLIC TELEVISON) Rotterdam,
Holanda
maio de 2002.
http://www.input-tv. e www.input2002.com
SHAPING THE NETWORK SOCIETY: PATTERNS FOR PARTICIPATION, ACTION, AND
CHANGE. DIAC-02 SYMPOSIUM
seattle, washington usa.
may 16-19, 2002
http://www.cpsr.org/conferences/diac02
"BORN TO BE BAD: TRASH CINEMA FROM THE 1960S AND 70S".
university of california, berkeley
may 17 -19, 2002
http://socrates.berkeley.edu/~tamao/trash.htm
----------------------------------------------------------------------------
J U N I O:
-----------------------------------------------------------------------------
VI CONGRESO LATINOAMERICANO DE INVESTIGADORES DE LA COMUNICACI N
ALAIC 2002.
Universidad Privada de Santa Cruz de la Sierra
Santa Cruz, Bolivia
junio3 -5 2002
http://www.upsa.edu.bo/alaic2002
2ND CONFERENCE ON THE ECONOMICS OF INFORMATION AND COMMUNICATION
TECHNOLOGIES
mannheim, germany
julio 24-25 2002.
http://www.zew.de/ICT-Conference/index.htm
CROSSROADS IN CULTURAL STUDIES CONFERENCE Tampere, Finland.
junio 29 - julio 2, 2002
http://www.crossroads2002.com
----------------------------------------------------------------------------
J U L I O:
-----------------------------------------------------------------------------
TECHNOTOPIAS: TEXTS, IDENTITIES, AND TECHNOLOGICAL CULTURES: AN
INTERDISCIPLINARY CONFERENCE
the department of english studies.the university of strathclyde
glasgow
july 10-12 2002
http://www.strath.ac.uk/ecloga/technotopiascfp2.htm
COLLABORATIVE INFORMATION VISUALIZATION ENVIRONMENTS (CIVES)SOAS
University of London
london england
july 10 - 12 2002
http://www.graphicslink.demon.co.uk/IV02/
SYMPOSIUM ON THE ART AND PRACTICES OF SOUND (FILM, RADIO, MUSIC &
THE DIGITAL MEDIA)
Staffordshire University
Stoke-on-Trent, England
july 11-13 2002
http://mcs.staffs.ac.uk/sound/conference.htm
THIRD WAVE FEMINISM INTERNATIONAL CONFERENCE
University of Exeter, UK
julio 23 -25, 2002
http://www.iftr.org.uk
-----------------------------------------------------------------------------
A G O S T O:
-----------------------------------------------------------------------------
4TH INTERNATIONAL CAIIA-STAR RESEARCH CONFERENCE CONSCIOUSNESS
REFRAMED 2002 -NON-LOCAL, NON-LINEAR, NON-ORDINARY
university of technology
perth, western australia
1st - 4th august 2002
http://www.caiia-star.net
-----------------------------------------------------------------------------
O C T U B R E
-----------------------------------------------------------------------------
INTER-SOCIEDADE DE ARTES ELETR NICAS. ISEA 2002.NAGOYA, JAPAO
nagoya,japao
27 -31outubro 2002
http://www.isea.jp
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 50+51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 7: PREMIOS+CONCURSOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ PROGRAMA TRANSM DIA ABRE INSCRICOES
PROGRAMA DO ITA CULTURAL CONTEMPLA CONVERG NCIA DE M DIAS
==========================================
prazo/plazo/deadline: 10/05/2002
Projetos receberao ate R$ 50 mil
Realizadores que atuam no campo da arte tecnologica, arte
eletronica, midia arte e arte digital podem se inscrever ate 10
de maio no Programa Transmidia, promovido pelo ITA CULTURAL. O
programa contempla producoes artisticas que trabalham com a
convergencia de linguagens, midias e tecnologias. De
caracteristicas ineditas no pais, o Programa Transmidia
apoia criacoes que explorem novas interseccoes entre arte,
ciencia, midia e tecnologia - areas onde as producoes
mais inovadoras nao tem seu potencial artistico imediatamente
reconhecido, como e o caso do videogame, por exemplo. As
inscricoes sao realizadas exclusivamente pelo site
www.itaucultural.org.br.
Sao tres as modalidades de apoio:
* Desenvolvimento de Projeto, com aporte de ate R$ 10 mil por
projeto, destinado a formatacao de projetos (o que inclui a
descricao minuciosa do trabalho, detalhamento tecnico,
orcamento e cronograma) - em 2003, ate tres projetos entre os
selecionados para esta modalidade poderao ser escolhidos para
producao pelo ITA CULTURAL, com custos de ate R$ 50 mil cada
um;
* Publicacao, destinado a publicacao de pesquisa ja
realizada cujo objeto esteja incluido em um dos campos de
atuacao do Programa Transmidia - a publicacao se dara
entre 2002 e 2003, com possivel co-edicao;
* Producao, com aporte de ate R$ 50 mil por projeto, destinado
ao apoio a producao de obras i8neditas que possam ser
apresentadas nas dependencias do ITA CULTURAL de 15 de outubro a
15 de dezembro de 2002 - para inscricao deve ser encaminhado
projeto com sua descricao, detalhamento tecnico (planta baixa,
descricao de softwares e hardwares necessarios), orcamento e
cronograma.
Os campos de atuacao do Programa Transmidia incluem:
Ambientes Imersivos - trabalhos que utilizam tecnologia de
realidade virtual, como cavernas digitais de multiplas
projecoes (CAVEs), websites em VRML (Virtual reality Modeling
Language) e videogames;
Arte Biologica - projetos que utilizam recursos tecnologicos,
ciberneticos ou bioquimicos, entre outros, para interferir
esteticamente sobre o corpo humano e a natureza;
Arte Telematica - projetos que operam com a convergencia da
telecomunicacao e do computador, produzindo trabalhos que
integrem sistemas de comunicacao em rede (web arte, comunidades
virtuais ou telerrobotica);
Computador como Midia - trabalhos que utilizam o computador para
simular e ampliar a capacidade de uma midia ja existente
(hipertexto, cinema interativo, videostreaming, animacao 3D,
fotografia digital e suportes multimidia como o CD-ROM);
Inteligencia Artificial - trabalhos que simulam comportamentos
organicos (por intermedio de robos, agentes artificiais ou
charterboots) ou projetos de genetica utilizando softwares de vida
artificial;
Espetaculos Multimidia - eventos (performance, show, peca
teatral ou coreografia) que utilizam diversos meios de expressao e
agregam algum recurso tecnologico;
Instalacoes Interativas - ambientes que integram objetos,
imagens e sons capazes de interagir com o espectador.
Os projetos sao analisados pelo ITA CULTURAL e por profissionais
da area. O anuncio dos selecionados esta prevista para 25 de
junho.
Atendimento a Imprensa:
Francisco Cesar Filho - tels (11) 3032.3057 e 9157.7433 ou
<mailto:xikino2@...>
@ BASES PARA CONCURSO NACIONAL DE PROYECTOS DE FOMENTO DEL LIBRO Y LA
LECTURA.
==========================================
prazo/plazo/deadline: 12/04/2002
El plazo de postulacion se abre el dia 04 de Marzo del 2002 y se
cierra impostergablemente el 12 de Abril del 2002 a las 17:00 horas,
en todo el pais.
@ PR MIO ABC DE CINEMATOGRAFIA
==========================================
prazo/plazo/deadline:
E com grande
prazer que informamos que a ABC esta abrindo inscricoes para o
Premio ABC de Cinematografia .
Nesta
segunda edicao estaremos premiando a direcao de
fotografia nas categorias: longa metragem, curta metragem,
producao para TV, video clipe e filmes publicitarios.
Poderao se
candidatar diretores de fotografia
brasileiros ou estrangeiros, socios da ABC ou nao, com trabalhos
realizados e lancados no Brasil entre janeiro
e dezembro de 2001 .
O colegio
eleitoral e o quadro de associados da ABC, excluidos os socios
inadimplentes na epoca da votacao.
Cada colega
pode inscrever um longa metragem, um curta metragem, dois filmes
publicitarios , um video clipe e um programa de TV.
Os
fotografos dos longa metragens exibidos
comercialmente entre janeiro e dezembro de 2001
estao automaticamente inscritos. Entretanto,
recomendamos que disponibilizem os filmes para os
interessados assistirem. Para tanto devem comunicar na lista socios
onde podem ser encontradas copias em VHS ou DVD, bem como anunciar
projecoes e transmissoes que venham ocorrer ate a data de
encerramento da votacao.
Fotografos
de curta metragem , filmes publicitarios,video clipe ou serie
de TV deverao encaminhar a ABC uma copia em Betacam dos trabalhos
para que organizemos exibicoes dos mesmos. As fitas devem ser
acompanhadas de autorizacao para exibicao em televisao.
Se possivel
, copias cinematograficas dos curta
metragens devem ser enviadas, pois e nossa intencao organizar
projecoes para os interessados no Rio e em Sao Paulo.
Os inscritos
podem enviar para as listas da ABC
material informativo dos seus filmes. Os socios podem recomendar
trabalhos de terceiros, evitando que passem desapercebidos pelo
colegio eleitoral .
Alem dos
premios serao feitas duas mencoes honrosas a tecnicos,
fornecedores ou publicacoes que tenham se destacado no
desenvolvimento e aperfeicoamento da cinematografia no
periodo.
Serao entregues trofeus e diplomas aos
vencedores.
Estamos
elaborando e organizando os pre eventos e o evento de entrega
da premiacao. A festa acontecera no Rio de
Janeiro entre 13 e 20 de maio proximos .
Esperamos mais
uma vez contar com a participacao expressiva de
toda comunidade. Para tanto daremos inicio imediatamente ao
trabalho de divulgacao do premio em todas as midias.
Sua
participacao pode se dar como concorrente,
divulgador, ou ainda como colaborador na organizacao.
Incentive aos
colegas a sua volta a se inscreverem, e envie este e-mail aos
colegas diretores de fotografia que ainda nao se associaram a ABC,
convidando-os participarem. O sucesso do premio refletira nossa
organizacao. Boa sorte.
GT de
Premiacao
As fitas devem
ser beta analogica e enviadas para :
Rio de Janeiro
Casablanca Service Provider
Rua Cosme Velho, 218 - Rio de Janeiro/RJ
Cosme Velho - cep.: 22241-090
Fone:205.0503 Fax :205.0799
ATT.: Lucas
Sao Paulo
Beatriz Bianco
Rua Mario 81 - Sao Paulo /SP
Vila Romana - cep.:05048-010
Fone:3872.6215
Como coordenador do GT premio , informo que estarao disponiveis
para
os associados , no site ABC , as
fichas de inscricao nas diversas categorias ,alem de receberem um
e-mail com o login e senha necessarios a inscricao .
Para os nao socios estara disponivel um
cadastro a ser preenchido.
Periodicamente informarei nas listas , o andamento dos trabalhos de
organizacao e o numero atualizado de inscricoes ,
bem como as
possiveis
necessidades que venhamos a encontrar na realizacao dos
trabalhos.
Abracos a todos
Henrique Leiner
Av.Armando Lombardi 350 lote 09
Rio de Janeiro 22640-000
55
21 2494 4315
55
21 9239 6431
<mailto:hleiner@...>
<mailto:henrique.leiner@...>
@ PREMIO STUDIO UNIVERSAL PARA PRIMEROS PROYECTOS DE LARGOMETRAJE.
==========================================
prazo/plazo/deadline: 15/05/2002
Studio Universal y la Productora Esicma han convocado el Premio
Studio Universal para primeros proyectos de largometraje. Podran
acceder a el
productores, guionistas, directores... con al menos una experiencia
en el audiovisual. El premio es... 1M EUR para la realizacion del
largometraje!
Reciben proyectos hasta el 15 de Mayo.
http://www.iespana.es/premiosu/quees.htm
@ PREMIO MEGATRIX PARA GUI N DE SERIE ANIMADA,
==========================================
prazo/plazo/deadline: 31/05/2002
Megatrix S.A.U. convoca el Premio Megatrix para guion de serie
animada, que tiene una dotacion de 12.500 EUR. El 31 de Mayo es la
fecha limite. Las
bases estan en http://www.animacion2002.megatrix.es
@ CERTAMEN DE J VENES CREADORES 2002 DEL AYUNTAMIENTO DE MADRID
==========================================
prazo/plazo/deadline: 01/04/2002
Hasta el 1 de Abril permanecera abierta la convocatoria para el
Certamen de
Jovenes Creadores 2002 del Ayuntamiento de Madrid, que incluye
categoria de
video. Las bases pueden consultarse en
http://www.munimadrid.es/principal/index.html
@ CONCURSO EUROPEO DE CORTOMETRAJES AMATEUR "YO NO SOY DE
AQU "
==========================================
prazo/plazo/deadline: 31/05/2002
Europa necesita cien millones de emigrantes en los proximos 50
anos. Europa cambia y todos somos responsables de como lo
haga.
Con este motivo, CANAL+ lidera un proyecto multimedia europeo que
quiere invitar a mas de 100 millones de ciudadanos a reflexionar al
mismo tiempo sobre uno de los temas mas relevantes de nuestro
tiempo: LA EUROPA DE HOY.
Canal+ te anima a que ruedes un corto sobre la integracion, la
convivencia y la adaptacion de los inmigrantes.
YO NO SOY DE AQU es el titulo de este concurso. Ofrecenos tu
mirada sobre la Europa de hoy, llena de colores, de culturas y de
razas y que entre todos estamos construyendo. Los cortometrajes
seleccionados por un jurado internacional podran verse en toda
Europa.
BASES DE PARTICIPACI N:
1. OBJETO: Desde Canal+ te invitamos a participar en un concurso
europeo de video amateur por el cual todo aquel que quiera puede
utilizar los medios audiovisuales a su alcance para participar en el
mismo.
2. MBITO: YO NO SOY DE AQU es un concurso europeo abierto a
todos los participantes que lo deseen de Belgica, Holanda,
Luxemburgo, Italia, Espana, Polonia, Finlandia, Noruega, Suecia,
Dinamarca y Francia. Canal+ invita a participar a todos los
residentes en Espana que quieran enviar una pelicula sobre la
integracion, la convivencia y la adaptacion de los
inmigrantes.
3. CATEGOR AS: Las categorias en las que puedes competir son:
1. Yo no soy de aqui pero ya se de que va esto.
2. Por que vivo aqui y no en otro lugar.
3. Mi amor o mi amigo no son de aqui.
4. No soy de aqui pero me siento en casa: recetas para la
integracion.
5. Tema libre
No hay restriccion de genero ni de tratamiento audiovisual
(testimonios, reportajes, entrevistas, animacion...)
Cada participante puede presentar el numero de obras que desee.
4. FORMATO Y DURACI N de los trabajos: Independientemente del
formato en que se ruede el corto, todas las obras se presentaran
con una copia en formato VHS. Los trabajos deberan tener una
duracion maxima de 6 minutos.
5. FECHAS: Los participantes podran presentar sus obras hasta fin
de mayo de 2002.
6. FORMULARIO DE INSCRIPCI N Y ENV O DE LOS TRABAJOS: Cada obra
debe ir acompanada del formulario que aparece mas adelante y debe
ser enviada a:
"La Noche + Corta": Concurso "Yo no soy de aqui"
Canal +
Torre Picasso, 2o planta
Plaza de Pablo Ruiz Picasso, s/n
Madrid 28020
7. PREMIOS Un jurado espanol concedera un premio al mejor trabajo
realizado. Un jurado internacional formado por representantes de
todos los paises que participan otorgara un premio especial a la
mejor obra europea, un premio por cada una de las categorias y
cinco menciones.
8. JURADO: El jurado espanol se reunira en el mes de junio para
conceder su premio y elegir a los seleccionados para la final
europea. El jurado internacional se reunira en el mes de agosto de
2002 en Paris para otorgar los premios europeos.
9. GANADORES:Los trabajos ganadores y los que participen en el
concurso se utilizaran para elaborar un programa europeo que se
emitira en la antena de Canal +.
Esta informacion tambien se encuentra en:
http://www.plus.es/codigo/cine/concurso_cortometraje
Convoca a todos los interesados en participar en la Quinta Edicion
de la Convocatoria, en las siguientes
modalidades:
*Formacion para los profesionales de la
industria audiovisual
*Apoyo a la Coproduccion de peliculas
iberoamericanas
*Apoyo a la Distribucion y Promocion
de peliculas iberoamericanas
*Apoyo al
Desarrollo de proyectos de cine y television
Las bases y formularios se encuentran en
www.programaibermedia.com.
Las propuestas y documentos deberan enviarse por correo
certificado, antes del 7 de junio a: Unidad Tecnica de IBERMEDIA (UTI), SECIB Calle
Serrano 187. Madrid 28002 Espana
@ INTERNATIONAL MEDIA AWARD 2002 DO ZKM, CENTRO DE ARTE E TECNOLOGIA
EM M DIA DE KARLSRUHE, ALEMANHA.
==========================================
prazo/plazo/deadline: 01/04/2002
Estao abertas as inscricoes para o International Media Award
2002 do Zentrum fur Kunst und Medientechnologie, ZKM, Centro de
Arte e Tecnologia em Midia de Karlsruhe, Alemanha.
O ZKM propoe como tema uma reflexao sobre os "bilder*
codes#": nos entendemos as imagens? Como podemos percebe-las
em diferentes suportes? Podemos aprender a entender as imagens?
Qual
sera o futuro para elas? Qual sua mensagem?
Sao quatro premios distintos:
- International media/art/award 2002 VIDEO: 13.000 Euros
- International media/art/award 2002 INTERACTIVE: 13.000 Euros
- Special Award: uma producao no ZKM e um documentario para a
TV SWR
- Viewer's Award: premio nao monetario
O prazo para inscricoes e 1 de Abril de 2002.
Mais informacoes sobre o ZKM, o premio, o tema e os termos da
competicao no site:
www.medienkunstpreis.de
@ ARS ELECTRONICA 2002
==========================================
prazo/plazo/deadline: 31/03/2002
September 7 - 12, 2002
Linz, Austria
You are reading the first issue of the Ars Electronica 2002
newsletter, focusing on this year's Prix Ars Electronica
competition categories, Jury members and new registration
modalities.
..............................
1.1 Prix Ars Electronica 2002
http://prixars.orf.at Entry Deadline: March
31, 2002
..............................
The Prix Ars Electronica 2002 marks the 16th edition of the
competition for cyberarts, which is organized by the Austrian
Broadcasting Corporation (ORF), Upper Austrian Regional Studio, in
conjunction with the Ars Electronica Festival.
The Prix Ars Electronica 2002 is announced internationally for the
categories Computer Animation / Visual Effects, Digital Musics,
Interactive Art and Net Vision / Net Excellence.
In addition, there is also a competition category for young people
under the age of 19 in Austria: Cybergeneration - u19 freestyle
computing.
The total prize money for the Prix Ars Electronica 2002
amounts to Euro 100.000 / USD 88,466. The international juries will
award 6 x 3 money prizes and up to 52 Honorary Mentions. Selected
works of all categories will be presented to the public in the
exhibition Cyberarts 2002 at the O.K Center for Contemporary Art
during the Ars Electronica
Festival.
You will find detailed information on each category, the
names of the Jury members, the competition regulations and all
information you need to register online under:
http://prixars.orf.at
Deadline for entries is March 31, 2002 (postmarked)!
If you need further information please contact:
info@...
.
@ PREMIO ANACONDA 2002
==========================================
prazo/plazo/deadline: 15/04/2002
Al video indigena Amazonico del Chaco y Los Bosques Tropicales de
America Latina y el Caribe.
Con mucho agrado y expectativa, queremos anunciarles que ya se
lanzo la convocatoria del PREMIO ANACONDA 2002 AL VIDEO INDIGENA
AMAZONICO, DEL CHACO Y BOSQUES TROPICALES DE AMERICA LATINA Y EL
CARIBE.
La segunda version del Premio se celebra con el auspicio del
Consejo Latinoamericano de Cine y Video de los Pueblos Indigenas
(CLACPI-CEFREC), del Programa Regional de Apoyo a los Pueblos
Indigenas de la Cuenca del Amazonas, (PRAIA FIDA-CAF), la
Coordinadora de Organizaciones Indigenas de la Cuenca Amazonica
(COICA), el Programa Regional de Capacitacion en Desarrollo Rural
(PROCASUR), la Corporacion Andina de Fomento (CAF) y con la
participacion de la Fundacion Rigoberta Menchu Tum (FRMT) y el
Consejo Nacional del Cine (CONACINE), Bolivia.
ANACONDA 2002 constituye la continuacion de una iniciativa que
nacio como un incentivo para la produccion sobre la tematica
indigena amazonica, ampliandose ahora al chaco y bosques
tropicales de America Latina y El Caribe, para la mayor
valorizacion, divulgacion y rescate de los valores culturales de
diversos pueblos indigenas, sus saberes, formas de vida, su
problematica y todo lo que hace a su cultura, lo que, sin duda,
incide de manera directa en el fortalecimiento de su identidad y en
el avance de sus aspiraciones de lograr mayor reconocimiento y
promocion en diversos ambitos dentro del conjunto de la sociedad
y para beneficio de su desarrollo.
El lanzamiento del Premio "Anaconda 2002" representa
tambien un espacio que permita mayor visibilidad de los Pueblos
Indigenas, que a su vez, exige emprender acciones tendientes a
fomentar la recuperacion, fortalecimiento y divulgacion de estas
culturas hoy vivas y dinamicas, como posibilidad de reafirmacion
y defensa y como garantia de un futuro mas justo y en mayor
equilibrio para estos pueblos.
En este contexto se asume el desafio de convocar a al Premio
"Anaconda 2002" al Video Indigena Amazonico, del Chaco
y los Bosques Tropicales de America Latina y El Caribe que
contempla incentivos importantes a la produccion audiovisual y a
los escritores de guiones, que se traducen en reconocimientos
importantes. En ese sentido, se contempla los siguientes Premios
principales:
1. Premio Anaconda
2500 us$
2. Premio Documental
1500 us$
3. Premio Ficcion
1500 us$
4. Premio al Guion Original
1000 us$
5. Premio Especial del Publico Indigena 1000 us$
6. Premio Especial de la Fundacion Rigoberta Menchu Tum
El plazo de entrega de trabajos y obras vence el 15 de abril de
2002.
El evento especial de premiacion se llevara a cabo el 26 de julio
de 2002 en Caracas Venezuela
Envios:
CLACPI-CEFREC: Casilla 9368 La Paz, Bolivia
PRAIA FIDA/CAF: Casilla 8979 La Paz, Bolivia
Mayor Informacion:
Tel/Fax: 591-2-422237
e-mail: comaru@...
http: //videoindigena.bolnet.bo
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 50+51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 6: NOVIDADES NA INTERNET / NOVEDADES EN LA INTERNET
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ "ROLE-PLAYING GAME: UM JOGO DE REPRESENTACAO VISUAL DE
G NERO"
============================================
http://www.akrito.com.br/lilith/dissert
Quem se interessa por pesquisa em design grafico, representacao
de genero, RPG e ilustracao, pode visitar o site de uma
pesquisa de Mestrado em Design da PUC-Rio, cujo titulo e
"Role-playing Game: um jogo de representacao visual de
genero".
Atenciosamente,
Eliane Bettocchi
bettochi@...
@ DIGITALDIVIDE. AN INTERNATIONAL DISCUSSION LIST ON BRIDGING THE
DIGITAL DIVIDE
============================================http://www.DigitalDivideNetwork.org
An invitation to join DIGITALDIVIDE:
As part of its ongoing commitment to exploring new ways of bridging
the digital divide, the Benton Foundation's Communications Policy
Program would like to invite you to join the DIGITALDIVIDE listserv.
DIGITALDIVIDE is a
moderated discussion in which citizens can discuss the wide range of
issues related to bridging the digital divide. The listserv, which
currently includes approximately 2700 members from around the world,
cuts across disciplinary boundaries: community activists, educators,
researchers,
librarians, representatives of commercial and nonprofit enterprises,
volunteers, students and concerned citizens are all encouraged to
take part in this online discussion.
The listserv tackles the digital divide from a variety of angles,
that include (but are not limited to) the following subjects:
- Internet access issues;
- content creation for underserved populations and
communities;
- combating illiteracy in its many forms;
- online diversity;
- economic development and workforce issues;
- community building;
- technology accessibility and the disabled;
- the Internet and cultural diversity;
- digital divide news and events;
- education and training;
- best practices from local, national and
international digital divide efforts;
- obstacles to bridging the digital divide;
- new tools for measuring the divide;
- public/private and commercial/nonprofit
partnerships;
- public policy issues
DIGITALDIVIDE is moderated by veteran listserv facilitator Andy
Carvin,
Senior Associate at the Benton Foundation.
In order to subscribe to DIGITALDIVIDE, send an email message to
listserv@...
In the first line of the body of the message, include the following
text:
subscribe digitaldivide yourname
with nothing else contained in the message. Be sure to replace
"yourname"
with your name.
If you prefer to subscribe via the web, you can visit our web
site:
http://www.DigitalDivideNetwork.org
Simply fill out your email address on the lower left side of the page
where it says "Sign up for the DIGITALDIVIDE discussion
list" and press the "submit" button.
Once you've submitted your request, you'll receive a confirmation
email that will help you complete your subscription to the list.
For more information, feel free to contact Andy Carvin at
acarvin@....
@ "WHAT YOU SEE; WHAT YOU GET." GENERAL OVERVIEW OF DIGITAL
VIDEO CAMERAS.
============================================http://news.dv.com/cgi-bin4/flo?y=eGVH0B4qOh0eK0BZkX0Av
"The following is a general overview of digital video
cameras.
I'll give you an idea of what's available and how much you'll need to
shell out. I'll make general comparisons, so I won't get too specific
about individual units or prices. Instead I'll describe approximate
price ranges, starting with the least expensive."
@ BLOG TRACK - THEY SEARCH FOR YOU
============================================
http://www.blogtrack.com/
You have probably been napping too long if you don't know the meaning
of "Blog. A blog is a combination diary/announcement web
site that is usually templated and very easy to use. The
"Charnoff Chronicles is my blog that I have been publishing for
the past five months. This is a site to see even if you don't publish
a blog. Make sure you peek at the "kill time"
link.
@ LISTA DE INTERES IBEROAMERICANA DE ARTE, NUEVOS MEDIOS, CIENCIA Y
TECNOLOG A [iberoamerica-act]
============================================
Invitacion a suscribirse a la Lista de Interes Iberoamericana de
Arte, Nuevos Medios, Ciencia y Tecnologia. (iberoamerica-act)
A casi un ano de su creacion, esta lista de interes
iberoamericana en artes electronicas responde a la necesidad real
de desarrollar un espacio de
dialogo entre artistas, teoricos y publico en general
relacionados al arte, la ciencia y la tecnologia en
Iberoamerica. No solo compartimos lenguas
similares, sino que en muchos casos participamos de realidades
parecidas y podemos generar estrategias de trabajo en conjunto.
Esta es una invitacion a formar parte de esta lista y de este
encuentro Iberoamericano en el arte, la ciencia y la tecnologia.
Objetivos:
Son objetivos de la lista, mas no excluyentes:
* La organizacion de trabajos en conjunto entre los paises de
Iberoamerica.
* La preparacion de encuentros y simposios en diversos paises de
iberoamerica.
* Una mayor relacion entre los diferentes eventos (Festivales,
Bienales, etc.) Iberoamericanos en la busqueda de mayor difusion
internacional.
* La creacion de un directorio de artistas y teoricos, curado por
los diferentes especialistas de cada pais.
Creamos este foro de dialogo e informacion, en la necesidad de
ampliar las voces que participen de esta discusion
multi-direccional, proponiendo
proyectos y demas iniciativas en las que podamos trabajar en
conjunto.
Como Ingresar a la Lista de Interes:
La lista esta abierta a todos los interesados en las relaciones
entre arte, nuevos medios, ciencia y tecnologia de Latinoamerica,
Espana y Portugal.
La subscripcion a la lista no implica la obligatoriedad de
participar en la organizacion de los eventos mencionados, si bien
alentamos la participacion
de todos aquellos que quieran hacerlo. Quienes no quieran
involucrarse en cuestiones de organizacion, pueden subscribirse
para mantenerse informados
sobre las actividades en gestacion.
Los subscriptores recibiran informacion periodica sobre las
actividades que surjan de la propia lista o que sean enviadas a
esta para su difusion.
Para subscribirse, envie un mail a:
iberoamerica-act-subscribe@egroups.com
Como miembro de este grupo, puede enviar mensajes a todo el grupo
usando solo una direccion de correo electronico:
iberoamerica-act@egroups.com
Una vez subscrito, si desea dejar de recibir mensajes de la lista,
envie un mail a:
iberoamerica-act-unsubscribe@egroups.com
Esperamos que esta informacion sea de su interes y que se una a
nosotros en esta iniciativa. Si conoce alguna persona a la que pueda
interesarle esta
informacion, le pedimos que se la haga llegar.
Un saludo a todos y nuestros mejores deseos para este ano que
recien
comienza.
Gilbertto Prado <gttoprado@...> (Brasil)
Rodrigo Alonso <rodrigo.alonso@...> (Argentina)
Jose-Carlos Mariategui <jcm@...> (Peru)
Moderadores de la Lista
@FEPAL. FEDERACION PSICOANAL TICA AMERICA LATINA.
============================================http://www.fepal.org>www.fepal.org
FEPAL es FEderacion Psicoanalitica America Latina. Nuclea a mas
de 3.000 miembros activos y participativos de toda America Latina.
En Setiembre de 2002 se realiza el XXIV Congreso en Uruguay, con un
cambio del modelo tradicional de los Congresos de FEPAL y los
Congresos en general. No habra actividades plenarias expositivas ni
lectura de trabajos. Se manejaran con prepublicaciones disponibles
y grupos trabajaran en torno a temas, sub-temas, problemas y
preguntas asignadas. El Congresista armara el itinerario que
recorrera durante el Congreso por opcion tematica y de
eleccion de casos clinicos. Un modelo sin ponencias oficiales
como este exige una intensa actividad preparatoria abierta a la
participacion de todos los miembros. El sitio web fue desarrollado
con el proposito de esta preparacion. En el sitio los miembros
comienzan su actividad a partir de un registro para ingresar
a foros electronicos, intercambios entre participantes,
informacion actualizada y de interes.
El sitio me parece la red muy bien aprovechada. Se hace uso de
Internet como una herramienta de trabajo rentable. Es un paso
adelante en el ambito de la educacion y el intercambio en el
espacio latinoamericano. Es un sitio para latinoamericanos
desarrollado por latinoamericanos.
fonte: Ana Zalcberg
zalcberg@...
@ ARTE DIGITAL CUBA
============================================http://www.artedigitalcuba.cult.cu
@ ESTUDIOS ONLINE SOBRE ARTE Y MUJER
============================================htt://www.estudiosonline.net
nuevos materiales y enlaces incorporados a las distintas
secciones:
[ 1. fem.art ]
* Naomi Potter, "Between a Rock and a Hard Place"
* "First Manifesto of Highly Regarded Women Artists".
* Margot Lovejoy, iA Double Monument. Domestic Violence
Victimsi
* Shelley Jackson, "My Body. A Wunderkammer"
* The Critical Art Ensemble, "Flesh Machine"
* Diane Ludin/Francesca da Rimini, "Identity Runners"
* Mouchette
* Marina Grzinic & Aina Smid," OAxis of Life"
* Faith Wilding
[ 2. congresos y exposiciones temporales ]
* Contraposiciones: Mujeres en el arte actual
* Performing Cyberfeminisms - Traversing Cyberspace.
* Punto g: genere e globalizzazione sul web
* Very Cyberfeminist International (2001)
[ 3. websites ]
* subRosa
* dykeactionmachine
* CyberFeminism.virtual.activism.real.change
* Studio XX
[ 4. revistas ]
* Women'space Magazine
y [ 5. directorios ]
* Womenspacework
* Institute of Contemporary Art, Vienna
* Womenspace. Canadian Women's Internet Directory
* The Ada Project
De modo especial os recomendamos revisar los materiales de
"Contraposiciones: Mujeres en el arte actual", que recoge
pr cticamente en
su integridad los materiales presentados en el congreso del mismo
t tulo
desarrollado el pasado curso en la Universidad Aut noma de
Madrid.
Esperamos que todo ello resulte de vuestro inter s, os recordamos
que los
estudios est n abiertos a vuestra colaboraci n en cualquiera de
sus
secciones, y esperamos recibir vuestras opiniones.
saludos,
Ana Mart nez-Collado.
estudios online sobre arte y mujer
www.estudiosonline.net
@ FINAL REPORT FOR THE INTERNATIONAL CONFERENCE ON INFORMATION
TECHNOLOGY, COMMUNICATIONS AND DEVELOPMENT 2001
============================================http://www.itcd.net
@ FREE VIDEO EDITING SOFTWARE
============================================f
http://www.techtv.com/screensavers/showtell/story/0,24330,3001846,00.html
[Excerpt]
".... ABC VideoRoll http://www.abc-tv.com/ looks clean and has
an intuitive interface and interactive help menus. It supports USB,
IEEE 1394 (FireWire), and most video capture cards. It also has a
built-in VCR controller with the ability to output video to your home
VCR.
This program is free, but to download it you need to register your
email address online. It requires QuickTime 4.1 and Microsoft
Direct Media 6.0 to run. Both of these programs are free, and ABC
will send you directly to the
download sites if you don't have them installed.
As with all video editors, the performance of ABC VideoRoll will
depend greatly on the capabilities of your computer system. Even
today's advanced PCs are not fast enough to output smooth video at
29fps (frames per second), the frame rate of television and
VHS..."
@ INTERNET MOVING IMAGES ARCHIVE: MOVIE COLLECTION
============================================http://mail.archive.org/movies/
This collection contains movies that the Prelinger Archives has
digitized (about 956 now online) and donated to the Internet Archive.
The films focus
mainly on everyday life, culture, industry, and institutions in North
America in the 20th century.
This is the first time that most of the films have been available to
the public.
They are "open source movies" -- available for viewing at
no cost and with few restrictions. About 956 films are now
online.
Movies by Title
http://mail.archive.org/movies/list_0-B.html
About This Collection
http://mail.archive.org/movies/about.html
FAQs
http://mail.archive.org/movies/faqs.html
Why are we doing this? Read our FAQ.
http://mail.archive.org/movies/faqs.html
Read the Bread & Puppet Manifesto.
An online portal connecting the film and TV industry with over
10,000 educational institutions across Australia and New Zealand.
EnhanceTV was
developed and produced by Screenrights.
If have questions regarding EnhanceTV please contact us at:
Street Address
EnhanceTV, Level3, 156 Military Road, Neutral Bay, NSW 2089.
Postal Address
EnhanceTV, PO Box 1248, Neutral Bay, NSW 2089, Australia.
Phone: (02) 9904 0133
Fax: (02) 9904 0498
Project Manager: Mike Lynch
mike@...
Content Manager: Jamie LeHuray
jamie@...
Editor: Gina Shrubsall
gina@...
Digital Artist: Ivana Martinovic
ivana@...
Research: Anna Reid
anna@...
Study It provides access to a variety of teaching/learning
materials. These include study guides produced by the Australian
Teachers of Media and lesson plans by Australian Children's
Television Foundation
http://www.enhancetv.com.au/study_it/study_it.lasso
@ SELECCION DE SITIOS SOBRE ARTE
============================================
Avances en una de las obras arquitectonicas mas originales: La
Sagrada Familia.
http://www.sagradafamilia.org
Guia para internautas hispanos de arte, cultura y recreacion.
http://www.guiacultural.com
Web con una recopilacion de concursos literarios.
http://www.leame.com
Revista cultural de actualidad con informaciones sobre fotografia,
cine, libros, etc.
http://www.notodo.com
Pagina con apartados de artes, literatura, cine, filosofia,
poesia y fotografia:
http://www.limbozine.com
Revista internacional de arte y cultura (en espanol y aleman)
http://www.berlinarte.com
Publicacion electronica centrada en el arte, diseno y
creacion en general.
http://www.artmota.com
Dedicada a la investigacion del lenguaje fotografico aplicado a
la Red.
http://www.babia.com
Critica de las nuevas manifestaciones artisticas.
http://www.artszin.net
Informacion y exhibicion de arte digital (promovida por
Fundacion La Caixa de Barcelona).
http://www.artenlinea.net
Centro virtual Cervantes: actividades y actos culturales.
http://cvc.cervantes.es/actcult
Buscador para encontrar referencias sobre temas de arte
http://www.artelinkado.com
Portal sobre arte en su faceta mas realista: literatura, pintura,
fotografia, diseno...
http://www.arterealidad.com
Pagina dedicada al mundo del arte: obras, autores, tendencias...
http://www.arte10.com
Web, en espanol, centrada en temas culturales y artisticos
http://www.artehistoria.com
Portal con un gran numero de secciones y noticias de actualidad
sobre arte.
http://www.centrodearte.com
Actividades y fondos de la Fundacion Diego Rivera.
http://www.diegorivera.com
Revista de Letras dirigida a todos los interesados en la
literatura.
http://www.letralia.com
Difusion gratuita de textos literarios ineditos en formato
digital.
http://www.badosa.com
Localizador de libros en la Red, con mas de 20 millones de libros
catalogados (en ingles).
http://www.bookfinder.com
Buscador de temas de arte, con noticias, informacion de actualidad,
historia...
http://www.artque.com
Informacion sobre manifestaciones artisticas de todo el mundo:
artistas, estilos, etc.
http://www.globart.net
Completa base de datos de artistas y obras.
http://www.artchive.com
Guia electronica que ofrece informacion actualizada sobre
exposiciones.
http://www.expo-guia.com
Herramienta especializada en la busqueda de sitios relacionados con
el arte.
http://www.ojodepez.com
Guia para encontrar y diferenciar a los artistas y los distintos
estilos que existen.
http://www.ubicarte.com
Actividades de la Fundacion Gala-Salvador Dali.
http://www.salvador-dali.org
Directorio y buscador de lugares y revistas dedicadas a las artes
graficas.
http://www.mercadografico1.com
Revista de cultura con secciones de literatura, cine, musica,
teatro, pintura, escultura...
http://www.babab.com
Criticas y resenas de literatura fantastica y ciencia
ficcion, y otras secciones.
http://www.bibiliopolis.org
Textos y temas sobre lengua y literatura espanola en Espana e
Hispanoamerica.
http://www.lengua.8k.com
Web sobre el mundo del arte: literatura, pintura, fotografia,
diseno...
http://www.arterealidad.com
Noticias de actualidad relacionadas con el mundo del arte.
http://www.artplanet.com
Web oficial de Els Comediants, uno de los principales grupos
teatrales de Espana.
http://www.comediants.com
Revista de Letras, con informacion de actualidad.
http://www.letralia.com
Colecciones que se guardan en la National Gallery de Londres (en
ingles).
http://www.nationalgallery.org.uk
Web dedicada al mundo del arte y del ocio, y las relaciones entre
ambos campos.
http://www.realizarte.com
Pagina de uno de los grandes maestros de la pintura: Van Gogh
http://www.vangoghmuseum.nl
fonte: Lemos Geddo <anglemos@...>
@ FINDTUTORIALS.COM - THE SUBJECT SAYS IT ALL
============================================
http://www.findtutorials.com/
Search Engines are a "hit and miss" process when trying to
find very specific or niched information. You can use
Findtutorials.com to find just tutorials on hundreds of subjects. It
just took 3 clicks to find an exceptional tutorial on "XML"
mark-up.
PhotoGraphicLibraries.com is an educational resource site that
provides links to other sites related to the field of photographic
images. Links are arranged in categories that include stock and
moving images, media services, photo and ad agencies, graphics, and
clip art. The site also contains a library and archive collection
that consists of national and private photographic collections.
Ultimately, this site is an excellent resource for television
producers, advertising agencies, libraries, education centers,
picture researchers, and media services researching visual
communications.
[MG]
@ NEW WEB PORTAL WILL PROMOTE DIGITAL OPPORTUNITIES WORLDWIDE
============================================
http://www.oneworld.net
OneWorld, the online sustainable development and human rights
network, is preparing to launch Digital Opportunity Channel, in
collaboration with the Benton Foundation <www.benton.org>,
the Washington-based non-profit that works to realize the social
benefits made possible by the public interest use of communications
technology.
Digital Opportunity Channel <www.digitalopportunity.org> will
focus on the use of ICTs (information and communications
technologies) for global sustainable development, with a special
emphasis on developing
countries. The site will be launched publicly the week of 17
May 2002 to coincide with UN World Telecommunications Day, which this
year is
celebrated under the theme, "ICT for all: empowering people to
cross the digital divide".
Digital Opportunity Channel will build on Benton Foundation's Digital
Divide Network (DDN) <www.digitaldividenetwork.org> and
OneWorld's seven
years experience in ICT for development. The site will present
content from OneWorld's partnership of over 1000 NGOs around the
world and DDN's
network of practitioners and policymakers. Other civil society
actors, international organisations, governments and businesses
engaged in harnessing the full potential of ICT for sustainable
development will also be involved in the initiative.
Digital Opportunity Channel will be coordinated from India, which has
one of the largest populations of the poorest and marginalized in the
world - and at the same time shows the biggest potential in ICT for
development. The portal will also act as an online community and
innovation lab for people working in the field of ICT for development
both in the developing and developed world.
Organisations working on ICT and digital divide issues are invited to
participate in Digital Opportunity Channel. Further information is
available at <www.digitalopportunity.org>.
*For enquiries
about becoming a participating organisation contact Myriam Horngren,
OneWorld partnership and channels co-ordinator, Tel +44
(0)20 7735 4512
Email <myriam.horngren@...>
*For media enquiries and launch information
contact Glen Tarman, OneWorld publicity manager, Tel +44 (0)20 7735
4541
Email <media@...>
*For corporate support and
sponsorship opportunities contact Ann Longley, OneWorld corporate
relations manager, Tel +44 7091 4509
Email <ann.longley@...>
Notes:
@ BASES DE DADOS DOS FESTIVAIS BRASILEIROS DE CINEMA
======================================
www.aptc.org.br (da Associacao Profissional de Tecnicos
Cinematograficos do
RS - APTC/ABD-RS)
www.kinoforum.org (organiza o Festival de Curtas de Sao Paulo)
@ RECURSOS PARA USUARIOS DE FLASH Y SHOCKWAVE
======================================
http:// www.linkdup.com
Una pagina 'web' de visita obligada para los amantes del diseno
con herramientas como Flash y Shockwave. En ella se aglutinan enlaces
a las mejores paginas de la Red en este campo, asi como las
preferidas de los visitantes. Sencilla de utilizar, conseguira que
el cibernauta pase horas visitando las 'webs' recomendadas y
constatando la imaginacion de los disenadores.
@ BASE DE DATOS DEL CORTOMETRAJE LATINOAMERICANO
======================================
http://www.fundavisual.org.ve
Fundavisual Latina ha desarrollado la Base de Datos del Cortometraje
Latinoamericano, con el objetivo de difundir y promover este bien
cultural, y activar asi el intercambio y conocimiento del mismo y
posibilitar su programacion en medios de comunicacion de masas,
como salas cinematograficas, festivales, canales de television,
cable, satelite, home-video, entre otros, o simplemente crear una
puerta a la investigacion sobre nuestra memoria audiovisual. Visite
nuestra pagina, registre su cortometraje y proyectelo en la red.
Informacion
flatina@...
@ RESOURCE CENTER FOR CYBERCULTURE STUDIES
============================================
http://www.com.washington.edu/rccs
The Resource Center for Cyberculture Studies have moved westward,
from the University of Maryland to the
University of Washington.
Like all migrations, this one may have a few growing
pains; I appreciate your patience and please report
any tweaks you may find. Thanks!
RCCS's book reviews section now includes full-length
reviews of over 100 books on cyberculture, the
Internet, and technoculture. New reviews for
September 2001 (www.com.washington.edu/rccs/books/)
include:
Paulina Borsook, Cyberselfish: A Critical Romp through
the Terribly Libertarian Culture of High Tech (Public
Affairs, 2001)
Reviewed by Aimee Morrison
Response from Paulina Borsook
Gary Bunt, Virtually Islamic: Computer-mediated
Communication and Cyber Islamic Environments
(University of Wales Press, 2000)
Reviewed by Rachel A. D. Bloul
Response from Gary Bunt
Andrew Herman & Thomas Swiss, eds., The World Wide Web and
Contemporary Cultural Theory (Routledge, 2000)
Reviewed by Barbara Warnick and Jonathan J. Lillie
Response from Thom Swiss
Peter Weibel and Timothy Druckrey, eds, Net_Condition:
Art and Global Media (MIT Press, 2001)
Reviewed by Lisa Lynch
If you or your colleagues are interested in reviewing
books for RCCS, contact us directly at
<dsilver@...>. As always, please feel
free to forward this message.
Finally, you are invited to subscribe to
cyberculture-announce. To subscribe ...
1. email <listproc@...>
2. keep the subject line blank
3. in the body, type: subscribe cyberculture-announce
david silver
http://faculty.washington.edu/dsilver/
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 50+51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ PROGRAMA DE APOIO A NOVOS REALIZADORES. INSTITUTO DRAGAO DO MAR
(FORTALEZA, BRASIL)
==========================================
SECULT
INSTITUTO DRAGAO DO MAR
Centro de Realizacao Audiovisual
A realizacao do Programa de Apoio a Novos Realizadores e mais
uma etapa da politica que a Secretaria de Cultura do Estado de
Ceara vem promovendo na area audiovisual, com o objetivo de
estimular a capacitacao continua, a experimentacao e
renovacao de linguagens e a difusao de novos talentos.
Essa politica vem sendo instrumentada e consolidada pelo IDM,
atraves da capacitacao e reciclagem profissional de mais 2000
jovens de todo o estado nas areas de cinema e video, assim
como no fomento a realizacao de operas primas em curta-metragem
atraves do Premio Dragao do Mar de Cinema e Video, que ja
distribuiu R$ 735.000 entre jovens talentos cearenses.
O Instituto e tambem pioneiro na realizacao de laboratorios
de desenvolvimento de roteiro no nordeste (formato hoje de ampla
difusao em todo o pais) contribuindo a valorizacao do
conteudo brasileiro nos meios de comunicacao de massa e a
descentralizacao da producao audiovisual no pais.
Dentro do esquema de difusao de novos talentos, a Secretaria de
Cultura, atraves do Instituto e da Casa Amarela Euselio Oliveira,
apoia a participacao de as obras dos novos realizadores no
contexto do Festival Cine Ceara, um dos mais importantes do
circuito nacional, especialmente para curta metragens e
documentarios.
E justamente dentro do contexto de este esforco por nivelar as
possibilidades de intercambio, capacitacao, pesquisa e
atualizacao dos artistas e profissionais do nordeste, que podemos
situar o Programa de Apoio a Novos Realizadores do Instituto Dragao
do Mar.
O diferencial deste programa e que ele privilegia o processo
criativo per se, desde o inicio no desenvolvimento de roteiro, para
ir se-articulando com outras iniciativas complementares de
formacao e treinamento, que contemplam inclusive, a concessao
de ajudas de producao para os candidatos de maior
potencial.
Acredito, que embora todos os participantes deste Programa desejem
ver seus projetos entre os ganhadores da proxima edicao do
Premio Ceara de Cinema e Video, nenhum ira desaproveitar as
oportunidades pessoais, profissionais e artisticas que certamente
surgirao no percurso do proximo ano.
Silas de Paula
Diretor
Instituto Dragao do Mar
O Programa:
As fases:
1) LABORAT RIO DE ROTEIROS
o objetivo do laboratorio e que atraves de uma assessoria
individual cada participante termine o processo com uma primeira
versao de um filme curta-metragem de ficcao, com duracao
entre 05 e 15 minutos. O laboratorio se realizara atraves de
encontros coletivos e assessorias individuais alem de
acompanhamento via email.
de 6 de maio a 5 de julho de 2002
inscricoes ate 19 de abril
anuncio dos 10 selecionados: 26 de abril
2) LABORAT RIO DE DOCUMENT RIO
o objetivo e permitir que os participantes desenvolvam seus
proprios projetos na area de documentario, orientados atraves
de encontros coletivos e assessorias individuais alem de
acompanhamento via email.
de 6 de maio a 5 de julho de 2002
inscricoes ate 19 de abril
anuncio dos 10 selecionados: 26 de abril
3) LABORAT RIO DE DESENVOLVIMENTO DE PROJETOS E AN LISE DE
VIABILIDADE DE PRODUCAO
o objetivo e permitir que os participantes desenvolvam seus
proprios projetos, a partir da analise de viabilidade de
producao e o gerenciamento dos distintos os aspectos relacionados
a producao, desde a captacao de recursos ate a
prestacao de contas. O laboratorio se realizara atraves de
encontros coletivos, workshops e assessorias individuais.
de 30 de setembro a 25 de outubro de 2002
inscricoes ate 13 de setembro
anuncio dos selecionados: 20 de setembro
4) PR MIO CEAR DE CINEMA E V DEO
Concessao de apoio financeiro e acompanhamento tecnico aos
projetos de obras audiovisuais de curta-metragem que sejam
selecionados. Os vencedores do Premio nos anos anteriores nao
poderao participar desta edicao.
5) WORKSHOP DE REALIZACAO (DO ROTEIRO A EDICAO)
o objetivo e providenciar ao participante uma imersao radical no
processo de realizacao audiovisual; da preparacao do roteiro
tecnico, pre-producao, gravacao de audio e video ate
pos-producao e finalizacao. Os participantes aprenderao a
operar diferentes tipos de equipamentos como fotometros, luzes,
camaras e ilhas de edicao. Durante todo o modulo, a pratica
(concretizada na realizacao de um exercicio conjunto de 5 min
em video) se configura como uma metodologia de ensino que
contextualiza e poe em acao a teoria.
de 18 de novembro a 6 de dezembro de 2002
inscricoes ate 4 de novembro
anuncio dos selecionados: 11 de novembro
COORDENACAO E CONSULTORIA
COORDENACAO
Direcao Instituto Dragao do Mar
Silas de Paula
Centro de Realizacao Audiovisual
Direcao: Patricia Martin
Coordenacao Geral: Carlos Gibaja
CONSULTORES PERMANENTES
Tete Vasconcelos, Breno Kuperman, Joaquim Assis, Isabela Cribari,
Antonio Urano, Nicolas Hallet, Vicente Duque Estrada, Helio Godoy,
Tibico Brasil
CONSULTOR DO LABORAT RIO DE ROTEIRO
Joaquim Assis
CONSULTOR DO LABORAT RIO DE DOCUMENT RIO
Breno Kuperman
CONSULTORES DO LABORAT RIO DE DESENVOLVIMENTO DE PROJETOS
Isabela Cribari - Antonio Urano
COORDENADOR DO WORKSHOP DE REALIZACAO
Nicolas Hallet
COORDENADOR DO PR MIO CEAR DE CINEMA E V DEO
Tibico Brasil
@ PESQUISA A RESPEITO DE PROJETOS DE TELEDRAMATURGIA REGIONAL NO
BRASIL
==========================================
prazo/plazo/deadline: n/c
Caros colegas,
estou fazendo uma pesquisa a respeito de projetos de
teledramaturgia regional no Brasil. Gostaria muito de saber o que
anda sendo produzido (em car ter efetivo ou experimental, em
qualquer formato, curtas ou longas-metragens, miniss ries,
especiais, etc.) nos rinc es deste pa s, incluindo projetos de
co-produ o entre cinema e TV. Acostumados a valorizar
o que produzido apenas no eixo Rio-S o Paulo, geralmente n o
tomamos conhecimento dessas produ es que tem muito a nos ensinar
sobre nossa
cultura, sobre formas de produ o, subven o e
realiza o.
Participei de um projeto semelhante h alguns anos, no
Cear , com o longa-metragem "Oropa, Fran a e
Bahia" (roteiro escrito por mim e pelo diretor Glauber Filho,
adaptado de pe a de minha autoria), inteiramente realizado
com equipe e elenco nordestino, que ganhou o Pr mio Jovem
Realizador de V deo da Funda o Vitae. O longa-metragem acaba
de ser adquirido pelo Canal Brasil e provavelmente ser exibido no
decorrer de
2002.
Minha id ia reunir material e informa es
bastante para, quem sabe, realizar uma pequena mostra. Quem souber de
projetos nesse sentido ou
participar de algum, favor entrar em contato em privado (embora eu
ache que pode ser interessante expor isso ao f rum, caso n o haja
nenhuma restrin o nesse sentido.
abra os a todos, sucesso sempre!!
DANIEL DIAS DA SILVA
ator / roteirista / autor
diretor teatral
<verdesmares@...>
@ CURTAS.NET
BUSCA CORTOS PARA SU P GINA .
==========================================prazo/plazo/deadline: n/c
Esta es una iniciativa de Filmes da Rua, productora portuguesa que
quiere aumentar la informacion en la web sobre cortometrajes de
todo el mundo.
Desde aqui queremos hacer un llamamiento a todos los interesados.
Para mas informacion, poneros en contacto con:
curtasnet@....
Claudia Freire.
La pagina, estara pronto activa.
http//www.curtas.net
@ CALL FOR PARTICIPATION. MARATHON ART WEBCAST 'ORAI' @ ISEA2002.
==========================================
prazo/plazo/deadline: n/c
The Link foundation in Holland is preparing a 3 x 24 h webcast from
the ISEA2002 symposium in Nagoya Japan (October 27-31).
There are 3 components:
1. The webcast itself
2. An interactive art work people can enter and which serves as
the
portal
to:
3. Art pieces by different artists and artist groups from all over
the
world
We are looking for:
A. Parties that want to cooperate in the webcast, preferably on
location in Japan
B. Artists and art collectives that want to contribute with web
artwork from anywhere in the world
C. Participants to join us interactively during the webcast, from all
over the world.
You are required to contact us asap if you are interested. We hope to
make this an event both state of the art in artistic content, as
multi disciplinary as possible and as culturally diverse as never
seen before in the electronic art world.
contact: w.vanderplas@...
@ THE 12HR-ISBN-JPEG PROJECT
==========================================
prazo/plazo/deadline: n/c
`round-the-clock posting of sequenced hypermodern imagery from Brad
Brace.
The hypermodern minimizes the familiar, the known, the recognizable;
it suspends identity, relations and history. This discourse, far from
determining the locus in which it speaks, is avoiding the ground
on
which it could find support. It is trying to operate a decentering
that leaves no privilege to any center.
The 12-hour ISBN JPEG Project
-----------------------------
began December 30, 1994
Pointless Hypermodern Imagery... posted/mailed every 12
hours... a spectral, trajective alignment for the 00`s! A continuum
of minimalist masks in the face of catastrophe; conjuring up
transformative metaphors
for the everyday... A poetic reversibility of exclusive events...
A post-rhetorical,
continuous, apparently random sequence of imagery... genuine
gritty, greyscale... corruptable, compact, collectable and
compelling convergence. The voluptuousness of the grey
imminence: the art of making the other disappear. Continual visual
impact; an optical drumming, sculpted in duration, on the endless
present of the
Net.
An extension of the printed ISBN-Book (0-9690745) series...
critically unassimilable... imagery is gradually acquired, selected
and re-sequenced over time... ineluctable, vertiginous
connections. The 12hr dialtone...
[ see ftp.idiom.com/users/bbrace/netcom/books.txt
]
Every 12 hours,
another!... view them, re-post `em, save `em, trade `em, print
`em, even publish them...
Here`s how:
(Note: all "Teleport" addresses (web/ftp/email) have been
eliminated: no
thanks to Earthlink scum. Please choose alternates listed below:)
~ Set www-links to ->
http://www.eskimo.com/~bbrace/12hr.html
->
http://bbrace.laughingsquid.net/12hr.html
Look for the 12-hr-icon. Heavy traffic may require you to
specify
files
more than once! Anarchie, Fetch, CuteFTP, TurboGopher...
~ Download from -> ftp.pacifier.com
/pub/users/bbrace
Download from -> ftp.idiom.com /users/bbrace
Download from -> ftp.rdrop.com
/pub/users/bbrace
Download from -> ftp.eskimo.com /u/b/bbrace
Download from -> hotline://artlyin.ftr.va.com.au
* Remember to set tenex or binary. Get 12hr.jpeg
~ E-mail -> If you only have access to email, then you can use
FTPmail to do essentially the same thing. Send a message with a body
of 'help' to the server address nearest you:
*
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@... ftpmail@...
ftpmail@...
ftpmail@...
ftpmail@...
ftpmail@...
ftpmail@...
ftpmail@...
ftpmail@...
ftpmail@...
ftpmail@...
bitftp@...
bitftp@...
bitftp@... bitftp@...
bitftp@... bitftp@...
* *
~ Mirror-sites requested! Archives too!
The latest new jpeg will always be named, 12hr.jpeg
Average size of images is only 45K.
*
Perl program to mirror ftp-sites/sub-directories:
src.doc.ic.ac.uk:/packages/mirror
*
~ Postings to usenet newsgroups:
alt.12hr
alt.binaries.pictures.12hr
alt.binaries.pictures.misc
alt.binaries.pictures.fine-art.misc
* * Ask your system's news-administrator to carry these groups!
(There are also usenet image browsers: TIFNY, PluckIt, Picture Agent,
PictureView, Extractor97, NewsRover, Binary News Assistant,
EasyNews)
~ This interminable, relentless sequence of imagery began in earnest
on December 30, 1994. The basic structure of the project has been
over twenty-four years in the making. While the specific sequence
of
photographs has been presently orchestrated for more than 12 years`
worth of 12-hour postings, I will undoubtedly be tempted to tweak the
ongoing
publication with additional new interjected imagery. Each 12-hour
posting is like the turning of a page; providing ample time for
reflection, interruption, and assimilation.
~ The sites listed above also contain information on other cultural
projects and sources.
~ A very low-volume, moderated mailing list for announcements and
occasional commentary related to this project has been established at
topica.com /subscribe 12hr-isbn-jpeg
This project has not received government art-subsidies. Some
opportunities still exist for financially assisting the publication
of editions of large (33x46") prints; perhaps (Iris giclees)
inkjet duotones
or extended-black quadtones. Other supporters receive rare copies of
the first three web-offset printed ISBN-Books. Contributions can also
be made
at http://bbrace.laughingsquid.net/buy-into.html
ISBN is International Standard Book Number. JPEG and GIF are types of
image files. Get the text-file, 'pictures-faq' to learn how to view
or translate these images. [ftp
ftp.idiom.com/users/bbrace/netcom/]
@ PROJETO FORUM DE CI NCIA E CULTURA DA UFRJ (RIO DE JANEIRO)
==========================================
prazo/plazo/deadline: n/c
O Forum de Ciencia e Cultura da UFRJ, em 2002 dara
continuidade ao Projeto Cursos do Forum e convida os docentes de toda
a Universidade do Brasil para participarem do Projeto, propondo
cursos e ministrando aulas.
Os Cursos do Forum so podem ser coordenados por
docentes do corpo permanente da UFRJ, portadores do grau minimo de
Doutor. As aulas podem ser ministradas por varios professores e por
alunos dos programas de pos-graduacao (doutorandos, de
preferencia). Caso o coordenador do curso queira incluir docentes
ou pesquisadores de outras instituicoes, a inclusao se dara,
em carater excepcional e como intercambio academico, uma vez
que o Projeto destina-se a divulgacao da producao
intelectual da propria UFRJ. O planejamento antecipado e
necessario, tendo em vista o uso dos espacos fisicos no
Palacio e a divulgacao interna e externa.
As informacoes sobre este e qualquer outro
projeto do Forum de Ciencia e Cultura podem ser obtidas pelo
e-mail: info@..., atraves do telefone 2295-1595 (ramal
103 ou 130) ou pela pagina
<http://www.forum.ufrj.br>
Cadastre-se <http://www.forum.ufrj.br/cadastro.htm>
para receber, regularmente, em sua caixa-postal, todos os eventos
organizados pelo Forum.
@ VIDEOTECA DEL SUR DE NUEVA YORK ABRE SEDE EN LA HABANA E
INVITA REALIZADORES LATINOAMERICANOS A PARTICIPAR CON SUS OBRAS
==========================================
prazo/plazo/deadline: n/c
Videoteca del Sur de Nueva York tiene el agrado de anunciar la
inauguracion de su sede en la ciudad de La Habana, Cuba.
Videoteca del Sur-La Habana iniciara sus actividades en el marco
del 23 Festival
Internacional del Nuevo Cine Latinoamericano a llevarse a cabo del 3
al 13 de diciembre del 2001. Videoteca del Sur-La Habana
ofrecera una programacion periodica y exhibira lo mas
relevante de la produccion audiovisual latinoamericana. En un
inicio las exhibiciones se llevaran a cabo en las instalaciones del
Centro Cultural ICAIC, localizado en calle 23 entre 10 y 12, Vedado,
frente al ICAIC.
El Comite de Honor de Videoteca del Sur-La Habana esta presidido
por Humberto Solas, y lo componen por Cuba: Alquimia Pena,
Directora de la Fundacion de Nuevo Cine Latinoamericano, Edmundo
Aray, Director de la Escuela de Cine y TV de San Antonio de los
Banos, Lissete Vilas, de la UNEAC; Susana Sardinas;
Directora de Relaciones Internacionales del ICRT, y los cineastas
Fernando Perez, Enrique Pineda Barnet y Julio Garcia Espinoza.
Por los Estados Unidos sus miembros son: Richard Pena, Director de
Programacion del Lincoln Center/Director del New York Film
Festival; Carol Rosenberg, de la Fundacion Ludvig; Jorge
Rufinelli,
Especialista en Cine
Latinoamericano/Profesor de Literatura de Stanford University, y
Jerry Carlson Profesor de Cine de CUNY.
Invitamos a todos los realizadores, productores y distribuidores a
participar con sus obras (largometrajes, cortos, documentales,
animacion, etc.). Deben enviar copias -optima
calidad- en formato de video en Betacam, DV o VHS, en idioma
espanol o subtituladas a:
Videoteca del Sur, Inc.
Att. Pedro Zurita
84 East 3rd Street, 5-A
New York, New York 10003-9253 USA
Tel. 212 674.5405 Fax 212 614.0464
Las copias deben incluir fotos, sinopsis y ficha tecnica. Las
fotos pueden ser enviadas via email jpeg- a
videlsur@...
Escribanos para informacion sobre su envio.
Para mas informacion escribanos o visite www.videlsur.org
Pedro Zurita <videlsur@...>
Videoteca del Sur
@ CALL FOR CHAPTERS . VIRTUAL RESEARCH ETHICS: ISSUES AND
CONTROVERSIES
==========================================
prazo/plazo/deadline: 01/06/2002
A book edited by Elizabeth A. Buchanan, Ph.D., University of
Wisconsin- Milwaukee, USA (eliz1679@...)
All types of formal research are now being conducted via the
Internet. >From strict quantitative data collection to
virtual ethnography to survey research, researchers want to tap
into the vast riches of online communities, those that
oftentimes exist only in a virtual reality.
However, these forms of research often seem in conflict with-or
a challenge to-long-standing principles of research ethics.
Chapters in this book will focus on the use of the Internet/WWW
itself as a medium for conducting research. Online research or
virtual research is quickly emerging as a unique research
methodology,
complete with its own methodological specificity, its own guidelines
on how to conduct research online, as well as codes of researcher
conduct.
Nowhere is the challenge surrounding online research greater than in
the offices of institutional review boards, which find themselves
struggling with new protocol language, new means of data selection
and collection, and new and increasingly difficult challenges to the
ethical treatment and protection of human subjects.
The goals of this book include:
1. To introduce readers to online research protocols
2. To introduce readers to online research ethics issues
3. To provide guidelines for the conduct of online research
4. To explore ethical considerations and problems in the conduct
of
virtual research
Representative topics include but are not limited to the
following:
Tradtional research ethics and IRB protocols
Philosophical dilemmas of online research ethics
Conducting online research
Ethical codes of conduct for online research
IRB Guidelines for human subject protection
Case studies of online research in action
Case studies in online research ethics violations
"Success stories" in IRB handlings of online research
ethics
Legal issues in online research
SUBMISSION PROCEDURE
Researchers and practitioners are invited to submit on or before June
1, a 2-5 page manuscript proposal clearly explaining the mission and
concerns of the proposed chapter. Authors of accepted proposals will
be notified
by June 30 about the status of their proposals and sent chapter
organizational guidelines. Full chapters are expected to be submitted
by October 15, 2002.
All submitted chapters will be reviewed on a blind review basis. I am
pleased to announce that the book will be published by Idea Group
Inc., publisher of the Idea Group Publishing, Information Science
Publishing and IRM Press imprints.
Inquiries and Submissions can be forwarded electronically (Word or
RTF format) to:
Elizabeth Buchanan, Ph.D. University of Wisconsin-Milwaukee
Milwaukee, WI 53211
Tel: 414.229.4707 Fax: 414.229.4848 Email:
eliz1679@...
@ CALL FOR PAPERS: STARTLING! HEARTBREAKING! REAL!: REALITY TV AND
THE RE-MAKING OF TELEVISION CULTURE
==========================================
prazo/plazo/deadline: 15/05/2002
Contributions are sought for an edited volume examining the complex
economic, aesthetic, generic, philosophical, and cultural
implications of the recent rise of reality
television.
For the purposes of this book, the editors have defined "reality
TV" as non-fiction programming that claims to represent ordinary
people in ordinary or extraordinary "real life" situations.
(Examples include Survivor, Big Brother, The Loft, COPS, The Real
World, America Undercover, Millionaire, Blind Date, Court TV,
Temptation Island, Pop Stars, American High, Trading Spaces, and A
Wedding Story.)
Possible topics include, but are not limited to, the following:
The Political Economy of Reality TV
* corporate synergy and concentration
* global flow of reality formats
* production practices
* actor's labor and celebrity
* Publicity and advertising strategies
* new technologies
Generic Conventions and Definitions
* visual and narrative strategies
* the influence of documentary conventions and techniques
* historical precedents and influences
* the process of generic classification
Cultural Politics
* representations of race, class, gender and sexuality
* implications for conceptions of "truth" and everyday
life
* ideology and mythology
* uses and appropriations of the "other"
* voyeurism and surveillance
Audiences and Reception
* viewing practices and contexts
* fan communities
* comparative studies of audiences in an international context
* demographics
* media and popular discourses
Please email a one to two page proposal and brief vitae by May 15,
2002 to:
Susan Murray
or
Laurie Ouellette
Assistant Professor
Assistant
Professor
Culture & Communication
Journalism &
Media Studies
New York University
Rutgers University
susan.murray@...
laurieo@...
@ CALL FOR PAPERS ELECTRONIC COMMERCE RESEARCH JOURNAL SPECIAL ISSUE:
ELECTRONIC COMMERCE IN DEVELOPING COUNTRIES
==========================================
prazo/plazo/deadline: 31/03/2002
The convergence between computing and data telecommunication
technologies and the resultant advent of the Internet may have
profound effects on developing countries similar to those already
experienced and expected in the future in other countries of the
world.t The way developing countries respond to the many
implications of the Internet, and especially those relevant to
Electronic Commerce (EC), will undoubtedly have a significant
influence on the social, political, cultural, and economic
development of these societies.t The failure of
managers, administrators, and politicians in public and private
organizations in these countries to understand how to exploit EC in
accordance with their national culture(s) will only act as a barrier
rather than an enabler of development. The purpose of this special
issue
of Electronic Commerce Research Journal is to provide a forum for
topics addressing EC issues in developing countries. Conceptual and
empirical contributions from authors around the world are strongly
encouraged.
This special issue intends to incorporate a wide array of EC issues
in developing countries. Papers based on research from both academia
and industry are encouraged.t Papers dealing with (but not limited
to) the
following topics are invited:
S Effects of EC on public- and private-sector organizations
S Effects of EC on social, economic and political structures and
functions
S Effects of EC on national relations between developing
countries
S Effects of EC on relations between developing and developed
countries
S EC strategy issues at organizational and national levels
S EC infrastructure issues
S EC education and training issues
S EC implementation issues
S EC measurement and evaluation issues
S EC ethical and legal issues
S EC trust and security issues
Submission Guidelines:
All submissions must be in English, should represent original work of
the author(s), and must not have been published/accepted for
publication or currently under consideration for publication
elsewhere. All contributions will be subjected to a double-blind
review process.
Manuscripts should be prepared according to Electronic Commerce
Research Journal format (http://www.baltzer.nl/journalhome.htm/1389-5753). There is no page limit on paper submissions.
Submission should be made electronically to one of the guest
editors:
Adel M. Aladwani
Department of QM & IS
College of Administrative Sciences
Kuwait University
E-mail:t adwani@...
Mahesh S. Raisinghani
Graduate School of Management
University of Dallas
E-mail: mraising@...
Nicolau Reinhard
Faculdade de Economia, Administracoa e Contabilidade
Fundacao Instituto de Administracoa
Universidade de Sao Paulo
E-mail: reinhard@...
Paul Licker
Deaprtment of IS
Faculty of Commerce
University of Cape Town
Email: plicker@...
Important Dates:
31 March 2002tttttttttttt Deadline for
submission
30 June 2002ttttttttttttttt First round
of reviews returned to the authors
30 September 2002ttttt Deadline for re-submission
30 November 2002ttttt Final acceptance of papers
The special issue is scheduled for publication in mid-2003.
@ CALL FOR PAPERS:TRANSNATIONAL CULTURE AND THE POLITICS OF
IDENTITY
INTERSECTING: RACE, SEX, PLACE (BOOK SERIES)
==========================================
prazo/plazo/deadline: 01/05/2002
Rodopi, Amsterdam.
Issue Editor: Sudeep Dasgupta
Series Editors: Ernst van Alphen, Inge Boer, Sudeep Dasgupta, Isabel
=
Hoving
Description of proposed volume
Transnational Culture and the Politics of Identity
The temporal and spatial dimensions of contemporary globalization are
profoundly altering the location of culture as the shifting ground
for articulating forms of identity. In particular, the frames of
tradition and modernity, identity and difference are mediated by
discourses grounded in the fluid movements of labour, capital,
representations and technologies. Institutions, texts and the
representational practices understood as "cultural"are
always situated within the concrete constellations of power/knowledge
of globalization as politico-economic =
and social expansion. Given that these processes are contradictory,
cultural politics is necessarily imbricated in these webs of power
relations as the coding of cultural value within a broader
material/symbolic economy. The proposed volume will focus on the
representational dynamics of a range of cultural politics that call
into question the boundaries which have divided, however
contingently, the discourses of home and the world, cosmopolitanisms
and travel. In the context of the present redrawing of the borders of
the planet around "civilization"and "religion",
the recrudescence of this logic of separation will be critiqued from
the perspective of cultural analysis of texts, practices and
institutions that are imbricated in the proliferation, consolidation
and critique of notions of cultural belonging. A focus on the
importance of sexuality, race and class in contemporary cultural
politics is encouraged. Further, a critical and constructive
engagement with the discourse on "difference" and
"hybridity" as a theoretical frame deployed in intellectual
work, and as an organizing principle in cultural politics is
encouraged.
Words: Approx. 10,000
Deadline: May 1, 2002
Please email abstracts to:
Sudeep Dasgupta
dasgupta@...
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 50+51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 3: OFERTAS DE TRABALHO / OFERTAS DE TRABAJO
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ USAID.ESPECIALISTA SENIOR EN CAMBIO DE
COMPORTAMIENTO/COMUNICACI N - WASHINGTON
==========================================
prazo/plazo/deadline: n/c
Estara al tanto de la investigaciones e innovaciones actuales en el
campo de la comunicacion. Proporcionara asistencia tecnica en
Washington y en paises en desarrollo. Titulo avanzado en
Comunicacion o en un campo relacionado necesario. Conocimientos de
espanol o frances y experiencia de campo en Africa al sur del
Sahara deseable.
@ SERVICIO INTER PRESS. DIRECTOR EDITORIAL
==========================================
prazo/plazo/deadline: n/c
Sera responsable de la direccion y ejecucion editorial del SIP.
Conocimientos solidos en temas globales, incluyendo aquellos
relevantes para el sur, son necesarios. Fluidez (oral y escrita) en
ingles y espanol indispensable. Conocimientos de frances
deseables.
http://www.comminit.com/vacancy747.html
Contacto: El Director Regional - eic@...
@ MANAGING DIRECTOR, SAVANNAH FILM AND VIDEO FESTIVAL
==========================================
prazo/plazo/deadline: n/c
Savannah College of Art and Design seeking qualified candidates for
position of Managing Director of Savannah Film and Video Festival.
Candidates should bring significant sponsorship, programming &
film & entertainment industry contacts to festival. Position
involves sponsorship, programming, coordinating, directing festival's
logistical planning, budget & other duties. Minimum bachelor's
degree in Business or Public Relations or related field, experience
in personnel management, budget preparation and fundraising &
Microsoft Office programs.
http://filmfestivalspro.com/bulletin/02/january/savannah.shtml
@ JAMES B. PENDLETON TEACHING FELLOW PROGRAM. ITHACA COLLEGE (NY)
==========================================
prazo/plazo/deadline: 10/04/2002
James B. Pendleton Fellow in screenwriting; a 3-year, non-renewable,
non-tenure eligible position beginning Fall 2002.
QUALIFICATIONS:
Fellow must have received an M.F.A., Ph.D., or equivalent within the
last 5 years. Fellowship is for emerging teacher/writer in the field
of screenwriting.
RANK/SALARY:
James B. Pendleton Fellow/Assistant Professor. Salary competitive,
benefits eligible.
AREAS OF TEACHING RESPONSIBILITIES:
Primary teaching responsibility will be in the areas of
screenwriting, including two introductory screenwriting courses.
Fellow will teach a 3-course load each term, one of which may be in
her or his area of interest/specialization. Additional competency in
cinema production encouraged but not required.
OTHER RESPONSIBILITIES:
Fellow will create a public program related to screenwriting each
year of the fellowship. Fellow will interact with our undergraduates
to encourage
their academic, creative, and professional development. Fellow will
formally advise undergraduate students but will not be expected to
serve on committees.
APPLICATION:
Applicants should forward: a vita; two writing samples (at least one
of which must be a longform narrative); statement of interest
describing areas of teaching, academic, and professional interests; a
short one-page proposal for a sophomore/junior level course in
candidateis specialty area; and names of three references.
Additional writing samples may be requested at a later date. No faxed
or electronically transmitted materials will be accepted.
ADDRESS APPLICATIONS & INQUIRIES TO:
James B. Pendleton Teaching Fellow Committee
Elisabeth Nonas, Chair
Cinema and Photography Department
350 Roy H. Park School of Communications
Ithaca College
Ithaca, NY 14850-7251
DEADLINE:
Screening begins April 10, 2002, and will continue until the position
is filled.
@ COORDINADOR DE PROGRAMA DE POSTGRADO. GENERACIONES FUTURAS -
FRANKLIN, WEST VIRGINIA, USA
==========================================
prazo/plazo/deadline: n/c
Se busca un lider lleno de energia, con sensibilidad cultural,
que coordine la creacion de un nuevo programa de postgrado. Se
requiere buen manejo de al menos otra lengua diferente a ingles,
preferentemente: espanol, chino, hindu o tibetano. Un aspecto
importante del trabajo es promover la igualdad y el cambio
sostenible.
http://www.comminit.com/vacancy636.html
Contacto: Dr. Daniel Taylor-Ide Info@...
fuente: La Iniciativa de Comunicacion
Directora America Latina: Adelaida Trujillo -
atrujillo@...
La lista completa de Vacantes puede verse en
http://www.comminit.com/vacancies.html
@ THE POPULATION COUNCIL - PROYECTO FRONTERA. ASESOR DE PROGRAMA,
COMUNICACI N - WASHINGTON, D.C.
==========================================
prazo/plazo/deadline: n/c
Colaborar en el desarrollo de la estrategia - y actividades
relacionadas- del programa FRONTERAS para promover un mayor uso de
investigacion de operaciones por los disenadores de politicas
en el campo de la salud reproductiva y a los administradores de
programas, para mejorar la prestacion de servicios. Se prefiere
experiencia internacional y fluidez en frances o espanol.
http://www.comminit.com/vacancy643.html
Contacto: (en Washington, D.C.) Sra. Joanne Gleason -
jgleason@... (en Nueva York) Sr. Darryl Lewis -
dlewis@...
fuente: La Iniciativa de Comunicacion
Directora America Latina: Adelaida Trujillo -
atrujillo@...
La lista completa de Vacantes puede verse en
http://www.comminit.com/vacancies.html
@ SUMMER YOUTH PROGRAM COORDINATOR QAS (QUICKDRAW ANIMATION SOCIETY,
IN CALGARY) ==========================================
prazo/plazo/deadline: 17/05/2002
requires assistance this summer with our Quick Kids and Teen
animation camps.
Wage: $10/hr
Application deadline: May 17, 2002
Details about the job at http://www.cam.org/~ifva/Job-Details.html
Information on QAS at http://www.awn.com/qas
@ ASSISTANT DIRECTOR. ALLIANCE OF ARTISTS' COMMUNITIES. RHODE ISLAND.
USA
==========================================
prazo/plazo/deadline: 10/04/2002
Job Category: Fundraising & Development, Event planning
Type: Full time
Salary: Comensurate with experience.
Description: FUNCTION
1. Assists Executive Director in providing leadership toward
achievement of Alliance's mission, philosophy, and strategy.
2. Acts as the secondary spokesperson, writer, and fundraiser for the
organization.
3. Assists the Executive Director in developing and implementing
programs within context of mission.
4. Provides leadership in the areas of membership services and
solicitation, and works with Board Committees in this area.
REPORTS TO
AAC Executive Director
DUTIES
1. Serves as liaison to AAC members and as secondary spokesperson for
AAC
2. Assists in designing and implementing a comprehensive fundraising
strategy with the Exec. Dir. and board
3. Oversees all member services, evaluates member programs and works
with Exec. Dir. to develop membership and build partnerships in the
field
4. Assists in designing, administering, and evaluating programs to
achieve goals and objectives
5. Writes and provides content for the AAC tri-annual newsletter in
collaboration with the Exec. Dir. and Designer
6. Manages and develops the AAC database
TASK DESCRIPTIONS
Advancement: Assist Executive Director in developing strategies for
securing funding and identifying and approaching funding prospects;
submit proposals, develop the Leadership Council, plan cultivation
events, accompany the Executive Director whenever possible to
meetings with funding agencies on behalf of organization and the
field
Projects: Event Planning (such as Symposia, Annual Member Meeting,
and Regional Meetings), Directory, Strategic Planning, and Special
Publications
Outreach & Education: Membership Services, Member Recruitment and
Communications; Participation in other networks and attendance of
local/regional meetings; Write materials for member mailings,
outreach mailings, newsletters, publications and AAC
literature
Administration: Board: Staff liaison for Member Services Committee,
Member of the Advancement Committee; Participate in and take notes
for board telephone conference calls every 6-8 weeks and face-to-face
meetings three times a year; Support subcommittees that work on
specific tasks and goals; Supervise Communications and Systems
Manager and interns in:
1. Communications and solicitations of members,
2. Design of AAC literature and publications
3. Development and maintenance of database,
4. Information services and member cultivation
Education: Bachelor (BA, BS, etc.)
Languages: English
Additional Qualifications: QUALIFICATIONS
1. Bachelors degree in the arts, humanities, arts administration, or
other related field
2. At least three years previous experience as an organizer, project
manager, or administrator of a program(s) or organization
3. Fundraising and grant-writing experience
4. Excellent writing and public speaking skills
5. Excellent facilitating and convening skills
6. Demonstrated commitment to art, culture, and social
responsibility
How to Apply: Please send cover letter, resume and references to: 255
South Main St. Providence, RI 02903, ATTN: Search or preferably email
application materials as Word attachments to
aac@....
Last day to apply: April 10, 2002
Area of Focus: Arts, Community Building and Renewal, Network of
Nonprofit Organizations
Organization: Alliance of Artists' Communities
URL: http://www.artistcommunities.org
Phone: 503-797-6988
Location: Providence, Rhode Island, 02903, United States
Job posted on: January 08, 2002
fonte: idealist.orgAction Without Borders
@ DEVELOPMENT ASSOCIATE. THE EASTWEST INSTITUTE
==========================================
prazo/plazo/deadline: 07/04/2002
Job Category: Fundraising & Development
Type: Full time
Description: The EastWest Institute is an international nonprofit
with offices in New York, Prague, Moscow, Kyiv, Belgrade and Brussels
dedicated to defusing tensions, strengthening democracy, developing
free enterprise and creating new forms of cooperation across borders
in Eastern Europe, Russia and Eurasia. EWI operates on a yearly
budget of approximately $7 million, with the primary source of
revenue coming through our fundraising efforts.
We are seeking a Development Associate to work closely with the
Director for Major Gifts, who will Coordinate development activities related to unrestricted
giving, Provide general
support to the Director, Facilitate the
annual giving campaign plan with the Director, Coordinate development events, Draft and edit materials associated with
unrestricted giving, Research current and potential prospects for
unrestricted gifts Provide
ongoing management of the Raiser's Edge database including
generating reports and entering data.
Education: Bachelor (BA, BS, etc.)
Languages: English
Additional Qualifications: Qualifying candidates will possess MA degree in
Communication or BA and the equivalent experience, (1-3 years in
Development office), Excellent writing skills
including the ability to capture quickly and concisely the thoughts
of others in written form, Strong
research abilities, Highly organized, detail
oriented, Ability to work well under
pressure, Excellent use of Microsoft office and
the Internet.
How to Apply: We offer a competitive compensation and benefits
package and a fast paced, collegial environment. Please send a
letter, resume and salary history to mboyd@...; or mail to
EastWest Institute, 700 Broadway, 2nd floor, New York, NY 10003.
Last day to apply: April 07, 2002
Area of Focus: Government Oversight and Reform, Peace and Conflict
Resolution
Organization: EastWest Institute
URL: http://www.iews.org
Phone: 212-824-4100
Location: New York, New York, 10003, United States
Job posted on: January 07, 2002
fonte: idealist.orgAction Without Borders
@ PROJECT MANAGER. SASI FOUNDATION. PAKISTAN
==========================================
prazo/plazo/deadline: 08/04/2002
Type: Full time
Salary: negotiable
Description: This is a fulltime postion for Manager Project who will
be responsible for coordinating several projects through strategic
creation and development of network of volunteers from the various
segmnent of society such as retired executives, students, teachers
and faculty members, parents and corporate sponsored employees to
accomplish these high profile philanthropic and community
projects.
Education: No minimum requirement
Languages: English
Additional Qualifications: Must have learning ,love and leadership
qualities with strong system,organisation,
and zeal to accomplish task before time.Must lead by example and
hands on expereince of previously developed an organisation from
startup.
How to Apply: Reporting direct to the President
Firoz Shroff
Founder President
Sasi Foundation
Sasi House,G-32,Block 9,
Main Clifton Road
Karachi 75600
Pakistan
Last day to apply: April 08, 2002
Area of Focus: Community Building and Renewal, Community Net or
Freenet, Community Service and Volunteering, Computers and
Technology, Economic Development, Education, Environment, Family and
Parenting, Farming and Agriculture, Foundations and Fundraising
Coalitions, Housing and Homelessness, Immigration, Library or
Resource Center, Network of Nonprofit Organizations, Personal
Finance, Recreation and Leisure, Seniors and Retirement Issues,
Women's Issues
Organization: Sasi Foundation
URL: under development
Phone: 9221 5832443
Location: Karachi, Sindh, 75600, Pakistan
Job posted on: January 10, 2002
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N.51+51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 2: CURSOS E CAPACITACAO / CURSOS Y CAPACITACION
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ CURSOS DE CINEMA E VIDEO EM CUBA
ABRIL - DEZEMBRO 2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
convenio projeto proarte brasil-escuela internacional de cine y tv,
cuba
(OBS: estes cursos nao tem vestibular nem limite de idade)
EDICAO DIGITAL EM AVID
(3 semanas) abril 8-26 com DOMINIQUE ROY (Franca) internacional
a confirmar. 1200 US$
Teorico-pratico. Conceitos e teoria da edicao nao-linear. Similitudes
e diferencias com o processo de edicao cinematogafica e edicao linear
de video. O processo de edicao digital na pos-producao. Exercicios
praticos em AVID.
ROTEIRO CINEMATOGRAFICO
(2 semanas) maio 6 -17 com PATRICK CATTRYSSE (Belgica) 1000
U$S
Aulas teoricas e praticas sobre o processo de ciracao de roteiro
cinematografico. Analise e discussao de filmes selecionados e
praticas com exercicios de dramaturgia.
o professor: Patrick e escritor, diretor e produtor independente. E
Diretor da Flanders Script Academy e consultor de varias outras
academias.
FOTOGRAFIA CINEMATOGRAFICA
(3 semanas) maio 6 -25 com RAUL RODRIGUEZ (Cuba) 1500 U$S.
A visao consciente, ajuste de cor, sensitometria e tecnica de
filmagem, fundamentos de iluminacao, luz dura e luz blanda, lentes,
filtros, intrumentos de medicao de luz, laobratorio, copia final,
revelado normal e forcado, praticas utilizando suporte video,
filmagens em exteriores e interiores.
o professor: Raul trabalhou como diretor de cinematografia em mais de
150 documentais em 35 mm, longa-metragens de ficcao, video-clips e
curtas com importantes cineastas em Cuba e outros paises, entre eles
Enrique Pineda Barnes, Richard Pierce e Jorge Sanjines.
REALIZACAO E ROTEIRO
(3 semanas) junho 10-28 com PASCAL AUBIER (Franca-USA) 1800 U$S
Oficina intensiva focalizada nas areas de producao e roteiro. Debates
sobre realizacao com enfase nos equipamentos eletronicos, a camera,
composicao visual, etc. Sera realizado um exercicio pratico para
discussao durante o curso.
o professor: Pascal e filosofo e antropologo. Escreve, produz e
dirige seus filmes, alguns dos quais obtiveram importantes premios
internacionais. Tambem tem uma ampla filmografia como
assistente de direcao de famosos diretores como Claude Chabrol, Eric
Rohmer e Jean Luc Goddard.
TEORIA E PRATICA DA MONTAGEM CINEMATOGRAFICA
(3 semanas) junho 10 -28 com NELSON RODRIGUEZ (Cuba) 1200 U$S
Oficina teorico-pratica sobre a edicao de um filme, da recepcao dos
materiais ate a copia final para exibicao. Pratica na mesa de
montagem a partir da edicao de imagens e som.
o professor: Nelson editou algumas das obras mais importantes do
cinema cubano, alem de colaborar com outros cineastas
latinoamericanos como Miguel littin, Jaime Humberto Hermosillo,
Lisandro Duque e Jorge Ali Triana, entre outros. Trabalhou tambem
para o famoso noticiario ICAIC sob a direcao de Santiago Alvares.
Como editor ja recebou importantes premios internacionais.
ROTEIRO CINEMATOGRAFICO
(2 semanas) julho 1-12 com ELISEO ALTUNAGA (Cuba) 1000 U$S
Aulas teoricas e praticas sobre o processo de ciracao de roteiro
cinematografico. Analise e discussao de filmes selecionados e
praticas com exercicios de dramaturgia.
o professor: Eliseo e escritor de romances, jornalista, ensaista e
roteirista de cinema, radio e televisao. E tambem professor do
Instituto Superior de Arte de Cuba e ja ministrou oficinas de roteiro
em diferentes paises.
FOTOGRAFIA CINEMATOGRAFICA
(3 semanas) julho 1 - 19 com KEN PETTERSON (USA) 1500 U$S
A visao consciente, ajuste de cor, sensitometria e tecnica de
filmagem, fundamentos de iluminacao, luz dura e luz branda,
lentes, filtros, fotometros, laboratorio, copia final, revelado
normal, praticas utlizando suporte video, filmagens em exteriores e
interiores.
o professor: Ken tem uma vasta experiencia como diretor de fotografia
e supervisor de efeitos visuais na televisao americana (Discovery
Channel e NBC) Recebeu varios premios e distincoes pelos seus
trabalhos fotograficos e jornalisticos e ja ministrou oficinas de
fotografia e camera em diversos paises.
REALIZACAO DE DOCUMENTARIOS
(3 semanas) julho 1 -19 com BELKIS VEGA (Cuba) 1500 U$S
Introducao a historia do documentario. Metodologia de pesquisa.
Especificiades da realizacao de documentarios como interpretacao
criativa da realidae. Trabalhos praticos baseados na elaboracao de
projetos de documentario e analise de casos concretos.
a professora: Belkis e roteirista e diretora de cinema e video.
Leciona no Instituto Superior de Arte de Cuba Belkis. Seu experiencia
como correspondente de guerra reforzou seu extenso trabalho academico
sobre historia e realizacao de documentarios em instituicoes cubanas
e internacionais.
OFICINA AVANCADA DE ROTEIRO
(5 semanas) setembro 16 -outubro 18 com TERESA DELGADO (Cuba), JULIO
CESAR ROJAS (Chile) e ROSA TEICHMANN (Argentina) 1500 U$S
Estruturas narrativas literarias. Roteiro cinematografico. Adaptacao
cinematografica.
os professores:
Teresa Delgado e Doutora em Filologia, escritora e Professora da
Universidad de La Habana.
Julio Cesar Rojas e roteirista e Professor de roteiro na Escuela de
Cine de Chile. E tambem assessor e auditor de roteiro.
Rosa Teichmann e Professora de roteiro na Universidad Nacional de La
Plata, na especialidade de adaptacao.
OFICINA DE DOCUMENTARIO SANTIAGO ALVAREZ
(5 semanas) setembro 23-outubro 25 com ENRIQUE COLINA (Cuba) ,
BRUCE ELLIOT LANE (USA), JORGE FUENTES (Cuba), JOSEBA MACIAS
(Espanha) e 2 professores do Sundance Institute 1800 U$S
Teoria. Historia e estetica do documentario. Pesquisa e producao.
Trabalho Pratico: Desenvolvimento de projetos. Producao e
post-producao dos exercicios.
os professores:
Enrique Colina e critico de cinema e realizador de documentarios. E
professor titular do Instituto Superior de Arte de Cuba e professor
convitado na Universite Michel de Montaigne, Bordeaux III, assim como
da Escole Superiure d'Audiovisuelle (ESAV) em Toulousse, Franca.
Desde 1968 dirige o programa "24 quadros por minuto" sobre
critica e apreciacao cinematografica, um dos de maior rating da
televisao cubana.
Bruce Elliot Lane e Doutor em Film Studies & Folklore e professor
na Texas University. Leciona tambem no Departamento de Antroplogia da
Universidad Autonomo de Morelos, Mexico. Seus filmes receberam
importantes premios internacionalis.
Jorge Fuentes (Cuba) Professor da Universidad de La Habana e do
Instituto Superior de Arte de Cuba. e tambem poeta, jornalista,
roteirita e diretor cinematografico. E autor de importantes
roteiros do cinema cubano que receberam premios nacionais e
internacionais.
Joseba Macias (Espanha) Roterista e diretora de series para a
televisao europeia. Seu trabalho obteve varios premios e distincoes.
E autora de varios livros especializados.
2 professores do Sundance Institute
DA PRODUCAO DE CAMPO A PRODUCAO EXECUTIVA NO MERCADO INTERNACIONAL
(8 semanas) outubro 1-novembro 22 com especialistas internacionais
coordenados por SANFORD LIEBERSON (USA-Inglaterra) U$S 2100
O papel do produtor, produccao do grandes estudios e cinema
independente. Desenvolvimento de projetos e o papel do
produtor. Introducao ao Pitch. O mercado de televisao. Plano de
filmagem e orcamento. Co-producoes, venda internacional, distribuicao
e exibicao. Problemas legais.
diretor da oficina:
Sanford Lieberson (USA- Inglaterra) Produtor independente. Jefe de
departamento da National Film and Television School. Especialista em
distribuicao de filmes na Inglaterra. Foi presidente supervisor de
producoes internacionais da MGM. Seu trabalho inclui filmes de grande
sucesssso como "Alien", "Julia", "Chariots
of Fire" e "Blade Runner" ,etnre outras.
professores:
Santiago Llapur (Cuba) produtor cinematografico. Pruduziu mais de 20
documentais e 30 longas importantes da cinematografia cubana.
Participou de diversas co-producoes internacionais em Cuba e realiza
trabalhos como assessor de producao.
Julio Raffo (Argentina) Advogado. Membro fundador da Camara Argentina
da Industria Cinematografica. Publicou diferentes materias e livros
sobre legislacao de Cinema. Trabalhou como assessor juridico de
producoes na Argentina. Professor-expositor de legislacao em
diferentes universidades.
Ana Ayesta (Espanha) Executiva de vendas internacionais da Hanway
Films de Londres. Trabalhou como assistente de direcao e manager de
producao de longas, musicais e comerciais.
Shelly Bancroft (Inglaterra) Diretora, produtora e produtora
executiva de importantes filmes que ganaharam reconhecimento
internacional. Autora de um guia de producao para produtores
independentes.
Alexandra Stone (Inglaterra), Ex- vice presidente, agora Jefe de
Desenvolvimento da empresa RECORDED PICTURE COMPANY, London & Los
Angeles. Diretora de Desenvolvimento de Spring Creek
Productions, Warner Bros., Los Angeles. Ha trabalhado com
importantes diretores e produtores como Bertolucci, Lasse Halstrom e
Paula Weinstein como assistente de direcao.
Hector Abadie (Mexico) Diretor de programacao do Canal 40 de
televisao CNI de Mexico ( Corporacao de Noticias e
Informacao). Ampla experiencia na producao, programacao
e comercializacao de cinema e programas de TV. Dirige a
programacao dos canais 7,13 e 22 de Mexico. Fundador da
produtora nacional de radio e televisao (PRONARTE) e do
Instituto Mexicano de la television (IMEVISION).
OFICINA DE REALIZACAO CINEMATOGRAFICA
(4 semanas) outubro 28 - novembro 22 com JOSE SANTISO
(Argentina) 1500 U$S
Linguagem cinematografica. Conceito de estilo cinematografico.
Roteiro tecnico. Exercicios praticos de realizacao em video.
DIRECAO DE CENA
(3 semanas) novembro 11- 29 com MIRIAN LEZCANO (Cuba) 1500
U$S
Estruturas dramaticas.Tecnicas de atuacao, improvisacao. Mis en
scene.
/////////////////////////////////////////////////////////////////////////////////
os precos incluem:
matricula + hospedagem + refeicoes na escola
contatos para inscricoes:
Alfredo Calvino / Patricia Martin - Projeto Proarte Brasil -
telefax:
022-26291493 (Buzios) celular: 022-92530903
email:
mailto:alfrec@...
mailto:patriciamartin@...
////////////////////////////////////////////////////////////////////////////
@ ABERTAS AS INSCRICOES
PARA NOVAS OFICINAS DE ATUALIZACAO PROFISSIONAL
NO CENTRO DE REALIZACAO AUDIOVISUAL
DO INSTITUTO DRAGAO DO MAR (Fortaleza, Brasil)
============================================
Trata-se de oficinas e cursos com duracao entre uma semana e dois
meses, com programacao que responda as carencias endemicas
e circunstanciais dos mercados brasileiro e latino-americano,
abarcando as expressoes cinematografica, videografica,
televisiva e infografica.
Programadas a partir de pesquisas de mercado e tambem procurando a
consolidacao das competencias especificadas para o Curso
tecnico, o calendario inclui Roteiro, Edicao, Producao,
Fotografia, Novas Tecnologias, Critica Analise Cinematografica,
Marketing e Distribuicao.
Todos os cursos sao gratuitos.
============================
CURSOS PROGRAMADOS PARA O PRIMEIRO SEMESTRE:
============================
TECNICAS AVANCADAS DE ROTEIRO E CONSTRUCAO DE CENAS
abril 1- 5 (20 h/a)
prof: TETE VASCONCELOS
DOCUMENTARIO: HISTORIA, CRITICA E PROCESSO DE REALIZACAO
abril 15 - 19 (20 h/a)
prof: BRENO KUPERMAN
LINGUAGEM AUDIOVISUAL
abril 22- 26 (20 h/a)
prof: HELIO GODOY
OFICINA DE VIDEO COMUNITARIO
maio 6 - 24 (40 h/a)
prof: VICENTE DUQUE ESTRADA
LABORATORIO DE ROTEIROS
maio 6 - julho 5
prof: JOAQUIM ASSIS
LABORATORIO DE DOCUMENTARIOS
maio 6 - julho 5
prof: BRENO KUPERMAN
WORKSHOP DE CINEMATOGRAFIA ELETRONICA
junho 3 - 14 (40 h/a)
prof: CARLOS EBERT
HISTORIA DO CINEMA
julho 8 -12 (20 h/a)
prof: HELIO GODOY
SEMINARIO DE CRITICA CINEMATOGRAFICA
julho 15 - 19 (20 h/a)
prof: JOSE GATTI
WORKSHOP INTERNACIONAL DE
INTERATIVIDADE E NARRATIVAS NAO LINEARES
"Criatividade, Tempo e Espaco no Universo da Multimidia"
julho 22 - 31 (40 h/a)
prof: HEITOR CAPUZZO (UFMG) e VIBEKE SORENSEN (USC)
CURSOS DE MAC OS
no novo Laboratorio Macintosh do Centro de Realizacao
Audiovisual
abril 8 -12 (20 h/a)
abril 29- maio 3 (20 h/a)
Maiores informacoes:
Instituto Dragao do Mar
Centro de Realizacao Audiovisual
@ PROGRAMACAO PARA ABRIL, MAIO E JUNHO DOS CURSOS DO CENTRO
DE COMUNICACAO E ARTES - SENAC (SAO PAULO, BRASIL)
============================================
OFICINA DE ROTEIRO - Carga horaria: 60 h
Nocoes de estrutura e tecnicas basicas para a criacao de
roteiros, que vao do Documentario a Ficcao.
08 abr a 24 mai seg qua
sex09h00 as 12h00
OFICINA DE ROTEIRO PARA DOCUMENT RIOS - Carga horaria: 60 h
O que e Documentario: tecnicas fundamentais dessa modalidade de
roteiro como instrumento de trabalho e pesquisa. 06 mai a 21
jun seg qua
sex19h00 as
22h00
OFICINA DE ROTEIRO PARA V DEOS EMPRESARIAIS - Carga horaria: 60
h
Ideias que viram imagens! Um video empresarial, antes de tudo,
e um video, portanto precisa entreter, ter qualidade e gerar
beneficios reais para a empresa.
06 mai a 21 junseg qua sex19h00 as
22h00
PRODUCAO PARA TV E V DEO - Carga horaria: 42 h
Tecnica da gestao de producao para TV e video. Elaborar, a
partir da interpretacao de roteiros, solucoes para a
viabilizacao de uma producao audiovisual.
15 abr a 03 maiseg a
sex19h00 as 22h00
17 JUN A 04 JULseg a
sex19h00 as 22h00
B SICO DE EDICAO EM CORTE SECO - carga horaria: 24h
Principio da edicao em video. Diferenciacao de formatos e
sinais, sistemas de cor e estilos de edicao.
16 abr a 25 abrseg a
sex14h00 as 17h00
10 jun a 19 junseg a
sex19h00 as 22h00
EDICAO EM 3 M QUINAS - Beta - carga horaria: 42h
Conhecimentos e nocoes gerais na constru&c
cedil;ao e finalizacao de edicao, visando desenvolver a
tecnica de utilizacao dos varios equipamentos que compoem a
ilha.
03 jun a 28 junseg qua sex14h00 as
17h30
OFICINA DE V DEO - carga horaria: 59h
Conhecimentos tecnicos basicos em camera, iluminacao,
roteiro e edicao, para a realizacao de um video.
02 abr a 25 junter e qui09h00 as 12h30
06 mai a 10 jun seg a
sex14h00 as 17h30
TREINAMENTO DE LOCUCAO PARA TV - carga horaria: 35h
Orientacoes com relacao a pratica do locutor
noticiarista, atraves da interpretacao de laudas de telejornal
e acompanhamento fonoaudiologico.
09 abr a 09 maiter e qui19h00 as 22h30
07 mai a 06 junter e
qui09h00 as 13h00
OFICINA DE ASSIST NCIA DE DIRECAO E CONTINUIDADE - carga
horaria: 42h
Esta oficina permite aos participantes uma aproximacao teorica
e pratica, atraves de exercicios, das funcoes de
assistencia de direcao e continuidade em Cinema.
24 ABR A 12 JUN seg e qua19h00 as
22h00
Obs.: a aula pratica com a camera sera realizada sabado e/ou
domingo.
CONVERG NCIA DE M DIAS: A FORMA E O CONTE DO - carga
horaria: 36h
A proposta e apresentar, discutir e orientar sobre as
possibilidades de trabalho com o conceito e os instrumentos de
convergencia de midias.
23 ABR A 04 JUNter e qui09h00 as 12h00
TELEVISAO E CINEMA: UMA AN LISE COMPARADA - carga
horaria: 84h
Analise do produto audiovisual sob as perspectivas de critica da
forma e de critica da sociedade, possibilitando ao part
icipante a decodificacao dos discursos televisivos.
03 JUN A 29 JULseg qua sex19h00 as
22h30
CENOGRAFIA - DIVERSOS CAMINHOS - carga horaria:72h
Nocoes basicas de criacao e execucao de projetos
cenograficos visando capacitar o aluno a trabalhar nas diversas
areas de atuacao da cenografia.
06 MAI A 29 JULseg e qua19h00 as 22h00
Para mais informacoes entre em contato conosco pelo tel:
3866-2500 ou acesse nosso site
<http://www.sp.senac.br/comunicacao>
@ C TEDRA LATINOAMERICANA DE TEATRO "JOSE
MART "(CUBA)
============================================
El Centro Nacional de Cultura Comunitaria de Cuba, el Centro Libre de
Experimentacion Teatral y Artistica (CLETA) de Mexico y la
Sociedad Cultural "Jose Marti" de Cuba, convocan a la
realizacion de esta catedra que sera coauspiciada por el
Consejo Nacional de las Artes Escenicas de Cuba, Casa de las
Americas, la seccion de Narracion Oral de la Union Nacional
de Escritores y Artistas de Cuba, y el Ministerio de Cultura de Cuba.
La Catedra se realizara del 17 al 30 de junio de 2002 en la
Ciudad de La Habana.
El teatro de contenido social y popular, que refleja la realidad de
nuestros pueblos latinoamericanos, desde sus origenes, es una
constante en el quehacer cultural y artistico de los paises de la
region, en el la breve obra dramaturgica de Jose Marti
resulta un hito de trascendencia.
En distintos paises se realizan encuentros y eventos teatrales que
se necesita articular; articulacion que no debe darse solo en el
momento de los encuentros, sino de forma permanente, en una accion
estable de los movimientos y teatristas que confluyen en los
eventos.
Durante el encuentro se dedicara atencion especial al teatro
hecho por y para ninos, como medio educativo e importante recurso
para el desarrollo de habitos y habilidades cognositivas y
esteticas.
Considerando que la narracion oral es una de las manifestaciones
mas antiguas y a la vez contemporanea de las artes escenicas,
se propone incluir tambien la creacion y superacion de los
cultores de esta modalidad teatral; lo que permitira ampliar el
marco de accion de la C TEDRA a mayores sectores de la
poblacion.
Seran aceptadas en la C TEDRA todos aquellos que coincidiendo con
los objetivos, antes del 15 de mayo llenen el Cuestionario de
Inscripcion y sean aceptados por el Comite Organizador. Dicho
cuestionario lo pueden bajar de la pagina electronica
http://mx.geocities.com/encuentrointernacional/
Solicitarlo por internet al correo
<cleta@...>
O por via postal a: CLETA. Apartado Postal 14-339
Mexico 14 D.F.
El Cuestionario de Inscripcion estara disponible a partir del 15
de febrero de 2002.
@ XXX TALLER EITALC DE DANZA-TEATRO (QUITO, ECUADOR)
============================================
La Escuela Internacional de Teatro de America Latina y el Caribe y
Frente de Danza Independiente convocan al XXX Taller de la
EITALC que se realizara en Quito-Ecuador, en la sede del
Frente de Danza Independiente, del 13 al 21 de mayo del 2002.
Como en ocasiones anteriores, la EITALC retoma la linea de
investigacion sobre el trabajo de grupos que han marcado la
practica escenica latinoamericana y mundial.
El frente de Danza independiente (FDI) es una agrupacion
creada en 1984 y que reune a varios profesionales en el campo de la
danza, la coreografia, la ensenanza y la interpretacion.
El Frente de Danza, desde sus inicios fue un espacio de
encuentro, aprendizaje alternativo y exploracion de lenguajes
escenicos. Actualmente, el FDI cuenta con su propia sala de
espectaculos "Mariana de Jesus" en la Casa de la Cultura
Ecuatoriana y con amplios espacios para el desarrollo de su
escuela El FDI cuenta con un elenco de base de trece
bailarines-coreografos.
El Taller ha convocado a diversos maestros del continente para que
compartan sus propias experiencias como interpretes, coreografos
y pedagogos. El espacio humano y artistico del Frente de Danza
Independiente de Quito (17 anos de actividad) sera el lugar
propicio para vivir este encuentro y convivencia entre actores y
bailarines de diferentes latitudes.
Equipo de Maestros: lvaro Restrepo (Colombia, a confirmar), Marco
Antonio Silva (Mexico), Marianela Boan (Cuba), Susana Tambutti
(Argentina), Kleber Viera (Ecuador), Wilson Pico (Ecuador).
Por mayores informes, contactarse a frentedanza@...,
frentedanza@... o al fax: (593)2 2239370, en Quito
Ecuador. El cierre de la inscripcion sera el 13 de abril del
2002.
@ TALLERES DE TEATRO EN LA CASONA (BARCELONA, ESPANA)
============================================
- Taller de escritura dramatica, por Enric Nolla, del 5 de abril al
21 de junio.
-Hilos de expresion, por Nuria Banal y Nuria Martinez, del 20 de
abril al 22 de junio.
-Direccion de escena, con Rafael Duran, del 23 de abril al 24 de
mayo.
-Esgrima shakespeariana, por ngel Amieva, del 6 al 22 de mayo.
-Introduccion a la acrobacia y a la violencia escenica, por
Osvaldo Bermudez, del 31 de mayo al 9 de junio (dos fines de
semana).
-Direccion de escena con Antonio Simon Rodriguez, del 28 de mayo
al 28 de junio.
-Introduccion a las tecnicas de actuacion de Michael Chekhov
por Soledad Garre, 27,28 y 29 de junio.
-Gimnasia bioenergetica para
actores, por Liliana Duca, del 1 al 12 de julio 2002.
- Direccion de escena con Magda Puyo, del 1 al 12 de julio.
-Maquillaje teatral, Montserrat Tolosa, 5, 6 y 7 de julio.
Por mayor informacion sobre cada curso (horarios, precio,
curriculum profesor, etc) consultar en www.lacasona.es o en La
Casona, Formacion e Investigacion Teatral de Barcelona
Burgos, 55 Tel. 00 (34) 93 422 69 22
@ T A L L E R E S Y S E M I N A R I O S. TEATRO EL BALDIO.
(BUENOS AIRES, ARGENTINA)
============================================
"Entrenamiento y trabajo creativo"
(Nivel Inicial)
Entrenamiento fisico y vocal
Acercamiento al proceso creativo
Duracion: de Abril a Junio
Jueves de 19 a 22 hs.
"El actor y el proceso creativo"
(Seminario trimestral dirigido a actores, bailarines y estudiantes
avanzados de teatro y danza)
Entrenamiento fisico y vocal
Diversas miradas sobre el proceso creativo
Busqueda de dramaturgias propias
Duracion: de Abril a Junio
Miercoles de 18:30 a 22 hs. y Sabados de 14 a 17:30 hs.
Taller de Teatro para Ninos
(para ninos de 8 a 12 anos)
Sabados de 10:30 a 12:30 hs.
Curso Anual sobre Historia Universal del Cine
El curso se propone brindar elementos conceptuales y metodologicos
para la apreciacion y comprension de obras cinematograficas.
Recorrido analitico
Su evolucion como Arte sensible al Mito Historico
Contextos socio-politicos
Estructura expresiva, principales escuelas y creadores
Profesor: Guillermo Caputti
Viernes de 19:30 a 21:30 hs.
INFORMES E INSCRIPCION
Lunes a Viernes de 18 a 20 hs.
Sabados de 10 a 13 hs.
El Baldio Teatro
Av. Wernicke 2866 - 2o Piso - Ciudad Jardin
(a tres cuadras de la Estacion El Palomar)
Tel./ Fax (54 11) 4751-8867
e-mail:<mailto:elbaldio@...>
@ OFICINAS KINOFORUM: TEMPORADA 2002 TEM IN CIO EM CIDADE
TIRADENTES
============================================
Depois do bem-sucedido projeto piloto em 2001 - quando 16
curtas-metragens digitais foram produzidos por adolescentes e jovens
da Freguesia do , da Favela Monte Azul e da Cohab Raposo Tavares,
com surpreendente resultado -, as Oficinas Kinoforum de
Realizacao e Producao Audiovisual dao inicio a sua
Temporada 2002 no proximo dia 8 de marco (sexta-feira), no bairro
de Cidade Tiradentes (Zona Leste da capital). Na ocasiao sao
exibidos , em sessao ao ar livre e aberta ao publico, uma
selecao dos filmes realizados no ano passado, alem de alguns
dos mais importantes titulos da cinematografia brasileira no
formato. A sessao tem inicio as 20h00 no numero 1081 da
Avenida dos Metalurgicos, no centro da Cidade Tiradentes
A Petrobras e patrocinadora exclusiva do Festival
Internacional de Curtas Metragens de Sao Paulo e as Oficinas
Kinoforum sao parte integrante deste evento. As Oficinas Kinoforum
contam ainda com apoio da Apple e da JVC, atraves do projeto Olhar
Digital. O projeto promove a exibicao de curtas-metragens e a
realizacao de oficinas de captacao e edicao de video em
varias comunidades e regioes da cidade de Sao Paulo. Atraves
das oficinas pretende-se desvendar novos olhares, universos e
concepcoes de imagem, oriundos de grupos sociais que habitam
essas regioes, que nao tem acesso aos circuitos de producao
e exibicao do cinema brasileiro.
Estao previstas para este ano oito oficinas, com
duracao de tres semanas e carga horaria total de 52 horas
cada. Para cada uma das oficinas e selecionado um grupo de 20
participantes. As Oficinas Kinoforum incluem tambem uma sessao
publica de cinema para a comunidade no primeiro dia e a
exibicao para as diferentes comunidades dos trabalhos
realizados.
Do programa das Oficinas Kinoforum constam discussoes
teoricas abordando os generos ficcional, documental e
experimental, uma introducao a decupagem e linguagem
cinematografica e a iniciacao aos aspectos praticos da
utilizacao da camera de video digital, ao lado de
exercicios praticos com cameras digitais e uma
introducao aos recursos da edicao digital. Divididos em
grupos, os participantes roteirizam, gravam editam finalizam e exibem
seus trabalhos.
Todos os curtas digitais produzidos na Temporada 2002 das
Oficinas Kinoforum de Realizacao e Producao Audiovisual
integrarao a programacao do 13o Festival Internacional de
Curtas Metragens de Sao Paulo, que acontece de 22 a 31 de agosto
proximo.
A inscricao para as oficinas e de responsabilidade dos
Centros e Associacoes Culturais, e sera feita apenas nos locais
onde elas acontecerao, entre jovens na faixa de idade entre 17 e 25
anos. As fichas de inscricao e maiores informacoes estao
disposicao no endereco
<http://www.kinoforum.org/oficinas>
Parcerias
A Petrobras e a
empresa patrocinadora, sem a qual a realizacao do projeto nao
seria possivel. A Petrobras tambem patrocina o Festival
Internacional de Curtas Metragens de Sao Paulo.
A
parceria com a Apple foi estabelecida atraves do projeto Olhar
Digital, cuja proposta e identificar, em parceria com os
educadores, as potencialidades e oportunidades para o desenvolvimento
de projetos educacionais, bem como novas possibilidades
pedagogicas, com a utilizacao de ferramentas de facil
aplicabilidade para a producao de conteudo dinamico (imagem e
texto) em formato digital, que e uma ferramenta nao intrusiva no
ensino.
A
parceria com a JVC, que fornece as filmadoras digitais para a
realizacao das Oficinas Kinoforum, reafirma a politica da
empresa de investir nos novos talentos do audiovisual brasileiro, em
sintonia com a modernidade de sua linha de producao.
A
Associacao Cultural Kinoforum, uma entidade cultural sem fins
lucrativos, e tambem responsavel pela organizacao de
eventos (E Tudo Verdade - Festival Internacional de
Documentarios, Festival Internacional de Curtas Metragens de Sao
Paulo) e por publicacoes como o Guia Brasileiro de Festivais de
Cinema e Video.
O apoio dos parceiros locais, como casas de cultura, centros
comunitarios e todo tipo de entidades culturais e fundamental
para realizacao do projeto. A primeira oficina da Temporada 2002
das Oficinas Kinoforum de Realizacao e Producao Audiovisual
sera realizada em parceria com o MOCUTI - Movimento Cultural Cidade
Tiradentes - que organiza eventos junto a populacao e entidade
locais desde 1991, realizando, patrocinando, estimulando ou
promovendo acoes e eventos culturais, ludicos, esportivos, e
educativos, junto ao moradores das COHAB's do complexo Cidade
Tiradentes e adjacencias.
Equipe
A coordenacao das Oficinas Kinoforum e do cineasta Christian
Saghaard, que divide a direcao pedagogica com Alfredo Manevy.
As oficinas contam ainda com o diretor de fotografia Rodolfo
Figueiredo, o editor Andre Francioli, e o produtor Jorge Guedes,
alem de uma equipe de suporte tecnico e de producao.
Sugestao para Entrevistas:
Christian Saghaard - (11) 3034.5538 ou
<mailto:oficinas@...>
Atendimento a Imprensa:
Francisco Cesar Filho - (11) 3032.3057 ou xikino2@...
Maiores informacoes:
<http://www.kinoforum.org/oficinas>
@ TEDAVI'98 (FIRENZE) LABORATORIO DI SCRITTURA CREATIVA APPLICATA
ALLA DRAMMATURGIA
============================================
A Firenze
Inizio Lunedi 04 Marzo 2002 - dalle 17.00 alle 20.00
Via Dino Campana, 6 - zona Coverciano - Firenze
Informazioni e iscrizioni:
055 - 6120205 - 347 7085511
Una ricerca, un cammino che permette di affrontare la creazione
letteraria e scenica in tutta la sua magnitudine e valorizzare le
arti. Un'alternativa per potenziali scrittori (teatrali e non),
attori, registi, autori teatrali, artisti scenici, che troveranno,
nel transito di variabili creative, proposte per lo sviluppo
dell'immaginario personale e della molteplicita creativa. Quindi,
partendo dalla drammaturgia, formare un genere e uno stile che
identifichi e rappresenti l'artista.
@ LICENCIATURA EN ARTES DRAM TICAS. UNIVERSIDAD DE MOR N
(BUENOS AIRES, ARGENTINA)
============================================
En la Universidad de Moron esta abierta la inscripcion para la
Licenciatura en Artes Dramaticas (Resolucion Ministerial No
1268).
La misma otorga los titulos de Interprete en Artes Dramaticas
(3 anos), Licenciado en Artes Dramaticas (4 anos) y Profesor de
Artes Dramaticas (4 anos y medio).
Para mayor informacion dirigirse a:
Telefono 5627-2000, internos 170 y 172;
Personalmente a Cabildo 134, Moron,
piso 10, Facultad de Arquitectura, Diseno, Arte y Urbanismo;
Correos-e:
LRASENSIO@... (Luis Ricardo Asensio, Director
Instituto de Artes Dramaticas)
ARQUITECTURA@...
@ CENTRO DE ESTUDIOS DE GENERO Y CULTURA EN AMERICA LATINA 2002.
UNIVERSIDAD DE CHILE
============================================
Duracion :
Dos semestres (14 semanas cada uno)
Horas cronologicas semanales: 4.
Destinatarios :
Estudiantes universitarios/as (tercer ano en adelante)
Educadores/as, Comunicadores/as sociales, Artistas visuales,
Licenciados/as y profesionales universitarios/as en general Personal
de ONG con experiencia en el ambito de genero
Inicio de clases:
Martes 16 de Abril de 2002
Horario de clases:
Martes y Jueves de 18.30 a 20.30 hrs.
Patrocinan:
Centro de Estudios de Genero y
Cultura en America Latina,
Facultad de Filosofia y Humanidades,
Universidad de Chile.
Coordinadoras:
Kemy Oyarzun y Olga Grau
FUNDAMENTACI N
El Diploma Memorias, Sexualidad y Genero se propone indagar las
relaciones entre memoria historica y biografica, como huellas y
soportes de la construccion de la sexualidad, el genero y la
ciudadania.
Desde diversos enfoques disciplinares se analizaran discursos
teoricos, testimoniales y comunicacionales relativos al
entrecruzamiento de las categorias de memoria, sexualidad y
genero. Se incluira, asimismo, en el analisis, la creacion
literaria y de las artes visuales, poniendo enfasis en la
produccion cultural latinoamericana.
1 El Diploma contara con el reconocimiento del Centro de
Perfeccionamiento, Experimentacion e Investigaciones Pedagogicas
(CPEIP) del Ministerio Educacion, lo que significara en la medida
de su aprobacion, aumento en la asignacion de perfeccionamiento
para el docente.
Se abriran a concurso becas parciales de arancel para estudiantes
(cupo limitado). Recepcion de antecedentes: 1 al 31 de marzo de
2002, oficina Centro de Estudios de Genero y Cultura, Dpto. de
Literatura, Facultad de Filosofia y Humanidades, Universidad de
Chile.
OBJETIVOS
-Ofrecer elementos teoricos que permitan diversos enfoques en la
comprension de las relaciones entre memoria, sexualidad y
genero.
-Articular Sexualidad y Derechos Humanos con perspectiva de
genero.
-Desarrollar dispositivos de lectura para el analisis de textos
teoricos y la produccion literaria y de artes visuales.
-Favorecer la creatividad en la produccion de conocimientos y en el
ambito de la escritura biografica y las artes visuales.
CURSOS
Primer Semestre:
I. Memorias, Sexualidad y Genero: Una mirada teorica.
Profesora Coordinadora: Kemy Oyarzun.
Invitadas: Paz Rojas, Guadalupe Santa Cruz.
II. Memoria Historica de la sexualidad y el cuerpo.
Profesora Coordinadora: Margarita Iglesias
Invitadas/os: Federico Aguirre, Igor Goicovic, Paulina Zamorano.
Segundo Semestre:
III. Memoria, sujeto femenino y dinamicas del deseo.
Profesora Coordinadora: Pilar Errazuriz.
Invitada: Marina Arrate.
IV. Lenguajes de la memoria: escrituras y visualidades.
Profesora Coordinadora: Olga Grau,
Invitadas/os: Raquel Olea, Pedro Lemebel, Susana Gonzalez.
Evaluacion:
En cada curso se desarrollara un trabajo que puede tener la
modalidad discursivo - teorica o de produccion literaria o
artistica, dependiendo de la naturaleza del curso y previo acuerdo
con la/el docente que corresponda.
____________________
Valor Matricula:
$50.000
Arancel Mensual:
$35.000.- para profesores/as
y estudiantes de pregrado.
$40.000.- para otros profesionales.
Postulaciones e Inscripciones :
1 al 31 de marzo de 2002.
Facultad de Filosofia y Humanidades, Universidad de Chile.
Ignacio Carrera Pinto 1025, Nunoa.
@ DELL'ARTE SUMMER WORKSHOPS
IN BLUE LAKE, CALIFORNIA
============================================
MASK MAKING AND MASK PERFORMANCE
with Bruce Marrs
June 18 to June 29
with an optional third week of work
running to July 6
GENERATING NEW MATERIAL
with Daniel Stein
June 18 to July 6
COMIC ARCHETYPES
with Joan Schirle
July 9 to July 20
CLOWN
with Ronlin Foreman
July 23 to August 17
For more information on the summer workshops or the Mad River
Festival,
please visit : www.dellarte.com
@ TALLER DE PERIODISMO Y MEDIOS DE COMUNICACI N. SEMINARIO DE
HISTORIA DE LA TELEVISI N Y LA RADIO ARGENTINA
============================================
Contenidos del taller:
La noticia. Redaccion periodistica. Como informar y como
narrar. La cronica. Otros generos periodisticos. El lenguaje
grafico.
La informacion y la opinion. Los diarios: sus partes y secciones.
La "linea editorial". La objetividad y la subjetividad.
El sensacionalismo. Otros generos periodisticos: el editorial, la
nota perfil, la nota de color.
El periodismo radial. Redaccion para radio. El guion. La
funcion del "notero". El periodista de piso. Lectura de
noticia comentada. El periodismo en television. Redaccion
televisiva. El informe. El cronista. El humor en el periodismo.
El periodismo en Internet. Generos periodisticos televisivos:
informe, cronica, documental. La entrevista en television.
Contenidos del seminario:
Evolucion tecnica de la radio y la television. La historia de
las programaciones en la Argentina. Sus principales protagonistas.
Los generos mas exitosos. La ficcion y el periodismo. Los
medios y las costumbres de los argentinos. Fidelidad. Iconografia.
Target. Estructura empresaria de los medios. El discurso de los
medios electronicos ante los medios graficos. Personajes y
programas fundadores de los medios locales. Los distintos sistemas de
produccion en television.
Tanto el taller como el seminario estan destinados a:
Periodistas, estudiantes de carreras de comunicacion y locucion,
locutores, productores de radio y television, particulares
interesados en los medios, interesados en la comunicacion de masas,
de cualquier edad. Publico en general.
Objetivo del taller:
Confeccion y analisis de productos periodisticos tanto para
radio, grafica y television.
Aprender a redactar periodisticamente o mejorar esta redaccion,
en forma sistematica y ordenada.
Objetivo del seminario:
Lograr una aproximacion organizada a la evolucion de los medios
en nuestro pais, con el fin de poder comprender su funcionamiento
actual con mayor claridad.
Revalorizar e identificar contenidos y formatos clasicos,
recuperables para la produccion y creacion de contenidos en los
medios del siglo XXI.
Metodologia del taller:
Practica, a partir de diversos trabajos. Con apoyo teorico.
Metodologia del seminario:
Estructura de charla-debate.
Bibliografia:
Material optativo, de distintos autores, a disposicion de los
alumnos, tanto para el taller como para el seminario.
Materiales aportados por los alumnos:
Cuaderno o carpeta, lapicera.
En el caso del taller, los alumnos aportaran diversos materiales
para la confeccion de trabajos practicos. Estos trabajos y los
materiales seran coordinados con los alumnos en la clase.
Lugar y horario de dictado:
Teatro Arlequines - Peru 577 - Buenos Aires. viernes, de 17 a 19
horas, desde el 8 de febrero de 2002.
Costos:
$ 25 por mes.
Informes:
Por e-mail, a <mailto:nelebi@...>
Inscripcion:
Teatro Arlequines - Peru 571 - Buenos Aires, de lunes a viernes
desde las 18.
Viernes 1o de febrero de 18 a 19 en Arlequines, Peru 571 - Buenos
Aires, CLASE ABIERTA A MODO DE PRESENTACI N - COMPLETAMENTE
GRATIS!!!
Docente a cargo del taller y del seminario: Nicolas Elebi
Ramo.
Licenciado en Periodismo - Docente universitario.
Docente de la materia "Programacion y diagramacion
periodistica" de la Universidad Argentina de la Empresa,
unica catedra de su tipo en el pais.
Productor y conductor radial. Ex productor del canal Volver.
Investigador sobre la historia de los medios.
Actualmente es editor de la revista "Estado de sitio (sin
garantias constitucionales)".
@ SEMINARIOS, TALLERES Y CONFERENCIAS EXTRACURRICULARES
2002.INSTITUTO SUPERIOR DE ENSENANZA RADIOF NICA (BUENOS AIRES,
ARGENTINA)
============================================
Segundo Cuatrimestre de 2002 (agosto-octubre).
El Instituto Superior de Ensenanza Radiofonica ha decidido
implementar una serie de cursos extracurriculares destinados a todo
publico interesado en temas de cultura y comunicacion
social.
S "La Produccion en Cine y Television" (4 clases).
Diana Frey.
S "La Produccion de Programas Culturales" (4 clases).
Eduardo Raspo.
S "La Investigacion Periodistica en TV" (4 clases).
Miriam Lewin.
S "Hibridacion de los generos en la Television". (4
clases).
Oscar Steimberg (Semiologo, profesor universitario).
S "Industria de la ficcion en America Latina" (4
clases).
Nora Mazziotti (profesora universitaria y coordinadora de la
carrera de guion del ISER).
"El Inconsciente y los medios de comunicacion. La
emergencia de la verdad mas alla del mensaje" (4 clases).
Carlos Weisse.
"Los medios de comunicacion y la sociedad contemporanea:
un analisis critico" (4 clases).
Leonor Arfuch (investigadora y profesora
universitaria, UBA).
S "Cultura, informacion, comunicacion y medios. Cambios y
desafios especificos y estructurales". (4 clases).
Anibal Ford (profesor universitario).
S "El tratamiento de la informacion en Radio y TV" (4
clases)..
Eduardo Aliverti.
S "El casting en TV" (4 clases).
Eugenia Levin.
S "Introduccion a la Direccion en Television" (12
clases).
Rodolfo Hermida.
S "El Telefilme: ficcion o documental" (4 clases).
Jose Santiso (Director de cine, teatro y TV. Guionista,
documentalista).
S "Sistema de digitalizacion de audio y automatizacion
de radios" (6 clases).
Eduardo Esarte (docente del ISER).
S "Diseno acustico de estudios de Radio y TV" (8
clases).
Roberto Ottobre (docente del ISER).
"El humor como medio de comunicacion" (4
clases)
Lic. Alicia Rut
Levin
"La otra locucion" (8 clases).
Susana Tonelli (Locutora y periodista de America TV).
"Periodistas en internet" (4 clases).
Alejandro Pintamalli (Periodista, Editor de contenidos de paginas
de Internet).
"Comunicacion organizaciona" (4 clases).
Pablo Falik (Lic. en
Comunicacion Social, Consultor).
"Analisis cuali-cuantitativo de audiencias y
productos" (4 clases).
Gustavo Orza (Docente UBA, Dr. en Medios Audiovisuales, Universidad
de Barcelona).
Se preven otros cursos y talleres de extension, entre otros:
"Puntos de encuentro entre el cine y la TV", "El
federalismo en la radiodifusion" y "Taller de
iniciacion teatral".
@ INSTITUTO DE ESTUDIOS TEATRALES PARA AMERICA LATINA. CELCIT.
CURSOS Y TALLERES 2002/ BUENOS AIRES
============================================
Abierta la inscripcion. Vacantes limitadas
Talleres de formacion y perfeccionamiento:
Direccion teatral y puesta en escena / Juan Carlos Gene
4 de abril al 28 de noviembre, jueves de 10 a 13
Temas avanzados de interpretacion / Juan Carlos Gene y Veronica
Oddo
2 de abril al 26 de noviembre, martes de 19 a 23
3 de abril al 27 de noviembre, miercoles de 19 a 23
Iniciacion actoral / Ernesto Claudio y Teresita Galimany
1o de abril al 25 de noviembre, lunes de 19 a 22
Creatividad actoral. Taller con montaje / Carlos Ianni
4 de abril al 12 de diciembre, sabados de 10 a 13
Talleres especiales:
Introduccion a la dramaturgia / Marita Foix
Solicitar entrevista al 4962-6809
Informes e inscripcion: CELCIT. Bolivar 825, Buenos Aires
Telefonos: (5411) 4361-8358 y 4362-2347. e-mail:
correo@...
El CELCIT en Internet
Toda la informacion sobre las actividades de la institucion,
espectaculos, cursos, publicaciones, festivales,
concursos, etc. en <http://www.celcit.org.ar/>
@ TALLER DE REALIZACION CON FERNANDO PINO SOLANAS en la EICTV
============================================
Campus 2 de la EICTV
Introduccion a la realizacion
Con duracion de una semana
del 6 al 10 de Mayo del 2002
costo: $800.00 USD
Matricula: 20 personas
Con todas las opciones que ofrece el Hotel Las Yagrumas
abierta la convocatoria hasta el 25 de Abril del 2002
Incluye tours turisticos-culturales por Paradiso
Sintesis del programa: El taller se plantea estimular a sus
integrantes en el descubrimiento de las posibilidades expresivas del
director, asi como los metodos de las cuatro etapas o
"puestas" de realizacion del film.
1.- La concepcion del film: la puesta literaria o guion. El
documental.
2.- La busqueda de la imagen y la puesta en escena: concepcion
del film visual. La mirada.
3.- seleccion y formacion de actores.
4.- La puesta en imagen o el rodaje.
La puesta en comunicacion o montaje; la puesta sonora y la
edicion.
Las clases se complementan con ejemplos de grandes puestas de
teatro y secuencias de cine proyectadas en video.
El costo del taller incluye alojamiento, comidas, mas un city
Tour, visita a fotalezas del siglo XVIII en la ciudad de la
Habana , la ceremonia del Canonazo con cena; Encuentro
con la musica popular cubana en la Casa 18 de ARTEX, y Playa
al este de La Habana toda la tarde con cena.
Las solicitudes deben dirigirse a:
<mailto:hveitia@...>
<mailto:belkis@...>
O contactar a nuestras oficinas.
EN BRASIL : proarte@...
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N.50+51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 1: BOLSAS DE ESTUDO / BECAS DE ESTUDIO
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ AVIS DE CONCOURS POUR LA 4o SESSION DE FORMATION FORMATION A
L'ECRITURE DE SCENARIO >. UNION LATINE
==========================================
prazo/plazo/deadline: 24/05/2002
1er - 26 juillet 2002
DIRECTION CULTURE ET COMMUNICATION
SERVICE AUDIOVISUEL
L'Union Latine est une organisation intergouvernementale creee en
1954 qui regroupe 35 Etats de langue et de culture neo-latines.
Les peuples de langue romane sont d'origines tres diverses; ils ont
cependant en commun un patrimoine linguistique et un systeme de
references historiques et culturelles. Dotee d'un reseau
international de bureaux et de correspondants, l'Union Latine
developpe des projets multilateraux concernant tous les Etats
membres dans les domaines de la culture et de la communication, de la
promotion et de l'enseignement des langues et celui de la
terminologie et des industries de la langue.
Le Service Audiovisuel de la Direction Culture et Communication de
l'Union Latine, conscient de l'importance de toute initiative
tendant a preserver et a diffuser le patrimoine
cinematographique de chaque pays, procede a la restauration de
films, a l'organisation de retrospectives cinematographiques
annuelles et au soutien des principaux festivals latins. Il accorde
une importance particuliere aux jeunes cineastes des pays membres
souhaitant integrer le domaine du cinema et met chaque annee en
place une session de formation professionnelle sur les techniques
cinematographiques.
Le cycle de formation precedent s'est deroule a Paris du
5 au 30 novembre 2001. Il a ainsi permis a dix jeunes
cineastes d'approfondir leur connaissances techniques, mais aussi
de developper un reseau relationnel avec les professionnels.
COURS DE FORMATION 2002
Formation a l'ecriture de scenario
L'Union Latine propose a 10 jeunes cineastes des pays membres
de l'Organisation de participer a la Formation a l'ecriture
de scenario qui se deroulera a Paris du 1er au 26 juillet 2002,
en collaboration avec le Conservatoire Europeen d'Ecriture
Audiovisuelle de Paris.
Tous les frais d'organisation du cours de formation, les transports
(du pays d'origine a Paris, le retour et dans Paris intra muros),
l'hebergement et la demi-pension sont a la charge de l'Union
Latine.
Les modalites de recrutement, soumises au jugement sans appel de
l'Union Latine, sont les suivantes :
- justifier d'une formation ou d'une experience professionnelle
en ecriture de scenario (attestations, certificats, documents
officiels, etc.)
- etre de nationalite de l'un des 35 Etats membres de l'Union
Latine
- etre age de 20 a 35 ans
- posseder une bonne connaissance de la langue francaise
(ecrite et orale)
Les candidats devront envoyer :
- une lettre de motivation
- un curriculum vitae
- une photographie d'identite
- un synopsis (2-3 pages) de court-metrage ou de long metrage en
francais.
Tous les documents devront etre envoyes a l'Union Latine avant
le 24 mai 2002 (le cachet de la poste faisant foi) a l'adresse
suivante :
Union Latine - Service Audiovisuel
131, rue du Bac
75007 Paris - France
Union Latine
Direction Culture et Communication
Service audiovisuel
131, rue du Bac
75007 Paris - France
Telephone: (33) 1.45.49.66.21
Telecopie: (33) 1.42.22.83.19
Courrier electronique: audio.dcc@...
@UNESCO-ASCHBERG
International Fund for the Promotion of Culture
General information.2002 - 2003.Bursaries for artists
==========================================
Welcome to the UNESCO-ASCHBERG Bursaries for Artists programme!
Established in 1994, this programme aims to promote the professional
growth of young artists in different disciplines, mainly by providing
opportunities for further training in specialised institutions. The
programme is managed by UNESCO's International Fund for the
Promotion of Culture (IFPC) and is based on the Fund's co-operation
with a large network of international partner institutions. Since the
creation of the programme, the number of bursaries offered and
applications received has steadily grown. Almost 400 young artists
have already benefited from the programme.
For 2002-2003, the programme proposes and presents 57 bursaries
offered by 51 partner institutions in 27 countries. The increasing
success of the UNESCO-ASCHBERG Bursaries for Artists has encouraged
seven new prestigious institutions to join the network. Similarly,
some of the partner institutions have decided to increase the number
of bursaries and to enlarge their field of co-operation to others
disciplines.
To make it easier to find your way through this programme, the
bursaries offered have been grouped together by discipline:
visual arts / music / dance / creative writing / performing arts /
media arts
The offered bursaries have been studied in order to give a full
picture of the residency and to provide precise information on the
host institution, the nature of the bursary, eligibility and
application procedures.
The brochure is available on the Internet site : http://www.unesco
org/culture/ifpc/, regularly updated. The final selection results
will be published from July 2002.
The selection process is conducted jointly by an International
Artistic Committee set up each year by the IFPC and the host
institutions. The meeting of the International Artistic Committee
will take place in June-July 2002.
Maria Delfina Taboada
Programme UNESCO ASCHBERG
Fonds international pour la promotion de la culture
Tel. +331 45684038
Fax +331 45685595
E-mail : m.taboada@...
<http://www.unesco.org/culture/ifpc>http://www.unesco.org/culture/ifpc
==========================================
BURSARIES IN THE FIELD OF MEDIA ARTS
==========================================@ Residency at the Intercultural Centre for
Transdisciplinary Practice, Exchange and Research (CYPRES),
Aix-en-Provence, France (6 months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: transdisciplinary artistic creation and formation, video,
multimedia, medias, internet, sound, web artistic creation.
The host and partner institution: CYPRES, centre for research and
creation art/science/new technologies, welcomes artists with a
project or willing to deepen their practice in the field of new media
: sound, image, internet, CD ROM etc. A convention of partnership
with the Art school of Aix-en-Provence exists which is where artists
are hosted (at 25 km from Marseille).
For further information, please contact:
CYPRES
Friche de la Belle de Mai
41, rue Jobin 13003, Marseille, France.
Tel. (33) 04 91 62 95 82 / 04 95 04 95 75
Fax: (33) 04 95 04 95 00
E-mail: info@... or cypres@...
Internet: http://www. cypres.asso.fr
Facilities provided: the place of work is at the Art School of
Aix-en-Provence. It puts at the disposal machines, videos, photo
laboratory, computers, specialised workshops, high delivery internet
connexion, software of image manipulation.
Nature of the bursary: round trip travel, accommodation at the Art
school of Aix-en-Provence (individual room in a house and bathroom to
share), classes and lectures, visits. Food costs will be borne by the
laureate. The laureate has to present its work and project at the
beginning of the residency but is not obliged to finalize its work to
the spot. The institution encourages meetings with the regional
artistic circle. Artists must provide their own health insurance.
Dates of the residency: to be fixed by mutual agreement between
September 2002 and March 2003 .
Eligibility: artists having specific projects, motivated by the use
of new technologies in applied plastics. Working knowledge of English
or French required.
How to apply: using the application form supplied in this
publication, apply directly to CYPRES at the address indicated above,
by sending a curriculum vita, a statement of intent, a recent
photo, 10 slides or photographs of work, a videotape or a CD ROM,
press reviews, a short description of the proposed project, a
document proving your command of languages.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
@ Residency at CAiiA-STAR,
Wales, United Kingdom (3
months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: interactive media, robotics, internet and web-based
arts.
The host and partner institution: CAiiA-STAR is an intergrated
research platform combining the Centre for Advanced Inquiry in the
Interactive Arts at Newport and the Centre for Science, Technology
and Art Research at Plymouth. It attracts artists, theorists
and researchers from around the world who recognise that interactive
media, the WEB and the Internet are playing increasingly important
role in the transformation of culture, and who wish to create work at
the crossroads of art, science and technology. CAiiA-STAR also
benefits from the association with the researchers in artificial
life, cognitive science, and robotics.
For further information, please contact:
Director, CAiiA-STAR
University of Wales College
Newport, Caerlton Campus
Newport NP6 1YG, Wales, United Kingdom
Tel./Fax: (44 1633) 432 174
http://caiia-star.newport.plymouth.ac.uk
Facilities provided: Macintosh-based laboratories for research,
experimentation and production in screen-based and installation
interactive media, intelligent environment, robotics, Alife and other
technologically supported art activity.
Nature of the bursary: round trip travel, research and supervision,
laboratory facilities, board and lodging, living expenses. (Students
can be based at either Newport or Plymouth). Artists must provide
their own health insurance.
Dates de la residence: to be fixed by mutual agreement between
October 2002 and June 2003.
Eligibility: artists (including designers and architects) from Latin
America, who are committed to working at the convergence of art,
science and technology and wish to develop new ideas and practices in
this context. Working knowledge of English required.
How to apply: apply directly to the Director of CAiiA-STAR at the
address indicated above by sending a curriculum vita, a recent
photo, two reference letters, a statement of intent and examples of
work on CD-Rom (Macintosh) or VHS video tape (NTSC or PAL). Do not
send slides or photos.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
==========================================BURSARIES IN THE FIELD OF CREATIVE WRITING
==========================================@ Residency at Camac, Marnay-sur-Seine,
France (4 months)
==========================================
prazo/plazo/deadline: 30/04/2002
The host and partner institution: Camac (centre d'art. marnay art
centre) is located 1hr15mn from Paris in the attractive village of
Marnay-sur-Seine within the scenic Champagne-Ardenne region. This
creative centre offers a unique environment for international
residency programmes for artists, scientists and technologists
working with new media. Camac aims to foster communication and
creativity for individuals and groups working on the evolution of
ideas or the realisation of a body of work.
For further information, please contact:
Alexandra Keim / Director
Camac
1, grande rue, 10400 Marnay-sur-Seine, France
Tel.: (33) 3 25 39 20 61Fax. (33) 3 25 39 20
61
E-mail: camac@...
Facilities provided: quiet self-contained living and working quarters
within a 17th century priory. PCs or McIntosh computers (if required)
with word processing software and internet connections. Shared
kitchen, modest art reference library and conference spaces.
Provision of a daily evening meals and contact with other artists and
Camac participants. Requests for specific working equipment must be
made with application. Administrative support from art centre's
staff.
Nature of the bursary: round trip travel, board and lodging, contact
with local writers, possibility of public readings or workshops.
Artists must provide own health insurance.
Dates of the residency: to be fixed by mutual agreement between July
and December 2002.
Eligibility: poets, novel writers and playwrights with demonstrated
ability in French or English, whose publications have already been
staged or published. The candidate will be requested to contribute
texts to the Camac library.
How to apply: using the application form supplied in this
publication, apply directly to Camac at the address indicated above,
by sending curriculum vitae, a recent photo, a project proposal for
the residency period (3 to 10 pages), 2 reference letters, press
clippings of work publications.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
@ Residency in collaboration with the Hungarian Translators House
Foundation, Balatonfured,
Hungary (1 month)
==========================================prazo/plazo/deadline: 30/04/2002
The host and partner institution: situated on the northern shore of
the lake Balaton, the Hungarian Translators House Foundation has been
founded in 1995, with the aim of operating the Hungarian Translators
House in Balatonfured, securing bursaries for translators and
supporting their professional activities by providing good working
conditions. The Foundation also organises seminars and maintains
professional contacts with translators houses abroad. It has been
hosting foreign colleagues since 1998.
For further information, please contact:
Mr Peter Racz
Magyar Forditohaz Alapitvany
(Hungarian Translators House Foundation)
Tuzolto u. 5
H-1094 Budapest, Hungary
Tel./Fax: (36 1) 215 4075
E-mail: mfordhaz@...
Facilities provided: living and working rooms equipped with
computers, working materials, individual bathroom, collective
kitchen, garden, television, library, internet
Nature of the bursary: round trip travel, accommodation and 500 $ US
for meals. Artists must provide their own health insurance.
Dates of the residency: to be fixed by mutual agreement between
November 2002 and June 2003.
Eligibility: translators under the age of 35 with sufficient
professional references in translating Hungarian literature. Working
knowledge of English and Hungarian required.
How to apply: apply directly to the Hungarian Translators House
Foundation at the above address by sending a curriculum vita, a
statement of intent, a description of the project, a document proving
your command of language, and two reference letters.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
@ Residency at the Sanskriti Kendra, New Delhi,
India (3 months)
==========================================
prazo/plazo/deadline: 30/04/2002
The host and partner institution: located on the foothills of the
Aravali mountains a few kilometres outside New Delhi, Sanskriti
Kendra enables creative people from diverse disciplines to work,
study and interact in harmony with each other and the natural
environment. The Centre was created by the Sanskriti Foundation, a
registered public charitable trust founded in 1979. For further
information, please contact:
Co-ordinator
Sanskriti Pratishthan
C-11, Quatab Institutional Area
New Delhi 110016, India
Tel.: (91 11) 696 1757, 696 6300 Fax: (91 11)
685 3383
E-mail: opjain@...
Internet: http://www.sanskritifondation.org
Facilities provided: the Centre has 12 studio-apartments which are
specifically designed as combined living and work space. Basic
technical equipment is provided as well as workshop and conference
facilities, a library, an open air auditorium and a museum. Training
courses are not offered as artists will work on projects of their own
choice.
Nature of the bursary: round trip travel, board (vegetarian meals)
and lodging, and US $ 750 to cover living expenses and materials.
Artists must provide their own health insurance.
Dates of the residency: to be fixed by mutual agreement between 1
October 2002 and 30 April 2003.
Eligibility: practitioners of the above-mentioned disciplines of
demonstrated ability and commitment (between 25 and 40 years of age).
Working knowledge of English required.
How to apply: using the application form supplied in this
publication, apply directly to Sanskriti Foundation, at the address
indicated above, by sending a curriculum vita, a recent photo, two
reference letters, a statement of intent, photocopies of
writings/poems, and in case of others languages, translation in
English.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
==========================================BURSARIES IN THE FIELD OF PERFORMING ARTS
==========================================@ Residency at the Centro do Teatro do Oprimido,
Rio de Janeiro, Brazil (3 months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: theatre, including street theatre, scenography (using
recycled materials), production.
The host and partner institution: the Centro do Teatro do Oprimido do
Rio de Janeiro is a non-profit organization which works with poor
people living in and around Rio so as to contribute to the
democratisation process. The Centre has a permanent
multi-disciplinary theatre company which helps people to produce
their own 'theatre-forum' shows with the participation of
'spect-actors'. Based on the participants' problems, these
shows are performed for their communities. For further information,
please contact:
Centro do Teatro do Oprimido do Rio de Janeiro
R. Francisco Otaviano 185-a. 41
CEP220080-040, Ipanema, Arpoador
Rio de Janeiro, RJ Brazil
Tel.: (55 21) 26 74 809 Fax: (55 21) 26 71
869
E-mail: augustoboal@...
Facilities provided: participation (acting, directing, etc.) in shows
being developed by the Centre at the time of the residency.
Nature of the bursary: round trip travel, board and lodging, contact
with different theatre groups as well as the chance to develop other
artistic connections in Brazil. Artists must provide their own health
insurance.
Dates of the residency: to be fixed by mutual agreement between
September 2002 and June 2003.
Eligibility: actors or theatre leaders from Africa, Asia, strongly
committed to popular theatre. Working knowledge of English,
French or Spanish required. Knowledge of Portuguese in any form
would be an advantage.
How to apply: apply directly to the Centro do Teatro do Oprimido by
sending a curriculum vita, a recent photo, a statement of intent,
two reference letters, press reviews, photos and/or a video cassette
of selected works.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to
IFPC.
@ Residency with the Sacatar Foundation, Itaparica
Brazil (8 weeks)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: street theater, puppetry.
The host and partner institution: the Sacatar Foundation, a
Californian non-profit corporation founded in 2000, operates a
residency program on the island of Itaparica in Bahia, Brazil.
The Foundation provides room, board and studio space to a select
international group of creative individuals at its beautiful
beach-side estate, a former retreat of a Catholic girls school.
For more information, please contact:
The Sacatar Foundation
P.O. Box 2612
Pasadena, CA 91102-2612
USA
E-mail: info@...
Internet: www.sacatar.org
Facilities provided: working studio, simple woodshop, small library,
possibility to work with local artists, craftspersons, school
children and/or young adults.
Nature of the bursary: round trip travel, accommodations, meals,
studio and $US 400 for incidental local expenses during the
residency. Artists must provide their own health insurance.
Eligibility: accomplished artists over 30 years of age, from Africa.
Working knowledge of English or Portuguese required. Applicants will
be selected based on talent, professional experience and the
statement of intent.
Dates of the residency: to be fixed by mutual agreement between
September 2002 and February 2003.
How to apply: apply directly to the IFPC (1, rue Miollis, 75732
Paris Cedex 15, France) by sending a curriculum vitae, a statement of
intent, two reference letters, and a sample of your work in in DVD or
VHS video format (minimum10 minutes-maximum 30 minutes in
length.) Optional supplementary materials to illustrate your
work may include reviews, press clippings, slides, photos,
etc.
Deadline: 30 April 2002
@ Residency at the International Institute of Puppetry,
Charleville-Meziere, France (2-3 months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: puppetry.
The host and partner institution: the goal of the Villa d'Aubilly,
the residency center at the International Institute of Puppetry, is
to open opportunities for investigation and exploration entirely
devoted to the art of puppetry. The residency is open to researchers
(university staff, critics, essayists, musicologists) and creators
(writers, visual artists, composers, scenographers, etc. working on
projects related to puppetry).
For further information, please contact:
Institut international de la marionnette
7, place Winston Churchill
08000 Charleville-Mezieres
Tel.: (33 3) 24 33 72 50 Fax: (33 3) 24 33 72
69
E-mail: institut@...
Internet: http://www.marionnette.com
Facilities provided: development of a theorical and/or practical
research project in relation with puppetry (theorical research,
writting piece, play creation experimentation). Working and video
spaces. Access to a library, a video library, and internet.
Nature of the bursary: round trip travel, two or three months
accomodation as well as a per diem of 7000 francs per month for food
costs, small material, laundry, photocopies etc. Artists must provide
their own health insurance.
Dates of the residency: to be fixed by mutual agreement between
September 2002 and June 2003.
Eligibility: artists or researchers with solid experience in their
field, strong motivation and interested in multidisciplinary
approach. Working knowledge of French or English required.
How to apply: using the application form supplied in this
publication, apply directly to the International Institute of
Puppetry at the above address, by sending in english or in french a
curriculum vita, two reference letters, a visual documentation
(press reviews, photos, videotape), a document proving your command
of language and a statement of intent containing a presentation
(3-4 pages) of a theorical and/or practical research project to be
undertaken during the residency at the the International Institute of
Puppetry. The selection will be made on the basis of this project.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
@ Residency at Koothu-P-Pattarai, Chennai,
India (3 months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: theatre, including folk theatre, martial arts and folk
percussions.
The host and partner institution: Koothu-P-Pattarai is a full time
theatre organization involved in innovative and experimental theatre.
It puts its actors through a continuous learning/training process for
acquiring new sensibility in acting and creating a different kind of
theatre. To achieve this Koothu-P-Pattarai closely interacts with
folk theatre, folk arts and martial arts of Tamilnadu. It has all the
necessary facilities.
For further information, please contact:
Koothu-p-pattarai Trust
Plot No. 84, Door No. 3/384, 9th Street
Sri Venkateshwara Nagar
Kottivakkam, Chennai 600 041
Tamilnadu, India
Tel.: (91 44) 4510302 /4511821 Fax: (91 44)
4910681
E-mail: kpp@...
Internet: Koothu-p-pattarai.org
Facilities provided: participation in rehearsals, in workshops
specially organised at the time of residency, actor training, acting
and directing and also interacting with folk theatre groups. The
laureates will also share their specialities with local actors. They
will be provided with opportunities for country visits based on
theatre programmes. They will also be able to visit folk theatre
performances in villages (the ideal period is April-June, which are
the hot summer months).
Nature of the bursary: round trip travel, full board and lodging,
rehearsal space for practicing, speech lab with audio recording
facilities, vegetarian food, computers and library, contacts with
different theatre and folk theatre groups as well as the chance to
develop other artistic connections in India. A per diem of US$
10 per week (Rs.500 /-Indian rupees). Artists must provide
their own health insurance.
Dates of the residency: December 2002-February 2003 or April-June
2003.
Eligibility: actors, trainers or theatre directors, having performed
or being involved in any theatre activity, under the age of 35, from
Africa, Arab states, Asia/Pacific, and South America. Working
knowledge of English or Tamil required.
How to apply: apply directly to the IFPC (1, rue Miollis, 75732 Paris
Cedex 15, France) by sending in english, a curriculum vitae, a recent
photograph, a statement of intent, two reference letters, press
reviews, photos and a video cassette of selected works.
Deadline: 30 April 2002.
@ Residency at the Darpana Academy of Performing Arts, Ahmedabad,
India (3 months)
==========================================
prazo/plazo/deadline: 15/05/2002
Discipline: theatre, puppetry and martial arts.
The host and partner institution: the Darpana Academy of
Performing Arts is a centre of post-graduate and
professional training and innovation where people of different
backgrounds come together to push forward the boundaries of
artistic expression and to search for making the
arts a more vital component of contemporary civilization. It is set
on the banks of the river Sabarmati in Ahmedabad.
For further information, please contact:
Ms Mallika Sarabhai
Darpana Academy of Performing Arts
Ushmanpura
Ahmedabad-380 013
Gujarat India
Tel. (91) 79 75 51 389, 75 50 566
Fax: (91) 79 75 50 955, 75 56 669
E-mail: darpana@...
Facilities provided: studio space, music rooms,
workshops, amphitheatres, rehearsal space, instruments, prop rooms,
computer, library, costumes, digital video camera.
Nature of the bursary: round trip travel, full board and lodging. The
laureate will attend and give classes . She/he will be working on an
art project during her/his stay. She/he will get a per diem of 1500
Indian ruppees per month for personnal expenses.The health insurance
is provided by the institution.
Dates of the residency: to be fixed by mutual agreement
between October 2002 and March 2003.
Eligibility: performing artists above 30 years of age, with an
university degree, to be working on new inter-cultural and
multidisciplinary work using tradition to forge a contemporary
language. Working knowledge of English required.
How to apply: apply directly to the Darpana Academy
of Performing Arts at the above mentioned address by sending (in
english) a curriculum vitae, a recent photo, a statement of intent,
two reference letters, a description of the project and artistic
documentation.
Deadline: 15 May 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
Bursaries in the field of Media Arts
==========================================BURSARIES IN THE FIELD OF VISUAL ARTS
==========================================
@ Studio Residency at 200 Gertrude Street, Melbourne, Australia
(3 months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: visual arts.
The partner institution: 200 Gertrude Street is supported by the
Victorian Government through Arts Victoria Department of Premier and
Cabinet.
The host institution: 200 Gertrude Street was founded in 1983 as a
non-profit contemporary art complex of gallery spaces and studio
facilities, situated in the heart of the cultural precinct of
Melbourne. The organisation provides professional support to artists
in the early stages of their careers through exhibition, studio and
associated cultural exchange and public programmes which address the
relationship between contemporary art practices and current critical
debate.
For further information, please contact:
Mr Max Delany
Director
200 Gertrude Street
Fitzroy Victoria 3065, Australia
Tel.: (61 3) 9419 3406 Fax: (61 3) 9419
2519
E-mail: info@...
Internet: http://www.200gertrudestreet.com
Facilities provided: large self-contained living and studio space,
situated at 200 Gertrude Street, alongside non-residential artist's
studios and gallery spaces. Administrative support from gallery
staff.
Nature of the bursary: round trip travel, accomodation and living
expenses (AUD$250 per week) for three months. The opportunity to
present an individual exhibition at 200 Gertrude Street in the final
month of the residency. Artists must provide their own health
insurance.
Dates of the residency: 8 Janurary - 28 March 2003.
Eligibility: professional visual artists of proven ability and
achievement from the Asia Pacific region whose work demonstrates
innovation, experimentation and excellence in contemporary visual
arts practice and discourse. Working knowledge of English
essential.
How to apply: using the application form supplied in this
publication, apply directly to 200 Gertrude Street by sending a
curriculum vita, a recent photo, a statement of intent containing a
short description of a project to be undertaken during the residency,
the contact details of two professionnal referees, and a maximum of
twelve 35 mm mounted slides of work executed in the previous two
years.
Deadline: 30 April 2002.
In addition to the completed application to the institution, a copy
of the application form in this publication should be sent absolutely
to the IFPC.
@ Residency with the Sacatar Foundation, Itaparica,
Brazil (8 weeks)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: visual arts, handicrafts.
The host and partner institution: the Sacatar Foundation, a
California non-profit corporation founded in 2000, operates a
residency programme on the island of Itaparica in Bahia,
Brazil. The Foundation provides room, board and studio space to
a select international group of creative individuals at its beautiful
beach-side estate, a former retreat of a Catholic girls school.
For more information, please contact:
The Sacatar Foundation
P.O. Box 2612
Pasadena, CA 91102-2612
USA
E-mail: info@...
Internet: www.sacatar.org
Facilities provided: working studio, simple woodshop, small library,
possibility to work with local artists, craftspersons, school
children and/or young adults.
Nature of the bursary: round trip travel, accommodation, meals,
studio and US $400 for incidental local expenses during the
residency. Artists must provide their own health insurance.
Dates of the residency: to be fixed by mutual agreement between
September 2002 and February 2003.
Eligibility: accomplished artists, over 30 years of age, from Africa.
Working knowledge of English or Portuguese required. Applicants will
be selected based on talent, professional experience and the
statement of intent.
How to apply: apply directly to the IFPC (1, rue Miollis,
75732 Paris Cedex 15, France) by sending a curriculum vitae, a
statement of intent, two reference letters, and 12 thin-framed slides
(or a CD-ROM) of your recent work. Optional supplementary materials
to illustrate your work may include reviews, press clippings, VHS
video, photos, etc.
Deadline: 30 April 2002.
@ Residency at the Cimelice Castle, Czech Republic (2
months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: painting, mixed media, sculpture, installation,
performance and literary arts.
The host and partner institution: Center for Contemporary Arts -
Prague (CCA-Prague), organises a residency programme at the Cimelice
Castle, owned by the Schwarzenberg aristocratic family. The castle is
located 80 km south-west of the capital city of Prague, in a small
village surrounded by a typical Czech countryside of woods and
rolling hills. The aim of the programme is to encourage independent
artistic creation as well as to promote the open exchange of ideas
and experiences of artists from various countries and cultural
backgrounds.
For further information, please contact:
Center for Contemporary Arts-Prague
Jeleni 9
11800 Prague 1, Czech Republic
Tel.: (420 2) 24 37 31 78
Fax: (420 2) 57 32 06 40
E-mail: scca@...
Internet: http://www.fcca.cz
Facilities provided: at Cimelice: individual studios and bedrooms,
workshops adapted for creation of large-scale pieces, PC with
Internet connection and wood for sculpture; in Prague: intro-duction
to the Czech visual arts scene including meetings with local artists
and curators.
Nature of the bursary: round trip travel, accommodation, a stipend of
16,000 CZK for the two months period. Artists must provide their own
health insurance.
Dates of the residency: August-September 2002.
Eligibility: artists who require facilities for focused work and are
interested in contacts with international artists. Working knowledge
of English required.
How to apply: using the application form supplied in this
publication, apply directly to Cimelice Castle at the address
indicated above by sending a curriculum vita, a recent photo, a
statement of intent, two reference letters and 10 mounted slides or
other visual documentation of recent work.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
@ Residency at the Cable Factory, Helsinki, Finland (3 months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: painting, photography, video, mixed media, music
(performers).
The host and partner institution: the Cable Factory occupies the
premises of an old factory converted in 1992 into a fully independent
cultural centre aimed at providing an area of artistic
diversity with cross-cultural linkages. It comprises five art
schools, three museums, two radio stations, rehearsing studios, a
martial arts club, galleries. The artist is hosted by the Helsinki
International Artist Programme (HIAP) which provides residencies for
10-12 international contemporary artists annually.
For further information, please contact:
HIAP
Tallberginkatu 1C/97
00180 Helsinki, Finland
Tel./Fax: (358-9) 6856730
or
Cable Factory
Tallberginkatu 1 C/15
00180 Helsinki, Finland
Tel.: (358 9) 47838300
Fax: (358 9) 47638383
Facilities provided: studio 50 m2, access to dark-room, simple
video-editing and computers facilities.
Nature of the bursary: round trip travel, accommodation and living
expenses for three months. Artists must provide their own health
insurance.
Dates of the residency: between May and September 2003.
Eligibility: artists with at least 3 years of professional experience
from Portugal, Spain, South Africa or India. Working knowledge of
English required.
How to apply: apply directly to the IFPC (1, rue Miollis, 75732 Paris
Cedex 15, France) by sending a curriculum vita, a recent photo, two
letters of reference, a statement of intent and 10 slides or photos
of recent work.
Deadline: 30 April 2002.
@ Residency at Camac, Marnay-sur-Seine, France (4 months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: visual arts, design.
The host and partner institution: Camac (centre d'art. marnay art
centre) is located near Paris in the village of Marnay-sur-Seine
within the scenic Champagne-Ardenne region.
This creative centre offers an environment for international
residency programmes for artists, scientists and technologists
working with new media. Camac aims to foster communication and
creativity for individuals and collaborative groups working on the
evolution of ideas or the realisation of works of art.
For further information, please contact:
Ms Alexandra Keim / Director
Camac
1, grande rue, 10400 Marnay-sur-Seine, France
Tel./Fax: (33) 3 25 39 20
61
E-mail: camac@...
Facilities provided: separate living and working quarters within one
of the three Camac buildings, one of which is a 17th century priory;
shared kitchen, garden, exhibition and conference spaces, modest art
reference library, basic paper making facilities.
Equipment: basic sculpture workshop, video / film editing facilities,
video player and recorder, slide projector, internet access. PC or
Macintosh computer equipped with software for design work, image
manipulation, sound and video. Requests for specific equipment must
be made clear when applying.
Nature of the bursary: round trip travel, board and lodging,
possibility of exhibition / public presentation of work. Artists must
provide their own health insurance.
Dates of the residency: to be fixed by mutual agreement between July
and December 2002.
Eligibility: professional visual artists of demonstrated ability from
Latin America, Asia or Eastern Europe. The candidate must be
motivated and open to the discussion and challenges of a contemporary
art practice and willing to give lectures or conduct workshops on
his/her work. Working knowledge of French or English required.
How to apply: using the application form supplied in this
publication, apply directly to Camac at the address indicated above,
by sending a curriculum vitae, a recent photo, a statement of intent
and project proposal for the residency period (3 to 5 pages +
visuals), 2 reference letters, 10 mounted slides of recent work and
other supporting material such as press articles, catalogues, etc.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
@ Residency at Ateliers Fourwinds Aureille,
France ( 2 months)
==========================================
prazo/plazo/deadline: 30/04/2002
The host and partner institution: the Ateliers Fourwinds is a non
profit organization located on the foothills of the Alpilles moutain
range in the south of France. It is the approximate
centre of the triangle formed by Arles, Avignon and Aix-en-Provence.
It provides a natural, peaceful environnement for research and
further developpement in the plastic arts with opportunity for
exchange between artists from different cultures. Interaction with
the permanent artists is available at all times as well as workshops
in the individual disciplines listed below.
For further information, please contact:
Ateliers Fourwinds
La Juliere
13930 Aureille, France
Tel./fax: +33 (0) 490 59 93 42
E-mail: Redwinds4@...
Internet: http://www.resartis.org (guide-France)
Facilities provided: studio space with separate living acco-modation
on the property. Visiting artists are responsible for their own meals
with the opportunity for communal meals in the studio kitchen
facility. In addition to the basic studio equipement, there is a kiln
(electric) for ceramic sculpture, an English language lending
library, and a swimming pool.
Nature of the bursary: round trip travel, lodging, studio space
allocated in terms of individual requirement and up to US $ 750 for
living expenses and material. Artists must provide their own health
insurance.
Dates of the residency: Fourwinds is open all year and the residency
dates are to be agreed upon between the artist and the institution,
depending on availability.
Eligibility: visual artists with a demonstrated ability and the
motivation to pursue their individual research, who are open to
exchange with international artists. Working knowledge of English,
French or Italian languages required.
How to apply: using the application form supplied in this brochure,
apply directly to IFPC (1, rue Miollis, 75732 Paris Cedex 15,
France), by sending a curriculum vitae, a recent photograph, a
statement of intent and project proposal indicating space and special
needs, two reference letters and 8-12 photographs or mounted slides
of recent work.
Deadline: 30 April 2002.
In addition to the completed application form sent to the IFPC, a
copy must be sent directly to Ateliers Fourwinds at the address
indicated above.
@ Residency at Darat Al Funun Art Center, Amman,
Jordan (one month)
==========================================
prazo/plazo/deadline: 30/04/2002
The partner institution: the Abdul Hameed Shoman Foundation
established by the Arab Bank in 1978 is dedicated to the national
development of the people of the Arab world in science, humanities
and the arts.
The host institution: housed in three historical residencies built in
the 1920s alongside the remains of a 6th century Byzantine church,
Darat Al Funun was established by the Abdul Hameed Shoman Foundation
in 1993 as a specialised art center, incorporating exhibition spaces,
a research and video library, open workshops and studios, resident
artists quarters and venues for the performing arts. It aims at
promoting the fine arts, while also fostering a cultural and creative
dialogue amongst the people.
For further information, please
contact:
Mr Ali Maher, Director
Darat Al Funun
P.O. Box 940255
Amman 11194, Jordan
Tel.: (962 6) 4643 251/4643 252 Fax: (962 6)
4 643 253
E-mail: daratalfunun@...
Internet: http://www.daratalfunun.org
Facilities provided: exhibition spaces, a research and video library,
sculpture and printmaking workshops.
Nature of the bursary: accommodation, living expenses (US $ 350
per month), studio facilities and tools. Artists must provide their
own health insurance.
Dates of the residency: to be fixed by mutual agreement in June or
July 2002.
Eligibility: professional artists with experience and strong
commitment. The recipient will have the possibility to work with
local artists and will be requested to give a lecture or conduct a
workshop on the art of her/his country or her/his own, as well as to
contribute one of her/his works to the Foundation's permanent
collection. Working knowledge of English required.
How to apply: apply directly to the IFPC (1, rue Miollis, 75732 Paris
Cedex 15, France) by sending a curriculum vita, a recent photo, a
statement of intent, two reference letters, 10 mounted slides or
photos of recent works.
Deadline: 30 April 2002.
@ Residency at the Sanskriti Kendra, New Delhi, India (3
months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: painting, sculpture, pottery and ceramics, photo-graphy,
new media, comics, design, art history, installation, performance,
art media, crafts and printmaking.
The host and partner institution: located on the foothills of the
Aravali mountains a few kilometres outside New Delhi, the Sanskriti
Kendra enables creative people from diverse disciplines to work,
study and interact in harmony with each other and the natural
environment. The Centre was created by the Sanskriti Foundation, a
registered public charitable trust founded in 1979.
For further information, please contact:
Co-ordinator
Sanskriti Pratishthan
C-11, Qutab Institutional Area
New Delhi 110016, India
Tel.: (91 11) 696 1757 , 696 6300 Fax: (91
11) 685 3383
E-mail: opjain@...
Internet: http://www.sanskritifoundation.org
Facilities provided: the Centre has 12 studio-apartments which are
specifically designed as combined living and work quarters. Basic
technical equipment is provided as well as workshop and conference
facilities, a library, an open air auditorium and a museum. Training
courses are not offered as artists will work on projects of their own
choice.
Nature of the bursary: round trip travel, board (vegetarian meals)
and lodging, and US $ 750 to cover living expenses and
materials. Artists must provide their own health insurance.
Dates of the residency: to be fixed by mutual agreement between 1
October 2002 and 30 April 2003.
Eligibility: practitioners of the above-mentioned disciplines of
demonstrated ability and commitment, between 25 and 40 years of age.
Working knowledge of English required.
How to apply: using the application form supplied in this
publication, apply directly to Sanskriti Foundation at the address
indicated above, by sending a curriculum vita, a recent photo, a
description of the project, press release, a language certificate,
two reference letters, a statement of intent, 10 slides, photos, CD
ROM or video of recent work .
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
@ Residency with the Cemeti Art Foundation, Jogjakarta, Indonesia (2
months)
==========================================
prazo/plazo/deadline: 30/04/2002
The host and partner institution: the Cemeti Art Foundation (CAF) is
a non-profit organization which was founded in 1995, in Jogjakarta,
by R. Fadjri, Agung Kurniawan and Nindityo Adipurnomo. It aims at
promoting Indonesian art exchange programmes among artists both in
Indonesia and abroad; and to organize programmes like research,
exhibitions and workshops that critique art from varying points of
view and involve artists, students and general public interested in
Indonesian art.
For further information, please
contact:
The Cemeti Art Foundation
JL. Patehan Tengah No.37
Jogjakarta 55133, Indonesia
Tel: (62 ) 274 375247
Fax: (62) 274 372095
E-mail: artysc@...
Facilities provided: working quarters (studio with individual bedroom
and bathroom and relevant basic equipment, small library), exhibition
space such as Cemeti Art House or Kedai Kebun Gallery, possibility to
work with local experienced artists and craftsmen.
Nature of the bursary: round trip travel, accommodation and living
expenses (US $12 per day). Artists must provide their own health
insurance.
Dates of the residency: to be fixed by mutual agreement between July
and October 2002.
Eligibility: motivated artists between 23 and 40 years of age from
Asia , Africa, or South America, interested in work team in
order to realise an exhibition at the end of the residency period.
Working knowledge of English required.
How to apply: apply directly to the Cemeti Art Foundation at the
above address by sending a curriculum vita, a recent photo, a
statement of intent, two reference letters, a description of the
project and 10 photos or slides (or other documentation: video VHS,
CD ROM ) of recent work.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
This residency is being made possible thanks to the generous support
of the Ford Foundation.
@ Residency at the Irish Museum of Modern Art, Dublin, Ireland
(3-6 months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: visual arts.
The host and partner institution: the Irish Museum of Modern Art was
established by the Government of Ireland in 1990 and opened to the
public in 1991. It occupies the important historical site of the 17th
century Royal Hospital Kilmainham, Dublin. The Artists Work
Programme, established in 1994, provides opportunities for artists to
research and develop their work practice emphasising the working
process rather than the finished product, and has hosted over 100
artists, Irish and International, since its inception.
For further information, please contact:
Ms rla Dukes
Artists Work Programme co-ordinator
Irish Museum of Modern Art
Royal Hospital
Military Road
Kilmainham
Dublin 8, Ireland
Tel.: (353 1) 612 9900 Fax: (353 1) 612
9999
E-mail: orla.dukes@... or awp@...
Facilities provided: studios and accommodation on-site, basic
technical equipment, use of darkroom (b/w), museum library, lecture
room, administration facilities. Interaction with other participating
Work Programme artists, visiting exhibiting artists, museum staff,
museum visitors and the Irish art context is encouraged.
Nature of the bursary: round trip travel, accommodation and monthly
stipend of 400 Irish pounds. Artists must provide their own health
insurance.
Dates of the residency: to be fixed by mutual agreement between
September 2002 and June 2003.
Eligibility: professionnal visual artists of demonstrated ability and
committement, from the Arab world or Latin America. Working knowledge
of English required.
How to apply: apply directly to the IFPC (1, rue Miollis, 75732 Paris
Cedex 15, France) by sending a curriculum vita, a recent photo, a
statement of intent containing a short description of proposed
residency work programme and indication of prefered dates, two
reference letters and ten 35mm slides or photographs of recent
work.
The host and partner institution: founded in 1990, COOPERATIONS is a
non-profit-making organisation. It carries out programmes focusing on
contextual arts and involving people with different social, cultural
and intellectual backgrounds.
For further information, please consult:
The COOPERATIONS' website: http://www.restena.lu/cooperations
or www.cooperations.lu
or contact:
COOPERATIONS
10, rue de la montagne
L-9538 Wiltz, Luxembourg
Tel.: (352) 95 92 05/01 Fax: (352) 95 92
08
Facilities provided: depending on projects involved; collabo-rating
in studio with people with mental handicap or technical workshop with
metal and wood work equipement; computers and archives placed at the
artist's disposal.
Nature of the bursary: round trip travel, lodging in an individual
room with shared kitchen and bathroom, monthly allowance of US
$1,000. Artists must provide their own health insurance.
Dates of the residency: to be fixed by mutual agreement between
October 2002 and July 2003.
Eligibility: professional artists interested in the links between art
and environment (in particular gardens) and/or art and the social
sphere (in particular, working with people with learning disability).
Working knowledge of English or German required.
How to apply: apply directly to COOPERATIONS at the address indicated
above by sending a curriculum vita (in english), a recent photo, a
statement of intent, two reference letters, five mounted slides or
photos of recent works.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
@ Residency at Gruber Jez Foundation, Mexico City,
Mexico (3 months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: sculpture in ceramics.
The host and partner institution: the National Fund for Culture and
the Arts of Mexico is offering a residency at the Gruber Jez
Foundation, A.C. Promotion and Education in Art which is located in
the town of Cholul, State of Yucatan. The funding is to support one
independent creative residency, for a committed ceramist who wants to
create work and meet inter-cultural challenges. The artist is
expected to give workshops to his (her) peers during the
residency.
For further information, please contact:
National Fund for Culture and the Arts
International Programs
Avenida Mexico-Coyoacan 371
Col. Xoco
Mexico 03330, D.F.
Tel: (525) 601 03 60
Facilities provided: accommodation in single bedroom. Work space and
facilities for ceramics, contacts with the Mexican artist
community.
Nature of the bursary: round trip travel and a monthly stipend of $
13,500 Mexican pesos to cover food, room and board, local
transportation and materials. Artists must provide their own health
insurance.
Dates of the residency: to be fixed by mutual agreement between two
periods : from January to March 2003 or from October to December
2003.
Eligibility: committed artists who create ceramic sculptures from
Latin America (except Mexico), Portugal or Spain, Corea, China or
Japan. Working knowledge of Spanish or English required.
How to apply: using the application form supplied in this
publication, apply directly to the National Fund for Culture and the
Arts of Mexico at the address indicated above, by sending a
curriculum vitae, a recent photograph, a statement of intent of a non
commercial project, reviews, two updated letters of reference (with
address and phone included), nine slides or photographs of recent
work.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
FIPC.
@ Residency at the European Ceramics Work Centre,
's-Hertogenbosch, The Netherlands (3 months)
==========================================
prazo/plazo/deadline: 01/04/2002
Discipline: fine arts, ceramics, design.
The host and partner institution: the European Ceramics Work Centre
(EKWC) is an international workspace which aims to develop
exploration into ceramics by artists and designers in many
disciplines. To achieve this, the EKWC provides a work place that
stimulates the process of research and investigation and a continuous
exchange of ideas and inspiration.
For further information, please contact:
EKWC
Zuid Willemsvaart 215
5211 SG's-Hertogenbosch, The Netherlands
Tel.: (31 (0) 73) 612 4500 Fax: (31 (0)
73)612 45 68
E-mail: info@...
http://www.ekwc.nl
Facilities provided: the Centre is open for participants 24 hours a
day. It occupies 2,000 m2 with the latest ceramic facilities,
technical supervision, independent studios and separate living
quarters for 11 participants.
Nature of the bursary: round trip travel, studio and work facilities,
accommodation and a budget of Euro 226,89 per month for
materials and Euro 453,78 per month for living expenses (food costs
and others). The offered work period lasts 3 months. The artists must
provide their own health insurance.
Eligibility: the institute values the contribution of participants
(mature artists, ceramists and designers with at least two years
independent work experience) to the artist dialogue between different
nationalities, cultures and disciplines. Candidates from Asia, Africa
and South America are strongly encouraged to apply. Working knowledge
of English or Dutch required.
Dates of the residency: October-December 2002.
How to apply: request an application form from the EKWC by letter,
fax or e-mail before 1st March 2002 and send it completed to the EKWC
at the address indicated above.
Deadline : 1st April 2002.
The original completed file should be sent to the EKWC. A copy of the
application form in this publication should be sent absolutely to the
IFPC.
@ Residency at the Jan van Eyck Akademie, Maastricht, The Netherlands
(12 months)
==========================================prazo/plazo/deadline: 01/06/2002
Discipline: design, fine arts and theory.
The host and partner institution: the Jan van Eyck Akademie is a
post-academic institute for research and production in the fields of
Design, Fine Arts and Theory. The Academy offers artists, designers,
and theoreticians the opportunity to carry out research and set up
productions. It is thus not a training institute but a place for
reflection and production. An alternative view of research and
production is mainly about being prepared to go along, as much as
possible, with the specificity of the discipline (fine arts, design
and theory) as well as the specificity of the research project in
hand (and thus the personal objectives of the artist, designers and
theoretician).
For further information, please contact:
Mr Leon Westenberg
Jan van Eyck Akademie
Academieplein 1
6211 KM Maastricht, The Netherlands
Tel.: (31 (0) 43) 350 37 24 Fax: (31 (0) 43)
350 37 59
E-mail: info@...
Internet: http://www.janvaneyck.nl
Facilities provided: an artistic environment enriched by colleagues
and advisory-researchers including experts and guests. Individual
studios and access to production facilities including computers,
video and photo studios, material workshops (wood and metal) as well
as printing/graphic equipment.
Nature of the bursary: round trip travel, studio, health insurance,
production and living expenses.
Dates of the residency: January-December 2003.
Eligibility: visual artists, theoreticians or designers from
Eastern/Central Europe or Latin America, with a first degree in the
arts and at least 3 years of professional experience, or an
equivalent combination of education and experience. Candidates for
the theory department should either be practitioners who want to
investigate 'visual thinking' or the theories of visual
production, or curators interested in exhibition practice. Working
knowledge of English required.
How to apply: request an application form from the Jan
van Eyck Akademie or download one from the website:
www.janvaneyck.nl. Return completed application to the Academy,
together with a curriculum vitae, a recent photo, a statement of
intent and 12-20 photos or slides (or other visual documentation) of
recent work.
Deadline: 1st June 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
@ Residence at the Rijksakademie van beeldende kunsten,
Amsterdam, The Netherlands (12 months)
==========================================
prazo/plazo/deadline: 01/04/2002
Discipline: painting, drawing, sculpture, photography, video/film,
computer, graphics (no applied arts like graphic design,
etc.)
The host and partner institution: the Rijksakademie van beeldende
kunsten in Amsterdam, financed by the Dutch Ministry of Culture,
offers young visual artists from around the world the opportunity to
produce their work as well as conduct practical or theoretical
research. Ample opportunities to interact with international artists
and critics are provided.
For further information, please contact:
Rijksakademie van beeldende kunsten
Sarphatistraat 470
1018 GW Amsterdam, The Netherlands
Tel.: (31 20) 527 03 00 Fax: (31 20) 527 03
01
E-mail: info@...
Internet: http://www.rijksakademie.nl
Facilities provided: the Academy offers private studio, material and
well equipped facilities such as technical workshops, libraries,
etc.
Nature of the bursary: round trip travel and living expenses for 12
months (US $500 per month), including medical insurance and
accommodation.
Dates of the residency: January-December 2003.
Eligibility: visual artist (25 - 35 years old) of demonstrated
ability and commitment, from Africa, the Arab World, Asia and the
Pacific, Latin America and the Caribbean. Candidate must have
completed his/her art education and have some years of experience as
independent artist. Working knowledge of English required.
How to apply: request an application form from the Rijksakademie van
beeldende kunsten by letter/fax or by e-mail before 1st March 2002
and send it completed to the Academy.
Deadline: 1st April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
This grant for living expenses is being made possible thanks to a
generous support of the Dutch Ministry of Culture, Education and
Science.
@ Residency in the framework of the Bienal de Cerveira/ Gesto,
Cooperativa Cultural, Vila Nova de Cerveira, Portugal (2 months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: graphic arts.
The host and partner institution: since its creation in 1978 with La
Bienal de Arte de Cerveira, the Vila Nova de Cerveira, a non-profit
institution, has organized eleven biennial art events aimed at
promoting young artists. It has the appropriate residency
facilitities and staff necessary for teaching the artists as well as
workshops specialized in graphic arts (engraving, lithography,
serigraphy, painting, sculpture and electronic arts). It is most
ambitious to favour encounters between the artists and the exchange
of their knowledges. Gesto, Cooperativa Cultural in Porto organizes
workshop programmes with other Portuguese speaking countries (in
graphic and publishing art).
For further information, please contact:
Projecto Bienal de Cerveira
Apartado 69, 4920 Vila Nova de Cerveira, Portugal
Tel.: / Fax: (351) 051 794057
E-mail: biencerv@...
Facilities provided: work studios and technical assistance at the
School of graphic arts and informatics. The laureates start their
residency at Vila Nova de Cerveira and then move to Porto where they
get acquainted with the cultural life there.
Nature of the bursary: round trip travel, board and lodging, working
materials. Artists must provide their own health insurance.
Dates of the residency: to be fixed by mutual agreement between March
and June 2003.
Eligibility: serious and motivated artists from Africa, Asia, or
Latin America. Working knowledge of Portuguese, Spanish or French
required.
How to apply: apply directly to the Bienal de Cerveira by sending a
curriculum vita, a recent photo, a statement of intent, two
reference letters, 10-20 photos or slides of recent works.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
Residency at the Espace Sobo-Bade, Toubab Dialao,
Senegal (3 months)
Discipline: visual arts (painting, sculpture, modelage, pottery)
specially ceramics.
The host and partner institution: situated 50 km from Dakar,
l'Espace Sobo-Bade is a multi-disciplinary arts centre created and
headed by the playwright and sculptor Gerard
Chenet.
Its name is derived from Voodoo and
means "Welcome-Frankness". The main activities of the
Centre include courses in traditional African rythme and dance,
choreographic opportunities, performances of experimental theatre,
courses in batik technique for the beginners, symposiums in ceramics
and sculpture.
For further information, please contact:
Mr Gerard Chenet
Directeur
Espace Sobo-Bade, Toubab Dialao
B.P. 30
Bargny, Senegal
Tel./Fax: (221) 8 36 03 56
E-mail: sobobade@...
Facilities provided: large working studio of ceramics workshops, gas
owen and galery.
Nature of the bursary: round trip travel, board and lodging for three
months. Possibility to extend if necessary. The Artists must provide
their own health insurance.
Dates of the residency: to be fixed by mutual agreement.
Eligibility: professional artists of demonstrated ability and
achievement from any part of the world interested in contacts with
international artists in order to prepare a symposium in visual arts.
Working knowledge of French required.
How to apply: apply directly to the IFPC (1, rue Miollis, 75732 Paris
Cedex 15, France) by sending a curriculum vitae, a recent photo, a
brief letter of intent, two reference letters, and photos showing
realized works.
Deadline: 30 April 2002.
@ Residency at the Faculty of Fine Arts, Chiang Mai University,
Chiang MaiThailand (3 months)
==========================================
prazo/plazo/deadline: 30/04/2002
Discipline: painting, sculpture, printmaking, media arts, design and
puppetry.
The host and partner institution: the Faculty of Fine
Arts was established in 1983 as the twelfth Faculty of Chiang-Mai
University. The faculty offers courses in Thai Art, Design, Painting,
Sculpture and Printmaking. The Faculty cooperates with many art
institutions abroad in terms of staff exchange, student exchange and
exhibition exchange programs.
For further information, please contact:
Mr Amnuay Gunta-in
Faculty of Fine Arts
Chiang Mai University
Chiang Mai 50200
Thailand
Tel.: (66) 53 94 4829
Fax: (66) 53 211724
E-mail: faonlktn@...
Facilities provided: working space (studio and relevant basic
equipment), exhibition space, meeting with local artists.
Nature of the bursary: round trip travel, accomodation and
material.The laureate bears food costs. Artists must provide their
own health insurance.
Dates of the residency: to be fixed by mutual agreement between
October 2002 and September 2003.
Eligibility: professional artists, under 40 years of age, and from
all countries except Thailand, able to give lectures of their works
to the undergraduate students. Working knowledge of English
required.
How to apply: using the application form supplied in this
publication, apply directly to the Faculty of Fine Arts at the
address indicated above, by sending, in english, a curriculum vita,
a recent photo, reference letters, a statement of intent, a
description of the project, photos or slides of recent works.
Deadline: 30 April 2002.
In addition to the completed file to the institution, a copy of the
application form in this publication should be sent absolutely to the
IFPC.
==========================================BURSARIES IN THE FIELD OF MUSIC
==========================================@ Artists in residence at Musique Multi-Montreal in
cooperation with the Conseil des arts et des lettres du
Quebec, Canada (4 months)
Discipline: traditional or original music connected with an
ethno-musical practice.
For further information, please apply to:
Mrs Liette Gauthier or Mrs Isabelle Ricard
Musique Multi-Montreal
2005, rue Victor-Dore
Montreal (Quebec) Canada H3M 1S4
Tel.: (514) 856-3787 Fax: (514) 756-3340
E-mail: mmmail@...
@ Residency at the Instituto Superior de Arte, Havana,
Cuba (3 months)
Discipline: percussions.
For further information, please contact:
Mrs Sonia Ortega Bravo
Director, International Relations
Instituto Superior de Arte
Calle 120 No. 1110 entre 9 y 13, Reparto Cubanacan
Municipio Playa,
Ciudad de La Habana, Cuba
Tel.: (53 7) 28 80 75 Fax: (53 7) 33 66 33
E-mail: vrri@...
@ Residency at the Bourges International Institute
of Electroacoustic Music/IMEB, France (1 month)
Discipline: electroacoustic music: contemporary music for research
and creation in connection with the new electronic and computer
technologies (Popular music: song, rock, techno,. does not match
with this musical genre).
For further information, please contact:
Institut International de Musique Electroacoustique de Bourges
BP 39
18001 Bourges Cedex, France
Tel.: (33 2) 48 20 41 87 Fax: (33 2) 48 20 45
51
@ Residency at the Institut de Piano de Paris with Master Eresko,
France (2 months)
Discipline: piano.
For further information, please contact:
Direction of the Piano's Institute of Paris
Cercle musical de Bourgogne
2, Petite rue 89310 Noyers-sur-Serein, France
Tel./ Fax: 03 86 82 67 11
E-mail: institut.piano.paris@...
Internet: www.eresko.com
@ Residency at the Virginia Center for the Creative Arts, Virginia,
USA (2 months)
Discipline: music (composition, electro acoustic, Pop music, Opera,
Classical music).
For further information, please contact:
VCCA
Mt. San Angelo
Sweet Briar, VA 24595, USA
Tel.: (1 ) 434 946 7236 Fax: (1 )434 946
7239
E-mail: vcca@...
@ Residency at the Conservatorio de las Rosas, Mexico, Mexico (3
months)
Discipline: music (composition).
For further information, please contact:
National Fund for Culture and the Arts
International Programs
Avenida Mexico-Coyoacan 371
Col. Xoco
Mexico 03330, D.F.
Tel.: (525) 601 03 60
==========================================BURSARIES IN THE FIELD OF DANCE
==========================================@ Residency with the Ballet Argentino Julio Bocca,
Buenos Aires, Argentina (1 month)
Discipline: contemporary dance (with usage of point shoes by female
dancers) and choreography.
For further information, please contact: Ms Agustina Lluma,
director Balletin Dance La Revista Argentina de Danza
(UNESCO-ASCHBERG bursaries programme for Ballet Argentino)
Amenabar 1642, 2o piso, Dpto C
(1426) Capital Federal, Argentina
Tel.: (#54 11) 4784-7806 Fax: (#54 11) 4780
3079
E-mail: info@...
Internet: http://www.balletindance.com.ar
@ Residency at the danceWEB 2002, Vienna,
Austria (5 weeks)
Discipline: contemporary dance.
For further information, please contact:
Mrs Johanna Ortler
danceWEB, Museumstr. 5/21
A-1070 Wien, Austria.
Tel.: (43 1) 523 55 58 Fax: (43 1) 523
555888
E-mail: info@...
Internet: http://www.danceweb.at
@ Residence at the Fondation Jean-Pierre Perreault
in cooperation with the Conseil des arts et des lettres du
Quebec, Canada (4 months)
Discipline: dance
For further information, please apply to:
Ms Marie-France Bruyere, Fondation Jean-Pierre Perreault
2022, rue Sherbrooke Est
Montreal (Quebec) Canada H2K 1B9
Tel.: (514) 525-2464 Fax: (514) 525-0172
E-mail: info@... Internet:
www.fjpp.org
@ Residency at the Ecole superieure de danse du Quebec, Canada (1
month)
Discipline: classical and contemporary technique (adavanced level)
and character dance.
For further information, please contact:
Ecole superieure de danse du Quebec
4816, rue Rivard
Montreal (Quebec)
Canada, H3T 1Z8
Tel.: (514) 849 4929 Fax : (514) 849 6107
E-mail: info@...
Internet: www.esdquebec.org
@ Residency at the Instituto Superior de Arte, Havana,
Cuba (3 months)
Discipline: contemporary dance (advanced level).
For further information, please contact:
Mrs Sonia Ortega Bravo
Director, International Relations
Instituto Superior de Arte
Calle 120 No. 1110 entre 9 y 13, Reparto Cubanacan
Municipio Playa,
Ciudad de La Habana, Cuba
Tel.: (53 7) 28 80 75 Fax: (53 7) 33 66 33
E-mail: vrri@...
@ Residency at the Ecole de danse de l'Opera national de Paris,
Nanterre, France (one year)
Discipline: classical dance (advanced level), as well as courses of
contemporary dance, jazz, character dancing, dance history, and body
solfa.
For further information, please contact:
Mrs Claude Bessy, directrice
Ecole de danse de l'Opera national de Paris
20, allee de la Danse
92000 Nanterre, France
Tel.: (33) 01 40 01 80 00 Fax: (33) 01 40 01
80 50
Internet: www.opera-de-paris.fr
@ Residency at the Rosella Hightower International Dance Institut,
Cannes, France (one or two years)
Discipline: classic, contemporary and jazz dance, history of ballet
and of music, dramatic art, vocal work. French lessons for
foreigners.
For further information, please contact:
Ecole superieure de danse de Cannes Rosella Hightower
'Le Gallia'
27, bd Montfleury
06400 Cannes, France
Tel.: (33) 04 93 06 79 79 Fax: (33) 04 93 06 79
78
@ Residency at the Centre National de Danse Contemporaine (CNDC
l'Esquisse), Angers,
France (2 months)
Discipline: contemporary dance.
For further information, please contact:
Mr. Jean-Francois Vazelle, CNDC l'Esquisse
42 bd Henri Arnauld, B.P. 50107
49101 Angers Cedex 02, France
Tel.: (33) 2 41 24 12 12 Fax: (33) 2 41 24 12
00
E-mail: CNDC.L.ESQUISSE@...
@ Residency in the framework of the "prixfidanse", Paris France
(2003-2004)
Discipline: contemporary dance.
For further information, please contact:
Ms Annick Beaumesnil
Departement operations culturelles, RFI
104 avenue du Pdt-Kennedy
75016 Paris, France
Tel.: 33 (0)1 44 30 89 51 Fax: 33 (0)1 44 30
89 89
E-mail: annick.beaumesnil@...
@ Residency at the Ballettschule Hamburg Ballet, Hamburg, Germany (1
school year)
Discipline: classical dance, modern dance, dance composition, folk
dance.
For further information, please contact:
Ballettschule des Hamburg Ballet
Ballettzentrum Hamburg - John Neumeier -
Ms Ursula Ziegler
Caspar-Voght-Str. 54
D-20535 Hamburg, Germany
Tel.: (49 40) 2111 8830/8831 Fax: (49 40)
2111 8888
E-mail: schule@...
Internet: http://www.hamburgballett.de
@ Residency at the Associazione Balletto Classico, Reggio Emilia,
Italy (9 months)
Discipline: classical dance.
For further information, please contact:
ABC
via Bernini 17
42100 Reggio Emilia, Italy
Tel./Fax: (39 522) 51 64 86
E-mail: ballettocosistefanescu@...
Internet: http://www.ballettoclassicocosistefanescu.it
@ Residency at Compagnie Gaara, Nairobi,
Kenya (6 weeks)
Discipline: contemporary and traditional danse.
For further information, please contact:
Mr Opiyo Okach ou Ms Claire Gelineau
46, rue Servan
75011 Paris, France
Tel. / Fax: 33 (0) 1 48 05 50 94
E-mail: opiyokach@...
@ Residency at the Espace Sobo-Bade, Toubab Dialao, Senegal (3
months)
Discipline: choreography.
For further information, please contact:
Mr Gerard Chenet
Directeur
Espace Sobo Bade, Toubab Dialao
B.P. 30
Bargny, Senegal
Tel./Fax: (221) 8 36 03 56
E-mail: sobobade@...
@ Residency at the Stiftung Schweizerische Ballettberufsschule (SBBS)
(Swiss Professional Ballet School Foundation), Zurich,
Switzerland (one school year)
Discipline: classical dance (advanced level), pas de deux, modern and
Spanish dance. Classical and contemporary repertoire.
For further information please contact:
Mr Alex Ursuliak, headmaster
Schweizerische Ballettberufsschule
Departement Tanz
Hochschule Musik und Theater
Seefeldsfrasse 225
8008 Zurich, Switzerland
Tel.: (41) 1 422 4686 Fax: (41) 1 422
4777
E-mail: sbbs@...
@ Residency at the English National Ballet School, London,
United Kingdom (2 years)
Discipline: classical dance (advanced level).
For further information, please contact:
Miss Kathryn Wade, Director
English National Ballet School
Carlyle Building, Hortensia Road
London SW10 0QS, UK
Tel.: +44 (0) 20 7376 7076 Fax: +44 (0) 20
7376 3404
E-mail: info@...
www.enbschool.org.uk
@ Ayudas para estudios en Espana.Secretaria de Estado para la
Cooperacion Internacional -SECIPI- y Presidencia de la Agencia
Espanola de Cooperacion Internacional AECI
==========================================, prazo/plazo/deadline: 31/03/2002
Convocatoria general de "Becas MAE"(becas del Ministerio de
Asuntos Exteriores de estudio en Espana para ciudadanos extranjeros
y en el exterior para espanoles, para verano de 2002 y curso
2002/2003).
Solicitud: El plazo de presentacion de solicitudes
finalizara el dia 31 de marzo del ano 2002.
Fecha cierre: 31/03/2002
Informacion: Los solicitantes de beca nueva o beca de
renovacion deberan cumplimentar la solicitud en linea por
internet en http://www.aeci.es debida
y enteramente en espanol.
Para mas informacion, pueden dirigirse a:
AECI - DG.RC. y C.
Subdireccion General de Becas, Lectorados e Intercambios
Avda. Reyes Catolicos, no 4
28040 - Madrid (Espana)
Telefonos:
Iberoamerica +34 91 583 83 00/ 02
Paises Arabes: +34 91 583 83 51
Africa Subsahariana, Asia y Pacifico: +34 91 583 86 06
Europa Central y Oriental y CEI: +34 91 379 97 62
Espanoles: +34 91 379 95 18
Fax: +34 91 583 83 10/ 11/ 13
Observaciones: Tipos de Becas que se convocan:
@ Becas para extranjeros para estudios de lengua y cultura
espanolas.
I.A) Becas para el Curso Especial para Profesionales del Espanol de
paises de lengua oficial no espanola en la Escuela de Verano
Espanola de Madrid
(mes de julio de 2002).
I.B) Becas para Cursos de Verano de Espanol como Lengua Extranjera
y de Cultura y Civilizacion Espanolas en Universidades publicas
y privadas
espanolas (de un mes, entre julio y septiembre de 2002) para
estudiantes y profesores de espanol en universidades extranjeras y
centros culturales
espanoles en paises de lengua oficial no espanola, asi como
para profesores de espanol norteamericanos de origen hispano.
I.C) Becas para Hispanistas extranjeros para investigacion en
Espana (de hasta tres meses: entre el 1 de julio de 2002 y 30 de
junio de 2003).
I.D) Becas para el Curso Intensivo para Profesores de Lengua y
Literatura Espanolas de paises en desarrollo o en transicion de
lengua oficial no
espanola en la AECI (de 1 febrero a 30 de abril de 2003).
@ Becas para extranjeros para estudios de postgrado y
especializacion.
II.A) Becas para ciudadanos extranjeros de paises no
iberoamericanos, preferentemente de paises en desarrollo y en
transicion prioritarios para la cooperacion espanola, para
programas de doctorado (certificado-diploma de estudios avanzados),
tesis doctoral (para realizacion, presentacion y
lectura de tesis), estudios postdoctorales, maestria, cursos de
especializacion, estancias y pasantias en Universidades,
instituciones y centros superiores publicos y privados espanoles
(de hasta 1 ano,
prorrogable hasta otro mas).
II.B) Becas Mutis para ciudadanos extranjeros de paises de la
Comunidad Iberoamericana de Naciones para programas de doctorado
(certificado -
diploma de estudios avanzados), tesis doctoral (para realizacion,
presentacion y lectura de tesis), estudios postdoctorales
(proyectos de investigacion), maestria, cursos de
especializacion, estancias y pasantias
en Universidades, instituciones y centros superiores publicos y
privados espanoles (de hasta un ano, prorrogable hasta otro
mas).
@ Becas para espanoles para estudios en el exterior
III.A) Becas para titulados universitarios espanoles para cursos de
verano de lenguas extranjeras en Universidades o centros oficiales
extranjeros, en
paises de idioma oficial no espanol prioritarios para la
cooperacion espanola (de un mes, entre julio y septiembre de
2002).
III.B) Becas para titulados universitarios espanoles para estudios
de postgrado y cursos de especializacion en Universidades o en
centros
superiores extranjeros, preferentemente en paises en desarrollo o
en transicion no iberoamericanos prioritarios para la cooperacion
espanola (de
hasta un ano, prorrogable hasta otro mas).
III.C) Becas Mutis para titulados universitarios espanoles para
programas de doctorado (certificado-diploma de estudios avanzados),
tesis doctoral (para
realizacion, presentacion y lectura de tesis), estudios
postdoctorales
(proyectos de investigacion), maestria, cursos de
especializacion, estancias y pasantias en Universidades,
instituciones y centros superiores publicos y privados
iberoamericanos (de hasta un ano, prorrogable hasta otro mas).
@ Becas de renovacion para beneficiarios de los programas de
becas AECI antiguos.
IV.A) Becas de renovacion para beneficiarios extranjeros de las
convocatorias de la AECI de 2001 de becas Mutis ("Boletin
Oficial del Estado" de 23 de febrero de 2001), becas
Unilaterales ("Boletin Oficial del Estado" de 9 de abril
de 2001), becas Bilaterales ("Boletin Oficial del Estado"
de 8 de junio de 2001) y becas en Instituciones Publicas
Espanolas
("Boletin Oficial del
Estado" de 6 de junio de 2001) para estudios de postgrado para
2o, 3er ano o prorroga extraordinaria ulterior.
IV.B) Becas de renovacion para beneficiarios extranjeros de las
convocatorias de AECI de 2001 para estudios de pregrado y formacion
profesional
(de hasta cinco anos).
IV.C) Becas de renovacion para beneficiarios espanoles de las
convocatorias de la AECI de 2001 de becas Mutis ("Boletin
Oficial del Estado" de 23 de
febrero de 2001), becas Unilaterales ("Boletin Oficial del
Estado" de 20 de marzo de 2001) y becas Bilaterales
("Boletin Oficial del Estado" de 21 de
julio de 2001), para estudios de postgrado de 2.o, 3.er ano o
prorroga extraordinaria ulterior.
@ CINEFONDATION: CANDIDATURAS PARA A RESIDENCE D'ARTISTES
==========================================prazo/plazo/deadline: 31/5/2002
Este projeto tem por objetivo ajudar e apoiar jovens e talentosos
realizadores estrangeiros que preparam um longa.
Condices p/candidatar-se:
1.ter realizado um ou mais curtas, ou um longa de ficcao;
2.saber exprimir-se em ingles ou frances;
3.preencher um formulario de candidatura (disponivel via o site
www.festival-cannes.org);
4.enviar uma copia em VHS dos filmes realizados;
5.enviar o argumento ou roteiro do projeto de longa;
6.04 fotos de identidade e 01 foto de passaporte;
A Residence existe desde o ano passado e acolhe seis jovens
realizadores apos selecao.
Caracteristicas:
I.alojamento no coracao de Paris por um periodo de quatro meses e
meio;
II.uma bolsa no valor de aproximadamente US$ 700,00 / mas;
III.acesso gratuito a um grande numero de salas de cinema;
IV.curso de frances (opcional);
V. participacao na programacao da Cinefondation (coletivos ou
individuais) /
consultar o site: www.festival-cannes.org
Duas selecoes por ano:
Proxima data: 31 de maio 2002
Envio das candidaturas:
Festival de Cannes
Cinefondation
99, Bd Malesherbes
75008 Paris / France
Caso queira mais informacoes contactar:
Sylvie de Perras
Diretora da Cinefondation
Tel: (33.1) 45.61.66.01
residence@...
P R O @ R T E C L I P
S
Boletin Electronico del Proyecto ProArte
Brasil
Ano 6 N.50 +51 3/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
pro@rte clips es una iniciativa mas a favor de la democratizacion de
las comunicaciones.
tiene como objetivo la divulgacion de novedades, eventos, cursos,
becas de estudio, ofertas de trabajo y oportunidades de reciclaje
artistico y profesional dentro del contexto de las artes
audiovisuales y escenicas, medios de comunicacion y nuevas
tecnologias.
los clips que componen nuestro boletin electronico provienen de
listas de discusion, newsgroups y forums con base en la internet, y
son reproducidos en version original, tal como circulan en el
cyberspace.
agradecemos su cooperacion en la divulgacion de estas informaciones
para personas y organizaciones sin acceso a correo electronico.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
INDICE:
>>>>>>
PARTE 1: BECAS Y AYUDAS
DE ESTUDIO
@ avis de concours pour la 4o session de formation formation a
l'ecriture de scenario >. union latine
@unesco-aschberg. international fund for the promotion of culture.
general information.2002 - 2003.bursaries for artists
@ residency at the intercultural centre for transdisciplinary
practice, exchange and research (cypres), aix-en-provence,
france (6 months)
@ residency at caiia-star, wales, united kingdom (3 months)
@ residency at camac, marnay-sur-seine, france (4 months)
@ residency in collaboration with the hungarian translators house
foundation, balatonfured,
hungary (1 month)
@ residency at the sanskriti kendra, new delhi, india (3
months)
@ residency at the centro do teatro do oprimido, rio de janeiro,
brazil (3 months)
@ residency with the sacatar foundation, itaparica. brazil (8
weeks)
@ residency at the international institute of puppetry,
charleville-meziere, france (2-3 months)
@ residency at koothu-p-pattarai, chennai, india (3 months)
@ residency at the darpana academy of performing arts, ahmedabad,
india (3 months)
@ studio residency at 200 gertrude street, melbourne, australia
(3 months)
@ residency at the cimelice castle, czech republic (2
months)
@ residency at the cable factory, helsinki, finland (3 months)
@ residency at ateliers fourwinds aureille, france ( 2 months)
@ residency at darat al funun art center, amman, jordan (one
month)
@ residency with the cemeti art foundation, jogjakarta, indonesia (2
months)
@ residency at the irish museum of modern art, dublin, ireland (3-6
months)
@ residency with cooperations, wiltz, luxembourg (2 months)
@ residency at gruber jez foundation, mexico city,
mexico (3 months)
@ residency at the jan van eyck akademie, maastricht, the netherlands
(12 months)
@ residence at the rijksakademie van beeldende kunsten,
amsterdam, the netherlands (12 months)
@ residency in the framework of the bienal de cerveira/ gesto,
cooperativa cultural, vila nova de cerveira, portugal (2 months)
@ residency at the faculty of fine arts, chiang mai university,
chiang maithailand (3 months)
@ residencies in the fields of music and dance
@ ayudas para estudios en espana.secretaria de estado para la
cooperacion internacional -secipi- y presidencia de la agencia
espanola de cooperacion internacional aeci
@ cinefondation: candidaturas para a residence d'artistes
PARTE 2: CURSOS Y
CAPACITACION
@ cursos de cinema e video em cuba. abril - dezembro 2002
@ abertas as inscricoes para novas oficinas de atualizacao
profissional no centro de realizacao audiovisual do instituto
dragao do mar (fortaleza, brasil)
@ programacao para abril, maio e junho dos cursos do centro
de comunicacao e artes - senac (sao paulo,brasil)
@ catedra latinoamericana de teatro "jose
marti"(cuba)
@ xxx taller eitalc de danza-teatro (quito, ecuador)
@ talleres de teatro en la casona (barcelona, espana)
@ t a l l e r e s y s e m i n a r i o s. teatro el baldio.
(buenos aires, argentina)
@ oficinas kinoforum: temporada 2002 tem inicio em cidade
tiradentes
@ tedavi'98 (firenze) laboratorio di
scrittura creativa applicata alla drammaturgia
@ licenciatura en artes dramaticas. universidad de moron
(buenos aires, argentina)
@ centro de estudios de genero y cultura en america latina 2002.
universidad de chile
@ dell'arte summer workshops in blue lake, california
@ taller de periodismo y medios de comunicacion. seminario de
historia de la television y la radio argentina
@ seminarios, talleres y conferencias extracurriculares
2002.instituto superior de ensenanza radiofonica (buenos aires,
argentina)
@ instituto de estudios teatrales para america latina. celcit.
cursos y talleres 2002/ buenos aires
@ taller de realizacion con fernando pino solanas en la eictv
PARTE 3: OFERTAS DE TRABAJO
@ usaid.especialista senior en cambio de
comportamiento/comunicacion - washington
@ servicio inter press. director editorial
@ managing director, savannah film and video festival
@ james b. pendleton teaching fellow program. ithaca college (ny)
@ coordinador de programa de postgrado. generaciones futuras -
franklin, west virginia, usa
@ the population council - proyecto frontera. asesor de programa,
comunicacion - washington, d.c.
@ summer youth program coordinator qas (quickdraw animation society,
in calgary)
@ assistant director. alliance of artists' communities. rhode island.
usa
@ development associate. the eastwest institute
@ project manager. sasi foundation. pakistan
PARTE 4: OPORTUNIDADES
@ chicago underground film fund 2002
@ programa de apoio a novos realizadores. instituto dragao do mar
(fortaleza, brasil)
@ pesquisa a respeito de projetos de teledramaturgia regional no
brasil
@ curtas.net busca cortos para su pagina .
@ call for participation. marathon art webcast 'orai' @ isea2002.
@ the 12hr-isbn-jpeg project
@ projeto forum de ciencia e cultura da ufrj (rio de janeiro)
@ videoteca del sur de nueva york abre sede en la habana e
invita realizadores latinoamericanos a participar con sus obras
@ call for chapters . virtual research ethics: issues and
controversies
@ call for papers: startling! heartbreaking! real!: reality tv and
the re-making of television culture
@ call for papers electronic commerce research journal special issue:
electronic commerce in developing countries
@ call for papers:transnational culture and the politics of
identity intersecting: race, sex, place (book series)
PARTE 5:
NOVEDADES EN LA WEB
@ "role-playing game: um jogo de representacao visual de
genero"
@ digitaldivide. an international discussion list on bridging the
digital divide
@ "what you see; what you get." general overview of digital
video cameras.
@ blog track - they search for you
@ lista de interes iberoamericana de arte, nuevos medios, ciencia y
tecnologia [iberoamerica-act]
@fepal. federacion psicoanalitica america latina.
@ arte digital cuba
@ estudios online sobre arte y mujer
@ final report for the international conference on information
technology, communications and development 2001
@ free video editing software
@ internet moving images archive: movie collection
@ enhancetv
@ seleccion de sitios sobre arte
@ findtutorials.com - the subject says it all
@ photographic libraries: education resource
@ new web portal will promote digital opportunities worldwide
@ bases de dados dos festivais brasileiros de cinema
@ recursos para usuarios de flash y shockwave
@ base de datos del cortometraje latinoamericano
@ resource center for cyberculture studies
PARTE 6: PREMIOS Y
CONCURSOS
@ programa transmidia abre inscricoes
programa do itau cultural contempla convergencia de midias
@ bases para concurso nacional de proyectos de fomento del libro y la
lectura.
@ premio abc de cinematografia
@ premio studio universal para primeros proyectos de largometraje.
@ premio megatrix para guion de serie animada,
@ certamen de jovenes creadores 2002 del ayuntamiento de madrid
@ concurso europeo de cortometrajes amateur "yo no soy de
aqui"
@ ibermedia 2002
@ international media award 2002 do zkm, centro de arte e tecnologia
em midia de karlsruhe, alemanha.
@ ars electronica 2002
@ premio anaconda 2002
PARTE 7: CONGRESSOS,
CONFERENCIAS Y LLAMADAS DE TRABAJOS
@ call for papers: cultural diversity for sale: global economies of
art and entertainment. an interdisciplinary conference at virginia
tech, blacksburg, va,
@ call for papers "nuns, whores, and wives in cinema" mla
special session panel (new york)
@ inscricao para ouvintes no iv congresso brasileiro de
cinema.(rio de janeiro)
@ collaborative information visualization environments (cives)soas,
university of london
@ symposium on the art and practices of sound (film, radio,
music & the digital media)
@ fomentando la diversidad cultural y el desarrollo: estrategias
locales, nacionales y mundiales., africa del sur
@ international conference on computers in education (icce 2002)
auckland, new zealand
@ calendario internacional de congressos e conferencias:
PARTE 8: FESTIVALES DE CINE,
VIDEO Y NUEVAS TECNOLOGIAS
PARTE 8.A CONVOCATORIAS DE FESTIVALES INTERNACIONALES
@ festival do cinema brasileiro de miami
@ telluride film festival
@ curta-se
@ vide video 2002. vi festival de cinema e video da ufrj
@ 6to festival internacional de video/arte/electronica (lima,
peru)
@ the seventh int'l festival of new film at split (croatia)
@ iv fica - festival internacional de cinema e video ambiental
(goias, brasil)
@ cinesul 2002 - festival latino-americano de cinema e video (rio
de janeiro - sao paulo)
@ xii cine ceara (brasil)
@ 9o festival internacional de cine de valdivia (chile)
@ edinburgh film festival
@ call for submissions. planet in focus: the toronto international
environmental film & video
PARTE 8.B CALENDARIO DE DE FESTIVALES
INTERNACIONALES
PARTE 8.C LISTA GENERAL DE FESTIVALES CON INSCRIPCION ABIERTA
PARTE 9:
OTROS EVENTOS
@ mayo teatral. casa de las americas (la habana)
@ nicolas guillen y el caribe. centro de estudios del caribe de
la casa de las americas (la habana)
@ coloquio internacional la poesia hispanica del siglo
xx
@ xvi encuentro nacional y ix internacional de contadores de
historias y leyendas (colombia)
@ iv salon y coloquio internacional de arte digital (la habana)
@ viii encuentro nacional de psicodrama. pre iv congreso
iberoamericano de psicodrama. buenos aires
@ xxv bienal de sao paulo
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>++++++++++++++++++++++++++++++++++++++++++++
El Proyecto ProArte Brasil es una coalicion virtual dedicada a
promover el reciclaje profesional, el intercambio cultural y el
acceso democratico a las nuevas tecnologias digitales.
++++++++++++++++++++++++++++++++++++++++++++>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Proyecto ProArte Brasil - Buzios-
caixa postal 112372
28950-000 Buzios-RJ
Brasil
telefax: 5524-26291493 celular: 5522- 92530903 / 92171620
directores:
Patricia Martin - patriciamartin@...
Alfredo Calvino - alfrec@...
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
para cancelar su subscripcion al boletin envie un mensaje en blanco
a:
<proarteclipsESP-unsubscribe@gruposyahoo.com.ar>
Estimados amigos,
Les recordamos que nuestro Boletín está abierto a las sugerencias y
colaboraciones de todos ustedes.
Quien tenga interés en divulgar GRATUITAMENTE una beca, curso, premio, concurso,
site, evento, festival o publicación, por favor envíe su clip para:
mailto:patriciamartin@...
El Proyecto Pro@rte Brasil es una coalición virtual de artistas y profesionales
de comunicación, cine, vídeo, televisión y nuevos medios, pionera en América
Latina. Usted forma parte de ella. Participe!
Patricia Martin
Editora
Boletín Pro@rte Clips
============================================
El Proyecto Pr@rte Brasil se reserva el derecho de editar o rechazar
informaciones enviadas para nuestra redacción si éstas no corresponden al
objetivo específico do nuestro Boletín.
============================================
Estimados amigos,
Les recordamos que nuestro Boletín está abierto a las sugerencias y
colaboraciones de todos ustedes.
Quien tenga interés en divulgar GRATUITAMENTE una beca, curso, premio, concurso,
site, evento, festival o publicación, por favor envíe su clip para:
mailto:patriciamartin@...
El Proyecto Pro@rte Brasil es una coalición virtual de artistas y profesionales
de comunicación, cine, vídeo, televisión y nuevos medios, pionera en América
Latina. Usted forma parte de ella. Participe!
Patricia Martin
Editora
Boletín Pro@rte Clips
============================================
El Proyecto Pr@rte Brasil se reserva el derecho de editar o rechazar
informaciones enviadas para nuestra redacción si éstas no corresponden al
objetivo específico do nuestro Boletín.
============================================
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 48+49 1/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 8: OUTROS EVENTOS /
OTROS EVENTOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>@ LISTAS DE FESTIVALES DE TEATRO
============================================
eSPANA
Festival Iberoamericano de Teatro de Cadiz
Pepe Bable Neira - Director
c/Isabel La Catolica nro 12 - 11004 Cadiz
Te: +34 956 227624
Fax: +34 956 222051
Correo electronico:
<mailto:fitdecadiz@...>fitdecadiz@ctv.es
CANADA
Festival des Ameriques
Marie Helene Falcon - Directora
C.P. 507, succ. Desjardins - Montreal, Quebec H5B 1B6
Te: +1 514 842 0704
Fax: +1 514 842 3795
Correo electronico: <mailto:fta@...>fta@...
COLOMBIA
Festival de Teatro de Manizales
Octavio Arbelaez Tobon - Director
Carrera 21 N 3003 Oficina 501 - Manizales
Te: +5768 30 4351
Fax: +5768 848 593
Correo electronico:
<mailto:octavioarbelaez@...>octavioarbelaez@...
Correo 2: <mailto:octavioarbelaez@...>octavioarbelaez@...
COLOMBIA
Festival Iberoamericano de Bogota
Fanny Mikey - Directora
Adela Donadio - Programadora
Casa del Teatro Cra 20#37-54 - Bogota
Te: +571 288 3033
Fax: +571 287 7390
Correo electronico: <mailto:festival@...>festival@...
Correo 2: <mailto:adeladonadio@...>adeladonadio@...
Correo 3: <mailto:festival@...>festival@andinet.com
BOLIVIA
Festival Internacional de La Paz
Maritza Wilde - Directora
Av. 6 de Agosto 2150
Casilla de Correo 7174 - La Paz
Te: +591 2 362 572
Fax: +591 2 362 572
Correo electronico:
<mailto:marwilde@...>marwilde@...
BRASIL
Festival Internacional de Londrina
Nitis Jacon - Directora Artistica
Praca Primeiro de Maio, 118 - Londrina-Parana-Brasil
CeP 86010120
Te: +55 43 322 1030
Fax: +55 43 324 8694
Correo electronico:
<mailto:nitis@...>nitis@sercomtel.com.br
BRASIL
Festival Internacional Palco e Rua
eid Ribeiro
Av. Alfonso Pena s/n Parque - Belo Horizonte, MG
Te: +55 31 224 4546
Fax: +55 31 277 4201
Correo electronico:
<mailto:fitbh@...>fitbh@...r
BRASIL
Porto Alegre em Cena
Luciano Alabarse - Director
La Usina - 307 Porto, Alegre
Te: +55 51 221 7867
Fax: +55 51 212 5979
FRANCIA
Festival d'Automne a Paris
Marie Collin - Directora Artistica
156, rue de Rivoli - 75001 Paris
Te: +33 1 534 51 700
Fax: +33 1 534 51 701
Correo electronico:
<mailto:info@...>info@festival-automne.com
HOLANDA
Holland Festival
Ivo Van Horne - Director Artistico
Igor Sorko (Asistente)
Te: +31 20 530 7110
Fax: +31 20 530 7119
Correo electronico:
<mailto:Igor@...>Igor@hollandfestival.nl
VeNeZUeLA
Festival Internacional de Caracas
Gisela Perez Guzman
Te: +58 2 573 4955
Fax: +58 2 576 6248
Correo electronico:
<mailto:escenateneo@...>escenateneo@...
Don Quichotte
<mailto:donquichotte@...>donquichotte@...
y en USA Festival Iberoamericano de
Washington <mailto:teatrodelaluna@hotmail.com>teatrodelaluna@...
Festival de Monologo y Teatro de Camara de Miami
Abierta recepcion de propuestas
Grupo Cultural La Ma Teodora en colaboracion con University
of Miami, Miami Light Project, Florida International University, y el
Teatro de Repertorio espanol en Nueva York te invita a presentar tu
propuesta para el II Festival Internacional del Monologo y Teatro
de Camara que se efectuara desde el 22 hasta el 31 de Marzo, 2002
en Miami y Nueva York
Requisitos:
1. el monologo o pieza teatral no
puede haber sido estrenado comercialmente en Miami o Nueva York
2. Todas las propuestas aceptadas por el
comite de seleccion participaran en un festival de caracter
competitivo. el jurado seleccionara los siguientes
premios:
3.
a. Premio Luna dado por un jurado
internacional de especialistas en teatro a: Mejor Actor, Mejor
Actriz, Mejor direccion, Mejor Texto Original, Mejor Adaptacion
(para un texto que haya sido adaptado de otro genero
literario).
b.
Premio especial Luna - Rine Leal : Los directivos del festival (sin
la intervencion del jurado) daran este premio a un artista por su
contribucion artistica al festival.
c. Premio especial Luna - Premio
prensa-critica: Premio especial dada por criticos de arte de
diferentes publicaciones y periodicos.
4. Las obras pueden ser presentadas en
ingles, espanol y portugues.
5. Las obras deben durar un minimo 45
minutos y un maximo de 90 minutos.
6. Las personas interesadas deberan mandar
una correspondencia a:
<mailto:asarrain@...>asarrain@bellsouth.net con la siguiente informacion:
a. Nombre de la agrupacion
b. Breve curriculum vitae del grupo
c. Nombre de la obra
d. Sinopsis de la obra
e. Nombre del dramaturgo y prueba de derechos
de la obra a ser presentada en el festival.
f. Ficha biografica del autor
g. Breve curriculum vitae de los actores,
director y disenadores
h. Resenas de la obra y otras obras del
grupo.
7. La fecha limite para el recibo de
propuestas es 15 de Noviembre, 2001. No se aceptaran propuestas
despues de esta fecha.
8. Luego de la seleccion preliminar, el
comite de seleccion solicitara un video de la obra y un
dossier de prensa completo de los participantes incluyendo
fotografias.
9. el festival cubrira:
a. Alojamiento en ambas
ciudades.
b. Tres comidas diarias.
c. Acreditacion para asistir a
todas las obras y eventos del festival
d. Solicitud de visa para los
participantes internacionales.
e. Transporte local.
9. el festival es un evento cultural sin
fines de lucro. La venta de tickets sera usada para cubrir
los costos del festival. Los grupos no recibiran pagos por sus
presentaciones.
10. Dado el alto el costo de las tarifas
aereas internacionales, el festival sugiere a los participantes
internacionales solicitar contribucion de las lineas aereas
asi como a las instituciones culturales y gubernamentales de sus
respectivos paises. Como el festival se caracteriza por la
presencia de todos los participantes durante todo el evento, los
directivos esperan la
participacion de todos los grupos en el aspecto educativo.
Algunos participantes sera invitados a participar en clases
magistrales, paneles y mesas redondas.
11. Los grupos deberan firmar un contrato donde se senala que no
presentaran sus obras fuera del festival mientras este dure.
Una vez terminado el festival, seran libres de presentar sus
producciones el tiempo que deseen siempre y cuando no violen las
leyes de inmigracion de estados Unidos.
fuente: Mauricio Kartum
Pagina web <http://www.autores.org.ar/mkartun>
@ II ENCUENTRO HISPANOAMERICANO DE VIDEO DOCUMENTAL INDENDIENTE
CONTRA EL SILENCIO TODAS LAS VOCES (MEXICO)
============================================
CONVOCAN
Voces contra el Silencio.Video Independiente A.C. y Producciones
Marca Diablo con el apoyo de instituciones publicas y privadas.
Podran participar los documentalistas de habla hispana, los
mexicano-norteamericanos, los brasilenos y los de otros paises
cuya obra se refiera a temas hispanoamericanos. Se premiara con
$3000 USD el primer lugar de cada una de las siguientes categorias:
Organizacion Ciudadana y Movimientos Sociales; Indigenas;
Situacion de Genero; Infancia, Juventud y Tercera edad; Medio
Ambiente y Desarrollo Sustentable; Fronteras. Las obras deberan
haber sido producidas a partir de julio de 2000 con soporte original
en video y deberan ser enviadas en formato Betacam SP con copia en
VHS. el cierre de la presente convocatoria sera el 15 de enero de
2002 y la celebracion del encuentro en abril del mismo ano.
Para mayores informes dirigirse a:
Voces contra el Silencio. Video Independiente A.C.
Carrasco # 74 Col. Toriello Guerra, Delegacion Tlalpan, C.P. 14050
Mexico, D.F.
Telefonos: (52-55) 55 28 07 97 y (52-55) 56 06 73 76
Correo electronico: diablo@...
Pagina electronica: http://www.contraelsilencio.org/encuentro/encuent2.htm
@ FORUM SOCIAL MUNDIAL 2002 FORUM MUNDIAL DO AUDIOVISUAL 2002 (Porto
ALegre, Brasil)
============================================
APRESENTACAO: Durante o 4to Congresso
Brasileiro de Cinema realizado no Rio de Janeiro, 14 a 18 de
novembro, o GT que tratou do tema Internacionalizacao
do Cinema Brasileiro, discutiu entre seus principais assuntos de
pauta a inclusao do tema "Audiovisual" no Forum Social 2002
em Porto Alegre.
Entre as conclus es dos trabalhos do GT tirou-se a urgencia da
organizacao de uma politica externa do audiovisual brasileiro ou
seja: uma politica de insercao internacional do cinema brasileiro.
(em anexo relatorio completo do GT).
FoRUM SOCIAL MUNDIAL DO AUDIOVISUAL 2002: No momento atual que a
comunidade cinematografica brasileira se une buscando um
fortalecimento politico. Neste espaco que o CBC - Congresso
Brasileiro de Cinema, entre outras areas, visa a discussao que amplie
medidas para uma abertura de mercado internacional.
Entendemos importante o inicio de uma revitalizacao sobre os acordos
multilaterias existentes, no sentido de criar um espa o comum
europeu-latino-americano para contrabalan ar a hegemonia
norte-americana.
Somando a isto a necessidade de estabelecer um dialogo sobre
processos e principios similares, visando a internacionalizacao do
produto e reforcando as defesas dos interesses comuns, reconquistar
seu proprio mercado, acreditamos que ha chegado o momento da questao
do audiovisual ser discutida
como uma questao de prioridade cultural, dentro de um pensamento de
soberania nacional. Portanto acreditamos ser fundamental a inclusao
da
questao do audiovisual no FoRUM SOCIAL MUDIAL 2002.
TEMAS E OBJETIVOS do GT: A questao do audiovisual na OMC; A
globalizacao e a democracia mundial audiovisual; Organizar a
participacao do Congresso
Brasileiro de Cinema - CBC no Forum Social 2002 em Porto Alegre.
Assim, conforme proposto no relatorio final do 4S Congresso
Brasileiro de Cinema estamos encaminhando nossa proposta solicitando
ao Comite Executivo Organizador do Forum Social Mundial para que
apoie a inclusao de um painel que englobe o que estamos chamando de
Forum Mundial do Audiovisual 2002.
JUSTIFICATIVA: O audiovisual e o meio de producao cultural e
comunicacao social mais poderoso na historia do homem. O cinema, a
televisao, o video e a internet tem conexao mundial. Bilh es de
dolares sao envolvidos na producao, distribuicao e exibicao do
audiovisual. Tem sido extensa e profunda a reflexao sobre cada um
desses suportes. Mais raros os estudos envolvendo a simultaneidade de
seus efeitos e a convergencia tecnologica. E rarissimos os que
priorizam a analise do impacto de toda esta producao de informacao,
conhecimento e entretenimento sobre as mais diversas sociedades do
planeta.
Pela sua propria natureza, objetivos e multidisciplinaridade, o Forum
Social 2002 e o lugar e o momento perfeitos para se iniciar, dar
abrangencia e
profundidade a urgente discussao sobre aspectos, complexos e
controvertidos, da circulacao e comercializacao do audiovisual.
Quest es como a acao do Estado, o controle e o acesso a informacao
da sociedade civil, a normatizacao das rela es entre veiculos e
na es, as interfaces entre economias e tecnologias, o papel da
Organizacao Mundial do Comercio e a necessidade de tratamento
diferenciado para cada pais, a reavaliacao das praticas politicas, a
diversidade cultural face ao pensamento hegemonico, a
reconceituacao de cidadania e democracia diante do poder de persuasao
do audiovisual.
Um dos principios basicos deste Forum e a defesa do principio da
Diversidade Cultural como fundamento desta insercao do audiovisual na
sociedade mundial
em contraponto a cultura hegemonica. Entendendo o principio da
Diversidade Cultural como o corolario do principio da Liberdade de
Expressao, indispensavel ao exercicio da cidadania.
Desta forma entendemos que o Forum Social Mundial 2002 e onde estas
questoes devem ser levantadas, questionadas, repercutidas e
polemizadas.
ACOES DO COMITE Depois da garantia do apoio de infra-estrutura
da organizacao do Forum Social Mundial 2002 em abrigar em seus espaco
esteforum, estamos entregado este projeto para o Forum Mundial do
Audiovisual finalizado em reuniao no Rio de Janeiro, durante o I
Encontro Internacional sobre Politicas para o Fomento ao
Cinema.
Ja iniciamos os contatos com os convidados para os paineis, e o
levantamento das propostas que delimitaremos para discussao, as sim
como a programacao cultural paralela. Podemos entao indicar algumas
defini es em andamento:
Formato: Conforme disponibilidade da organizacao neste momento,
fechamos com comite organizador do Forum a realizacao de dois paineis
a tarde nos dois
ultimos dias do Forum Social Mundial, nos dias 03 e 04 de fevereiro,
no Centro de Eventos da PUC em sala para ate 450 pessoas.
NOMES CONVIDADOS: Win Wenders, Martin Scorsese, Mohsen Makhmalbaf,
Gillo Pontecorvo, Jean-Luc Godard, Bertrand Tavernier, Fernando
Solanas, Thamineh
Milani - cineasta iraniana, Pedro Almodovar, Sergio Cabrera, Paz
Alicia Garcia Diego, Flora Gomes, entre outros. A ideia e ter
convidados de todos os continentes, alem de brasileiros,
representantes de governo, entidades, como Ibermedia, Instituto
Internacional para a Cinematografia e o Audiovisual Latino,
diretores, produtores, sociologos, etc.
PROGRAMACAO: FORMATO: REALIZACAO DE DOIS PAINEIS EM DUAS TARDES
Horarios:
14:00 as 18:00 horas Local: Centro de Eventos da PUC/RS
PAINEL 1 - 3/02/2002 " O AUDIOVISUAL E A SOCIEDADE ".
PAINEL 2 - 4/02/2002 " O AUDIOVISUAL - Hegemonia x Diversidade
Cultural " .
Mediadora da mesa: Assuncao Hernandes. Presidenta do CBC - Congresso
Brasileiro de Cinema
Convidados: A lista de convidados divide-se em: Convocatoria do CBC
para todas entidades, ongs e afins. Convidados das entidades
nacionais e
internacionais do audiovisual. Convidados cineastas nacionais e
internacionais.
RESULTADO ESPERADO: Estaremos trabalhando com a ideia de produzir um
documento em defesa das quest es de interesse de manifestacoes
culturais e
audiovisuais nao hegemonicas e a formacao de um forum permanente do
audiovisual mundial.
PROGRAMACAO CULTURAL: Exibicao de filmes dos convidados participantes
com debate apos as exibi es. Como exemplo, confirmando-se a
presenca de um
diretor comoo cineasta Bertrand Tavernier (diretor dos mais
combativos franceses e implicados com questoes sociais) podemos
organizar mini-retrospectiva dos seus filmes em Porto Alegre. Os
detalhes da Programacao Cultural serao serao divulgados
oportunamente. A ideia e utilizarmos as salas de exibicao da
Secretaria Estadual da Cultura e da Secretaria Municipal da Cultura,
assim como ja temos o indicativo da sala de cinema do Santander
Cultural e do grupo GNC Cinema. Conforme a definicso dos convidados
iniciaremos um ciclo de cinema uma semana antes do inicio do Forum
Social Mundial 2002.
Brasil, 10 de dezembro de 2001.
Assuncao Hernandes Presidenta do Congresso Brasileiro de Cinema
fonte: Assuncao Hernandes <raiz@...>
@ ENCUENTRO EN HUMAHUACA. CENTRO INTERNACIONAL DE
INVESTIGACI N EN ARTES ESCENICAS, PL STICA, M SICA Y
LITERATURA. . (JUJUY - ARGENTINA)
============================================del 5 al 27 de Enero del 2002
Centro Internacional de Investigacion en Artes Escenicas,
Plastica, Musica y Literatura construyedo en los terrenos cedidos
al efecto por la Municipalidad de Humahuaca
Desde el ano 1996, El Septimo (Asociacion Civil Sin Fines de
Lucro), propicia el intercambio y desarrollo de grupos y
personalidades ligadas a las artes performativas.
A partir del ano '98 se gesta una profunda relacion con la
comunidad de Humahuaca y orienta sus objetivos hacia la
Construccion de un Centro Internacional de Investigacion en Artes
Escenicas, Plastica, Musica y Literatura en los terrenos
cedidos a tal efecto por la Municipalidad de dicha ciudad
historica.
El Proyecto se dispone a saldar la brecha entre la marginalidad
socio-economica de la region y la investigacion artestica en
general. El intercambio de metodologeas alternativas relacionadas a
la "cuestion creativa", su ordenamiento y posterior
edicion, constituyen los pilares sobre los cuales se intenta
cuestionar el discurso dominante en cuanto a poleticas culturales
"globalizadoras", tal como la que nos toca padecer en
Latinoamerica toda.
Para ello, ha producido y solventado una "primera etapa" de
Encuentros, Festivales y Actividades Pedagogicas
y ha iniciado una "segunda
etapa" que aspira proyectarse hasta fines del 2003.
Se ha realizado una importante recoleccion de libros
que seran entregados a la Biblioteca Municipal de Humahuaca el dea
5 de Enero por parte de El Septimo.
Para ello, el grupo Charlet Theatre de Remiremont, Francia,
ofrecera una presentacion de su espectaculo "Jacques o la
sumision" sobre la pieza de Eugene Ionesco.
El resto de la actividad se desarrollara de la siguiente manera:
del 7 al 17 se llevara a cabo el seminario "Uno (semantica
del origen)"; el mismo sera coordinado por Antonio Celico,
director de El Baldeo Teatro.
Se podran ver espectaculos de toda Argentina,
varias propuestas de la provincia de Jujuy y se realizaran trueques
e intercambios con artistas y docentes de la comunidad.
Del 18 al 22 se llevara adelante un Taller Creativo para Ninos y
Jovenes de Humahuaca donde poder rescatar historias y leyendas de
la Quebrada.
Este proyecto se inicia bajo la coordinacion del grupo austreaco
Theater Asou y El Baldeo Teatro.
El 23, 24 y 25 la actriz y cantante tucumana Eugenia Mendez
brindara el Seminario "Escucha y Voz Humana" sobre el
entrenamiento y las posibiblidades sonoras en el performer.
Del 22 al 27, arribara a Humahuaca el "Encuentro en
Movimiento", una "caravana" de grupos teatrales
encabezados por "Delbuscar Teatro" y "La Cordura del
Copete" que llegaran a la ciudad a presentar sus
espectaculos luego de recorrer Mendoza, Cordoba, Tucuman y
Salta.
Las siguientes son algunas de las obras confirmadas que se
presentaran en Humahuaca durante el mes de Enero:
Viernes 5
"Jacques o la sumision"
de Eugene Ionesco por el grupo CHARLET THEATRE (Francia)
Viernes 11
"Tsinay-Kam"
por el grupo FWAL (Chaco)
Sabado 12
"El Tunel"
por el grupo LA ROSA TEATRO (Jujuy)
Miercoles 16
"Historia de un frascaso" (espectaculo en proceso)
"La Rosa Moderna"
ambos espectaculos del grupo Mutilados por la Tecnica (Buenos
Aires)
Viernes 18
"Socavon"
de Luis Cano y actuacion de Jorge de Lassaletta (Buenos Aires)
Sabado 19
"El Viaje de Molly Bloom"
por la Companea de Arte Euzkadi (Tucuman)
Miercoles 23
"La Noche Mayor"
por el grupo Sudestada (Buenos Aires)
Jueves 24
"Lo que me costo tu mirada. El Gordito"
por el grupo Delbuscar Teatro (Buenos Aires)
Viernes 25
"Metafesica sobre Genica"
por el grupo La Cordura del Copete (Buenos Aires)
Sabado 26
"Cantata de tamangos descolados"
por el grupo Delbuscar Teatro (Buenos Aires)
"Isabel desterrada en Isabel"
por Dareo Torrenti
Este evento no cuenta con ningun tipo de subvension o
financiamiento.
En momentos tan creticos de la realidad argentina y latinoamericana
aguardamos tenga a bien considerar, difundir y publicar la
infomacion de esta experiencia.
Para mayores informes solo podremos comunicarnos por fax al
locutorio de Humahuaca (03887 421067) y combinar una charla
telefonica.
En Buenos Aires se centralizara informacion actualizada en El
Baldeo Teatro (comunicarse preferentemente al Tel/Fax 011 4751 8867 o
vea mail a elbaldio@...
Desde ya muchas gracias
El Baldeo Teatro
El Encuentro en Movimiento
El Septimo (red de teatro)
Para mayores informes escribir a elbaldio@...
@ CONVOCATORIA DECIMA BIENAL DE
FOTOGRAFIA 2002 (Mexico)
============================================El Consejo Nacional para la Cultura y las Artes, a
traves del Instituto Nacional de Bellas Artes y del Centro de la
Imagen
En esta edicion la muestra de la Bienal estara acompanada de un
salon de invitados, el cual estara compuesto por todos los
trabajos ganadores a
partir de la primera Bienal de 1980.
BASES:
Podran participar todos los fotografos mexicanos, artistas
plasticos que utilizan la fotografia como base o soporte de su
expresion y extranjeros residentes en el pais por un menimo de 3
anos, previos a la publicacion
de esta convocatoria.
Las tecnicas de impresion fotografica y el tema de las obras
quedan a eleccion de los participantes.
Se nombrara un Comite de seleccion integrado por cinco miembros
(fotografos, investigadores y criticos), cuyos nombres seran
dados a conocer oportunamente.
Cada fotografo participara con un conjunto de 6 a 10 imagenes,
sin exceder este maximo, realizadas entre 2000 y 2001. El conjunto
debera presentar una unidad tematica en su tratamiento tecnico
y su concepto.
Para su registro es indispensable entregar curreculum resumido (una
cuartilla como maximo), en donde se incluya domicilio, correo
electronico y telefono o en caso de no contar con uno
propio, incluir telefono de referencia. No se aceptaran escritos
a mano.
Sera obligatoria la presentacion de un texto, no mayor de una
cuartilla, que condense el concepto que enmarca el proyecto
propuesto. Solo se admitira un proyecto por persona.
El material podra ser entregado: en diapositivas de 35mm montadas
en moldura plastica o grabados en CD a una resolucion de 72
dpi como minimo y de 300 dpi como maximo (archivos JPG o
Tif). Los creadores
interesados deberan enviar al Centro de la Imagen el material
indicando nombre, tetulo de la serie y ano de realizacion.
Solicitamos asimismo la ficha tecnica de todo el material.
En el caso de piezas tridimensionales tambien se deberan entregar
diapositivas, indicando en la ficha tecnica que se trata de una
pieza tridimensional, con sus respectivas medidas y peso.
En el caso de instalaciones o proyectos que requieran de materiales
especiales para su presentacion, los participantes deberan
encargarse de
los gastos que originen. En el caso de proyectos que necesiten equipo
electronico (proyectores, televisores, computadoras, etc.) el
Centro de la Imagen de manera conjunta con el Jurado evaluara los
proyecto para
determinar el apoyo que se pueda otorgar a cada uno de
ellos.
Los autores quedan en libertad de presentar su proyecto segun
convenga a su concepto, cuidando siempre que el espacio requerido no
exceda los tres metros por cualquiera de sus lados, ni el peso total
de la obra
sobrepase los 50 Kg
El autor debera entregar los materiales necesarios para su
montaje ase como un croquis explicativo para el montaje. De cualquier
manera sera obligatorio el enveo de imagenes en diapositivas o
en C.D.
La recepcion de material quedara abierta a partir del dea de
emision de esta convocatoria y concluira el viernes 24 de mayo a
las 15:00 hrs. En el caso del material enviado por correo o
mensajerea, se tomara como fecha de entrega la del mata sellos o
boleta de expedicion. No habra prorroga.
Los interesados deberan entregar o enviar su material al siguiente
domicilio:
Museologea /Registro y Conservacion de Obra
Con Martha Miranda
Horario de atencion y recepcion del material: lunes a viernes de
11:00
a.m. a 17:00pm
Centro de la Imagen/ Bienal Internacional de Fotografea
Plaza de la Ciudadela 2.
Centro Historico
Mexico D.F. 06040
Tels7Fax 57 09 15 10,57 09 60 95 y 57 09 60 58
Informes: Departamento de Curadurea y Enlace
Claudia Pretelin
e-mail: cimagen1@...
El Comite curatorial sesionara durante los siguientes
quince dias de la entrega del material en diapositiva o CD.
Posteriormente el Comite, hara una segunda seleccion, el Centro
de la Imagen avisara oportunamente a los participantes a partir del
14 de junio al 5 de julio para el envio de la obra fesica que
debera entregarse montada en marcos de aluminio negro con acrilico
2cm de ancho y 1cm de frente (como medida estandar)
Con respecto al material enviado que no quede seleccionado, el Centro
de la Imagen se compromete a devolverlo a los autores, pero no se
hara responsable de los danos que sufra por regreso y envio de
este.
El fallo para dar a conocer a los ganadores se emitira el 26 de
julio del 2002. La lista de seleccionados se dara a conocer por los
convocantes en los principales medios impresos, ademas de colocarse
en la mampara de informacion del Centro de la Imagen. Los
convocantes se comunicaran con los autores seleccionados para
ultimar detalles. La decision del Comite sera inapelable.
PREMIOS:
El Comite Curatorial otorgara dos premios Estemulo a la
Creacion Artistica, cuyo monto ascendera a 75, 000 pesos M.N
c/u.
Los premios seran entregados en la ceremonia de apertura de la
muestra en el mes de septiembre. El numero de menciones honoreficas
quedara a consideracion del jurado.
Premio del publico. Se otorgara una medalla de plata con el
emblema del INBA, al autor del conjunto que haya obtenido el mayor
numero de votos
por parte de los visitantes a la muestra en el Centro de la Imagen,
quienes tendran derecho a ejercer un voto durante el periodo de
exhibicion. El premio sera entregado en la ceremonia de
clausura.
Los fotografos seleccionados que ase lo deseen podran solicitar
su constancia de participacion.
Se publicara un catalogo de la muestra y un ejemplar del mismo
sera entregado a cada uno de los artistas seleccionados.
La muestra estara abierta al publico en los meses de septiembre y
octubre, en el Centro de la Imagen, en la Ciudad de Mexico, y
tendra una itinerancia de un ano en otras sedes. El Centro de la
Imagen no se hace
responsable por danos hechos a la obra despues de su itinerancia,
por lo que sugerimos sea recogida al termino de esta, 90
deas despues de su itinerancia el material que no sea recogido, el
Centro de la Imagen
podra disponer de su manejo.
Los autores seleccionados se comprometen al prestamo de su obra a
partir de la fecha de clausura de la muestra en el Centro de la
Imagen. Los convocantes, por su parte, se comprometen a
itinerar y asegurar la obra durante el tiempo anteriormente
estipulado. La obra de gran formato debera ser resuelta en
funcion de su soporte, el cual tendra que ser adecuado para la
presentacion, embalaje y traslado ya que el Centro de la Imagen no
se hara cargo por danos a la obra que no cumpla con estas
caracteresticas.
Los artistas deberan aceptar las clausulas correspondientes al
tipo de aseguramiento de la obra, emitido por el Consejo Nacional
para la Cultura y las Artes/CONACULTA.
Todo el material recibido en transparencia o en soporte digital
para la Bienal de Fotografia pasara a formar parte del acervo del
Centro de la Imagen.
Mexico D.F. a 21 de noviembre del 2001.
@ ENCONTRO INTERNACIONAL "EROTISMO E REPRESENTACAO DA MULHER
NA CULTURA LATINO-AMERICANA E CARIBENHA". Casa de las Americas.
(Habana)
============================================
Entre 18 a 22 de fevereiro de 2002, acontece em Havana, Cuba, o
Encontro Internacional "Erotismo e Representacao da Mulher
na Cultura Latino-Americana e Caribenha". Informacoes
adicionais sobre inscricao no Encontro, inscricao de
trabalhos, estadia etc:
CASA DE LAS AMERICAS
3o y G, El Vedado, Ciudad de La Habana, Cuba
Telf. 55-2715, 552706/09
Telex 511019 CAMER CU
Fax: 334554/327272
e-mail: cil@...
@ CAMPUS EURO-MEDITERR NEO DE
COOPERACI N CULTURAL. VILANOVA I LA GELTR (BARCELONA)
============================================
Tengo el placer de invitarle a la sexta edicion del Campus
Euro-mediterraneo de Cooperacion Cultural que tendra lugar en
Vilanova i la Geltru (Barcelona) entre los dias 24 y 26 de enero
2002. El Campus de este ano, "Culturas en Movimientoo
incluira, como en las anteriores ediciones, sesiones de
informacion y debates, ademas de un espacio para el intercambio
de proyectos y la presentacion de nuevas propuestas.
Adjunto puede encontrar el programa y si quiere obtener informacion
mas detallada o formalizar la inscripcion, le ruego contacte con
la Fundacion INTERARTS, cultura@...
Eduard Delgado
Director INTERARTS
6o Campus Euro-Mediterraneo de Cooperacion cultural
"Culturas en Movimientoo
Desde que la Conferencia Inter-gubernamental Euro-Mediterranea de
Barcelona (1995) ha afirmado claramente la voluntad poletica de
desarrollar una cooperacion multilateral en el espacio
Euro-Mediterraneo, INTERARTS ha convocado cada ano un Campus de
cooperacion cultural Euro-Mediterraneo. Este ano, el Campus
llega a su sexta edicion y reune artistas, investigadores,
administradores culturales y poleticos de ambas orillas del
Mediterraneo y se ha convertido a traves de los anos en una
plataforma de dialogo y de intercambio esencial para las reflexiones
culturales en el contexto Euro-Mediterraneo.
En este Campus, se prestara especial atencion a las culturas en
movimiento, tema central de las poleticas actuales en la zona del
Mediterraneo.
Considerando que la cooperacion cultural tiene un potencial
importante para crear y fomentar la interculturalidad, el respeto y
la colaboracion, la intencion es abordar los diferentes puntos de
vista de los intercambios culturales en el Mediterraneo. Le
presente edicion tiene como objetivo investigar, en colaboracion
con la UNESCO, el papel que tienen las empresas e industrias
culturales en el proceso de integracion global y poner el acento en
las diferentes posibilidades y perspectivas que tales empresas y
intercambios representan. Por otro lado, intentaremos reforzar el
trabajo en red de los operadores culturales ase como demostrar el rol
esencial de la cultura y de la cooperacion cultural en la
inmigracion .
Participantes / Inscripciones
El Campus esta abierto a profesionales del sector cultural,
artistas, investigadores, representantes de instituciones y
administraciones locales o provinciales, cooperantes y estudiantes, y
a todos aquellos interesados en conocer la realidad y las tendencias
en la cooperacion cultural Euro-Mediterranea.
Precio de la inscripcion : 100 _
La inscripcion se formalizara contactando cultura@... y
efectuando el pago al no de cuenta: 2100 3460 17 2200083872 - La
Caixa
Swift code : CAIX ES BB
Fecha lemite de inscripcion: 19.01.2002
En las sesiones plenarias preveemos traduccion simaltanea.
En los grupos de trabajo se usaran el ingles y el frances.
24 de enero 2002
Tarde
Inauguracion oficial del Campus
Evaluacion de los Campus 1996 - 2000 y presentacion del Campus
2001
El espacio Euro-Mediterraneo: intensidad de
intercambios e inmovilismo cultural
Acto informal de bienvenida
Proyeccion de la pelicula "Returning Home: the Revival of a
Bosnian Villageo
25 de enero 2002EL MERCADO Y LAS EMPRESAS
CULTURALES: NUEVAS OPORTUNIDADES EN EL ESPACIO
MEDITERR NEO (ORGANIZADO
CON LA COLABORACI N DE LA UNESCO)
Manana
Mercados, redes e identidades: ?Que estrategias
para el desarrollo de empresas culturales?
Las empresas culturales en el espacio Euro-
Mediterraneo
Hacia nuevos partenariados Euro-Mediterraneos
Tarde
Empresas culturales y entendimiento intercultural
Primer Forum Mediterraneo de Ciudades para la Cultura
(organizado con la colaboracion de la Diputacion de Barcelona)
26 de enero 2002 EL ROL DE LA CULTURA
EN LOS
PROCESOS DE MIGRACI N Y DE
INTEGRACI N
Manana
Culturas sin fronteras / Pueblos sin territorio
Permeabilidad y reciprocidad cultural en
losprocesos
de integracion
Las redes socioculturales y la migracion
El impacto de la emigracion en las culturas de origen
Grupo de trabajo 1: La expresion artestica al servicio de la
integracion
Grupo de trabajo 2: Culturas en movimiento y ONGs culturales
Grupo de trabajo 3: Encuentro de las entitades culturales
del Mediterraneo, "Xarxa Blauo
Grupo de trabajo 4: Poleticas culturales e impacto cultural: del centro a la periferia
Conclusiones
Clausura
Docents i responsables de tallers / docentes y responsables de
talleres / speakers and workshop leaders / intervenants et
responsables d'ateliers
@ III ENCUENTRO NACIONAL DE INVESTIGADORES DE LA COMUNICACI N EN
BOLIVIA - ABOIC (3-5 de junio)
============================================
VI CONGRESO LATINOAMERICANO DE INVESTIGADORES DE LA
COMUNICACI N - ALAIC (5 - 8 de junio), a realizarse (ambos eventos)
el 2002 en la ciudad de Santa Cruz, Bolivia?
Toda la informacion en...
<http://www.upsa.edu.bo/alaic2002>http://www.upsa.edu.bo/alaic2002
@ ENCONTRO SOBRE RESTAURACAO E PRESERVACAO. GRUPO
ESTACAO, CONSULADO GERAL DO MEXICO E ESPACO UNIBANCO
(Rio de Janeiro)
============================================
por ocasiao da exibicao do classico mexicano
REDES de Fred Zinnemann e Emilio Gomez Muriel
Sexta, 18 de janeiro de 2002, as 10h
Espaco Unibanco de Cinema - sala 3
Rua Voluntarios da Patria, 35 - Botafogo
Componentes da mesa*:
Convidado Especial: Ivan Trujillo - Presidente da Federacao
Internacional de Arquivos Filmicos
Carlos Alberto Mattos - Centro de Pesquisadores do Cinema
Brasileiro
Silvia Rabello - LaboCine
Joao Luis Vieira - Mediador
Redes de Fred Zinnemann e Emilio Gomez Muriel
em exibicao unica dia 17/1, as 20h30, no Odeon BR
Praca Floriano, 7 - Cinelandia
"O cinema e fragil, como demonstram as muitas perdas
irrecuperaveis que o patrimonio audiovisual brasileiro ja
sofreu em sua ainda curta historia. So com muito cuidado
impediremos que os melhores filmes de hoje se transformem em mera
lembranca daqui a poucas decadas. Felizmente, comeca a nascer
entre nos uma nova consciencia da importancia dos trabalhos de
restauracao e preservacao da memoria cinematografica, a
exemplo do que tem ocorrido em outras partes do mundo. E o primeiro
passo para que essa mesma consciencia se transforme numa politica
e os beneficios se multipliquem, para o bem da cultura brasileira e
da economia do setor."
(Carlos Alberto Mattos)
------------------------------------------------------------------------
*Ivan Trujillo
Ha 12 anos e Diretor Geral de Atividades Cinematograficas da
UNAM - Universidade Autonoma do Mexico onde situa-se a
Filmoteca, um dos maiores e mais importantes arquivos filmicos da
lingua espanhola.
Em 1999, foi eleito presidente da Federacao Internacional de
Arquivos Filmicos (FIAF) e re-eleito no cargo em 2001. E o
primeiro presidente latino-americano da Federacao.
Tem ampla carreira como documentarista de filmes sobre a natureza.
No campo da preservacao de filmes desenvolveu diferentes projetos
para o resgate e restauracao de filmes da America Latina.
Esteve envolvido no processo de preservacao do filme REDES,
reencontrado ha mais de 20 anos.
Resgatou para o Mexico uma copia do curta DESASTRE EN OAXACA, de
Sergei Eisenstein, encontrado na Cinemateca do MoMA.
Criou o projeto Memoria Compartida que, com recursos da Agencia
Espanhola de Cooperacao Internacional
e da FIAF, permitiu a restauracao de cerca de 30 filmes
latino-americanos e a capacitacao de varios tecnicos em
preservacao filmica de paises proximos.
Carlos Alberto Mattos
Representante do Centro de Pesquisadores do Cinema Brasileiro.
Jornalista e critico de cinema, atualmente escreve para o site
no.com.br. Acaba de escrever um livro sobre a obra do cineasta
brasileiro Walter Lima Jr.
Silvia Rabello
Diretora do Laboratorio Labocine que participa ativamente como
parceiro na restauracao de filmes brasileiros como Tudo Azul, de
Moacyr Fenellon e Aviso aos Navegantes, de Watson Macedo, entre
outros.
Joao Luis Vieira
Professor de cinema da UFF, organizador da mostra Surrealismo no
Cinema, realizada em outubro do ano passado no CCBB e coordenador
pedagogico da Escola de Cinema Darcy Ribeiro.
P R O @ R T e C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 48+49 1/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 8: FESTIVAIS DE CINEMA, VIDEO E NOVAS MIDIAS / FESTIVALES DE
CINE, VIDEO Y NUEVOS MEDIOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>PARTE 8.A CONVOCATORIAS DE FESTIVAIS
INTERNACIONAIS / CONVOCATORIAS DE FESTIVALES INTERNACIONALES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 8.B CALENDARIO DE DE FESTIVAIS
/ CALENDARIO DE FESTIVALES
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 8.C LISTADO GERAL DE FESTIVAIS COM INSCRICAO ABERTA / LISTA DE
FESTIVALES CON INCRIPCION ABIERTA
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 8: FESTIVAIS DE CINEMA, VIDEO E NOVAS MIDIAS / FESTIVALES DE
CINE, VIDEO Y NUEVOS MEDIOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>@ FESTIVAL INTERNACIONAL
DE CINE SOBRE ARTE Y BIOGRAFEAS DE ARTISTAS 2002
============================================prazo/plazo/deadline: 28/02/2002
el Proyecto Asolo organizara la edicion 2002 del Festival
Internacional del Cine Sobre Arte y Biografeas en Asolo-Italia. el
certamen por su naturaleza es competitivo y busca anualmente hacer un
balance cretico de la produccion cinematografica, televisiva,
video e infografea dedicadas al mundo de las artes visuales. este
festival preve una serie de resenas historica y panoramicas
especializadas y encuentros internacionales de estudios, en el que se
trataran temas en cinco secciones:
Cine sobre el arte
Boiografeas de artistas
Video art y computer art
Net art
Producciones experimentales cinematograficas televisivas, video e
infografea
La recepcion de las peleculas se hara hasta el 28 de
febrero 2002
Para mayor informacion direjase a:
e-mail: artfilmfestival@...
http://www.artfilmfestival.com
@12o FESTIVAL INTERNACIONAL DE CURTAS
============================================prazo/plazo/deadline: 18/01/2002
Cergy-Pontoise, Franca estao abertas ate 18 de Janeiro as
inscricoes para o 12th Festival internacional de curtas de
Cergy-Pontoise, Franca, que sera realizado
nos dias 6 e 7 de abril de 2002.
O festival, exclusivo para estudantes, aceitara inscricoes de
filmes de todos os generos, nas bitolas 35mm e 16mm, com som
optico, com ate 30min, concluidos apos 1o de Janeiro
de 2000.
Mais informacoes:
e-mail: tyo@...
Internet: tyo.multimania.com
fonte: Schorr Daniel <d.schorr@...>
@ 5o FESTIVAL MUNDIAL DE ANIMACAO
ZAGREB, CRO CIA
============================================prazo/plazo/deadline: 01/02/2002
estao abertas ate 1o de fevereiro de 2002 as inscricoes
para o 15o Festival Mundial de Animacao, que acontecera
em Zagreb, Croacia, de 18 a 23 de
junho de 2002.
O festival esta aberto a filmes de animacao finalizados apos
em 31 de dezembro de 1999, com tempo de duracao entre 30
segundos e 30 minutos, realizados em 16 ou 35mm (filme), ou em
Betacam SP-PAL (video). As obras inscritas devem ter pelos menos
50% de suas sequencias em animacao, independente da tecnica
utilizada.
Mais informacoes:
ANIMAFeST 2002
Kneza Mislava 18
10 000 Zagreb
Croatia
@ FESTIVAL INTERNACIONAL DE ANIMACAO DE STUTTGART
============================================prazo/plazo/deadline: 01/03/2002
Stuttgart, Alemanha
estao abertas ate 01 de marco de 2002 as inscricoes para o
11o Festival Internacional de Cinema de Animacao de Stuttgart,
Alemanha, que acontecera entre 21 e 26 de marco de 2002.
O festival esta aberto a filmes de animacao, incluindo
animacao por computador, e combinacoes de live-action e
animacao, com ate 30 minutos de duracao, em 16mm ou 35mm,
produzidos a partir de 31 de dezembro de 1999.
@ UNCIPAR 2002 - 24o JORNADAS ARGENTINAS DE CINEMA E V DEO
INDEPENDENTES
VILLA GESELL, ARGENTINA
============================================prazo/plazo/deadline: 15/03/2002
estao abertas ate 15 de marco as inscricoes para a 24o
Jornada Argentina de Cinema e Video Independentes, que sera
realizada entre os dias 28 e 30 de marco de 2002
Poderao participar do festival filmes e video de ate 30 minutos
de duracao, incluindo creditos e letreiros, que tenham sido
produzidos a partir de1999 e que nao tenha participado de
edicoes anteriores do festival. O tema e
livre.
Mais informacoes:
UNCIPAR:
e-mail: uncipar@...
fonte: Schorr Daniel <d.schorr@...>
@ D.FILM - FESTIVAL ITINERANTE DE CINEMA DIGITAL
ITINERANTE
============================================prazo/plazo/deadline: n/c
O festival tem por objetivo "exibir o melhor sendo feito com
novas tecnologias", atraves de curtas ou trechos de
medias ou longas. Neste ano o
festival sera exibido em 21 cidades, incluindo Nova Iorque,
Londres,Toquio e Sao Paulo.
Como o festival e exibido continuamente em diferentes cidades, as
datas de inscricao sao variaveis, e os organizadores
estao "sempre buscando trabalhos
novos".
Os interessados devem enviar copia do filme em VHS/NTSC,
acompanhado da ficha de inscricao (disponivel no site do
festival) e um breve resumo do
filme com 70 palavras ou menos. A inscricao e gratis.
Mais informacoes:
DFILM Digital Film Festival
7095 Hollywood Blvd. Suite 1001
Los Angeles, CA 90028 USA
O Ifliks, Festival de Cinema na Internet, esta recebendo
inscricoes de filmes. Os filmes selecionados sao veiculados
gratuitamente, acompanhados da
sinopse do filme e da biografia do diretor.
Os interessados deverao enviar uma copia do filme em VHS NTSC,
acompanhado de ficha de inscricao, disponivel no site do
festival.
Mais informacoes:
ifliks
8 Park Street
Montclair, New Jersey
07042 USA
O festival Anarchy esta aberto a filmes de qualquer genero e
formato,com ate 10 minutos de duracao.
Todo o mes a organizacao do festival seleciona tres filmes. O
filme vencedor de cada mes ira competir contar os outros
vencedores na final anual do festival, e participarao de uma mostra
no Slamdance Film Festival, que acontecera em janeiro me Park
City.
Os interessados devem enviar uma copia do filme em VHS,
preferencialmente em NTSC, acompanhado de ficha de
inscricao (disponivel no site do fetival)
e pagar uma taxa de inscricao de US$ 20 (US$ para estudantes).
Mais informacoes:
Slamdance Film Festival
Attn: Anarchy
5634 Melrose Ave.
Los Angeles, CA, 90038, eUA
@ NeW VeNUe
============================================prazo/plazo/deadline: n/c
O Festival e um festival de video feitos para a Internet que tem
por objetivo "apresentar filmes que redefinam a midia
[digital] e expandam os limites do video na
Internet".
O festival esta aberto a trabalho em Quicktime ou Flash, com ate
5MB ou 15 minutos de duracao.
Os interessados devem enviar seus trabalhos preencher uma ficha de
inscricao e enviar seus trabalhos diretamente atraves do site
do festival, onde tambem
encontrarao informacoes para producao de filmes para
Internet.
Mais informacoes:
Internet: newvenue.com
fonte: Schorr Daniel <d.schorr@...>
@ 4O FESTIVAL INTERNACIONAL DE CURTAS METRAGENS DE BH
============================================prazo/plazo/deadline: 27/03/2002
A Fundacao Clovis Salgado (FCS), atraves de seu Departamento de
Cinema, da in cio aos preparativos para a realizacao do 4o Festival
Internacional de
Curtas Metragens de Belo Horizonte,
que vai acontecer de 04 a 16 de junho de 2002, no Cine Humberto Mauro
do Pal cio das Artes. O Festival ja conta com o patroc nio da
Usiminas atraves da Lei estadual de Incentivo a Cultura e apoio do
Consulado Geral da Franca e Terra Networks.
As inscricoes ja encontram-se abertas e os interessados poderao se
inscrever ate o dia 27 de marco de 2002. O regulamento completo e a
ficha de inscricao
estao dispon veis no site www.festivaldecurtasbh.com.br. Maiores
informacoes podem ser obtidas no proprio Departamento de Cinema da
FCS, pelo fax: (31)
3237-7215 ou e-mail: festivaldecurtasbh@... e
info@... .
Condicoes para inscricao
1.. Poderao se inscrever filmes lancados entre abril de 2000 e
marco de 2002.
2.. O filme devera estar finalizado no momento da
inscricao.
3.. Tempo maximo de duracao: 30min.
4.. O filme devera estar finalizado em 16mm ou 35mm.
5.. Categorias aceitas: documentario, ficcao, experimental e
animacao.
6.. Filmes inscritos nas edicoes anteriores nao serao
aceitos.
7.. As fitas VHS enviadas para a selecao passarao a fazer
parte do acervo do Festival e poderao ser utilizadas somente para
fins culturais, sem objetivos comerciais, com a aprovacao do
produtor.
8.. Durante o festival, as fitas VHS dos filmes inscritos
estarao dispon veis para curadores de outros festivais e para o
publico na videoteca do Festival.
Inscri es
1.. A inscricao e gratuita.
2.. O proponente deve realizar a inscricao on-line e enviar
copia da ficha de inscricao totalmente preenchida, juntamente com 1
copia do filme em VHS
(NTSC), sinopse em ingl s e portugues e lista de dialogos em ingles
e portugues (indispensavel para a legendagem eletronica dos filmes),
e 2 (duas) fotos para catologo.
3.. Nao serao aceitas copias em Beta ou Mini DV.
4.. O proponente devera enviar tambem no ato da inscricao, o
material de divulgacao (press-kit).
5.. O proponente sera respons vel pelas despesas de envio do
material da inscricao.
6.. A inscricao somente sera efetivada apos a recepcao de
todos os itens descritos no Regulamento.
endereco para envio do material de inscricao:
FESTIVAL INTERNACIONAL DE CURTAS METRAGENS DE BELO HORIZONTE
DEPARTAMENTO DE CINEMA / Fundacao Clovis Salgado
Palacio das Artes
Av. Afonso Pena, 1537 - Centro - Fone: (31) 3237-7296
Belo Horizonte - MG - Brasil
CeP 30130 003
www.festivaldecurtasbh.com.br e salve em favoritos. Qualquer duvida
entre em
contato: info@...
festivaldecurtasbh@...
@ E TUDO VERDADE - 7o FESTIVAL INTERNACIONAL DE
DOCUMENT RIOS
RIO DE JANEIRO E SAO PAULO
============================================prazo/plazo/deadline: 28/01/2002
estao abertas ate 28 de janeiro as inscricoes para "E
Tudo Verdade - 7o Festival Internacional de
Documentarios" que sera realizado entre 11 e
21 de abril de 2002 em Sao Paulo e no Rio de Janeiro.
O festival esta aberto a documentarios em pelicula (16 e 35mm)
e video (Betacam/NTSC), com qualquer tempo de duracao,
concluidas a partir de junho de 2000. Videos documentarios em
outros formatos de exibicao poderao
apenas ser inscritos para a mostra nao competitiva.
Serao distribuido um premio de Melhor Documentario do Ano, a
ser escolhido por um juri internacional enquanto que um juri
nacional concedera premios de
Melhor Documentario Brasileiro e Premio especial do Juri, ao
titulo que melhor contribuir para a Renovacao da Linguagem do
Documentario
Mais informacoes:
Telefone: (11) 3062-9601.
Internet: www.etudoverdade.com.br
@ II ECOCINE - FESTIVAL NACIONAL DE CINEMA E V DEO AMBIENTAL
Sao Sebastiao, SP
============================================prazo/plazo/deadline: 14/02/2002
estarao abertas entre 14 de janeiro e 14 de fevereiro as
inscricoes para realizado em Sao Sebastiao, SP, de 16 a 22 de
marco de 2002.
O festival esta aberto a videos e filmes brasileiros, documentais
ou de ficcao, produzidos a partir de 1999, com qualidade
profissional (Beta,16 ou 35 mm), com abordagem de temas direta ou
indiretamente ligados as
questoes ambientais, incluindo a relacao socioeconomica e
cultural entre o homem e a natureza.
As obras inscritas serao classificadas pela duracao, em curta
(ate 25'),
media (de 25 a 60') e longa (acima de 60'). Para inscricao
deverao ser enviadas copias em VHS NTSC. As obras selecionadas
deverao ter copias na bitola original.
Serao conferidos premios e trofeus para as melhores obras
(filmes ou video), das categorias curta, media e longa metragem, e
um Premio especial do Juri, para qualquer bitola, suporte ou
duracao.
Mais informacoes:
Prefeitura Municipal de Sao Sebastiao
Diretoria de Comunicacao
Telefone: (12) 451-2018 / 2073
e-mail: depcom@...
@ FESTIVAL DO CINEMA BRASILEIRO DE MIAMI
MIAMI, EUA
============================================prazo/plazo/deadline: 02/04/2002
estao abertas ate 02 de abril de 2002 as inscricoes para o
6o Festival do Cinema Brasileiro de Miami, eUA, que sera
realizado entre 2 e 6 de junho de 2002.
Poderao participar do festival trabalhos de curta e longa
metragens, em feitas por produtores ou realizadores brasileiros ou
radicados no Brasil ha mais de 03 anos, que tenha sido
finalizados em 2001/2002, em 35mm, com legendas em ingles e
ineditos no mercado dos eUA.
Mais informacoes:
Inffinito Nucleo de Arte e Cultura
Av. Presidente Wilson, 210/grupo 1314
Centro, Rio de Janeiro, RJ, 20030-020
Telefone: +55(21) 2510-3608, 251034545
e-mail: festival@...
Internet: www.inffinito.com e www.brazilianfilmfestival.com
@ ACONTECENDO ATE DIA 20/01:SUNDANCE FILM FESTIVAL
============================================
Get the latest from Utah at: <http://www.indiewire.com>.]
Check out the Sundance Online Resource Center. Curious about
the filmmakers
in this year's fest, or want a quick summary of a film featured this
year?
Then check out this sight with all the information and more...
http://www.sundanceonlineresourcecenter.org/
@ SUNDANCE ONLINE FILM FESTIVAL
============================================
--www.sundanceonlinefilmfestival.org--
The Sundance Institute along with Atom Films are returning this year
with the Sundance Online Film Festival. Showcases include a selection
of new work
designed specifically for the web. Twenty-one projects are being
presented for the 2nd annual online event, with animation,
live-action, documentary, interactive, new form and selected
shorts from the Sundance Film Festival
Shorts Program.
@ TELLURIDE FILM FESTIVAL
============================================prazo/plazo/deadline: 01/06/2002
The *new* dates for Telluride IndieFest 2002 are: August
30 -September 1 (over the Labor Day Weekend).
What is the 'difference' between the two festivals?
The Telluride Film Festival is not an independent film festival - it
is more of an 'arts cinema' event - and, it *requires* 'premieres' of
all selected films (and does not include screenplays).
Telluride IndieFest (on the other hand) showcases the best
*independent* films and screenplays in the world - and does *not*
require films to 'premiere' at its event.
------------- Telluride IndieFest 2002 entry Forms are NOW
Available!
Please go to the festival's web site at:
http://tellurideindiefest.com
and click on "Year 2002 entry Forms".
------------- Significant Dates:
entry Deadline: June 1, 2002 (*received* by the
festival - not 'postmarked').
entry *Selection* Announcement: August 1, 2002
------------- Important Note:
We are (again) *limiting* entries to 1000 (total of all films,
videos, and screenplays) - so enter eARLY - and take advantage of
*reduced* entry fees!
As well - once we *receive* 1000 entries we may close the event (to
any further entries).
Film and Write On,
Michael Carr
Founder/Director: Telluride IndieFest
http://tellurideindiefest.com
Showcasing the *best* independent films and screenplays in the
world!
@ EUROPEAN MEDIA ART FESTIVAL 2002
============================================prazo/plazo/deadline: n/c
Osnabrueck
24.-28.April 2002
http://www.emaf.de
--Call for entries!!!--
The theme of this year's eMAF 2002 is "New Images - New Stories
" - Art in Modern Media. Productions from internationally
renowned artists as well as innovative works from creative young
talents are on exhibition.
The eMAF plays a major role as a forum
for international media art presenting film, video, performances,
multimedia installations and digital media such as CD-ROM, DVD and
the Internet. Specials feature current productions from China and
Korea and the latest XS-Movies for Internet, mobile phones and
handhelds.
As part of the festival the German Film Criticism Prize is awarded to
the best experimental film and video production. The OLB Media Art
Prize
is awarded to the most innovative media installations.
The exhibition of the festival in the Kunsthalle Domenikanerkirche
will be shown from 24. April - 20. May 2002.
We would like to invite you to take part in the eMAF 2001 with your
artworks and projects!
For further information and application forms please visit:
www.emaf.de
PARTE 8.B CALENDARIO DE DE FESTIVAIS
INTERNACIONAIS
/ CALENDARIO DE FESTIVALES INTERNACIONAIS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
JANEIRO/FEVREIRO
* 13th Palm Springs International Film Festival, Jan 10-22
(USA)
(760) 322-2930. http://www.psfilmfest.org
* Sundance Film Festival, January 10 - 20
* The New York Latin American Cinema Festival:LaCinemaFe, Jan 28- Feb
4. armando@..., information@...
http://www.lacinemafe.com
* Int'l Film Festival Rotterdam, Jan. 23 - Feb. 3 (The
Netherlands)
* Festival Europeo de Cortometrajes Reus 2002, Feb 1-3.
info@..., http://www.fec-reus.com
*Festival Internacional de Clermont Ferrand, Fev 1 -9 (France)
m.raluy@...
* Berlin International Film Festival, February 6 - 17 (Germany)
* VI Animac (Mostra Internacional de Cinema d'Animacio de Lleida),
Feb 14 -17. animac@...
http://www.paeria.es/cultura/animac/
* 22o Festival Internacional de Cinema do Porto, Feb 22- Mar 2.
http://www.fantasporto.online.pt
* Festival de Caracas de Cortometrajes Latinoamericanos en Cine y
Video, Feb 23 - Mar 1. festivaldecaracas@...
http:// www.fundavisual.org.ve
EM MARCO:
32o Tampere international Short Film Festival (Finlandia)
Mar 5 -10, office@...
Internet: www.tamperefilmfestival.fi
14o encontro de Cinema da America Latina de Toulouse,
(Franca), Mar 15-24. arcalt@...
http://cinelatino.free.fr
PARTE 8.C LISTADO GERAL DE FESTIVAIS COM INSCRICAO ABERTA / LISTA DE
FESTIVALES CON INCRIPCION ABIERTA
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
OBS: a data que aparece no inicio corresponde a data limite de
inscricao
OBS: la fecha que aparece adelante es la fecha limite de
inscripcion
JANEIRO/FEVREIRO/MARCO
18 Enero. Festival internacional de Cortos de Cergy-Pontoise
(Francia) -abril 6-7. tyo@...
Internet: tyo.multimania.com
28 Enero. E Tudo Verdade (Brasil) - Abril 11-21.
http://www.etudoverdade.com.br
31 Enero. Festival Internacional de Cine Independiente de Buenos
Aires.(Argentina) programacion@...
http://www.bafilmfest.com/
1 Feb. Zagreb Animation Festival (Croacia)
animafest@...
5 Febrero. Chicago Underground Film Festival (USA)
http://www.cuff.org/
8 Febrero. Festival Internacional de Cine de Las Palmas de Gran
Canaria (Espana) cultura@...
http://www.festivalcinelaspalmas.com
14 Feb. II Ecocine (Brasil) - Mar 14-22. depcom@...
15 Febrero. IX Festival Internacional de Jovenes Realizadores de
Granada (Espana) festcinegr@...
http://www.filmfest-granada.com
28 Feb. Festival Internacional de Cine sobre Arte y Biografia de
Artistas (Italia) artfilmfestival@...
http://www.artfilmfestival.com
1 Mar. Seattle International Film Festival. (USA)
http://www.seattlefilm.com/
1 Mar. Festival Internacional de Animacion de Sttugart (Alemania)
trickfilm@...
http://www.itfs.de
15 Mar. Unicipar 2002 (Arg) - Mar 26-28. uncipar@...
15 Mar. Capalbio Cinema (Italia)
http://www.capalbiocinema.com/
27 Mar. Festival Internacional de curtas de BH (Brasil) - Jun 4-16.
festivaldecurtasbh@...
info@... .
www.festivaldecurtasbh.com.br
30 Mar. Hollywood Latin Film festival
(EUA)
http://www.latinstudios.com/
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
FIM/FIN
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 48+49 1/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 6: CONGRESSOS E CONFERENCIAS: CHAMADAS PARA TRABALHOS
/
CONGRESOS Y CONFERENCIAS: CONVOCATORIA PARA TRABAJOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ CALL FOR PAPERS: BEYOND THE BOUNDARIES: CHALLENGES OF LEADERSHIP,
INNOVATION, INTEGRATION, AND TECHNOLOGY. GLOBAL BUSINESS AND
TECHNOLOGY ASSOCIATION (ROMA, ITALIA)
============================================
prazo/plazo/deadline: 15/03/2002
Electronic submissions are encouraged (Microsoft Word format).
Electronic submissions are to be directed to the Conference Chair
(E-mail: delenern@...).
Three-page length abstracts should be submitted as Microsoft Word
email attachments. If accepted a full paper will be due May 1, 2002
to be included in the proceedings volume. If you have a full-paper
ready
though, that will facilitate favorable review.
Papers on critical management are invited.
Submissions will be blind reviewed as they are received on a rolling
basis to assure you a rapid decision to facilitate your funding and
scheduling needs with an absolute deadline for receipt of submissions
of March 15, 2002
http://www.gbata.com/updatejune4.html
Several papers will be selected for competitive awards. Winning
papers will be recognized for their distinction at the Conference and
will also be considered for inclusion in the Journal of International
Business and Technology or the Review of Business.
Dr. Nejdet Delener, Conference Chair
Associate Dean for Academic Affairs
Tobin College of Business
St. John's University, New York City
8000 Utopia Parkway
Jamaica, New York 11439, USA
Phone: (718) 990-6764; Fax: (718) 990-5966
eMail: delenern@...
Please feel very welcomed to contact me anytime if you have
questions.
Just to remind to you that we are still open for new session
proposals and abstracts for the Crossroads in Cultural Studies
conference to take place June 29 to July 2, 2002 in Tampere, Finland.
We invite you to propose a session on the subject of your academic
interest. Please visit our homepage at www.crossroads2002.com to read
about sessions so far accepted and send us a proposal.
If you wish to present a paper, please send your abstract directly to
the session organiser. The list of accepted sessions will be updated
regularly. You can find more information in the First Announcement
below. I also kindly ask you to forward the First Announcement to
your
colleagues and to your home university bulleting and mailing
lists.
With best regards,
Pertti Alasuutari
Chair of the organizing committee
Jussi Turtiainen, Secretary General
crossroads.2002@...
=====================================
1st Announcement and Call for Proposals
CROSSROADS IN CULTURAL STUDIES
Fourth International Conference
June 29 - July 2, 2002
Tampere, Finland
WELCOME!
The next international biannual Crossroads in Cultural Studies
conference will take place in Tampere, Finland, where it first
started in 1996. Let us therefore invite you to the Fourth
International Crossroads in Cultural Studies conference! As before,
the mission of the Crossroads conference is to provide an open forum
for all topics that
interest the diverse international cultural studies community; to
make contacts, exchange views and gain inspiration from each other.
We encourage international participation from different countries,
disciplines and cultural backgrounds, and from a wide range of
research
areas. It is up to you to again make this a conference that will show
where cultural studies is going next.
I hope to see you all in Tampere!
Yours sincerely,
Pertti Alasuutari
Chair of the organizing committee
The mission of the Crossroads conference is to provide an open forum
for all topics that interest the diverse international cultural
studies community. In that way, the conference will also show where
cultural studies is going next. To succeed in this, we especially
encourage you
to send us session proposals. You may propose a session with a
complete list of participants, or just send us the title and session
abstract, so people can see it advertised and contact you with their
paper proposals.
As said, you are free to propose sessions on any topics of interest
to the cultural studies community, but we assume that the following
topics will in one way or another be tackled in the sessions:
* Anthropology and Cultural
Studies
* Audiences
* Body in Society
* Consumption and Consumer
Culture
* Cultural Policy
* Cultural Studies and History
* Cultural Studies, Education and
Pedagogy
* Ethnicity and Race
* High and Low, Art and Mass
Culture
* Identity Construction
* Material Culture
* Media Studies
* Methodology
* Nationhood and Nationalism
* New Media and Information
Technology
* Popular Culture
* Psychological Cultural
Studies
* The Culture of Cities
* Youth Culture
If you are interested in organizing sessions on the above listed or
other topics, please contact the organizers by filling out and
sending a session proposal form in the www-pages. You can send a
paper proposal
directly to a session organizer or to the organizers. The updated
list of accepted sessions is in the conference www-page.
More information about how to send session proposals and abstracts
can be found on the conference www-page at
http://www.crossroads2002.com/
Conference Organization
The Crossroads in Cultural Studies 2002 conference is organized by
the Department of Sociology and Social Psychology and the
International School of Social Sciences, University of Tampere, and
the Network
Cultural Studies.
CONTACT DETAILS:
Scientific Program Coordinator:
Secretary General Mr Jussi Turtiainen
crossroads.2002@...
Conference Secretariat (registration, accommodation, tours etc):
Crossroads 2002 Secretariat
Tampere Conference Service Ltd
P.O. Box 630
FIN 33101-Tampere
FINLAND
@ CALL FOR PAPERS: INTERNATIONAL CONFERENCE ON PERVASIVE
COMPUTING (ZURICH, SWITZERLAND)
============================================
prazo/plazo/deadline: 22/02/2002
PERVASIVE 2002
August 26-28, 2002
ETH Zurich (Switzerland)
Organized by IBM Research and ETH Zurich
www.pervasive2002.org
Relentless progress in basic Information Technologies (IT) -
microprocessors, memory chips, integrated sensors, storage devices,
and wireless communication systems - continues to bring ever smaller,
lighter, and faster systems-on-a-chip. As a result, beyond large
hosts, PCs, and laptop computers, IT systems are now invading every
aspect of life to the point that they are disappearing inside all
sorts of appliances or can be worn unobtrusively as part of clothing
and jewelry.
This explosive spread of IT can be compared to the spread of electric
motors over the past century but promises to revolutionize life much
more
profoundly than elevators or electric car windows ever did. At the
same time, pervasive computing poses profound challenges including
technical, safety, social, legal, political, and economic issues.
The objective of this conference will be to present, discuss, and
explore latest technical developments in the emerging field of
pervasive computing as well as potential future directions and
issues. Leaving
aside low-level hardware and transmission technology topics as well
as peripheral socio-economic aspects, the conference will focus on
technical infrastructure and application issues. It will include
presentations, panel discussions, poster sessions, and demos on
subjects like:
- System architectures and platforms for pervasive
computing
- Middleware and pervasive computing
infrastructures
- Mobile, wireless, and wearable technologies
- Innovative small computing and intelligent devices
- Emerging applications and mobile business issues
- Scenarios for information appliances
- Service discovery protocols
- Content distribution and delivery
- User interfaces for invisible and embedded computing
- Context awareness
- Security and privacy issues
Proceedings (containing the full papers) will be published by
Springer-Verlag in the Lecture Notes in Computer Science Series.
Advice for authors and instructions for submitting a paper, poster or
demo may
be found at http://www.pervasive2002.org/submit.html
-----------------------------------------------------------------------------
Important dates:
February 22, 2002 Paper submissions and demo proposals due
April 23, 2002 Notifications to authors
June 7, 2002 Camera-ready full papers due
June 19, 2002 Poster and short paper submissions due
-----------------------------------------------------------------------------
For more information see http://www.pervasive2002.org
@ CHAMADA PARA TRABALHOS E PARTICIPACAO: INTER-SOCIEDADE DE ARTES
ELETR NICAS. ISEA 2002 (NAGOYA, JAPAO)
============================================
prazo/plazo/deadline: 29/02/2002
ISEA 2002 "ORAI"
OUTUBRO 27 - 31, 2002
NAGOYA,JAPAO
http://www.isea.jp
ISEA 2002NAGOYA (Orai) e o primeiro simposio do ISEA a ser
realizado na sia. Espera-se contar com, aproximadamente, 1500
participantes, incluindoartistas, pesquisadores, engenheiros,
estudantes, alem deapresentacoes de mais de 200 trabalhos de 30
paeses do mundo.
Diversas exposicoes, concertos, performances e outros eventos
devem,tambem, ocorrer em Nagoya durante o ISEA 2002.
De 27 a 31 deoutubro de 2002, o 11o Simposio Internacional de
ArtesElectronicas (ISEA) se realizara na cidade de Nagoya, no
Japao.
Os organizadores do ISEA 2002 sao MEDIASELECT, a prefeitura da
cidade deNagoya e a Autoridade do Porto de Nagoya, entre outras,
junto com aInter- Society for the Electronic Arts (ISEA).
ISEA 2002 secompromete a realizar um eventounico, mostrando as
varias maneiras de fazer arte eletronica nomundo, incluindo os
paeses com acesso limitado as tecnologias deponta e que atuam em um
contexto cultural que pode ser estranho aos espectadores.
Nesse sentido, os membros de comunidades que ate o momento nao
forambem representadas no ISEA sao convidados a apontar novas
perspectivas aoISEA 2002.
A Inter- Society for the Electronic Arts (ISEA) euma
organizacao nao-governamental dedicada ao desenvolvimento e
promocao da arteeletronica, a comunicacao e
cooperacao intercultural einterdisciplinarias entre as artes e os
campos da tecnologia, ciencia eindustria. Foi fundada em
1990 e seus escritorios estao, atualmente,localizados em
Amersfoort, na Holanda.
O ISEA 2002 sera o maior evento internacional para os membros
dacomunidade artestica relacionados com as artes eletronicas.
Edicoes anteriores do Simposio
O Simposio deISEA 2002 e una continuacao dessa serie de
eventos bem sucedidos:
Primeiro ISEA 1988, Utrecht, Holanda
Segundo ISEA 1990, Groningen,Holanda
Terceiro ISEA 1992, Sydney, Australia
Quarto ISEA 1993,Minneapolis, USA
Quinto ISEA 1994, Helsinki, Finlandia
Sexto ISEA1995, Montreal, Canada
Setimo ISEA 1996, Rotterdam, Holanda
Oitavo ISEA 1997, Chicago,USA
Nono ISEA 1998, Liverpool/Manchester, UK
Decimo ISEA 2000,Paris, Franca
Grupos e Objetivos
Esta edicao do evento, ISEA 2002 Nagoya (Orai), esta orientada
para atender avarios grupos, que vao de especialistas ao grande
publico.
ISEA 2002 oferece secoes de papers, paineis, mesas
redondas,posteres, e apresentacoes institucionais para
cientistas, artistase profissionais das areas
relacionadas.
Workshops e tutoriais sao opcoes interessantes para
professores,estudantes e jovens artistas.
Exposicoes, performances, concertos e teatro eletronico
saotambem objetivos do programa de intercambio cultural e
estaoabertas ao publico.
Tema
(Orai) e una palavra japonesa que tem muitas
interpretacoes. Refere-se a idas e vindas, comunicacao
e contato, comotambem a ruas e transito.
Ha 200 anos, um livro intitulado "Nagoya Oraio foi composto e
publicado em Nagoya, onde foi usado como um livro de
ensino,alfabetizacao e desenvolvimento da literatura.
Por meio de discussoes sobre a arte e seus estudos
interdisciplinares,ISEA 2002 Nagoya (Orai) espera abrir uma
oportunidade de criacao deum novo texto e explorar novas formas
de literatura na sociedade deInternet.
Topicos
Os topicos incluem teoria, Internet e sociedade eletronica,arte,
design, arquitetura e urbanismo, musica, artes
dramaticas,programacao e software, educacao e literatura,
alem dostopicos tematicos especiais de 2002,
(Orai).
ISEA 2002 convida os participantes a apresentarem aosimposio
propostas para paineis, mesas redondas, secoes deposteres e
apresentacoes institucionais. Todas as propostasdevem
relacionar-se diretamente a algum dos topicos tematicos.
Propostas que tenham relacao a topicosespeciais do programa
(Orai) sao particularmente bem-vindas.
Papers
Os papers podem ser curtos (20 minutos) ou longos (45minutos) e
serao publicados nos anais do ISEA 2002 (Proceedings) durante o
evento.
Todos os trabalhos devem ser originais, nunca antes publicados, e
devem seracompanhados de um abstract de no maximo 500 palavras,
redigido emingles.
(V. Ficha de Inscricao disponevel on line)
Workshops e Tutoriais
Durante o Simposio ISEA 2002, oseducadores terao a oportunidade
de compartilhar informacoesatraves de series de workshops e
sessoes tutoriais.
Os workshops requerem o desenvolvimento orientado de ideias e
aexploracao de topicos teoricos especeficos epraticos nas
artes e na tecnologia.
As sessoes tutoriais oferecem a oportunidade para estudantes
eprofessores de aprender programas e tecnicas em uma aula.
As propostas devem incluir o formato desejado, uma descricao
concisado workshop ou sessao tutorial, numero de participantes e
uma lista clara de recursos (tecnicos e fesicos) necessarios para
suarealizacao.
Exposicoes
Propostas para exposicao de materialimpresso, slides,
instalacoes de vedeo, trabalhos interativos etcsao bem-vindas
para a Exposicao do ISEA 2002.
As propostas devem descrever claramente os conteudos de materiais
queserao levados, requisitos tecnicos necessarios
(incluindohardware, software, equipamento audiovisual, assistencia
tecnica etc)e incluir, tambem, audio e/ou material visual
(imagens, fitas, etc) para a aprovacao daspropostas.
Performances e Concertos
Durante o Simposio ISEA 2002, uma serie de performances
econcertos serao apresentados. Esses eventos destinam-se
aosparticipantes do simposio e ao publico em general.
Preferencialmente, nao devem ter uma duracao superior a
20minutos, muito embora isso nao seja um requisito. Contudo,
osproponentes deverao levar consigo o equipamento necessario para
arealizacao de seus trabalhos.
Teatro Eletronico
Uma mostra de cinema e vedeo seraapresentada durante o ISEA
2002. Pessoas e instituicoes saoconvidadas a enviar os
melhores e mais recentes exemplos de seutrabalho nos campos de
animacao digital, processamento de imagem e videoarte.
Alem de pecas individuais, podem ser enviados trabalhos
comerciaisque tenham qualidade estetica.
Uma parte dos trabalhos selecionados sera apresentada no
TeatroEletronico e uma selecao mais ampla sera apresentada
naExposicao do ISEA.
A documentacao das exposicoes, performances, concertos e do
teatro eletronico sera publicada no Catalogo ISEA 2002, antes
do evento.
Informacao sobre o ISEA 2002
Maiores informacoes e formulario para a apresentacao de
propostasestao a disposicao no nosso site na Internet.
http//www.isea.jp/
e-mail: info@...
@ PRIMER CONGRESO DE ESCRITORAS CENTROAMERICANAS (MANAGUA,
NICARAGUA)
En nombre de la Asociacion Nicaraguense de Escritoras (ANIDE),
tenemos el gusto de invitarle al Primer Congreso de Escritoras
Centroamericanas que llevaremos a cabo del 12 al 14 de marzo del
2002, en la Universidad Centroamericana (UCA) de Managua.
Hemos solicitado al Presidente de la Camara del Libro en nuestro
pais, Lic. Melvin Wallace que inicie los tramites co n la
region con el fin de garantizar la venta de nuestros libros.
Asimismo invitaremos a la Asociacion Nicaraguense de
Bibliotecarias y Profesionales afines, promotores naturales de la
lectura que consideramos no deben de quedar fuera de este
evento.
Los temas que se desarrollaran en las diferentes mesas seran:
1. Mujeres en la Poesia Centroamericana.
2. Mujeres en la Novela Centroamericana.
3. Cuentos de Mujeres.
4. Mujeres ensayistas en Centroamerica.
Este evento tendra tres componentes fundamentales: Academico,
Institucional y Creativo. Sus objetivos principales son: El Estudio
de la Literatura del Istmo escrita por mujeres, La constitucion de
la Federacion de Escritoras Centroamericanas, la creacion de una
Base de Datos de escritoras centroamericanas, realizacion de
lecturas de poesia, n arrativa e intercambio de experiencias del
proceso de creacion de las escritoras participantes.
Para efectos de constituir la Federacion de Escritoras
Centroamericanas, solicitamos nos envien una propuesta de documento
base para ser discutido, enriquecido y posteriormente suscrito en el
seno del Congreso.
La confirmacion de su participacion en el menor tiempo posible,
es vital para lograr exitosamente los objetivos planteados. A mas
tardar el 15 de enero del 2002 saldra al espacio cibernetico una
pagina WEB del Congreso a traves de la cual puede obtener
informacion en mayor detalle sobre el evento. Su respuesta positiva
a esta invitacion sera verdaderamente enriquecedora.
Asimismo solicitamos nos haga saber el tema de su ponencia, la cual
debera ser enviada por correo electronico a la Dra. Isolda
Rodriguez, Catedratica de la Maestria en Literatura de la
Universidad Centroamericana, al correo electronico
congresoescritorasca@....
La fecha limite de envio es el 15 de febrero del 2002, la ponencia
debera venir de acuerdo al siguiente formato:
Numero de paginas: maximo 5, minimo 3. Interlineado sencillo.
Paginas no numeradas.
Elaborado en Word, letra Times 12 pica, con:
Titulo de la ponncia centrado, en mayuscula y en negrilla (time
12 pica).
Abajo del titulo el nombre de la autora script cursiva 12 pica
(mayuscula solo al comienzo del nombre y apellido).
Abajo del nombre: Pais de origen de la autora (script cursiva 12
pica) E-mail de el o la autora.
La primera pagina con 2" de margen superior e inferior. Sin
encabezados ni pie de pagina.
Resto de paginas: margen superior, inferior e izquierdo: 2"y
margen derecho: 1".
Detalles referidos al costo del Congreso, hostales para su
alojamiento etc. se la proporcionaremos con mucho gusto por via
electronica en los primeros dias del mes de enero.
Agradeciendo su confirmacion a congresoescritorasca@... y a
la direccion postal siguiente: De la Casa Ricardo Morales Aviles
6 cuadas al sur No. 1206. Tels. (505) 222-4577; 222-7955, Fax. (505)
222-3032.
Vidaluz Meneses, Coordinadora General
Karla Sanchez, Coordinadora Ejecutiva.
Managua, Enero 12 del 2002.
@ 2ND CONFERENCE ON THE ECONOMICS OF INFORMATION AND COMMUNICATION
TECHNOLOGIES ( MANNHEIM, GERMANY)
from 24 to 25 June 2002.
The conference objective is to discuss recent scientific
contributions to the understanding of the economics and the
diffusion of information and communication technologies (ICT) and the
economics of ICT
industries. Theoretical, empirical and policy oriented
contributions are welcome.
Deadline for paper submission: 15. March 2002
Further information at: http://www.zew.de/ICT-Conference/index.htm
@ VII JORNADAS DE HISTORIA DE LAS MUJERES y
II CONGRESO IBEROAMERICANO DE ESTUDIOS DE GENERO (SALTA,
ARG)
============================================
prazo/plazo/deadline: 28/06/2002
SET 18 - 21, 2002
Modalidad de las Jornadas.
Las Jornadas se desarrollaran con la modalidad de mesas tematicas
a propuesta de las investigadoras/es de instituciones universitarias
y centros de investigacion nacionales e internacionales y aprobadas
por el Comite Organizador.
Propuestas de Mesas Tematicas:
a Cada mesa
tematica debe ser propuesta por consenso entre
investigadoras/es de 2 o 3 instituciones distintas.
a Las mesas
tematicas aprobadas seran coordinadas por las investigadoras/es
que elevaron la propuesta, quienes seran responsables de la
evaluacion de los resumenes de trabajos enviados a sus
mesas.
a La fecha de
recepcion de las propuestas de Mesas Tematicas fue fijada para el
lunes 4 de marzo de 2002
Funcionamiento de las Mesas Tematicas:
a Las
coordinadoras/es deberan enviar, junto a la propuesta de mesas
tematicas la direccion electronica y postal a donde deseen
recibir los resumenes de los trabajos.
a Las
coordinadoras/es deberan evaluar los resumenes y elevar su
aprobacion al Comite Organizador hasta el dea 31 de julio.
a Las
Coordinadoras/es deberan remitir en esa fecha al Comite
Organizador, un Diskette con la totalidad de los resumenes
aprobados y una copia papel.
a Las mesas
tematicas, para funcionar, deberan recibir como menimo 6 trabajos
y como maximo 15.
a El Comite
Organizador, a partir del 5 de agosto, comunicara a los expositores
el resultado de la evaluacion remitida por las Coordinadoras/es
Presentacion de Resumenes
En
una nueva Circular se comunicara las Mesas Tematicas aprobadas y
las direcciones electronicas y postales de las Coordinadoras/es
para el enveo de los resumenes.
a ltima fecha para
la presentacion de resumenes: viernes 28 de junio de 2002. Se
considerara la fecha de sello postal o del enveo electronico.
a Los resumenes por
vea postal deberan ser enviados en 2 (dos) copias papel y Diskette
de 3.1/2 a las Coordinadoras/es de las Mesas Tematicas aprobadas;
cuyas direcciones seran comunicadas en la proxima circular.
a Los
resumenes deberan tener una extension maxima de 3
paginas, redactados en hoja tamano A4, a un espacio y medio, en
Word 5.1/6.0, indispensable formato R.T.F., letra Arial,
tamano 12.
Condiciones de presentacion.
El
encabezamiento de los resumenes debera cumplir las siguientes
formalidades:
MESA TEMATICA:
COORDINADORAS/ES:
TITULO DEL TRABAJO:
UNIVERSIDAD o INSTITUCI N A LA QUE PERTENECE: (Facultad, Escuela,
Carrera, Centro de investigacion, etc.)
AUTOR/ES: (Cargo Docente, Investigador/a, Alumna/o).
DIRECCION:
TELEFAX
E_MAIL
4.CAR CTER DE LA PARTICIPACI N
a : Coordinadora/or.
b : Expositora/or
c : Asisente
5- ARANCELES.
- Expositora/or: $ 40
(cuarenta pesos o su equivalente en dolares)
- Asistente: $ 20 (
treinta pesos o su equivalente en dolares).
- Estudiantes: sin
arancel
Aclaracion: El arancel debera ser abonado por cada
expositora/or, aun las/os que integran trabajos colectivos.
Este Congreso se organiza en condiciones politicas y economicas de
gran incertidumbre hacia el ano 2002, por lo tanto, para que no se
pierda este espacio de lucha por los derechos de las mujeres,
apelamos a la maxima colaboracion que puedan brindarnos y
permitir su autofinanciamiento. Por lo tanto:
SOLICITAMOS -EN LO POSIBLE- JUNTO CON EL ENVIO DE LOS RES MENES, EL
GIRO DEL DINERO DE INSCRIPCI N.
Para algunas/os puede resultar un pedido fuera de fecha, teniendo en
cuenta el plazo fijado para la aprobacion de los resumenes, pero
nosotras/os esperamos que para todas/os sea un acto de compromiso y
solidaridad.
A LAS/OS ESTUDIANTES DE LAS DISTINTAS UNIVERSIDADES.
Toda informacion sobre alojamiento, viajes, costos y cualquier otro
tipo de datos, pueden requerirla al Centro Unico de Estudiantes
de Humanidades.
En proxima circular se informara nombre y direccion
electronica de las/os estudiantes responsables.
informaciones:
IIEGE"
iiege@...
@ CALL FOR PAPERS: INTERNET RESEARCH 3.0: NET / WORK / THEORY
(MAASTRICHT, THE NETHERLANDS)
============================================
prazo/plazo/deadline: 15/02/2002
OCT 13 -16, 2002
Maastricht, The Netherlands
http://www.aoir.org/2002
The Internet has become an integral, ubiquitous part of everyday life
in many social domains and international contexts. Yet, most of the
public attention on cyberspace remains fueled by utopian or dystopian
visions, rather than being informed by the growing body of research
on
the Internet as a complex fact of modern life.
Internet Research (IR) 3.0, an international and interdisciplinary
conference, will feature a variety of perspectives on Internet
research, in order to develop a better theoretical and pragmatic
understanding of
the Internet. Building on the previous well-attended international
conferences, the IR 3.0 will bring together prominent scholars,
researchers, and practitioners from many disciplines, fields and
countries for a program of presentations, panel discussions, and
informal exchanges.
This year's theme is Net/Work/Theory. Contributors are called to
reflect on how to theorize what we know about the Internet and on how
to apply what we know theoretically in practice. The conference will
be held for the first time in Europe, whose intellectual
environments
have traditionally been a source of social and cultural theory.
IR 3.0 will be hosted by the International Institute of Infonomics in
the beautiful city of Maastricht in the Netherlands. As the city in
which one of the key treaties of the European Union was signed,
Maastricht also symbolizes a changing Europe in a changing
international setting. The conference will provide opportunities to
network, learn from other researchers, hear from leading players in
Internet development, and enjoy the "art of fine living" of
Maastricht, in the south of the Netherlands.
The Association of Internet Researchers invites paper, presentation,
and panel proposals from AoIR members and non-members on topics that
address social, cultural, political, economic, and aesthetic aspects
of
the Internet. We welcome interdisciplinary submissions as well as
submissions from any discipline. Panel presentations that establish
connections across
disciplines, institutions, and/or continents are especially
encouraged.
We also seek presentations that will make creative use of Internet
technologies and techniques.
SUGGESTED TOPICS:
Theoretical and Methodological approaches to Internet Research
Internet Access, Use and Effects
Psychology and the Internet
Individuals, Groups, and Communities Online
Privacy, Surveillance, and Security on the Internet
Internet Policy, Ethics, Law, and Politics
Teaching, Learning and the Internet
The Internet in Writing and Publishing
Ethnicity, Race, Identity, Gender, and Sexuality Online
The Internet in Cultural Contexts
The Internet in History
Digital Arts and Aesthetics
Gaming on the Internet
E-commerce, E-Business, or Value of Digital Content
New Technologies and New Media
E-Sectors (e-health, e-games, e-entertainment, e-other...)
This list is not meant to be exclusive, but to trigger ideas and
encourage submissions from a range of disciplines. The organizers
will take an active role in generating and joining the various
interests in appropriate formats
FORMAT OF PROPOSALS
Proposals can be of three types - papers, presentations, and
panels.
Each person is entitled to submit 1 paper, 1 presentation, and/or
1panel proposal.
PAPERS
Proposals for papers: 150-250 word abstract.
CREATIVE PRESENTATIONS/DEMONSTRATIONS
Creative presentations (surprise us!) and Internet-related project
demonstrations (including digital arts) are encouraged. The format
for these proposals is the same as those for regular papers (150-250
word abstract).
PANELS
Panels will generally include three to four papers or
presentations.
The session organizer should submit a 250-500 word statement
describing the session topic, include abstracts of up to 250 words
for each paper or presentation, and indicate that each author is
willing to participate in the
session.
WORKSHOP
We also invite proposals for pre-conference workshop. These
proposals
should be submitted as soon as possible (no later than January 15,
2002) so that the workshops can be publicized.
GRADUATE STUDENTS
Graduate students are highly encouraged to submit proposals. They
should note their student status with submission for consideration of
a special Student Award. If you intend to be a candidate for the
Student Award you must also send a final version of your proposal
(final paper) by 15th September 2002.
FORMAT OF SUBMISSIONS
Submission will be accepted from 15th December until 15th February
2002.
All proposals should be submitted electronically at:
http://www2.cddc.vt.edu/confman/
It is preferred that you use HTML to minimally format your paper.
Average time allotted for a paper or presentation will be 15
minutes.
Average time allotted for a panel will be 1 hour and 30 minutes,
including discussion time. If these time constraints are not
appropriate for your panel/presentation, please include that in your
abstract. Please include any equipment or special considerations that
might affect your presentation.
DEADLINES
Proposal submission: 15th December, 2001- February 15, 2002
Author notification: April 1, 2002
Presenter's Registration to the conference: September 15, 2002
Student Award: Final paper due September 15, 2002
CONTACT INFORMATION
If you have questions about the conference, program, or AoIR,
please
contact:
Conference Coordinator: Monica Murero,
Infonomics and University of Maastricht,
Monica.Murero@...
Program Chair: Klaus Bruhn Jensen, University of Copenhagen:
kbj@...
A(o)IR President: Steve Jones, sjones@...
More Information about IR 3.0 can be found on the Conference
Website:
http://www.aoir.org/2002
For more information about the Association of Internet Researchers,
including information on joining the Association, visit AoIR' s
website
at http://aoir.org
For more information about the International Institute of Infonomics
visit our website at http://www.infonomics.nl
@ THIRD WAVE FEMINISM INTERNATIONAL CONFERENCE (UNIVERSITY OF EXETER,
UK)
http://www.iftr.org.uk
July 23-25, 2002
Crossmead Conference Centre
University of Exeter, UK
Keynote Addresses:
Germaine Greer, Elaine Showalter, Susan Stryker and E. Ann Kaplan
Confirmed speakers:
Jacqueline Labbe, Kate Fullbrook, Mary Orr, Sara Mills,
Jacqueline Rose, John Dupre, Colin MacCabe, Susan Hayward, Clare
Hanson and Pamela Church-Gibson.
The conference will address the parameters of second wave feminism,
posing the question of a third wave in feminist theory and history in
order to redirect feminist enquiry without acceding to the defeatism
implicit in
postfeminism.
Possible Topics:
What is Feminism?
Feminist Politics in the
Academy
Third Wave Femininity
Whos Afraid of Essentialiam?
Sexualities
Historicising the Third Wave
Cyberfeminism
(un)Popular Feminisms
Racial and Gendered Bodies
What Happened to the
Sisterhood?
Visual Culture
The Maternal
Consciousness-Raising
Reproductive Technologies
Transgender/Genderfucking
Literary Feminisms
Interrogating the Waves
Class and Gender
Reconstructing the Second
Wave
Between Materialism and
Psychoanalysis
The Feminist Critic
Please note - this list is not comprehensive and is intended to
suggest rather than prescribe.
Abstracts/ Panel proposals for academic papers, installations,
readings, short films or performances by FEBRUARY 14, 2002 to:
Dr. Stacy Gillis
School of English
University of Exeter
Exeter, Devon
EX4 4QH
UNITED KINGDOM
Tel: +44 (0)1392 264343 or 263712/ Fax: +44 (0)1392
264361
Email: s.j.gillis@...
@ CONVOCATORIA PARA XII ENCUENTROS ABIERTOS DE FOTOGRAF A 2002.
BUENOS AIRES
============================================
prazo/plazo/deadline: 29/03/2002
Convocamos a los fotografos argentinos y extranjeros
a presentar sus portfolios para la seleccion de las
exposiciones que se realizara en distintas ciudades del interior del
pais, dentro de los XII Encuentros Abiertos de Fotografia 2002.(
http://www.eaf.com.ar/encuentros/)
Deberan presentar material sobre alguna de las siguientes
tematicas:
- El paisaje como
medio de habitat, vistas y visiones.
- Ensayos de
tematica libre.
entregar entre 15 y 20 fotografias ( carpetas, cd, no presentar
originales) en la Escuela Argentina de Fotografia, Campos Salles
2070. o via e-mail
a zaccaricarlos@... , ma@...
hasta el viernes 29 de marzo de 2002.
Se daran a conocer los trabajos seleccionados el martes 9 de abril
de 2002,
Los autores seleccionados deberan entregar los originales antes del
31 de mayo de 2002.
los tamanos originales no podran superar los 30 x 45 cm, montados
en
passpartou de 40 x 50 cm.
los portfolios no seleccionados podran retirarse entre el 11 y el
30 de abril de 2002.
La curaduria estara a cargo de Carlos Zaccari y Moira
Antonello.
Para mayor informacion: zaccaricarlos@... ,
ma@...
@ INTERNATIONAL CONFERENCE ON COMPUTERS IN EDUCATION (ICCE 2002)
AUCKLAND, NEW ZEALAND
============================================
prazo/plazo/deadline: 05/04/2002
3-6 December 2002
http://icce2002.massey.ac.nz
** Organised by AACE-APC
** Sponsored by
College of Business, Massey University, New Zealand
The International Conference on Computers in Education (ICCE) series
aims to foster the creation and dissemination of knowledge about the
use of information technology in education throughout the
Asia-Pacific region. Since 1995 the ICCE series has been organized by
the Asia-Pacific Chapter of AACE (Association for the Advancement of
Computing in Education). Subsequent ICCEs have been held in different
Asian countries - Singapore (1995), Malaysia (1997, held annually
ever
since), China (1998), Japan (1999), Taiwan (2000) and Korea (2001).
ICCE 2002 will be held in Auckland, New
Zealand.
Through ICCE 2002, New Zealand hopes to contribute enormously to the
valuable experience of the ICCEs and hence to reinforce all the
efforts to collaborate for the successful building of the new
paradigm of education in the information society. Every effort will
be made to make
this a truly professional worldwide conference providing
opportunities for discussion and dissemination of pertinent
information in computers and education internationally. We invite you
to ICCE 2002 New Zealand
where you can view the 21st century through sharing ideas and
prospects.
** Conference theme
"Learning communities on the Internet - Pedagogy in
implementation"
Some years ago there was a movement in education towards learning
alongside peers. The recent increase in accessibility to networks,
whether global or local, has provided an enormous impetus to practice
and research in which learners study and work together. However, many
questions on the effectiveness and efficiency of such learning
environments remain unanswered or at least have little empirical or
theoretical evidence to provide beyond intuitive responses:
- learners naturally have many misconceptions; would peer learning
simply spread such misconceptions?
- learning is personal; why should a colearner give better
help than a professional tutor?
- Internet resources are general; don't learners need
resources designed to meet their specific needs?
- learners' culture leads them to expect to be taught; why should
they have to work more?
- tutors' culture leads them to expect to teach; why should they
change that role?
- and many more....
ICCE 2002 invites submissions with a good theoretical base or
formalism that present new, yet unpublished, solid achievements based
on experiments, that come to answer concretely one or more of the
questions
above or can point to possible answers. Survey papers are also
accepted, if they are well documented, make a contribution to the
field, and reveal new aspects and perspectives, as well as future
directions.
** Topics of Interest
The topics of interest related to the conference theme
include but are not limited to:
* Agents technology
* Application of instructional design theories
* Architecture of learning technology systems
* Authoring tools
* Best mix of face-to-face and e-interactions
* Cognition and conceptual change
* Collaborative learning/Groupware/Co-operative learning
* Computer mediated communication
* Country specific developments
* Design principles
* Distributed learning
* Evaluation of impact
* Evaluation of learning systems
* Implementation experiences
* Instructor networking
* Integrated learning environments
* Inter-and Intranet use in conventional universities
* Internet based systems
* Methodologies for system design
* Networked social learning
* Policies, ethics, standards, and legal issues
* Research perspectives
* Teaching/learning strategies
* Tutor role in virtual communities
* Virtual lab/classroom/school
* Virtual universities
* WWW-based learning resources/tools
** Submissions
Submissions are invited in following categories:
- Full Papers
- Short Papers
- Posters
- Tutorials
- Workshops
- Doctoral Student Consortium
Details of submission procedure are
available at:
http://icce2002.massey.ac.nz
** Important dates:
Friday 5 April 2002 : All types of submissions
* Contact information
Julie Lyons
Conference Secretary
Department of Information Systems
Massey University
Private Bag 11 222
Palmerston North
New Zealand
icce2002_admin@...
Telephone: 64 6 350 5233
Facsimile: 64 6 350 5725
CALENDARIO INTERNACIONAL DE CONGRESSOS E CONFERENCIAS:
============================================
F E B R E R O
SIMPOSIO LATINOAMERICANO Y DEL CARIBE: "LA EDUCACION, LA CIENCIA
Y LA CULTURA EN LA SOCIEDAD DE LA INFORMACION"
ministerio de la informatica y las comunicaciones de cuba y la
unesco
del 18 al 21 de febrero de 2002
palacio de las convenciones de la habana, cuba
http://www.informatica2002.com/simplac/default.htm
-----------------------------------------------------------------------------
A B R I L:
-----------------------------------------------------------------------------
SECOND INTERNATIONAL WORKSHOP ON NEW DEVELOPMENTS IN DIGITAL
LIBRARIES
ciudad real, spain.
april 2-3, 2002
http://www.iceis.org or
http://www.iceis.org/workshops/nddl/nddl-cfp.htm
PLAYING WITH THE FUTURE: DEVELOPMENT AND DIRECTIONS IN COMPUTER
GAMING
april 5-7, 2002
centre for research on innovation and competition, university of
manchester
manchester, england
http://www.cric.ac.uk/cric/gamerz/
EUROMEDIA 2002
modena,
italy
april 15-17, 2002
http://biomath.rug.ac.be/~scs/conf/euromd2002/index.htm
CONGRESO INTERNACIONAL DE INFORMACI N -INFORMACI N,
CONOCIMIENTO Y SOCIEDAD. RETOS DE UNA NUEVA ERA
palacio de las convenciones de la habana, cuba,
abril, 22 - 26, 2002
http://www.congreso-info.cu
-----------------------------------------------------------------------------
M A Y O:
-----------------------------------------------------------------------------
INPUT 2002 (INTERNATIONAL PUBLIC TELEVISON) Rotterdam,
Holanda
maio de 2002.
http://www.input-tv. e www.input2002.com
SHAPING THE NETWORK SOCIETY: PATTERNS FOR PARTICIPATION, ACTION, AND
CHANGE. DIAC-02 SYMPOSIUM
seattle, washington usa.
may 16-19, 2002
http://www.cpsr.org/conferences/diac02
"BORN TO BE BAD: TRASH CINEMA FROM THE 1960S AND 70S".
university of california, berkeley
may 17 -19, 2002
http://socrates.berkeley.edu/~tamao/trash.htm
-----------------------------------------------------------------------------
J U L I O:
-----------------------------------------------------------------------------
TECHNOTOPIAS: TEXTS, IDENTITIES, AND TECHNOLOGICAL CULTURES: AN
INTERDISCIPLINARY CONFERENCE
the department of english studies.the university of strathclyde
glasgow
july 10-12 2002
http://www.strath.ac.uk/ecloga/technotopiascfp2.htm
-----------------------------------------------------------------------------
A G O S T O:
-----------------------------------------------------------------------------
4TH INTERNATIONAL CAIIA-STAR RESEARCH CONFERENCE CONSCIOUSNESS
REFRAMED 2002 -NON-LOCAL, NON-LINEAR, NON-ORDINARY
university of technology
perth, western australia
1st - 4th august 2002
http://www.caiia-star.net
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 48+49 1/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 7: PREMIOS+CONCURSOS
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ III PREMIO ATV PILAR MIR PARA GUI N DE TELEFILMES
============================================
prazo/plazo: 31/01/2002
La Academia de Television ha convocado el III Premio ATV Pilar
Miro para Guion de Telefilmes. El plazo de presentacion vence
el proximo 31de Enero de 2002 y se podran presentar todos los
guiones cuya extension de lugar a una pelicula de 80 o 90
minutos. El ganador podra llevarse 30.000 euros. Las bases estan
en http://www.academiatv.es/ordenamientos/pilar_miro.htm
@ PROYECTO CORTO CANAL PLUS
============================================
prazo/plazo: n/c
Es una convocatoria de Proyectos de Cortometraje
que premia a 15 aspirantes al ano. Cada ayuda asciende a 1.500.000
pesetas en concepto de compra anticipada de los derechos de emision
del corto. Si
quieres las bases del proyecto o informacion para enviarnos tu
corto ya realizado, encontraras todo en nuestra web
http://plus.es/codigo/cine/cine_zonacortos_lanoche01.asp
@ CONVOCADO EL III PREMIO NACIONAL NARCISO MENDOZA, DE POES A PARA
NINOS. MEXICO
============================================
prazo/plazo: 28/02/2002
Alfaguara Infantil y el Ayuntamiento de Cuautla, Morelos, a
traves del Comite Organizador del Premio Nacional de Poesia
para Ninos "Narciso Mendoza", convocan a todos los poetas
residentes en Mexico a participar en la tercera edicion de este
certamen conforme las siguientes bases:
1.- Se establece un premio unico dotado con 30 mil pesos. La
concesion del premio incluye la publicacion de la obra ganadora
por parte de Alfaguara Infantil. El importe del premio se computara
a cuenta de los derechos de autor que se estipulen en los contratos
de edicion.
2.- Los trabajos deberan ser mecanografiados a doble espacio, en
hojas tamano carta escritas por un solo lado, sin ilustraciones y
su extension no podra ser menor de 20 folios ni exceder de 80.
3.- El tema de los poemas es libre.
4.- Los poemas deben ser ineditos y escritos en lengua
castellana.
5.- Cada concursante puede enviar cuantas obras desee, siempre y
cuando no tenga compromisos editoriales previos con las obras
presentadas al concurso.
6.- El plazo de admision se cierra el 28 de febrero de 2002.
7.- Los originales se enviaran bajo seudonimo y por triplicado
a:
Coordinacion de Educacion, Cultura y Recreacion
Palacio Municipal. C.P. 62740, Cuautla, Morelos
Telefonos: (017) 352 56 44 y 352 36 68, extension 123
Fax: (017) 352 92 00
E-mail: premionarcisomendoza@...
En un sobre aparte se incluiran el nombre, la direccion, el
telefono y los datos biograficos esenciales del autor.
8.- El jurado estara integrado por tres personalidades de
reconocido prestigio nacional. Los nombres de sus integrantes seran
dados a conocer tras el cierre de participaciones.
9.- La decision del jurado sera inapelable y se hara publica
antes del 19 de abril de 2002. El ganador sera notificado
directamente.
10.- El ganador sera invitado a recibir el premio a esta ciudad del
30 de abril al 2 de mayo, con gastos pagados de estancia y
transportacion desde su lugar de residencia.
11.- No podran participar colaboradores de Alfaguara Infantil ni
los ganadores de los certamenes anteriores.
12.- Cualquier cuestion no considerada en esta convocatoria sera
resuelta por el Comite Organizador.
@ CONVOCADO EL II CERTAMEN VILLA DE TORRECAMPO (Espana) DE NARRATIVA
CORTA.
============================================
prazo/plazo: 15/02/2002
La Excma. Diputacion Provincial de Cordoba, el Ilmo. Ayuntamiento
de Torrecampo y la Asociacion Benefico Sociocultural y Deportiva
PRASA convocan conforme a las siguientes bases:
1.- Las obras han de ser originales e ineditas, no premiadas,
escritas en castellano, con una extension maxima de 20 folios
(DIN A 4) mecanografiados a doble espacio y por una sola cara. Cada
escritor solo podra presentar un original.
2.- Los trabajos se firmaran con pseudonimo. Se adjuntara sobre
cerrado, en cuyo exterior aparecera unicamente el pseudonimo
elegido y el titulo del trabajo. Su interior habra de contener
nombre, apellidos, direccion y telefono del autor.
3.- El tema es libre.
4.- Se presentaran por quintuplicado, hasta el dia 15 de febrero
de 2.002 en la siguiente direccion:
Ayuntamiento de Torrecampo
Plaza Jesus, no 19
14410 Torrecampo (Cordoba)
Espana
5.- Se establecen los siguientes premios, sometidos a la retencion
que exprese la Ley:
A.- Un premio de tres mil euros (3.000) al ganador.
B.- Un premio local dotado con seiscientos euros (600), donado por la
Hermandad de la Virgen de Veredas, para residentes o nacidos en
Torrecampo, al que solo se podra optar en el caso de no haber
ganado el premio mencionado anteriormente. En este caso se indicara
en el sobre cerrado la palabra local.
El ganador absoluto de la edicion anterior no podra participar.
El ganador de la modalidad local no podra optar al premio local.
6.- El fallo del premio se hara publico el dia 18 de abril de
2.002. La entrega de premios tendra lugar en el transcurso de un
acto publico el dia 4 de mayo de 2002.
7.- La composicion del jurado se hara publica en el momento de
emitir el fallo, que tendra caracter irrevocable. El jurado
podra declarar los premios desiertos si lo estima oportuno.
8.- Los trabajos premiados quedaran en poder de las entidades
convocantes, que quedaran facultadas para darle la difusion que
crean conveniente.
Con los trabajos premiados y aquellos trabajos finalistas que las
entidades convocantes estimen conveniente se editara un libro. La
organizacion notificara a los escritores seleccionados, en el
plazo de un mes a partir del fallo y a la direccion senalada en
la plica, que sus trabajos van a ser incluidos en el libro, del que
solo podra hacerse una edicion. Dichos trabajos no quedaran
en propiedad de las entidades convocantes, pudiendo sus autores
disponer libremente de ellos excepto en lo dispuesto en estas
bases.
Los no premiados no podran ser retirados por sus autores y seran
destruidos.
9.- La participacion implica la total aceptacion de las bases.
Mas premios y convocatorias:
www.estandarte.com/premios_convocatorias/index.htm
Envianos mas bases de premios literarios:
editor@...
@ PR MIO INTERNACIONAL PARA PESQUISA EM ALFABETIZACAO
============================================
prazo/plazo: 31/12/2002
DescricaoPremiar
pesquisas em alfabetizacao que tenham sido concebidas como apoio
a melhoria e a eficacia dos programas de alfabetizacao de
adultos, em todas as regioes do mundo.
PromocaoInstituto da UNESCO para a Educacao
(Hamburgo-Alemanha)
Inscricao31/12/2002
ValorUS$ 10.000
Webhttp://www.alfabetizacao.org.br
@ II EDICAO DOS PR MIOS UNESCO NO BRASIL
============================================
prazo/plazo: n/c
PromocaoUNESCO
CategoriasEducacao, Cultura, Ciencias e Meio Ambiente, Direitos
Humanos e Cultura de Paz, Juventude e Cidadani
Webhttp://www.unesco.org.br
@ CONVOCADO EL CONCURSO LITERARIO INTERNACIONAL PLUMAS DIGITALES, DE
POES A Y NARRATIVA BREVE.
============================================
prazo/plazo: 31/01/2002
1- DIRECCIONAMIENTO: El concurso estara abierto para escritores de
cualquier nacionalidad y edad que se expresen en idioma
castellano.
2- CONDICIONES:
a) Poesia; podran enviar no mas de tres poemas con una
extension maxima de 40 versos o lineas cada uno, tematica
libre.
b) Narrativa Breve: podran participar con no mas de un cuento con
extension maxima de 200 lineas, tematica libre.
3- PRESENTACI N: Cada autor participara con un seudonimo aun
en el caso de hacerlo en los dos generos. Las obras deberan
enviarse por triplicado a 1,5 o 2 espacios, mecanografiadas o
confeccionadas por computadora en un sobre dirigido a:
NETADDRESS LETRAS
Gobernador Deloqui 324-Ushuaia
C.P. 9410-Tierra del Fuego
Argentina
Dentro del sobre grande se incluira un sobre mas pequeno
conteniendo los datos personales del autor; nombre y apellido,
numero de documento, domicilio, telefono, correo electronico y
si lo desea un pequeno curriculo literario. Ademas se
adjuntara giro postal por la suma de diez (10) pesos a nombre de
Raul Ruben Campos para solventar gastos publicitarios y
administrativos o su equivalente en dolares en ese caso por los
servicios de Western Union.
4- PLAZO DE PRESENTACI N: 31 de enero de 2002, tomando en cuenta la
fecha del matasellos del correo.
5- PREMIOS: Un Primer Premio para Poesia y un Primer Premio para
Narrativa, consistente en edicion de un libro digital de hasta 100
paginas a realizarse en un sitio especialmente construido para ese
fin por Netaddress y de uso exclusivo del autor. El sitio sera
atendido y mantenido por Netaddress por el termino de un ano y
sera renovable. El autor podra comercializar la edicion si
asi lo desea sin abonar regalia alguna a la firma organizadora.
Un Segundo Premio para Poesia y un Segundo Premio para Narrativa
consistente en edicion de un libro digital de hasta 60 paginas en
las mismas condiciones que el Primer Premio.
6- JURADO: El jurado, formado por reconocidos autores de esta
Provincia, se expedira antes del 28/02/02.
Mas informacion:
Web: www.netaddressletras.8k.com
Correo electronico: netaddressletras@...
Telefonos: (+542901) - 432978 y (+542901) - 424342
Mas premios y convocatorias:
www.estandarte.com/premios_convocatorias/index.htm
Envianos mas bases de premios literarios:
editor@...
@ PREMIO DE ENSAYO CASA DE AMERICA-FONDO DE CULTURA ECONOMICA
============================================
prazo/plazo: 31/01/2002
Para ensayos escritos en castellano, ineditos, de autoria
individual y autor iberoamericano. No se lo puede presentar a otro
premio anterior ni pueden estar cedidos sus derechos editoriales.
Minimo ciento cincuenta paginas (tamano A-4) a doble espacio y
de una sola cara.
Premio: 2.000.000 pts. como anticipo de derechos de autor.
Fecha limite: 31 Enero 2002.
Info: Casa de America. Po de Recoletos, 2. 28001. Madrid.
Telef: 91-5954800
@ CONVOCATORIA DE LA FUNDACION DANIEL LANGLOIS 2002. CANADA.
============================================
prazo/plazo: 31/01/2002
Se efectuaron importantes modificaciones en la convocatoria de esta
fundacion para el ano 2002. A partir de ahora hay dos
convocatorias: una, para presentaciones individuales de artistas y
cientificos (fecha limite 31 enero 2002), y otra, para
presentaciones de organizaciones (fecha limite 30 Junio 2002).
Dentro de ese marco, se ofrecen los siguientes programas, que
sintetizamos:
+ Para artistas individuales la guia se encuentra en:
<http://www.fondation-langlois.org/e/programmes/index.html>
+ Para organizaciones que propongan proyectos de exhibicion,
distribucion o performances, y para organizaciones que propongan
proyectos de regiones emergentes, ver:
<http://www.fondation-langlois.org/e/programmes/index.html>
Para el caso de proyectos de regiones emergentes, se acepta que la
propuesta se realice en espanol, pero toda la correspondencia debe
ser en ingles o espanol.
Mas info: (514) 987-7177. Mail: info@....
@ CONCURSO DE GUIONES DE MUSICALES
============================================
prazo/plazo: n/c
El International Festival of Musical Theatre que se llevara a cabo
en Cardiff en Octubre del 2002, convoca al concurso de guiones
ineditos de musicales para su produccion teatral durante el
evento.
La Mision: La busqueda de los mejores nuevos musicales que no han
tenido a la fecha producciones profesionales para presentarlas ante
el publico en general y practicantes teatrales con el objetivo de
generar producciones teatrales.
Como funciona la busqueda: The Global Search for New Musicals
esta buscando nuevos musicales para presentarse ante el publico y
profesionales teatrales durante el transcurso del Festival
Internacional de Teatro Musical que se llevara a cabo en Cardiff,
Gales en Octubre de 2002.
Todos los musicales que se presenten seran juzgados por un panel de
profesionales teatrales. Habra tres etapas de evaluacion: En la
primera, se analizaran cinco canciones y la sinopsis. En la
segunda, el libreto completo y la partitura. En la tercera, el
libreto y la partitura seran analizado por un Gran Jurado para
determinar si se realizara la produccion.
Se invita a participar a todos los paises y en todos los niveles,
desde profesionales establecidos hasta aquellos que recien se
inician. El musical puede no haberse presentado profesionalmente
antes. Los mejores seleccionados seran presentados en una
seleccion por actores y equipo de produccion profesionales. La
obra se presentara dos veces por un lapso de 45" entre el 31
de octubre y el 2 de noviembre del 2002 en Cardiff. Estas
presentaciones formaran parte del International Festival of Musical
Theatre in Cardiff, que se llevara a cabo entre el 14 de octubre y
el 3 de noviembre de 2002.
Idioma: La busqueda se llevara a
cabo en idioma ingles y las presentaciones deberan ser en ese
idioma.
Si el idioma original de la obra no es el ingles, por favor, provea
una copia del libreto en idioma original. Si su obra fuera
seleccionada, la presentacion en ambos idiomas permitira
establecer la calidad de la traduccion y considerar si fuera
necesaria una mejora para asegurar el maximo nivel posible. Las
funciones se realizaran en ingles.
Para mayor informacion y diligenciar el formulario de
inscripcion, contactese en: www.cardiffmusicals.com o por correo
a: The Global Search for New Musicals, The International Festival of
Musical Theatre, St. David's House, Wood Street, Cardiff CF10 1ES
-
http://www.cardiffmusicals.com
FUENTE: Boletin Electronico Mensual de Informacion
Iberoamericana
http://www.artesescenicas.com.ar
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
FIN/FIM
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 5 N. 48+49 1/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 6: NOVIDADES NA INTERNET / NOVEDADES EN LA INTERNET
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ NOVO INFORMATIVO NO S TIO DA MOSTRA BR DE CINEMA - MOSTRA
INTERNACIONAL DE CINEMA EM SAO PAULO
======================================
http://www.uol.com.br/mostra
A Mostra BR de Cinema -
Mostra Internacional de Cinema em Sao Paulo anuncia o lancamento
do Jornal da Mostra, um informativo com noticias exclusivas e
sempre atuais dos festivais e do mundo do cinema.
Tres edicoes estao
no ar e podem ser acessadas na home-page do evento:
- "Berlim 2002 Faz
retrospecto dos anos 60", sobre a retrospectiva programada pelo
52o Festival Internacional de Cinema em Berlim (6 a 17 de
fevereiro), que e dedicada aos conturbados anos 60 europeus, com
cerca de 60 longas assinados por nomes como Dusan Makavejev,
Alexander Kluge, Lindsey Anderson, Jean-Luc Godard, Bo Widerberg,
Michelangelo Antonioni, Jerzy Skolimowski, Miklos Jancso e Carlos
Saura, entre muitos outros;
- "Oscar de Melhor
Filme Estrangeiro em Clima de Suspense", sobre a acirrada disputa
pela indicacao de melhor filme estrangeiro para o Oscar 2002;
e
- "'O Senhor dos
Aneis' - Voce Ja Viu Esse Filme Antes?", sobre aspectos
do longa-metragem campeao de bilheteria.
O
Jornal da Mostra tambem e distribuido atraves de e-mail,
bastando o internauta se cadastrar na pagina inicial da Mostra.
Atraves desse recurso de auto-cadastramento, o Jornal da Mostra
ja nasce com oito mil assinantes
Informacoes para a Imprensa:
Francisco Cesar Filho - tels (11) 3032.3057 e 9157.7433 ou
xikino2@...
@ LISTA DE INTERES IBEROAMERICANA DE ARTE, NUEVOS MEDIOS, CIENCIA Y
TECNOLOG A. [IBEROAMERICA-ACT]
======================================
Si desea recibir mensajes de la lista, envie un mail a:
iberoamerica-act-subscribe@egroups.com
Moderadores: Rodrigo Alonso <rodrigo.alonso@...>
(Argentina) / Jose-Carlos Mariategui <jcm@...>
(Peru)
@ NEW MAILING LIST FOR THE DISCUSSION OF MEDIA ARTS PRACTICE
AND THEORY [EMPYRE]
======================================
http://www.subtle.net/empyrean/empyre
-empyre- moderated by melinda rackham, is an arena designed for the
discussion of media arts practice and theory. athough
-empyre- is an international list it first evolved to
address the gap in the australian regional online terrain after the
decline of the "recode" list, presenting a
companion list to "fibreculture."
-empyre- will regularly invite guests in the fields of media arts
practice, theory, curation or administration to discuss thier
particular areas of expertise, publications, zines and creative
projects. The first guest from 15 January 2002 will be Ollivier Dyens
http://www.subtle.net/empyrean/empyre/dyens.html
from Concordia University in Montreal, Canada, curator of "Metal
and Flesh" website
http://www.metalandflesh.com
who will discuss his new book Metal and Flesh, which deals with the
technologically induced transformation of our perceptions of the
world and the emergence of a cultural biology.
In March 2002 Anonetta Ivanova from Viscopy in Sydney, Australia
will discuss legal, financial and copyright issues for
artists who work digitally and/or online. Further guests will be
advised in the coming months.
-empyre- is now open for subscription, is available in raw or
digest, and is archived online.
-empyre- is not an announcement or self promotion list and the
moderator reserves the right to unsubscribe anyone consistantly
disregarding these guidelines.
to subscribe to -empyre- please visit
http://www.subtle.net/empyrean/empyre
Melinda Rackham
http://www.subtle.net
@ SCRIPT MARKET NEWS: TIPS FOR ASPIRING SCREENWRITERS
======================================
http://breakingin.net/
Script Market News offers writers the tips, tools and tutorials to
help them get their stories read and recommended to the movies.
Aspiring screenwriters will benefit from the interviews with film
industry pros,
script marketing tips, script tutorials and Hollywood insider
information from an experienced LA/NYC screenwriter. Creative writers
who aspire to sell their stories to the movies can find lots of tips,
tools, tutorials
and insider information on the Web. If they only knew where to
look.
Script Market News can lead you to some of the best information
available.
To Subscribe: Send a blank email to
mailto:newsletter@...
@ RUSSIAN ARCHIVES ON THE INTERNET: THE 20TH CENTURY THROUGH SOVIET
EYES
======================================
http://www.abamedia.com/aba/
While working on a television project a few years after the
Soviet Union's 1991 demise, Mr. Johnson stumbled upon the
Russian State Film and Photo Archive at Krasnogorsk, a four-block
facility containing all the country's nonfiction films.
Web surfers now can access nearly 25,000 of the films in Russian
and about 5,000 films in English. Thousands of pictures
already are online, including Soviet propaganda posters and cartoons,
and diary entries written by the Romanovs.
For further information:
Abamedia: Russian Archives Online
http://www.abamedia.com/aba/
Looking for hard to get, never before exposed images and sounds
from the vast territory of the former Soviet Union? Russian
Archives Online represents prominent archives like the Russian State
Film & Photo Archive
Krasnogorsk, Russian State Archive of Scientific & Technical
Documents and various other institutions of the Russian State....one
of the largest owners of images and sounds in the world. Here, you
will find collections of Russian archival collections of photograhps
and films, audio, clips and transcripts from the 15 republics of the
former Soviet Union, including Russia, Ukraine, Georgia and many
more.
* Welcome to the World of French Cinema
The mission of The Children of The French Cinema is to bring
together all those who are passionately fond of French Cinema.
The year 2000 was a record year for French films in the United
States, with 31 French films and 30 French co-productions shown on
the American screens. This represents a 100% increase compared to the
1990's. This kind of information and more on the newly launched
French-cinema.com
@ REBRA - REDE DE ESCRITORAS BRASILEIRAS"
======================================
http://rebra.org
e uma organizacao cuja finalidade principal e divulgar
mundialmente a literatura feminina do Brasil e as escritoras
brasileiras. Trabalham em cooperacao com duas outras
organizacoes internacionais que com eles mantem identidade de
propositos: a "WWORLD - Women World Organization for
Literature", com sede em Nova York, USA; e a "RELAT-Red de
Escritoras Latinoamericanas", com sede em Lima, Peru.
Quem quiser conhecer maiores detalhes sobre o
trabalho:
http://rebra.org .
mail para contato: info@...
@ JA ESTA NO AR O SITIO MAIS COMPLETO SOBRE O EXPRESSIONISMO FEITO NO
BRASIL:
======================================
http://www.expressionismo.pro.br
Criado por Adriana Bucalho, dentro do Projeto Animacao
Expressionista, coordenado por Luiz Nazario, o sitio introduz o
visitante no movimento estetico mais radical das vanguardas
modernistas e nos bastidores da
producao do ciclo de animacoes intitulado TRILOGIA DO CAOS, composto
pelos curtas-metragens A FLOR DO CAOS (concluido em 2001, em
Betacam), SELENITA
ACUSA! (concluido em 2001, em 35mm) e DR. CRETINUS RETORNA... (em
fase de producao), realizados por uma equipe de 18 animadores da
Escola de Belas Artes da Universidade Federal de Minas Gerais, com o
apoio da CAPES, da FAPEMIG e do CNPq. As producoes foram possiveis
ainda gracas a dois
premios: Premio Projeto Experimental da Secretaria Municipal de
Cultura da Prefeitura de Belo Horizonte (1999) e Premio Estimulo da
Associacao Curta
Minas/CEMIG (2000). O sitio foi
realizado gracas ao apoio da FAPEMIG ao Projeto de Producao
Multimidia de Material Didatico Integrado na Area de Imagem e Som,
coordenado por Luiz Nazario.
@ SERVICIO DE NOTICIAS AG NCIA DOC. E TUDO VERDADE
======================================
http://www.etudoverdade.com.br
AG NCIA DOC COMEMORA TR S MESES E PASSA A ENVIAR A INTERNAUTAS
NOT CIAS
EXCLUSIVAS SOBRE O CINEMA DOCUMENTAL
Celebrando tres meses de atividades, a Agencia Doc passa a avisar
automaticamente aos internautas sobre as noticias e novidades do
universo do cinema documentario.
Basta registrar-se na pagina do E TUDO VERDADE - FESTIVAL
INTERNACIONAL DE DOCUMENT RIOS (http://www.etudoverdade.com.br),
transformada em "um centro virtual de informacoes sobre o
documentario, brasileiro e internacional", segundo o fundador
e diretor do festival Amir Labaki.
A Agencia Doc e um servico de noticias exclusivas sobre o
cinema documental.
Trazendo inicialmente notas, em breve passa a publicar tambem
entrevistas mensais.
@ MERCART -SITE DE ARTE CONETEMPORANEO
======================================
http://www.mercart.com
MERCARTha renovado y ampliado los contenidos de su pagina web. A
partir de ahora podras encontrar:
- SUBASTAS de obras de arte contemporaneo;
- GALERIA, en la que podras adquirir a precio fijo tanto obras de
arte contemporaneo como libros, objetos de diseno, etc. que tenemos
previsto incluir en la seccion;
- EXPOSICIONES de artistas contemporaneos consagrados y
emergentes.
mas info: http://w3art.es/invits/mercart/
@ RED INTERNACIONAL DE MUJERES (RIM) DA ASOCIACI N MUNDIAL DE
RADIOS COMUNITARIAS AMARC
======================================
http://www.comminit.com/la/lapdsglobal/sld-120.html
A Red Internacional de Mujeres (RIM) - Global - creada por la
Asociacion Mundial de Radios Comunitarias AMARCes una agrupacion
de comunicadoras, que trabaja para asegurar el derecho de las mujeres
a la comunicacion, a traves y dentro del movimiento de la radio
comunitaria. La RIM defiende el derecho a la comunicacion en tanto
derecho humano universal y el acceso de las mujeres a los medios.
Apoya a las mujeres en sus esfuerzos por expresarse en el ambito
local e internacional, mediante programas de capacitacion e
intercambio de sus producciones. Contacto: Bianca Miglioretto
bianca@...
@ BIBLIOTECA ARCA DE PAPEL - BIBLIOTECA DEL INSTITUTO CUBANO DEL
LIBRO.
======================================
http://www.cubaliteraria.com/esp/icl/bap/index.html
Dispone de una coleccion de mas de cinco mil titulos, entre los
que se encuentran la mayoria de los clasicos de la literatura
cubana lo mismo que los nuevos valores literarios, una coleccion de
publicaciones seriadas nacionales y extranjeras y obras de
referencia.
@ CUATRO GATOS - REVISTA ELECTR NICA DE LITERATURA INFANTIL
======================================
http://www.cuatrogatos.org/
Resenas de libros de diferentes autores, entrevistas con
escritores, recomendaciones, cuentos, poesia y narrativa.
@ JUEGOS PARA LA COOPERACI N Y PARA LA PAZ
======================================
http://www.ctv.es/USERS/avicent/Juegos_paz/index.htm
Compendio internacional e intercultural de juegos relacionados con la
educacion por la paz, para ninos y ninas de edades y ambitos
educativos distintos.
@ USINA DO ROTEIRISTA
======================================
http://br.groups.yahoo.com/group/usina_do_roteirist
Um espaco na Net voltado para a area de roteirizacao: a
lista USINA DO ROTEIRISTA. Neste espaco poderemos discutir cinema
nacional e estrangeiro, roteirizacao, formatacao de scripts,
dicas, eventos e tudo o que verse sobre a arte de criar para o
cinema.
O endereco da lista e
http://br.groups.yahoo.com/group/usina_do_roteirista e para se inscrever basta enviar um email
para usina_do_roteirista-subscribe@yahoogrupos.com.br
@ NEW EMAIL SERVICE: SARA - SCHOLARLY ARTICLES RESEARCH ALERTING
======================================
http://www.tandf.co.uk/sara
It is a special email service designed to deliver tables of contents,
for any Taylor & Francis, Carfax, Routledge, Spon Press, Martin
Dunitz or Psychology Press journal, to anyone who has requested the
information. This service is completely free of
charge.
All you need to do is register, and you will be sent contents pages
of the journal(s) of your choice from that point onwards, in advance
of the printed edition. You can request contents pages either for any
number of individual titles, or for one or more of our sub-categories
or a main category, and you may unsubscribe at any time. For each of
your choices, you will receive the relevant bibliographic
information: journal title, volume/issue number and the ISSN. You
will also receive full contents details, names of authors and the
appropriate page numbers from the printed version.
This will give you advance notice of what is being published, making
it easier for you to retrieve the exact information you require from
the hard copy once it arrives in your library.
Titles that may be of interest are:
Historical Journal of Film, Radio and Television
Media History
To register for this complimentary service, please visit:
http://www.tandf.co.uk/sara and click on the SARA button.
For further information on the above titles, please visit:
http://www.tandf.co.uk/journals
If you have any questions regarding this service, please email:
SARA@...
@ READ NOTIFY- SEND CERTIFIED E-MAIL AND TRACK YOUR MESSAGES
======================================
http://www.readnotify.com/readnotify/default.asp/from/eptw1
It is no secret on this forum that I believe that E-mail
is the killer app. One of the shortcomings of e-mail as
opposed to snail mail *was* that you could never
certify that the recipient actually opened up your e-mail
or track your e-mail.
Read Notify has rectified this problem. I have tested this
program and tracked over 200 separate e-mails. If there is any
complaint about this program it is that it offers too much and
requires more of learning curve than I prefer. Having said that I can
now tell you how I used the program over the past two weeks.
1. Through the ensured receipt and proof of posting I can be
assured that my post has gone out and the recipient took it off
the server and opened it. Without Read Notify
you can only tell using your regular e-mail client that the server on
the other end received your post. Even if you use Outlook you
are not sure if the receiver read it or returned assurance of
reading.
2. I can track my e-mail and even track if the e-mail has been
forwarded and more importantly find out if a url has been clicked and
opened.
3. There is retractable e-mail and erasable e-mail.
I saved the best for last. You can send read confirmations back
to any e-mail address, Instant Messenger, Wireless Phone, or Wireless
PDA. There is also a customized web page for you to track every
e-mail.
***Yes, I do know there is a potentcial privacy issue involved here.
The program offers a banner to tell the recepient that the e-mail is
being tracked. E-mail is not face to face communications and as
far as I know e-mail remains the property of the sender.
Bottom line - This is a wonderful security blanket to have
if you are sending important e-mail. Now I know it takes
2 weeks for my brother to answer his e-mail :-)
@ DAYPOP - CURRENT EVENTS, BREAKING NEWS AND WEBLOGS
======================================
http://www.daypop.com
Currently, Daypop indexes over 5800 of the best news sites and
weblogs on the net every day. Daypop also indexes many weblogs that
are updated daily. Google and Yahoo are very powerfulsearch engines
but it may take a week or more for material to appear on their pages.
Daypop also contains a cached version
of each page and a citation of where the link was obtained.
@ WAY BACK MACHINE - SURF THE WEB AS IT WAS
======================================
http://www.archive.org
WARNING!!! Don't even think about going to this site unless you have
30 minutes of free time. This site sucked me in for over 2 hours. How
would you like to go back in time and see what web sites looked like
5 or more years. Take a peek at your own site. If you want a few
giggles, then go the yahoo or amazon site. See if your own site is
archived. Make sure you check out the announcements. This site
is 100 + terrabytes.
What's a tb? If you digitized all the
material in the Library
Of Congress you would only need 43 tb.
@ AN INTERNATIONAL DISCUSSION LIST ON BRIDGING THE DIGITAL DIVIDE
[DIGITALDIVIDE]
======================================
http://www.DigitalDivideNetwork.org
As part of its ongoing commitment to exploring new ways of bridging
the digital divide, the Benton Foundation's Communications Policy
Program would like to invite you to join the DIGITALDIVIDE listserv.
DIGITALDIVIDE is a
moderated discussion in which citizens can discuss the wide range of
issues related to bridging the digital divide. The listserv, which
currently includes over 2300 members from around the world, cuts
across disciplinary boundaries: community activists, educators,
researchers, representatives of commercial and nonprofit enterprises,
volunteers, students and concerned citizens are all encouraged to
take part in this online discussion.
The listserv tackles the digital divide from a variety of angles,
that include (but are not limited to) the following subjects:
- Internet access issues;
- content creation for underserved populations and
communities;
- combating illiteracy in its many forms;
- online diversity;
- economic development and workforce issues;
- community building;
- technology accessibility and the disabled;
- the Internet and cultural diversity;
- digital divide news and events;
- education and training;
- best practices from local, national and
international digital divide efforts;
- obstacles to bridging the digital divide;
- new tools for measuring the divide;
- public/private and commercial/nonprofit
partnerships;
- public policy issues
DIGITALDIVIDE is moderated by veteran listserv facilitator Andy
Carvin,Senior Associate at the Benton Foundation.
In order to subscribe to DIGITALDIVIDE, send an email message to
listserv@...
In the first line of the body of the message, include the following
text:
subscribe digitaldivide yourname
with nothing else contained in the message. Be sure to replace
"yourname" with your name.
If you prefer to subscribe via the web, you can visit our web
site:
http://www.DigitalDivideNetwork.org
Simply fill out your email address on the left side of the page where
it says "Sign up for the DIGITALDIVIDE discussion list" and
press the "submit" button.
Once you've submitted your request, you'll receive a confirmation
email that will help you complete your subscription to the list.
For more information, feel free to contact Andy Carvin at
acarvin@....
thanks,
ac
Andy
Carvin andy@...
Senior Associate
Benton Foundation
http://www.edwebproject.org/andy
http://www.DigitalDivideNetwork.org
Visit my new website, Anatolian Fortnight
http://www.edwebproject.org/anatolia
@ NUEVO PORTAL DE INTERNET DELA REAL ACADEMIA ESPANOLA CON
ACCESO DIRECTO AL DICCIONARIO
======================================
http://www.rae.es
Ya esta en marcha la nueva pagina web de la RAE que ha sido
actualizada, disenada y entregada 'llave en mano' por el gigante
informatico IBM, informo El Pais.
El portal, que fue presentado por el academico ngel Martin
Municio y la presidenta de IBM Espana, Amparo Moraleda, en la sede
de la RAE, incluye el acceso directo a la edicion digital del nuevo
Diccionario, con un buscador para consultar por palabras y una
opcion que incorpora el Diccionario al navegador de Internet
La pagina incorpora en la ventana izquierda el acceso a los
servicios de la Academia: las consultas linguisticas; un avance
del Diccionario de dudas; las base de datos del espanol (CREA y
CORDE), una aplicacion llamada Conjugacion verbal, que presenta
todos los tiempos del verbo que se elija (tiene 5.000 entradas); el
registro comparado de los diccionarios elaborados por la Academia
(llamado el Nuevo Tesoro Lexicografico), y el acceso al catalogo
de la Biblioteca de la RAE, que contiene cerca de 74.000 registros y
ha requerido seis anos de trabajo.
En la ventana derecha de la pagina aparecen los apartados de
informacion institucional, en la que se puede encontrar una breve
historia de la Academia y la novedad de acceder a los distintos
departamentos de forma separada.
Segun informaron los especialistas informaticos de la RAE
Fernando Sanchez y Octavio Pinillos, el nuevo Observatorio del
Neologismo, cuya creacion fue acordada en Valladolid la semana
pasada por todas las academias de la lengua, se incorporara a la
pagina en cuanto este en marcha.
Una modernizacion que empezo hace doce anos, dijo, 'cuando IBM
trajo los ordenadores, entraron por la puerta de Felipe IV y
revolucionaron muchas mentes de esta casa'. Desde entonces, segun
Martin Municio, la RAE se ha convertido 'en uno de los mejores
centros de linguistica computacional de Espana'. Y lo ha hecho,
dijo, gracias, entre otras cosas, 'al impulso desinteresado y
amistoso de IBM'.
Amparo Moraleda califico como un placer ayudar a la RAE a velar por
la unidad de la lengua en un momento en que el espanol es el sexto
idioma de Internet (un 6% del total), tras el ingles (70%),
japones, aleman, chino y frances. Moraleda destaco que IBM
invierte '6.000 millones de dolares anuales en I+D en el mundo,
cifra equivalente a la que dedica a ese capitulo el Gobierno
espanol en un ano'.
FONTE: Diario El Pais: www.elpais.es
@ CURTAOCURTA: SITE BRASILEIRO DE CURTA-METRAGENS
======================================
http://www.curtaocurta.com.br
@ SHORTVILLAGE: PORTAL ITALIANO DEDICADO AL CINE BREVE:
CORTOMETRAJES, DOCUMENTALES Y ANIMACI N.
======================================
http:// www.shortvillage.com
Shortvillage.com es un portal italiano totalmente dedicado al cine
breve: cortometrajes, documentales y animacion. El publico de
Shortvillage.com puede ser no solo italiano sino tambien
internacional gracias a: banco de datos con mas de 250 archivos
sobre festivales internacionales, banco de datos sobre escuelas
profesionales de cine en el mundo,
http://62.110.186.239:81/scuole/e_scuole.htm>
@ FORUM FOR THE EXCHANGE OF IDEAS AND INFORMATION ABOUT THE USE OF
FREE SOFTWARE IN DEVELOPING COUNTRIES
======================================
http://fsdev.org
The site is aimed at serving as a forum for the exchange of ideas and
information about the use of Free Software in developing
countries. You can register for membership on the site to
enable you to share information and news about using Free Software in
developing countries. You are also welcome to suggest Web sites that
should be included in the database of links about Free
Software. More information is found on the site, which is under
continuous construction. And
please help spread the word.
Thanks in advance for your help, and best wishes for a GREAT NEW
YEAR!!
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 48+49 1/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 4: OPORTUNIDADES E AJUDAS PARA PRODUCAO / OPORTUNIDADES Y
AYUDAS PARA PRODUCCION
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ CHICAGO UNDERGROUND FILM FUND 2002
============================================prazo/plazo/deadline: 05/02/2002
Now Accepting Applications
Underground, experimental and independent film and video makers are
encouraged to apply to the 4th Annual Chicago Underground Film &
Video Completion Fund. Cash grants of between $500 and $2,000
will be awarded to selected film or video makers for post-production
on works-in-progress that are in keeping with the festival's mission
to promote works that push boundaries, defy commercial expectations
and transcend the mainstream of independent filmmaking.
The Chicago Underground Film Fund was established four years ago by
the Chicago Underground Film Festival to aid underground and
independent film and video makers who share the festival's maverick
spirit and defiant attitude. To date more than a dozen productions
have been completed with assistance from the Fund, including Ben
Berkowitz and Ben Redgraveps Straightman, Danny Plotnick's
Swinger's Serenade, Martha Colburn's Hellalujah and Julia Query and
Vicki Funari's Live! Nude! Girls! UNITE!.
Submissions are being accepted for documentary, experimental,
animated or narrative projects. Proposals for funding for any
existing project will be considered, regardless of length, genre or
final exhibition format. Film
projects in 35mm, 16mm or super-8 will be considered as well as all
video formats. Projects in development, pre-production or production
will not be considered.
The deadline for this yearps submissions is February 5, 2002 and
awards will be announced in April, 2002. For an application and
guidelines please contact CUFF at (773) 327 - 3456, email
funding@... or visit our
website at www.cuff.org
Edo Stork
UNDP Fiji ITC For Development Programme Officer.
@ TALLERES DE PEL CULAS EN CONSTRUCCI N. RENCONTRES CINEMAS
AMERIQUE LATINE DE TOULOUSE / FESTIVAL INTERNACIONAL DE CINE DE SAN
SEBASTI N
============================================
prazo/plazo/deadline: 10/02/2002
Les Rencontres Cinemas Amerique Latine de Toulouse y el Festival
Internacional de Cine de San Sebastian se asocian para proponer un
seguimiento anual de proyectos de largometrajes de ficcion
latinoamericanos.
Dicho seguimiento, coordinado por primera vez en dos paises
europeos (Francia y Espana), tiene por objeto de facilitar la
conclusion de las peliculas seleccionadas una vez que ya estan
rodadas y deben abordar la fase de postproduccion.Toulouse y San
Sebastian intentan asi tender un nuevo puente entre cineastas de
America Latina y profesionales de todo el mundo propiciando el
descubrimiento en primicia de primeros montajes de las peliculas
seleccionadas.
La primera cita tendra lugar el mes de marzo (15 a 24) en Toulouse,
donde hasta un total de seis proyectos seran presentados en persona
por su director y/o productor despues del pase correspondiente,
reservado a un publico de profesionales.
Una segunda cita similiar, el mes de septiembre (19 a 28) en San
Sebastian, dara una nueva oportunidad a esos mismos proyectos y
permitira descubrir
otros que se hayan rodado despues de marzo.
Las seis peliculas presentadas en Toulouse tendran asegurada su
presencia en el Festival de San Sebastian aun cuando esten
acabadas.
ARCALT : 49 rue du Taur - 31 000 Toulouse - France
tel 33 - (0)562 30 25 35 , e-mail: arcalt@...
http://cinelatino.free.fr
Festival Internacional de Cine de San Sebastian: Apartado 397 -
Donostia-San Sebastian (Espana)
Tel 34 - 943481212,
e-mail: ssiff@...
www.sansebastianfestival.ya.com
MODALIDADES PARA LA PRIMERA TANDA (15 - 24 DE MARZO DEL
2002)
- ultimo plazo para recibir los
materiales y ficha de inscripcion: 10 de febrero 2002
- las peliculas se exhibiran en formato Betacam (PAL)
FICHA DE INSCRIPCION DE LA PELICULA
CLAUSURA 10 DE FEBRERO DEL 2002
Devolver la ficha por mail o fax
fax : +33 562 30 25 33
arcalt@...
y todo el material a los siguientes datos :
Association Rencontres Cinemas d'Amerique Latine de Toulouse
(A.R.C.A.L.T)
49 rue du Taur
31000 Toulouse
France
Tel 00 33 562 30 25 35
fax : 00 33 562 30 25 33
arcalt@...
http://cinelatino.free.fr
>PEL CULA
>Titulo original :
>Ano :
>Lengua original :
>muda : musical Subtitulos :
>Pais de origen
>Genero :
>
>
>DIRECTOR
>Nombre y Apellido :
>Direccion
>
>
>Tel
>Fax
>E-mail
>
>?Primero largo metraje ?
>
>PRODUCCI N
>Nombre y direccion del productor y de la sociedad de
produccion
>
>
>Tel
>Fax
>E-mail:
>Web :
>
>CREDITOS
>Guioniste
>Director de la fotografia
>Editor
>Compositor
>Actores principales (nombres y papeles)
>
>
>FICHA TECNICA
>Duracion
>
>Formato / Format : 35 mm
16mm video, formato :
>Blanco y negro Color
>
>Formatos videos acceptados : Betacam SP(Pal)
BVU(Pal) U-matic SP(Pal)
> U-matic (Pal) DVD
>
>DOCUMENTACI N
>Por favor enviar al festival para la inscripcion :
>Video VHS de la pelicula (2 unidades)
>Nota especificando lo que falta para la finalizacion y
evaluacion en
>dolares
>Ficha tecnica
>Sinopsis
>Fotos (de la pelicula y del director)
>Biofilmografia
>Lista de dialogos
>
>
>Fecha Firma
>
>
>
>Esther Saint-Dizier
>Presidente ARCALT
@ VIDEOTAGE HOSTS A FIVE-PERSON STUDY TRIP TO THE GWANGJU BIENNALE
2002 IN KOREA
============================================
prazo/plazo/deadline: 31/01/2002
Videotage will host a five-person study trip to the Gwangju Biennale
2002, in Gwangju, Korea! Includes flight, accomodation, and
opportunity to present at the Gwangju Biennale 2002. Dates: 24
- 29 March, 2001 (subject to change).
Open call for proposals to present at the Gwangju Biennale 2002.
Presentations are open to artists working with new media -- single
channel video to internet art to vj performances....
Please send CV, written proposal of presentation, and examples of
work.
Deadline: 31 January 2002.
For more, please call or email Videotage.
videotage@...
http://www.videotage.org.hk
@ PROJETO FORUM DE CI NCIA E CULTURA DA UFRJ (Rio de Janeiro)
O Forum de Ciencia e Cultura da UFRJ, em 2002
dara continuidade ao Projeto Cursos do Forum e convida os docentes
de toda a Universidade do Brasil para participarem do Projeto,
propondo cursos e ministrando aulas.
Os Cursos do Forum so podem ser coordenados por
docentes do corpo permanente da UFRJ, portadores do grau minimo de
Doutor. As aulas podem ser ministradas por varios professores e por
alunos dos programas de pos-graduacao (doutorandos, de
preferencia). Caso o coordenador do curso queira incluir docentes
ou pesquisadores de outras instituicoes, a inclusao se dara,
em carater excepcional e como intercambio academico, uma vez
que o Projeto destina-se a divulgacao da producao
intelectual da propria UFRJ. O planejamento antecipado e
necessario, tendo em vista o uso dos espacos fisicos no
Palacio e a divulgacao interna e externa.
As informacoes sobre este e qualquer outro
projeto do Forum de Ciencia e Cultura podem ser obtidas pelo
e-mail: info@..., atraves do telefone 2295-1595 (ramal
103 ou 130) ou pela pagina
<http://www.forum.ufrj.br>
Cadastre-se <http://www.forum.ufrj.br/cadastro.htm>
para receber, regularmente, em sua caixa-postal, todos os eventos
organizados pelo Forum.
@ VIDEOTECA DEL SUR DE NUEVA YORK ABRE SEDE EN LA HABANA E
INVITA REALIZADORES LATINOAMERICANOS A PARTICIPAR CON SUS OBRAS
============================================
prazo/plazo/deadline: n/c
Videoteca del Sur de Nueva York tiene el agrado de anunciar la
inauguracion de su sede en la ciudad de La Habana, Cuba.
Videoteca del Sur-La Habana iniciara sus actividades en el marco
del 23 Festival
Internacional del Nuevo Cine Latinoamericano a llevarse a cabo del 3
al 13 de diciembre del 2001. Videoteca del Sur-La Habana
ofrecera una programacion periodica y exhibira lo mas
relevante de la produccion audiovisual latinoamericana. En un
inicio las exhibiciones se llevaran a cabo en las instalaciones del
Centro Cultural ICAIC, localizado en calle 23 entre 10 y 12, Vedado,
frente al ICAIC.
El Comite de Honor de Videoteca del
Sur-La Habana esta presidido por Humberto Solas, y lo componen
por Cuba: Alquimia Pena, Directora de la Fundacion de Nuevo Cine
Latinoamericano, Edmundo Aray, Director de la Escuela de Cine y TV de
San Antonio de los Banos, Lissete Vilas, de la UNEAC; Susana
Sardinas; Directora de Relaciones Internacionales del ICRT, y los
cineastas Fernando Perez, Enrique Pineda Barnet y Julio Garcia
Espinoza. Por los Estados Unidos sus miembros son: Richard Pena,
Director de Programacion del Lincoln Center/Director del New York
Film Festival; Carol Rosenberg, de la Fundacion Ludvig; Jorge
Rufinelli,
Especialista en Cine Latinoamericano/Profesor de Literatura de
Stanford University, y Jerry Carlson Profesor de Cine de CUNY.
Invitamos a todos los realizadores, productores y distribuidores a
participar con sus obras (largometrajes, cortos, documentales,
animacion, etc.). Deben enviar copias -optima
calidad- en formato de video en Betacam, DV o VHS, en idioma
espanol o subtituladas a:
Videoteca del Sur, Inc.
Att. Pedro Zurita
84 East 3rd Street, 5-A
New York, New York 10003-9253 USA
Tel. 212 674.5405 Fax 212 614.0464
Las copias deben incluir fotos, sinopsis y ficha tecnica. Las
fotos pueden ser enviadas via email jpeg- a
videlsur@...
Escribanos para informacion sobre su envio.
Para mas informacion escribanos o visite www.videlsur.org
Pedro Zurita <videlsur@...>
Videoteca del Sur
@ CALL FOR SUBMISSIONS: DISCLOSURE, A JOURNAL OF SOCIAL THEORY
============================================
prazo/plazo/deadline: 15/02/2002
Issue #12: (in)civilities
visit the web site version of this call at:
http://www.uky.edu/ArtsSciences/SocTheo/DisClosure/cfp12.htm
This issue of disclosure is devoted to the concept of civility and
its various manifestations. We seek submissions that explore the
theoretical and practical dimensions of civilities and incivilities
(broadly defined).
Contributions from an array of theoretical perspectives are
welcome,including, but not limited to: poststructuralism, critical
theory, Marxism,
queer theory, psychoanalysis, gender theory, and postcolonialism. We
invitework that addresses any aspect of the issue theme. Possible
topics might
include:
citizenship
community identity
the
state
democracy civil society
grass roots
movements anarchy
patriotism
fear
hate freedom
rights
nationalism social body
power
exploitation isolationism
radical
democracy civilization
imperialism
colonialism globalization
terrorism
genocide oppression
militarism
domination compassion
activism
hegemony resistance
justice
censorship violence
non-violence
fascism desire
SUBMISSION DEADLINE: February 15, 2002
About disClosure: a journal of social theory
disClosure is a blind refereed journal produced in
conjunction with the Committee on Social Theory at the University of
Kentucky. The journal welcomes submissions from all theoretical
perspectives and genres (essay, interview, review, short fiction,
poetry, artwork) and from authors and artists (academically
affiliated or not) concerned with social theory.
Editorial decisions are based solely on quality and originality.
SUBMISSION INFORMATION AVAILABLE AT:
http://www.uky.edu/AS/SocTheo/DisClosure/submitdc.htm
Mail to:
disClosure
c/o Department of Philosophy
1415 Patterson Office Tower
University of Kentucky
Lexington, KY, USA 40506-0027
e-mail inquiries for this issue to: DC-EDITOR@...
@ RESIDENCIAS PARA ARTISTAS. ASOCIACI N PARA LA PROMOCI N DEL
DESARROLLO HUMANO, LA EDUCACI N Y EL ARTE / COSTA RICA
============================================
prazo/plazo/deadline: n/c
INTRODUCCION
La Asociacion para la promocion del desarrollo humano, la
educacion y el arte, organizacion cultural sin fines de lucro,
creada en febrero del 2001, presenta a consideracion de la
comunidad artistica internacional y nacional su Programa de
intercambio internacional y extension cultural de Costa Rica. La
recepcion de solicitudes esta abierta.
Con este proyecto, pretendemos extender a toda la geografia
nacional un programa cultural que involucrara, en un encuentro
novedoso, a artistas nacionales, residentes o extranjeros y que
beneficiara directamente a la comunidad. Aprovecharemos, para el
desarrollo de los objetivos, sitios de interes cultural,
turistico y centros residenciales existentes en diferentes lugares
del pais que, por sus facilidades, son un lugar adecuado de
alojamiento y servicios para los creadores, asi como de quietud,
belleza natural y silencio para su motivacion y concentracion en
el trabajo artistico.
Tambien brindaremos apoyo directo a los y las artistas
costarricenses y estudiantes del arte al permitirles convivir y
experimentar colectivamente y en igualdad de condiciones con otros
artistas reconocidos del extranjero.
El programa quiere abrir una perspectiva mas amplia a la
experiencia cultural hasta ahora desarrollada, en ese campo, de la
siguiente manera:
-Motivando una mayor participacion voluntaria de los artistas
residentes con la comunidad nacional y regional al sugerirles
impartir talleres, charlas o iniciativas planteadas por ellos
mismos.
-Promoviendo la realizacion y presentacion conjunta de proyectos
entre artistas visitantes y los locales, quienes tambien
participaran dentro del programa de seleccion y se beneficiaran
con las becas.
Esto brindara un enriquecimiento mutuo entre artistas, provenientes
de otras latitudes, y la comunidad cultural y rural costarricense.
Permitira a los visitantes conocer y palpar nuestra realidad
socio-politica o cultural y asi posiblemente podran
convertirse, a su regreso, en actores que impulsen a traves del
arte valores de paz, solidaridad y democracia en sus paises.
Participaran artistas profesionales serios del mundo asi como
artistas profesionales y emergentes de nuestro pais, sin
discriminacion de ningun tipo. Siguiendo con los procedimientos y
normas aceptados y promovidos internacionalmente por las
instituciones similares de mayor experiencia, la seleccion se
hara por un Comite de Seleccion autonomo constituido por
personas responsables y de prestigio en cada una de las areas
artisticas.
ANTECEDENTES
En 1896, el compositor Edward MacDowell y su esposa compraron
una finca en Peterborough, New Hampshire en donde pasaban los veranos
trabajando en los pacificos alrededores. El y Marian sonaron
convertir su propiedad en una comunidad en donde los artistas
pudieran tener el sitio ideal para trabajar tanto como una
estimulante compania de iguales.
En 1907, fue fundada la Colonia MacDowell ubicada en
Peterborough, New Hampshire, E.U.A concebida para ofrecer un lugar en
donde creadores serios pudieran encontrar libertad para concentrarse
en su trabajo.
La colonia, MacDowell fue un experimento sin precedentes y permanece
ahora en su record haber tenido a mas de cuatro mil artistas de
prestigio trabajando alli. Esa fue la primera colonia en el mundo y
sus propositos continuan guiando, hoy en dia, a todas las
demas colonias establecidas desde entonces.
En el presente, las colonias y centros residenciales de arte se
encuentran distribuidos en casi todos los rincones del mundo y en su
organizacion participan tanto iniciativas privadas, estatales y
mixtas. Para poder intercambiar experiencias y apoyarse mutuamente
las colonias de artistas se han agrupado principalmente en dos
organismos como son la Alianza de Comunidades de Artistas (E.U.) y
Res Artis, la red internacional de comunidades y centros
residenciales de arte, la cual agrupa ya a mas de ciento cincuenta
instituciones.
En su desarrollo se ha asumido la independencia absoluta de cada
institucion y los programas y estilo de cada centro se confeccionan
de acuerdo a la idiosincracia y caracteristicas culturales que les
son propias.
En las colonias y centros residenciales los escritores, compositores,
artistas visuales, fotografos, grabadores, cineastas,
coreografos, actores, arquitectos y ultimamente, con la
introduccion de las nuevas tecnologias, creadores multimedia,
llenan sus espacios, beneficiando a artistas de todas partes del
globo. Aquellos aprovechan un tiempo ininterrumpido y el aislamiento
para trabajar y disfrutar la experiencia de vivir en una comunidad al
lado de otros artistas dotados. Sus testimonios hablan de como la
oportunidad de estar en una atmosfera en donde su trabajo es de
capital importancia ha cambiado sus vidas.
Los lugares iniciales para establecer el programa en Costa
Rica.
Para iniciar nuestro proyecto hemos escogido dos sitios, en
locaciones y en contextos de riqueza cultural y natural diferente,
asi como por el estilo de sus instalaciones. Con ellos hemos
llegado a un acuerdo de cooperacion y normas de funcionamiento,
tambien de beneficio mutuo.
1.El Estudio Los Almendros se encuentra localizado en Cabuya,
canton de Cobano, en la Peninsula de Nicoya. Rodeado del
ambiente caracteristico del tropico seco, el lugar se
encuentra enfrente del Oceano Pacifico y a pocos kilometros de
la Reserva Natural Absoluta Cabo Blanco mientras que al Este se llega
rapidamente a Montezuma y Cobano.
El terreno cuenta con cuatro cabinas individuales con acomodo para
dos personas cada una, una instalacion para banos y duchas,
el "Rancho Redondo" como espacio de taller y area social, un
segundo piso con acomodacion para tres personas. Ademas tiene un
estudio de danza y para movimiento de 72 m2.
El sitio fue concebido y ha funcionado como Taller de Movimiento y
Terapia Corporal, bajo la direccion de la creadora del proyecto, la
bailarina y sicologa Ninoska Gomez. Ella cuenta con un Doctorado
en Desarrollo Sicomotor, es miembro fundadora del Body-Mind Centering
Association y miembro registrado de "International Somatic Movement
Education and Therapy Association".
2. Albergue Miraflores. Localizado en Playa Chiquita de Puerto Viejo,
canton de Talamanca, esta a media distancia entre el Refugio
Nacional de Vida Silvestre Gandoca-Manzanillo, una de las areas de
mayor belleza escenica del pais, y el pueblo de Puerto Viejo. A
pocos metros se accesa a Playa Chiquita y se camina a Punta
Uva, ambos dos sitios de gran atraccion turistica de la
costa Caribe sur.
Miraflores fue concebido como una plantacion de flores tropicales
pero luego su enorme casa fue redisenada con sencillez y elegancia.
Se convirtio en pionero de los Bed & Breakfast
ecologicos del pais y lugar obligado para una estancia de
disfrute pleno de la naturaleza y de paz en la zona.
Consta de 10 habitaciones, con bano privado, decoradas con pinturas
de artistas locales y otros reconocidos artistas costarricenses, un
espacio de Taller y un Rancho con aerea social y la
cocina-comedor.
Su propietaria Pamela Carpenter, sicologa y una reconocida
ambientalista de la zona es miembro de la Asociacion Talamanquena
de Ecologia y Conservacion, ATEC y miembro de la Sociedad
Audubon. Ademas del turismo ecologico, Miraflores ha desarrollado
actividades culturales para la comunidad y proyectos de apoyo a los
artesanos indigenas, a cargo de una pintora norteamericana,
talleres sobre plantas y medicina natural, recuperacion de las
tradiciones indigenas de sanacion y se han impartido Talleres
Internacionales de meditacion y por la Paz.
El convenio senala que la Asociacion asumira el costo por el
alojamiento y alimentacion de los artistas visitantes durante su
estadia mientras que los centros residenciales participantes
asumiran la prestacion de los servicios necesarios para la
atencion de aquellos y el mantenimiento adecuado del sitio.
Ademas estaran a cargo de supervisar el buen cumplimiento de los
talleres y encuentros voluntarios que se planifiquen en sus
comunidades.
Proceso de inscripcion de los artistas.
Para el ano 2002, planeamos cubrir cuatro ocupaciones al mes
en cada lugar, durante el periodo comprendido del 1 de mayo al
31 de diciembre, lo que permitiria la participacion de 32
artistas del extranjero y 32 artistas locales, si la permanencia de
cada uno fuere de un mes.
Procederemos a recibir cartas de solicitud de inmediato. A los
solicitantes se les enviara una formula que debera ser
completada y regresada con sus datos personales, Curriculum Vitae, el
pago de derecho de inscripcion y muestras de su trabajo
profesional artistico.
Este material sera considerado anualmente por Comites de
Seleccion, nombrados en sesion de Junta Directiva de la
Asociacion, para cada area del quehacer artistico. Terminado el
proceso, los Comites de Seleccion presentaran la lista de los
artistas seleccionados para la convocatoria del siguiente
periodo.
El proceso de recepcion de solicitudes para el ano 2002
termina el 1 de marzo del 2002.
Para solicitar informacion, escribanos a nuestro apartado en
Costa Rica o a nuestra direccion de correo electronica.
Joaquin Rodriguez B. Presidente
quinoro@...
Asociacion para la promocion del desarrollo humano,
la educacion y el arte.
Apdo. 6499 San Jose 1000
Costa Rica, America Central
o a nuestro apartado en Miami ( residentes USA y Europa)
AAA Express Mail SJO 255
1641 N.W. 79th Avenue
Miami, FLorida 33126-1105 USA
@ CALL FOR SUBMISSIONS: JOURNAL OF FILM AND VIDEO -SPECIAL ISSUE ON
SCREENWRITING
============================================
prazo/plazo/deadline: 15/02/2002
The editors of a special edition of the University
Film and Video Association's JOURNAL OF FILM AND VIDEO seek
submissions of manuscripts on film and television screenwriting and
screenwriters. This special issue is
devoted to providing many perspectives, including articles on
individual screenwriters, interviews, book reviews and in-depth
analyses of screenplays.
Manuscripts should be prepared following THE MLA
STYLE MANUAL AND GUIDE TO SCHOLARLY PUBLISHING. Originals and
copies other than carbons are acceptable; computer disc will be
required of published works, but not required for submission.
Notes and list of works cited are to appear on pages at the
conclusion of the article.
The deadline for submission is August, 2002.
Letters of interest should be in by February, 2002.
Send all manuscripts to
JOURNAL OF FILM AND VIDEO
Robert Arnett
Department of Communication
Mississippi State University
Drawer PF
Miss. State, MS 39762
@ COLLABORATIONS FOR A BOOK ON VIDEO POETRY
============================================prazo/plazo/deadline: N/C
Dear friends,
I am now working on a book, in which I will present 100 international
artist, who produced videopoetry,
videoperformances (related with poetry or performative-poetry),
computer & web poetry, interactive poetry, ambient poetry,
installations, in which the literary text (but non only literary,
also a visual poetry text, a performative or sonore poetry text)
interacts with the new technologies and media.
This letter is addressed to all the artists who took part in the 90s
in the festivals I organized in Italy
http://space.tin.it/arte/cprezi
but this book is also an occasion to know new artists and
poets who work in this field, whose video, CD an web
poetry is not in my archive yet (follow the link
to the entry form for THE ARCHIVE
http://space.tin.it/arte/cprezi/schedaing.html
The entry form for THE BOOK is attached (dead line: AS SOON AS
POSSIBLE).
Every artist will have in this book a bilingual page Italian/English.
The not-English artists should please fill the attached page-form
(very similar in the contents to what will be exactly published) in
English (or also with an
English translation ready for the publication).
This is an invitation and a call for collaboration (please let it
circulate among the most interesting electro-experimental poets you
know).
If your work is not yet included in my archive, scroll down to find a
"real" address for sending videocassettes (>>>>
only a VHS standard PAL copy) or CD, to let me know more about you.
To the sent video and CD materials must be joined the entry form
for THE ARCHIVE http://space.tin.it/arte/cprezi/schedaing.html
The collected videos and CDs could be presented in the exhibitions
manifestations I will organize in future.
Thank-you for collaboration
Sincerely yours
Caterina Davinio
Artist and curator
--
Davinio Art Electronics - Archives / Videotheque
Art Electronics and Other Writings
http://space.tin.it/arte/cprezi
Address:
V. Sassi 10
23900 Lecco (LC)
Italy
Tel & Fax 0341 282712
@ CALL FOR VIDEO INDYMEDIA NEWSREAL
============================================prazo/plazo/deadline: 19/01/2002
Indymedia Newsreal is a collaborative, monthly show highlighting
grassroots activism around the globe. It airs on Free Speech TV and
is screened in cities across North America.
Newsreal is currently seeking segments for the February edition.
Segments should be no longer than 5 minutes, and focus on timely,
progressive direct actions.
If you're interested in submitting a segment for February
(warning--all tapes must be received by January 19), contact us at
the emails listed below for more information.
Indymedia Newsreal Programming committee
Rachel Rinaldo
rarinald@...
Robert Wyrod
rjwyrod@...
@ ECRIRE LE SON DU MONDE...? APPEL A PROJETS DE PRODUCTION
RADIOPHONIQUE
============================================prazo/plazo/deadline: N/C
Cadre : L'Atelier de creation radiophonique de France Culture,
emission hebdomadaire diffusee de 22h35 a 24h00 le
dimanche, coordonnee par Marina Babakoff, Philippe Langlois &
Frank Smith
Principe : L'Atelier de creation radiophonique, fidele a ses
origines de laboratoire d'experimentation sonore, propose a des
artistes et des chercheurs de toutes origines (compositeurs,
cineastes, improvisateurs, ecrivains, poetes, danseurs,
plasticiens, performeurs, metteurs en scene, decorateurs
sonores, informaticiens, etc.) d'agencer et de confronter leurs
pratiques a la creation radiophonique.
Zone d'echanges interdisciplinaires, il cartographie des paysages
et des environnements qui revendiquent melange, metissage et
utopie de matiere sonore.
Fabrique radiophonique machinee hors des chantiers battus, il offre
egalement la possibilite de donner a entendre les etapes
d'une ouvre en devenir - work in
progress - grace au developpement d'un site Internet.
Par l'atelier, les producteurs-artistes relevent en somme le defi
de l'elaboration d'une partition sonore >.
Dans une ecoute alerte au monde, ecrire le son aujourd'hui.
- Toute proposition ouvrant dans ce sens sera etudiee. -
Delais : Mise en place des premiers ateliers des le mois de mars
2002
Contact : En attendant une adresse electronique personnalisee
ainsi que des coordonnees directes a France Culture, merci
d'adresser toute proposition/dossier a l'adresse suivante : Frank
Smith - 40 rue des gravilliers , 75003 Paris - Renseignements :
0616390154
TEATROXLAIDENTIDAD, nacio en la profunda necesidad de articular
legitimos mecanismos de defensa contra la brutalidad y el horror
que significan el delito de apropiacion de bebes y de ninos y
la sustitucion de sus identidades de un modo organizado y
sistematico por parte de la dictadura militar. Delito que aun hoy
continua vigente. En el 2000 fue la duda: ?Y vos, sabes quien
sos? ?Sabemos quienes somos?
HAY 500 CHICOS DESAPARECIDOS. Dudar es el primer paso para
descubrirse.
En el 2001 mas de 500 teatristas nos autoconvocamos e hicimos
propia la lucha de Abuelas de Plaza de Mayo y logramos tender un
puente que une las voces del teatro con el publico y con cada chico
que duda. La respuesta fue contundente: casi 70 jovenes se
presentaron espontaneamente para preguntar por su identidad.
Nuestra identidad.
Al plantearnos la convocatoria del ciclo 2002 nos preguntamos como
deberia ser un ciclo de teatro destinado a conmover al grupo social
que lo recibe. Creemos que debemos otorgar absoluta libertad a
quienes presenten sus proyectos, definiendo un ciclo de teatro donde
se exprese nuestra identidad. Donde podamos reflexionar acerca de sus
elementos constitutivos y sus analogias respecto de nuestra
historia como pueblo. De como nuestras historias individuales se
inscriben en el proyecto colectivo, en tanto la existencia de un OTRO
diferente nos refleja, nos constituye y nos completa
Hay casi quinientos chicos desaparecidos; y con ellos parte de
nuestra historia. Jovenes con sus identidades cambiadas, que aun
dudando, temen encontrarse con la verdad; que aun conscientes de
haber perdido algo, temen reencontrarlo. Aspiramos a que, en el marco
de una sociedad que se pregunta por su identidad, sea mas facil
encontrarlos, encontrarnos. Sea mejor la vida.
Sin lugar a ninguna duda, el gran estimulo para todos es la palabra
IDENTIDAD.
No hay subtitulos, es la identidad de los chicos, es nuestra
identidad, es la identidad de todos la que esta en juego. Solo
hay que subirla al escenario.
Bases para la participacion:
La presentacion de los proyectos debera incluir:
- El texto de la obra, firmada por su autor, utilizando un
seudonimo.
- La composicion tentativa de los integrantes del proyecto.
- Nombre de dos responsables que funcionen como enlace con la
Comision de Direccion del Ciclo 2002.
Las obras deberan ser de autor nacional o latinoamericano. O
versiones libres de autores extranjeros. Los espectaculos deberan
ser gestados para ser estrenados dentro del Ciclo 2002. La duracion
de los espectaculos no debera exceder en ningun caso los 30
minutos. Los espectaculos compartiran el ambito escenico con
uno o mas montajes, de modo que, imprescindiblemente, deberan
tener rapido armado y desarmado. Cada proyecto debera
autogestarse y autofinanciarse, tanto en lo referido a su
produccion, como a los gastos de mantenimiento.
Teatroxlaidentidad/2002 proveera las salas para la representacion
de las obras y las salas de ensayo. Teatroxlaidentidad/2002
proveera los programas y todo aquello referido a prensa y
publicidad. Tambien centralizara las iniciativas que en esta
materia pueda aportar cada grupo seleccionado.
Los proyectos seran enviados unicamente por correo electronico
a
teatroxlaidentidad@...
a partir del 1 de Noviembre de 2001 y hasta el 11 de Febrero de
2002.
Todos los proyectos seran evaluados por una Comision de Lectura,
a fin de orientar la seleccion del material, de acuerdo con su
calidad artistica y adherencia tematica al caracter de esta
Convocatoria. Los proyectos seleccionados seran notificados el
dia 9 de Abril de 2002.
Comision de Direccion - Teatroxlaidentidad/2002 154-578-2678
Boletin Electronico Mensual de Informacion
Iberoamericana
Artes Escenicas, Educacion, Produccion y Administracion de
Cultura
FONTE: ARTES ESCENICAS, desde Buenos Aires, Argentina.
http://www.artesescenicas.com.ar/
@ FUNDACI N ANTORCHAS (ARG). AYUDAS PARA ARTES VISUALES /
MULTIMEDIOS / LITERATURA
============================================prazo/plazo/deadline: 01/02/2002
La Fundacion Antorchas llama a concurso de becas para artistas
nacidos preferentemente despues del 1o de enero de 1961, con
estudios superiores completos o formacion equivalente, con
destacados antecedentes, que evidencien una clara vocacion por su
arte y que hayan decidido hacer de esta su profesion. Las
categorias concursadas son:
1. Beca en la Academy of Media Arts, Colonia, Alemania: se ofrece una
beca a un artista de cualquier disciplina, para trabajar durante seis
a diez meses, a partir de octubre de 2002, en un proyecto original
que explore la integracion de la disciplina del becario con nuevas
tecnologias. Se abonaran el pasaje y hasta $1000 mensuales por el
periodo que se defina. Para mas informacion sobre la Academy of
Media Arts consultar su pagina en la Internet:
<http://www.khm.de>.
2. Beca en el Centro Multimedia, Mexico: se ofrece una beca para
trabajar durante tres meses en un proyecto original para multimedios,
con acceso a los equipos del centro (computadoras Silicon Graphics,
plotters, realidad virtual, creacion de CDroms, etc). Se abonaran
el pasaje y hasta $1000 mensuales por ese periodo. Para mas datos
sobre el Centro Multimedia consultar su pagina en la Internet:
<http://www.cnart.mx/cnca/buena/cna/multimedia.html>.
3. Residencias en el Banff Centre for the Arts, Canada: para
trabajar en proyectos especificos, en contacto con artistas de
otros paises tambien residentes en Banff, acceder a equipamiento
en las especialidades que lo requieran, experimentar distintas
tecnicas e informarse acerca de nuevas oportunidades de crecimiento
artistico. Los participantes podran tomar parte en las
actividades del centro, como clases magistrales, talleres,
demostraciones, simposios, exposiciones y espectaculos. Para mas
informacion sobre el Banff Centre for the Arts consultar su
pagina en la Internet: < http://www.banffcentre.ab.ca >. Las
categorias concursadas son:
3.1. Para artistas visuales: se
ofrecen hasta tres becas para trabajar durante dos meses y medio en
pintura, escultura, fotografia o multimedios. Se abonaran el
pasaje y los gastos de estadia por ese periodo.
3.2. Para escritores: se ofrecen hasta
tres becas a escritores de cualquier genero, guionistas de cine,
television y radio, dramaturgos o teoricos de cualquier
especialidad artistica para residir, durante un mes y medio, en la
Leighton Writers Colony, trabajar en una obra y asistir a un festival
internacional de escritores. Se abonaran el pasaje y los gastos de
estadia por ese periodo.
CONDICIONES GENERALES
Las becas se concederan sobre la base de los antecedentes de los
postulantes y, si correspondiera, de sus planes de trabajo. Las
ayudas se adjudicaran previo dictamen de un comite de seleccion
integrado por Arturo Carrera, Ana Deutsch, Mauricio Kartun, David
Oubina, Alejandro Puente y Andres Spiller. Cuando lo juzgue
necesario, el comite podra requerir informacion adicional de
los postulantes, entrevistarlos o solicitar una opinion
confidencial a los evaluadores que crea oportuno. En todos los casos,
el comite mencionado seleccionara los finalistas y las
instituciones anfitrionas tomaran la decision final acerca de los
candidatos.
Las inscripciones pueden realizarse personalmente o por correo,
mediante formularios ad hoc, hasta el 1o de febrero de 2002. Todos
los resultados se daran a conocer en la seccion Cultura del
diario La Nacion del 5 de mayo de 2002. Estas bases, los
formularios de inscripcion y los resultados podran encontrarse en
el website de la fundacion:
<http://www.fundantorchas.retina.ar/>
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
FIN/FIM
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N. 48+49 1/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 3: OFERTAS DE TRABALHO / OFERTAS DE TRABAJO
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ ASSISTANT DIRECTOR. ALLIANCE OF ARTISTS' COMMUNITIES. RHODE ISLAND.
USA
============================================
prazo/plazo/deadline: 02/04/2002
Job Category: Fundraising & Development, Event planning
Type: Full time
Salary: Comensurate with experience.
Description: FUNCTION
1. Assists Executive Director in providing leadership toward
achievement of Alliance's mission, philosophy, and strategy.
2. Acts as the secondary spokesperson, writer, and fundraiser for the
organization.
3. Assists the Executive Director in developing and implementing
programs within context of mission.
4. Provides leadership in the areas of membership services and
solicitation, and works with Board Committees in this area.
REPORTS TO
AAC Executive Director
DUTIES
1. Serves as liaison to AAC members and as secondary spokesperson for
AAC
2. Assists in designing and implementing a comprehensive fundraising
strategy with the Exec. Dir. and board
3. Oversees all member services, evaluates member programs and works
with Exec. Dir. to develop membership and build partnerships in the
field
4. Assists in designing, administering, and evaluating programs to
achieve goals and objectives
5. Writes and provides content for the AAC tri-annual newsletter in
collaboration with the Exec. Dir. and Designer
6. Manages and develops the AAC database
TASK DESCRIPTIONS
Advancement: Assist Executive Director in developing strategies for
securing funding and identifying and approaching funding prospects;
submit proposals, develop the Leadership Council, plan cultivation
events, accompany the Executive Director whenever possible to
meetings with funding agencies on behalf of organization and the
field
Projects: Event Planning (such as Symposia, Annual Member Meeting,
and Regional Meetings), Directory, Strategic Planning, and Special
Publications
Outreach & Education: Membership Services, Member Recruitment and
Communications; Participation in other networks and attendance of
local/regional meetings; Write materials for member mailings,
outreach mailings, newsletters, publications and AAC literature
Administration: Board: Staff liaison for Member Services Committee,
Member of the Advancement Committee; Participate in and take notes
for board telephone conference calls every 6-8 weeks and face-to-face
meetings three times a year; Support subcommittees that work on
specific tasks and goals; Supervise Communications and Systems
Manager and interns in:
1. Communications and solicitations of members,
2. Design of AAC literature and publications
3. Development and maintenance of database,
4. Information services and member cultivation
Education: Bachelor (BA, BS, etc.)
Languages: English
Additional Qualifications: QUALIFICATIONS
1. Bachelors degree in the arts, humanities, arts administration, or
other related field
2. At least three years previous experience as an organizer, project
manager, or administrator of a program(s) or organization
3. Fundraising and grant-writing experience
4. Excellent writing and public speaking skills
5. Excellent facilitating and convening skills
6. Demonstrated commitment to art, culture, and social
responsibility
How to Apply: Please send cover letter, resume and references to: 255
South Main St. Providence, RI 02903, ATTN: Search or preferably email
application materials as Word attachments to
aac@....
Last day to apply: April 10, 2002
Area of Focus: Arts, Community Building and Renewal, Network of
Nonprofit Organizations
Organization: Alliance of Artists' Communities
URL: http://www.artistcommunities.org
Phone: 503-797-6988
Location: Providence, Rhode Island, 02903, United
States
Job posted on: January 08, 2002
fonte: idealist.orgAction Without Borders
@ IMMEDIATE NEED FOR SPANISH-SPEAKING PERSONS. INTERNATIONAL
ACADEMIC ASSISTANCE PROGRAM. MEXICO
============================================
prazo/plazo/deadline: 20/01/2002
Job Category: Education & Training
Type: Full time
Salary: $75 pesos an hour ($8.30 U.S.)
Description: Urgent need for persons to be trained in new, dynamic
English course. Must speak fluent Spanish. THIS IS NOT AN ENGLISH
SCHOOL but a course taught inside of the federal and state schools of
Mexico. Excellent opportunity with positions open in all parts of the
republic from the major cities to the depths of the jungle.
Education: Bachelor (BA, BS, etc.)
Languages: Spanish
Additional Qualifications: Must be sincere and want to come to Mexico
and not just inquisitive.
How to Apply: The need is immediate, so send your resume via e-mail
and you will receive a list of FAQs.
Last day to apply: January 20, 2002
Area of Focus: Education
Organization: International Academic Assistance Program
URL: http://iaap.org.mx
Phone: 17-32-3417
Location: Various cities and areas, five different state, 27060,
Mexico
Job posted on: January 07, 2002
fonte: idealist.orgAction Without
Borders
@ DEVELOPMENT ASSOCIATE. GLOBAL EDUCATION PARTNERSHIP (G.E.P.)
============================================
prazo/plazo/deadline: 25/02/2002
Job Category: Fundraising & Development
Type: Full time
Salary: DOE
Description: Job Description: Development Associate (part-time, with
option to become full-time)
Global Education Partnership (G.E.P.) is a 501(c)(3) non-profit
organization with headquarters in Washington D.C. and operating
divisions in Kenya, Tanzania, Guatemala, Indonesia and the San
Francisco Bay Area. G.E.P. has 38 full-time staff and a $1.3 million
annual budget. The mission of G.E.P. is "to provide access to
educational resources that increase the capacity of young people to
become employable and self-reliant in today's global
marketplace."
G.E.P.'s programs consist of: a global experiential computer-based
entrepreneurship and job skills program for low-income youth in rural
areas in Kenya, Tanzania, Guatemala, Indonesia, and inner-city youth
in the S.F. Bay Area, and follow-up services to help graduates find
jobs, access higher education and launch businesses; school-based
development projects (e.g. textbooks, desks, classroom construction,
etc.) in rural communities in Kenya, Tanzania, Guatemala and
Indonesia where local communities raise 50% of the funding for each
project, and teacher-training and capacity building workshops for
school teachers and school administrators in project schools in the
areas of girls education, experiential learning and school
leadership. For more information on Global Education Partnership,
please visit our website at www.geponline.org.
Responsibilities: Development Associate will work closely with and
provide support to the Executive Director and the Development
Coordinator. Duties include conducting prospective donor research;
typing and editing various letters, progress reports and other
documents; handling incoming calls, mail, and faxes; making travel
arrangements; establishing and maintaining filing system; preparing
routine correspondence; providing general clerical support and office
management; basic data entry; mailing and faxing of information to
board of directors and others as needed.
Education: Bachelor (BA, BS, etc.)
Languages: English
Additional Qualifications: Qualifications: Bachelor's Degree.
Excellent writing, organizational and interpersonal skills. Applicant
must be highly organized and experienced in multi-tasking in an
office environment. Attention to detail very important; sense of
initiative, creativity and resourcefulness; strong computer and
Internet research skills, including Word, Excel and database
management (Raiser's Edge or Donor Perfect a plus); ability to work
independently and as part of a team. People of color and women are
encouraged to apply.
How to Apply: Please send your resume, cover letter, writing sample
and salary history to: Maria Carrasco, Global Education Partnership,
1718 M Street N.W., PMB 151, Washington D.C. 20036 or e-mail it to
devgep@...
Last day to apply: February 25, 2002
Area of Focus: Economic Development, Education
Organization: Global Education Partnership (G.E.P.)
URL: http://www.geponline.org
Location: Washington, District of Columbia, 20005, United States
Job posted on: January 07, 2002
fonte: idealist.orgAction Without
Borders
@ DEVELOPMENT ASSOCIATE. THE EASTWEST INSTITUTE
============================================
prazo/plazo/deadline: 07/04/2002
Job Category: Fundraising & Development
Type: Full time
Description: The EastWest Institute is an international nonprofit
with offices in New York, Prague, Moscow, Kyiv, Belgrade and Brussels
dedicated to defusing tensions, strengthening democracy, developing
free enterprise and creating new forms of cooperation across borders
in Eastern Europe, Russia and Eurasia. EWI operates on a yearly
budget of approximately $7 million, with the primary source of
revenue coming through our fundraising efforts.
We are seeking a Development Associate to work closely with the
Director for Major Gifts, who will Coordinate
development activities related to unrestricted giving, Provide general
support to the Director, Facilitate the
annual giving campaign plan with the Director, Coordinate development events, Draft and edit materials associated with
unrestricted giving, Research current and potential prospects for
unrestricted gifts Provide
ongoing management of the Raiser's Edge database including
generating reports and entering data.
Education: Bachelor (BA, BS, etc.)
Languages: English
Additional Qualifications: Qualifying candidates will possess MA degree in
Communication or BA and the equivalent experience, (1-3 years in
Development office), Excellent writing skills
including the ability to capture quickly and concisely the thoughts
of others in written form, Strong
research abilities, Highly organized, detail
oriented, Ability to work well under
pressure, Excellent use of Microsoft office and
the Internet.
How to Apply: We offer a competitive compensation and benefits
package and a fast paced, collegial environment. Please send a
letter, resume and salary history to mboyd@...; or mail to
EastWest Institute, 700 Broadway, 2nd floor, New York, NY 10003.
Last day to apply: April 07, 2002
Area of Focus: Government Oversight and Reform, Peace and Conflict
Resolution
Organization: EastWest Institute
URL: http://www.iews.org
Phone: 212-824-4100
Location: New York, New York, 10003, United States
Job posted on: January 07, 2002
fonte: idealist.orgAction Without Borders
@ EXECUTIVE DIRECTOR. PROGRESO LATINO.CENTRAL FALLS, RHODE ISLAND,
USA
============================================
prazo/plazo/deadline: 31/01/2002
Job Category: Activism & Organizing, Administration, Fundraising
& Development
Type: Full time
Salary: Competitive salary with full benefits
Description: EXECUTIVE DIRECTOR
Progreso Latino, a multi-service community agency serving the needs
of the Latino and immigrant communities in RI, seeks qualified
candidates for the position of Executive Director. The ideal
candidate will present the following qualifications:
A minimum of 5 years experience in a management
position in social services agency. Well-established relationships
with Latino and immigrant communities and state and federal
agencies. Demonstrated knowledge of laws and
regulations governing non-profit agencies with specific experience in
the area of adult education, child-care, citizenship and youth
services. Proven success in
fund development, fiscal management, program development and
implementation, and program evaluation. Progressive leader with strong interpersonal and
staff development skills.
Progreso Latino offers an attractive competitive salary and benefits
package based upon the successful candidate's experience and proven
abilities. The successful candidate should have at least a
bachelor's degree in a related field and significant relevant work
experience.
How to Apply: Send letter of application, resume and list of five
professional references (including phone numbers) to: Chair,
Executive Director Search, 9 Lewis Street, Providence, RI 02906 by
January 31, 2002.
Last day to apply: January 31, 2002
Area of Focus: Multi-Service Community Agency
Organization: Progreso Latino, Inc.
Phone: (401) 728-5920
Location: Central Falls, Rhode Island, 02863, United States
Job posted on: January 04, 2002
fonte: idealist.orgAction Without
Borders
@ POSITION AVAILABLE IMMEDIATELY FOR GRADUATE STUDENT INTERN. THE
BENTON FOUNDATION'S COMMUNICATIONS POLICY PROGRAM (CPP)
============================================
prazo/plazo/deadline: n/c
The Benton Foundation's Communications Policy Program (CPP) is
seeking a graduate-level intern to:
-Assist in the publication of Benton's daily online news-service,
Communications-related Headlines, including reading daily
publications, summarizing relevant stories, and posting stories to
the Web.
-Assist in other program activities, including the research and
writing of CPP reports and publications, attending and summarizing
FCC and Congressional Hearings, and the organizing of CPP hosted
meetings and conferences.
Education, Skills and Qualifications:
Graduate-level student; knowledge and interest in communications
policy issues; excellent comprehension and written communication
skills; ability to work with limited supervision; ability to meet
deadlines and work under pressure; PC and Internet literacy; basic
knowledge of HTML.
The internship is available for up to 40 hours/week,
9:00am-5:30pm.
Part-time schedules must include morning hours.
Please send cover letter and resume to: Rachel Anderson at
rachel@....
Rachel Anderson
Senior Policy Associate
Communications Policy Program
Benton Foundation
950 18th St., NW
Washington, DC 20006
www.benton.org
@ CONCURSO PUBLICO PARA PROFESSOR EM CINEMA E VIDEO. UFF-UNIVERSIDADE
FEDERAL FLUMINENSE
============================================
prazo/plazo/deadline: fim de janeiro de 2002
Centro de Estudos Gerais
IACS - Instituto de Arte & Comunicacao Social
Departamento de Cinema & Video
Comunicado
O departamento de cinema & v deo da
uff-universidade federal fluminense comunica a abertura de 01 (uma)
vaga para CONCURSO PUBLICO para
Professor na area de PROCESSO DE REALIZACAO EM CINEMA E VIDEO com a
seguinte ementa: O processo de realizacao em Cinema e
Audiovisual, suas
dimens es e inter-relacoes e seus aspectos tecnicos e esteticos: o
Argumento e o Roteiro, a Producao, a Fotografia e a Iluminacao, o
Som, a Direcao, a Direcao de Atores e a Direcao de Arte.
O Concurso sera realizado para a classe de Professor Adjunto, com
exigencia do t tulo de Doutor na area ou areas afins e para
exercicio no regime de 40 horas com DE-Dedicacao Exclusiva
As inscricoes serao realizadas no mes de janeiro e as provas em
fevereiro de 2002 em datas a serem divulgadas.
Maiores informacoes Rua Prof. Lara Vilela, 126, cep 24210-590,
Sao Domingos, Niteroi, RJ e pelo e-mail cinevi@...
fonte: Antonio A Serra
Chefe do Departamento de Cinema & V deo
<cinevi@...>
@ PROJECT MANAGER. SASI FOUNDATION. PAKISTAN
============================================
prazo/plazo/deadline: 08/04/2002
Job Category: Marketing, Maintenance & Janitorial, Library
sciences, Legal, Health & Medical, Graphic design, Grants
administration, Gardening, Fundraising & Development, Food
service, Event planning, Engineering, Education & Training,
Driving, Direct social services, Customer service, Counseling,
Construction, Computing & Internet, Clerical & Data-entry,
Architecture, Advertising, Administration, Activism & Organizing,
Accounting & Finance, Photography, Project management, Public
relations, Research, Sales, Telemarketing
Type: Full time
Salary: negotiable
Description: This is a fulltime postion for Manager Project who will
be responsible for coordinating several projects through strategic
creation and development of network of volunteers from the various
segmnent of society such as retired executives, students, teachers
and faculty members, parents and corporate sponsored employees to
accomplish these high profile philanthropic and community
projects.
Education: No minimum requirement
Languages: English
Additional Qualifications: Must have learning ,love and leadership
qualities with strong system,organisation,
and zeal to accomplish task before
time.Must lead by example and hands on expereince of previously
developed an organisation from startup.
How to Apply: Reporting direct to the President
Firoz Shroff
Founder President
Sasi Foundation
Sasi House,G-32,Block 9,
Main Clifton Road
Karachi 75600
Pakistan
Last day to apply: April 08, 2002
Area of Focus: Community Building and Renewal, Community Net or
Freenet, Community Service and Volunteering, Computers and
Technology, Economic Development, Education, Environment, Family and
Parenting, Farming and Agriculture, Foundations and Fundraising
Coalitions, Housing and Homelessness, Immigration, Library or
Resource Center, Network of Nonprofit Organizations, Personal
Finance, Recreation and Leisure, Seniors and Retirement Issues,
Women's Issues
Organization: Sasi Foundation
URL: under development
Phone: 9221 5832443
Location: Karachi, Sindh, 75600, Pakistan
Job posted on: January 10, 2002
@ INTERNATIONAL COORDINATOR. CASA XELAJ . QUETZALTENANGO,
GUATEMALA
============================================
prazo/plazo/deadline: 31/01/2002
Job Category: Activism & Organizing, Administration, Computing
& Internet, Editing & Writing, Education & Training,
Graphic design, Photography, Public relations
Type: Full time
Salary: To be negociated
Description: Position Description: The International Coordinator is
responsible for the development and implementation daily cultural
activities. The duties of the Coordinator can be divided into four
categories: 1) developing the monthly activities calander and guiding
them, including translation of lectures and conferences, 2) providing
support and guidance to students of Casa Xelaju 3) promotion of
Casa Xelaju locally and internationally, and 4) maintaining a local
area network of 11 computers and maintaining the Casaxelaju.com
website.
Education: Bachelor (BA, BS, etc.)
Languages: Spanish
Additional Qualifications: Who Should Apply:
*Bilingual Spanish/English, including speaking on the phone in
Spanish
*Ability to Translate written and spoken Spanish and English
*Flexible schedule
*Knowledge of Computers, hardware, software and network
administration
*Knowledge in Website Development, Maintanance and Management
*Knowledge of and experience in Latin America
*Ability to work with people of different backgrounds and cultures
*Excellent communication skills in Spanish and English
*Skills in Internpersonal Relations
*Creative, Team Player*Person with iniciative and ability to work
alone
How to Apply: Please visit http://casaxelaju.com/jobs/index.htm for
more details.
Last day to apply: January 31, 2002
Area of Focus: Multi-Service Community Agency
Organization: Casa Xelaju
URL: http://www.casaxelaju.com
Phone: Toll Free in US: 1(888) 796-CASA
Location: Quetzaltenango, Quetzaltenango, 09001, Guatemala
Job posted on: January 03, 2002
fonte: idealist.orgAction Without Borders
@ EDUCATION PROGRAM OFFICER. AGA KHAN FOUNDATION U.S.A
============================================
prazo/plazo/deadline: 31/01/2002
Job Category: Education & Training
Type: Full time
Description:
The Aga Khan Foundation U.S.A., an international, social development,
non-profit organization, seeks a qualified Program Officer to provide
grants management and technical backstopping for a major new basic
education initiative in Pakistan. The program will emphasize applying
innovative NGO approaches to community involvement in schools,
teacher professional development and child-centered learning to
government schools in Pakistan. The Program Officer will be
responsible for organizing and providing technical support,
identifying innovative practices, documenting and disseminating
success stories for use with policy makers and liaising with
colleagues and key stakeholders in Pakistan. Additionally, the
Program Officer will support ongoing development for the
Foundation's expanding social development programs in the
region.
Education: Master (MA, MSW, etc.)
Languages: English
Additional Qualifications: The successful candidate will demonstrate
a strong track record in grants administration, including USAID
reporting requirements and federal regulations, monitoring and
evaluation, technical assistance in early childhood learning, basic
education, and/or public policy, and capacity strengthening of
education service providers. Post-graduate degree in International
Education, Early Childhood Education or Public Policy and 5 or more
years of experience in managing education programs or grants
required. Strong interest and familiarity with education/social
development in Pakistan and overseas experience in South Asia
strongly preferred. This is a full-time position based in Washington,
with approximately 25% travel.
How to Apply: Interested applicants should send resume, cover letter
with salary requirements and professional references to: Program
Officer Search, Aga Khan Foundation U.S.A., 1825 K Street N.W., Suite
901, Washington, D.C. 20006 or email: info@...
Last day to apply: January 31, 2002
Area of Focus: Children and Youth
Organization: Aga Khan Foundation U.S.A.
Location: Washington, District of Columbia, 20006, United States
Job posted on: December 27, 2001
fonte: idealist.orgAction Without Borders
@ MARKETING DIRECTOR. COSTA RICA RAINFOREST OUTWARD BOUND SCHOOL
============================================
prazo/plazo/deadline: 30/01/2002
Job Category: Administration, Marketing
Type: Full time
Description: The Marketing Director determines the overall marketing
direction and promotional strategy, and additionally public
relations. The position requires supervision of currently three
staff, including a webmaster, marketing assistant, and student
administrator. This position is new, the result of reorganization
required to accomodate growth being experienced by CRROBS, and is
considered part of the management team.
Desired qualifications: fully bilingual English/Spanish, 3+ years of
marketing and public relations experience, in a management role,
especially related to Internet marketing. Experience in the
non-profit sector and outdoor education highly desirable.
Given the nature of the school and its physical location, we are
looking for a person who is energetic, adaptable and comfortable in
the outdoors.
Education: No minimum requirement
Languages: English, Spanish
Additional Qualifications:
How to Apply: Please send CV to info@..., including reference
details.
Last day to apply: January 30, 2002
Area of Focus: Education, Environment, Recreation and Leisure
Organization: Costa Rica Rainforest Outward Bound School
URL: http://www.crrobs.org
Phone: 011-506-777-1222
Location: Manuel Antonio, Costa Rica
Job posted on: December 27, 2001
fonte: idealist.orgAction Without
Borders
@UNIVERSITY OF MICHIGAN AT ANN ARBOR.
SCHOOL OF ART & DESIGN -TENURE-TRACK FACULTY POSITIONS+VISITING
FACULTY POSITIONS
============================================
prazo/plazo/deadline: 04/02/2002
New undergraduate and graduate programs are in the works at the
University of Michigan's School of Art & Design. In the fall of
2002, a new undergraduate curriculum that joins art and design will
begin. Preliminary information about this new curriculum can be found
on the School's web site. In the fall of 2003, the School plans to
launch new graduate programs.
These changes dictate the addition of new tenure-track and visiting
faculty to the School. In searching for new faculty, we seek
individuals who can intentionally
*connect art-making and designing skills and
approaches in their creative work
*connect creative work to the University, the
community, and the world
*connect established and emerging tools, media,
technologies, and tendencies
*connect experimental activity with
critical reflection
*connect with and make history
The School is seeking to make several joint tenure-track
appointments. We are looking for artists, designers, theorists
and other creators who can engage issues of interest shared by other
academic units at the University of Michigan. Faculty appointed to
these positions will have well-established capabilities to engage
issues beyond traditional academic and professional boundaries.
Appointments will typically be based in the School of Art &
Design with secondary appointments in other academic units at the
University.
In addition, the School seeks several
full-time, temporary faculty for two-year, fixed-term appointments in
its new Visiting Faculty Program. This program insures a continual
flow of fresh ideas and stimulating approaches throughout our
community. These appointments will typically be framed
within the School, but joint appointments are also possible.
Both tenure-track and visiting faculty teach two courses per
semester. They are expected to carry out creative work and to
maintain a public profile with that work. The School encourages and
facilitates engagement with the progressive, extensive human and
technical resources of the University of Michigan and the community.
Studio space is provided in the new Faculty Studios Building in Ann
Arbor. In addition to teaching and creative work, tenure-track
faculty are expected to undertake activities in service to the School
and the University. Tenure-track appointments presume the possibility
of a long-term commitment to the School, while visiting faculty
appointments stipulate a fixed, short-term commitment.
All of the School's programs and appointments presume a strong
commitment to diversity and inclusiveness.
Qualifications: Successful candidates will have an advanced
degree or equivalent experience. They will also have university-level
teaching experience beyond graduate student teaching, and/or an
established record of engaging the public through creative work.
Appointment Level: Rank open and commensurate with experience.
Salary: Commensurate with experience and appointment level.
Application: To include:
*Letter of application
for either a tenure-track or visiting position
*Applicants wishing to be considered for
a joint tenure-track position must specify a unit at the University
of Michigan and provide a rationale consistent with the applicant's
background and experience for such an appointment.
*Curriculum Vitae
*Names/addresses/telephone numbers and e-mail addresses of
three
references
(No letters of recommendation accepted at time of application.)
*Documentation of work: All types of documentation accepted,
as appropriate to present applicant's capabilities and creative
interests. Explicit review instructions must accompany submission
materials, particularly those in digital form. Send
to:Faculty
Search Committee School of Art & Design University of Michigan 2000 Bonisteel Blvd. Ann
Arbor, MI 48109-2069
With regard to the types of positions available, applicants should
apply for the type of position for which they consider themselves
most qualified.
Due Date:February 4, 2002
The University of Michigan, located in Ann Arbor (40 miles west of
Detroit) on the Huron River, is an internationally esteemed public
research university comprised of 19 schools and colleges. Enrollment
on the Ann Arbor campus totals some 40,000 graduate and undergraduate
students. Additional information about the University is available at
http://www.umich.edu/.
The School of Art and Design enrolls 600+ undergraduate and 40
graduate students. Over 70 full-time and part-time faculty and 30
administrative and technical staff support the academic programs.
Additional information about the School is available at
http://www.art-design.umich.edu/.
Ann Arbor has an intellectually and culturally rich community, with a
diverse population of over 120,000. Additional information about Ann
Arbor is available at http://www.annarbor.org/.
The University of Michigan is a Non-Discriminatory Affirmative Action
Employer. Women and minorities are strongly encouraged to apply.
Michael Rodemer
Assistant Professor
School of Art and Design
University of Michigan
2000 Bonisteel Blvd.
Ann Arbor, MI 48109-2069
USA
email: rodemer@...
http://www.umich.edu/~rodemer
Beginning fall 2002, in television studies and/or the cultural
history of broadcasting. While preference will be given to
senior scholars, applicants from all ranks will
be considered. A Ph.D. in media studies or a related field is
preferred, along with a strong record in publishing and teaching, and
experience working with advanced graduate and undergraduate
students. Salary/rank
commensurate with experience. We will begin reviewing
applications on December 15 and will continue until the position is
filled.
Mail cover letter, resume, and names of three references to:
Thomas Schatz, Chair, Dept. of Radio-Television-Film, University of
Texas at Austin, Austin, TX 78712.
The Department of Radio-Television-Film has 22 permanent faculty,
approximately 900 undergraduate majors and 150 graduate students
pursuing
Ph.D., M.A., or M.F.A. degrees. RTF offers courses in film
& television studies, international communication,
telecommunication technology and policy, gender and sexuality, race
and ethnic issues in communication, film
and video production, screenwriting, and convergent media research
and design. The University of Texas at Austin is an Affirmative
Action/Equal Opportunity employer. Minorities and women are
encouraged to apply. For more information about the University,
visit the University's home page at
www.utexas.edu.
@ VISITING FACULTY FELLOWSHIPS.THE CIVIC EDUCATION PROJECT
(CEP).CENTRAL/EASTERN EUROPE AND EURASIA
============================================
prazo/plazo/deadline: 02/02/2002
Job Category: Education & Training
Type: Contract
Salary: Stipend
Description: The Civic Education Project (CEP), an international
non-profit organization dedicated to assisting reform efforts at
universities in Central/Eastern Europe and Eurasia is accepting
applications for the 2002-03 academic year for its Visiting Faculty
Fellowship program.
CEP Visiting Faculty Fellows (VFF) teach social science courses in
English and collaborate with local colleagues on curriculum
development and outreach projects. Eligible disciplines include
political science, sociology, economics, psychology, law, and related
fields. Assignments are for two semesters with the possibility of
renewal. VFFs receive housing, a stipend, round-trip airfare, book/
shipping allowance, and health insurance.
Education: Master (MA, MSW, etc.)
Languages: English
Additional Qualifications: Graduate degree in social
sciences/law/journalism and some teaching experience.
How to Apply: For an application or more information, please
contact:
Civic Education Project
1140 Chapel Street Suite 2A
New Haven, CT 06511
Tel: (203) 781-0263
Fax: (203) 781-0265
cep@...
http://www.cep.org.hu
Last day to apply: February 15, 2002
Area of Focus: Education
Organization: Civic Education Project
URL: http://www.cep.org.hu
Phone: (203) 781-0263
Location: Budapest, Hungary
Job posted on: September 25, 2001
fonte: idealist.orgAction
Without Borders
@ ONE-YEAR SABBATICAL REPLACEMENT IN CINEMA STUDIES. ROY H. PARK
SCHOOL OF COMMUNICATIONS. ITHACA COLLEGE (NY)
============================================
prazo/plazo/deadline: n/c
Assistant Professor in Cinema Studies. Ph.D. or ABD in cinema
studies or related field. One year, non-renewable appointment
in documentary history/theory, American film history, and film
industry economics for AY 2002-2003.
Ability to teach Non-Fiction Film Theory, Introduction to Film
Aesthetic and Analysis,Hollywood and American cinema and senior
seminar in area of specialization.
ABD candidates who have made significant progress towards their
degree will be considered. Candidates should submit a
curriculum vita, three letters of
recommendations, and a writing sample to Dr. Patricia R. Zimmermann,
Chair, Cinema Studies Search Committee, Cinema and Photography
Department, 350 Roy H. Park School of Communications, Ithaca College,
Ithaca, NY 14850. No faxed or electronically transmitted
materials will be accepted. Process of review
will begin March 18, 2002 and will continue until position is
filled.
The Cinema and Photography Department at Ithaca College confers both
B.S. and
B.F.A. degrees. Our degree programs have a strong commitment to
integrating production and critical studies. We offer courses
in 16mm production and post
production, film sound post-production, directing and
screenwriting. Other specialized areas of study include
narrative, documentary, experimental, and hybrid form. Our
program has significant resources, including contemporary digital
post-production technology and support staff for both traditional
16mm production and post-production.
Ithaca College is an independent, residential, comprehensive college
with an undergraduate enrollment of approximately 5,800
students. It is located in the scenic Finger Lakes Region of
central New York.
ITHACA COLLEGE IS AN EQUAL OPPORTUNITY/AFFIRMATIVE ACTION
EMPLOYER. MEMBERS OF UNDER-REPRESENTED GROUPS (INCLUDING PEOPLE
OF COLOR, PERSONS WITH
DISABILITIES, VIETNAM VETERANS AND WOMEN) ARE ENCOURAGED TO APPLY.
@ OPERATIONS COORDINATOR. EGRANTS.ORG. SAN FRANCISCO, CA. USA
============================================
prazo/plazo/deadline: 31/01/2002
Job Category: Management, Database management, Computing &
Internet, Administration, Project management
Type: Full time
Salary: Mid to High 30's
Description: eGrants.org is an Internet foundation created to
facilitate online donations by individuals to progressive social
change organizations. Current strategies include providing nonprofit
organizations with online donation infrastructure tools as well as a
strategic giving program for individual donors. The Operations
Coordinator is primarily responsible for the day-to-day operations of
the eGrants online donations infrastructure.
Principal Job Duties
Coordinate and
maintain integrated accounting/donor database software and
participate in database customization. Participate in
oversight, management, and development of e-commerce
infrastructure. Collaborate with eGrants
technical staff and Tides IS Dept. in identifying and troubleshooting
technical problems. Create database reports
and ad-hoc database queries. Conduct monthly grant-making
process. Participate, with eGrants management team,
in business and technology development. Implement new projects and
partnerships. Participate in
customer service for donors and organizations. Carry out other tasks and projects as
assigned.
Key Relationships
Daily working relationships with eGrants customer service, technical,
and other staff. Work collaboratively with eGrants vendors,
consultants, and strategic partners on a daily or weekly basis.
Frequent contact with Tides Center and Foundation staff. Reports
directly to eGrants Associate Director.
Education: No minimum requirement
Additional Qualifications: We're looking for an energetic,
intelligent and personable individual seeking hands-on involvement in
a nonprofit Internet startup. Qualifications include:
Ability to work
independently and multitask as part of a fast-paced, dynamic team.
Flexibility to adjust to new priorities. Experience with database
management and database reporting w/an emphasis on accounting and
donor management software. Basic knowledge of accounting and financial
management principles. Good knowledge and
practice of Internet-related applications w/an emphasis on e-commerce
tools. Strong
writing and verbal skills. Experience with or
knowledge of social, environmental or community issues. Strong interpersonal
skills with the ability to develop excellent working relationships
with individuals with different communication styles in a
multicultural environment. Physical requirements: 8+hrs of
sitting, walking, talking and listening. Able to lift up to 25-lbs.
Close vision to read monitors. 7+hrs. computer work per day.
How to Apply: Please email cover letter and resume to
jobs@... or mail to:
eGrants.org
Hiring Committee
PO Box 29256
San Francisco CA 94129
No phone calls please.
eGrants.org is committed to diversity, multiculturalism and
inclusiveness within our organization. We recognize that women of all
races and ethnicities, African Americans, Asians, Latinos, Native
Americans, lesbians and gays, people with disabilities and other
identity groups with histories of discrimination and exclusion bring
different knowledge, perspectives and approaches to the work of
organizations. We purposefully invite and welcome this input because
it promotes organizational richness and
effectiveness.
Last day to apply: January 31, 2002
Area of Focus: Computers and Technology, Foundations and Fundraising
Coalitions
Organization: eGrants.org
URL: http://www.egrants.org
Phone: 415-561-7807
Location: San Francisco, California, 94129, United States
Job posted on: January 09, 2002
fonte: idealist.orgAction Without
Borders
@ ASSISTANT MANAGER OF CORPORATE AND FOUNDATION RELATIONS.
PROFESSIONALS FOR NONPROFITS, INC. NY.
============================================
prazo/plazo/deadline: 31/01/2002
Job Category: Grants administration, Fundraising & Development
Type: Full time
Salary: $35K - $40K
Description: A respected social service agency that provides a
multitude of support services to disabled individuals, seeks an
Assistant Manager of Corporate and Foundation Relations. The agency
is located in New York City.
The Assistant Manager will support the Senior Manager of Grants &
Individual Giving with generating corporate and foundation revenue
for the agency's programs. The Assistant Manager will write reports
to funding sources, assist with the maintenance of the Raiser's
Edge database, conduct prospect research, assemble support
documentation for proposals, write acknowledgement letters, and
perform diverse administrative tasks. The individual in this position
will attend meetings and special events, and will be considered an
important member of the fundraising team. He/she will have the
opportunity to learn and grow in the field of fundraising.
Education: Bachelor (BA, BS, etc.)
Languages: English
Additional Qualifications: B.A. and over one year of experience in a
fundraising/nonprofit environment. A good writing ability and working
knowledge of MS Word, Excel, PowerPoint, Internet, and Raiser's
Edge is needed.
How to Apply: Apply at www.nonprofitstaffing.com or fax a cover
letter & resume to PNP at 212-546-9094.
Last day to apply: January 31, 2002
Area of Focus: Children and Youth, Community Building and Renewal,
Community Service and Volunteering, Disability Issues, Education,
Family and Parenting, Health, Health, Mental, Housing and
Homelessness, Human Rights and Civil Liberties, Job Training and
Workplace Issues, Multi-Service Community Agency, Network of
Nonprofit Organizations, Recovery, Addiction and Abuse
Organization: PROFESSIONALS for NONPROFITS, Inc.
URL: http://www.nonprofitstaffing.com
Location: New York, New York, 10022, United States
Job posted on: January 11, 2002
fonte: idealist.orgAction Without
Borders
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
FIN/FIM
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N.48+49 1/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 2: CURSOS E CAPACITACAO / CURSOS Y CAPACITACION
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ CURSOS DE CINEMA E VIDEO EM CUBA
FEVREIRO - DEZEMBRO 2002
============================================
convenio projeto proarte brasil-escuela internacional de cine y tv,
cuba
(OBS: estes cursos nao tem vestibular nem limite de idade)
FOTOGRAFIA CINEMATOGRAFICA AVANCADA
(4 semanas) janeiro 28 - fevereiro 22 com RODOLFO DENEVI
(Argentina) 1800 U$S
Otica. Psicologia do plano. Estetica do plano. Semiotica do movimento
de camara. Tecnologia audiovisual. Cinco luzes tecnicas, problemas e
solucoes.Tecnica e arte. Estilos na iluminacao audiovisual.
Corimetria. Filtros. Laboratorio.
o professor: Rodolfo trabalhou como gaffer em filmes famosos como
"Gringo viejo" de Luis Puenzo, "Vinte anos
depois" de Hector Babenco e "Yo, la peor de todas" de
Maria Luisa Bemberg. E professor de Iluminacao e Camara na Escola do
Instituto Nacional de Cinematografia de Argentina. Leciona tambem na
Asociacion Argentina de Agencias de Publicidad e na Universidad de
Ciencias y Estadisticas Sociales de Argentina, entre outras
instituicoes.
ESCREVENDO PARA ATORES, ATUANDO PARA ESCRITORES
(3 semanas) fevereiro 11 - marco 1 com MONICA DISCEPOLA
(Argentina) e MARIA DE LOS ANGELES GONZALES (Argentina) 1000 U$S
A relacao entre a escritura dramatica e a interpretacao de um texto
pelo ator. As ferramentas e tecnicas de interpretacao que o
roteirista deve conhecer para a estruturacao dramatica e a contrucao
de cenas. Pratica e analise de cenas escritas e atuadas.
as professoras:
Monica e diretora de teatro e professora da Universidad de Buenos
Aires e da Escuela Provincial de Teatro.
Maria de los Angeles e diretora teatral com 15 obras representadas e
mais de 30 montagens. E Diretora de Autores da Universidad de Buenos
Aires.
EDICAO DIGITAL EM AVID
(3 semanas) abril 8-26 com um especialista internacional a
confirmar. 1200 US$
Teorico-pratico. Conceitos e teoria da edicao nao-linear. Similitudes
e diferencias com o processo de edicao cinematogafica e edicao linear
de video. O processo de edicao digital na pos-producao. Exercicios
praticos em AVID.
ROTEIRO CINEMATOGRAFICO
(2 semanas) maio 6 -17 com PATRICK CATTRYSSE (Belgica) 1000
U$S
Aulas teoricas e praticas sobre o processo de ciracao de roteiro
cinematografico. Analise e discussao de filmes selecionados e
praticas com exercicios de dramaturgia.
o professor: Patrick e escritor, diretor e produtor independente. E
Diretor da Flanders Script Academy e consultor de varias outras
academias.
FOTOGRAFIA CINEMATOGRAFICA
(3 semanas) maio 6 -25 com RAUL RODRIGUEZ (Cuba) 1500 U$S.
A visao consciente, ajuste de cor, sensitometria e tecnica de
filmagem, fundamentos de iluminacao, luz dura e luz blanda, lentes,
filtros, intrumentos de medicao de luz, laobratorio, copia final,
revelado normal e forcado, praticas utilizando suporte video,
filmagens em exteriores e interiores.
o professor: Raul trabalhou como diretor de cinematografia em mais de
150 documentais em 35 mm, longa-metragens de ficcao, video-clips e
curtas com importantes cineastas em Cuba e outros paises, entre eles
Enrique Pineda Barnes, Richard Pierce e Jorge Sanjines.
REALIZACAO E ROTEIRO
(3 semanas) junho 10-28 com PASCAL AUBIER (Franca-USA) 1800 U$S
Oficina intensiva focalizada nas areas de producao e roteiro. Debates
sobre realizacao com enfase nos equipamentos eletronicos, a camera,
composicao visual, etc. Sera realizado um exercicio pratico para
discussao durante o curso.
o professor: Pascal e filosofo e antropologo. Escreve, produz e
dirige seus filmes, alguns dos quais obtiveram importantes premios
internacionais. Tambem tem uma ampla filmografia como
assistente de direcao de famosos diretores como Claude Chabrol, Eric
Rohmer e Jean Luc Goddard.
TEORIA E PRATICA DA MONTAGEM CINEMATOGRAFICA
(3 semanas) junho 10 -28 com NELSON RODRIGUEZ (Cuba) 1200 U$S
Oficina teorico-pratica sobre a edicao de um filme, da recepcao dos
materiais ate a copia final para exibicao. Pratica na mesa de
montagem a partir da edicao de imagens e som.
o professor: Nelson editou algumas das obras mais importantes do
cinema cubano, alem de colaborar com outros cineastas
latinoamericanos como Miguel littin, Jaime Humberto Hermosillo,
Lisandro Duque e Jorge Ali Triana, entre outros. Trabalhou tambem
para o famoso noticiario ICAIC sob a direcao de Santiago Alvares.
Como editor ja recebou importantes premios internacionais.
ROTEIRO CINEMATOGRAFICO
(2 semanas) julho 1-12 com ELISEO ALTUNAGA (Cuba) 1000 U$S
Aulas teoricas e praticas sobre o processo de ciracao de roteiro
cinematografico. Analise e discussao de filmes selecionados e
praticas com exercicios de dramaturgia.
o professor: Eliseo e escritor de romances, jornalista, ensaista e
roteirista de cinema, radio e televisao. E tambem professor do
Instituto Superior de Arte de Cuba e ja ministrou oficinas de roteiro
em diferentes paises.
FOTOGRAFIA CINEMATOGRAFICA
(3 semanas) julho 1 - 19 com KEN PETTERSON (USA) 1500 U$S
A visao consciente, ajuste de cor, sensitometria e tecnica de
filmagem, fundamentos de iluminacao, luz dura e luz branda,
lentes, filtros, fotometros, laboratorio, copia final, revelado
normal, praticas utlizando suporte video, filmagens em exteriores e
interiores.
o professor: Ken tem uma vasta experiencia como diretor de fotografia
e supervisor de efeitos visuais na televisao americana (Discovery
Channel e NBC) Recebeu varios premios e distincoes pelos seus
trabalhos fotograficos e jornalisticos e ja ministrou oficinas de
fotografia e camera em diversos paises.
REALIZACAO DE DOCUMENTARIOS
(3 semanas) julho 1 -19 com BELKIS VEGA (Cuba) 1500 U$S
Introducao a historia do documentario. Metodologia de pesquisa.
Especificiades da realizacao de documentarios como interpretacao
criativa da realidae. Trabalhos praticos baseados na elaboracao de
projetos de documentario e analise de casos concretos.
a professora: Belkis e roteirista e diretora de cinema e video.
Leciona no Instituto Superior de Arte de Cuba Belkis. Seu experiencia
como correspondente de guerra reforzou seu extenso trabalho academico
sobre historia e realizacao de documentarios em instituicoes cubanas
e internacionais.
OFICINA AVANCADA DE ROTEIRO
(5 semanas) setembro 16 -outubro 18 com TERESA DELGADO (Cuba), JULIO
CESAR ROJAS (Chile) e ROSA TEICHMANN (Argentina) 1500 U$S
Estruturas narrativas literarias. Roteiro cinematografico. Adaptacao
cinematografica.
os professores:
Teresa Delgado e Doutora em Filologia, escritora e Professora da
Universidad de La Habana.
Julio Cesar Rojas e roteirista e Professor de roteiro na Escuela de
Cine de Chile. E tambem assessor e auditor de roteiro.
Rosa Teichmann e Professora de roteiro na Universidad Nacional de La
Plata, na especialidade de adaptacao.
OFICINA DE DOCUMENTARIO SANTIAGO ALVAREZ
(5 semanas) setembro 23-outubro 25 com ENRIQUE COLINA (Cuba) ,
BRUCE ELLIOT LANE (USA), JORGE FUENTES (Cuba), JOSEBA MACIAS
(Espanha) e 2 professores do Sundance Institute 1800 U$S
Teoria. Historia e estetica do documentario. Pesquisa e producao.
Trabalho Pratico: Desenvolvimento de projetos. Producao e
post-producao dos exercicios.
os professores:
Enrique Colina e critico de cinema e realizador de documentarios. E
professor titular do Instituto Superior de Arte de Cuba e professor
convitado na Universite Michel de Montaigne, Bordeaux III, assim como
da Escole Superiure d'Audiovisuelle (ESAV) em Toulousse, Franca.
Desde 1968 dirige o programa "24 quadros por minuto" sobre
critica e apreciacao cinematografica, um dos de maior rating da
televisao cubana.
Bruce Elliot Lane e Doutor em Film Studies & Folklore e professor
na Texas University. Leciona tambem no Departamento de Antroplogia da
Universidad Autonomo de Morelos, Mexico. Seus filmes receberam
importantes premios internacionalis.
Jorge Fuentes (Cuba) Professor da Universidad de La Habana e do
Instituto Superior de Arte de Cuba. e tambem poeta, jornalista,
roteirita e diretor cinematografico. E autor de importantes
roteiros do cinema cubano que receberam premios nacionais e
internacionais.
Joseba Macias (Espanha) Roterista e diretora de series para a
televisao europeia. Seu trabalho obteve varios premios e distincoes.
E autora de varios livros especializados.
2 professores do Sundance Institute
DA PRODUCAO DE CAMPO A PRODUCAO EXECUTIVA NO MERCADO INTERNACIONAL
(8 semanas) outubro 1-novembro 22 com especialistas internacionais
coordenados por SANFORD LIEBERSON (USA-Inglaterra) U$S 2100
O papel do produtor, produccao do grandes estudios e cinema
independente. Desenvolvimento de projetos e o papel do
produtor. Introducao ao Pitch. O mercado de televisao. Plano de
filmagem e orcamento. Co-producoes, venda internacional, distribuicao
e exibicao. Problemas legais.
diretor da oficina:
Sanford Lieberson (USA- Inglaterra) Produtor independente. Jefe de
departamento da National Film and Television School. Especialista em
distribuicao de filmes na Inglaterra. Foi presidente supervisor de
producoes internacionais da MGM. Seu trabalho inclui filmes de grande
sucesssso como "Alien", "Julia", "Chariots
of Fire" e "Blade Runner" ,etnre outras.
professores:
Santiago Llapur (Cuba) produtor cinematografico. Pruduziu mais de 20
documentais e 30 longas importantes da cinematografia cubana.
Participou de diversas co-producoes internacionais em Cuba e realiza
trabalhos como assessor de producao.
Julio Raffo (Argentina) Advogado. Membro fundador da Camara Argentina
da Industria Cinematografica. Publicou diferentes materias e livros
sobre legislacao de Cinema. Trabalhou como assessor juridico de
producoes na Argentina. Professor-expositor de legislacao em
diferentes universidades.
Ana Ayesta (Espanha) Executiva de vendas internacionais da Hanway
Films de Londres. Trabalhou como assistente de direcao e manager de
producao de longas, musicais e comerciais.
Shelly Bancroft (Inglaterra) Diretora, produtora e produtora
executiva de importantes filmes que ganaharam reconhecimento
internacional. Autora de um guia de producao para produtores
independentes.
2 expertos internacionais.
OFICINA DE REALIZACAO CINEMATOGRAFICA
(4 semanas) outubro 28 - novembro 22 com MARI JIMENEZ (Peru)
1500 U$S
Linguagem cinematografica. Conceito de estilo cinematografico.
Roteiro tecnico. Exercicios praticos de realizacao em video.
a professora: Mari Jimenez (Peru) e realizadora e produtora de filmes
de curta e longa-metragem. Diplomada em realizacao, arquitetura e
urbanismo. Realizou um amplo trabalho na Franca.
DIRECAO DE CENA
(3 semanas) novembro 11- 29 com BERTHA MARTINEZ (Cuba) 1500 U$S
Estruturas dramaticas.Tecnicas de atuacao, improvisacao. Mis en
scene.
a professora: Bertha Martinez e diretora do Teatro Estudio. Atriz e
diretora teatral, pesquisadora de montagens teatrais, premiada
internacionalmente pela sua obra teatral.
os precos incluem:
matricula + hospedagem + refeicoes na escola
contatos para inscricoes:
Alfredo Calvino / Patricia Martin - Projeto Proarte Brasil -
telefax:
022-26291493 (Buzios) celular: 022-92530903
email:
mailto:alfrec@...
mailto:patriciamartin@...
@ DELL'ARTE SUMMER WORKSHOPS 2002--
============================================
The schedule is set for the 27th annual series of summer workshops at
the Dell'Arte International School of Physical Theatre, in the heart
of the redwood region of northern California. The
workshops offer outstanding short term opportunities to train
with some of the top physical theatre instructors in the
country in a wonderfully creative and inspiring atmosphere.
Many workshop sessions take place during the Dell'Arte Mad
River Festival, which features an energetic mix of spectacle,
music and new works of physical theatre.
Additional details will be available in January on fees, lodging,
etc. For now, here's the lineup for this year:
MASK MAKING AND MASK PERFORMANCE
with Bruce Marrs
June 18 to June 29
with an optional third week of work
running to July 6
GENERATING NEW MATERIAL
with Daniel Stein
June 18 to July 6
COMIC ARCHETYPES
with Joan Schirle
July 9 to July 20
CLOWN
with Ronlin Foreman
July 23 to August 17
Workshop size is limited--please call Dell'Arte at
707-668-5663
or email dellarte@... to reserve a
spot.
@ POSGRADO EN TEORIA Y CR TICA DEL ARTE CONTEMPOR NEO (2A
EDICI N) EINA, ESCOLA DE DISSENY I ART. ESCOLA DE DOCTORAT I DE
FORMACI CONTINUADA (UNIVERSITAT AUT NOMA DE BARCELONA)
============================================
GENEROS DE EXPOSICI N: PROCESOS Y FORMATOS Modos de Produccion
- Nuevos
Lugares -Dispositivos Agentes
Curso de posgrado en el que el eje central se fundamenta en la
idea
generica de exposicion como un dispositivo expresivo complejo
-escenario y como un mecanismo catalizador y generador de
significados multiples -reflexion-, un dispositivo a partir del
cual poder establecer diferentes sistemas de relacion,
aproximacion y comprension, y modos de intervencion desde la
multiplicidad de elementos que (con)forman el tejido artistico
contemporaneo.
mas info: http://w3art.es/invits/eina
@ TEMPO GLAUBER. DEPARTAMENTO DE CURSOS DE CINEMA (RIO DE JANEIRO)
============================================
ASSISTENCIA DE DIRECAO
JORGE
MONCLAR
NIVEL INTERMEDIARIO 2 A 6 FEIRA
De 21/01 A 1 /02 8:30 /10:30
h R$ 300,00
19:30 / 21:00
h R$ 300,00
NIVEL AVANZADO 2 A 6 FEIRA
De 19/02 A 1/03 8:30 / 10:30
h R$ 300,00
19:00 / 21:00
h R$ 300,00
CONTINUIDADE
GLAUCIA PELLICCIONE INTENSSIVO DE 2 A 6 FEIRA
De 19/02 A 1/03 14:00 / 16:00
h R$ 300,00
ROTEIRO
ALBERTO SALVA 3 , 4 E 6 FEIRA
De 19/02 A
1/03 10:30 /
13:00 h R$ 300,00
ROTEIRO
ALBERTO SALVA- 2 A 6 FEIRA
De 21/01 A
01/02
14:00 / 16:00 h R$
300,00
ASSIST ENCIA DE CAMERA (PANAVISION)
RICARDO DO MONTE - 2 A 6 FEIRA
De 18 A
22/02 14:00 / 18:00
h R$400,00
LOCAL : MOTION
RUA ALMIRANTE BALTAZAR, 333 n SaO CRISTOVAO
INSCRICIOES NO TEMPO GLAUBER
O Tempo Glauber funciona na Rua Sorocaba, 190 -
Botafogo, Rio de Janeiro tel (21) 3684-1207 / 2527-8829 e alem da
escola de cinema mantem uma exposicao permanente, de acesso
gratuito, sobre a obra do cineasta Glauber Rocha.
<glaupelliccione@...>
@ MASTER OF ARTS DEGREE IN HUMANITIES COMPUTING. FACULTY OF ARTS AT
THE UNIVERSITY OF ALBERTA.
============================================
Dear Sir or Madam,
The Faculty of Arts at the University of Alberta is pleased to accept
applications for its Master of Arts degree in Humanities
Computing. The programme integrates computational methods and
theories with research
and teaching in the Humanities. The Faculty is committed to
offering its students opportunities to combine their interests in the
Arts and emerging computing technologies, particularly in the areas
of information management, multimedia, electronic publishing, and
distance education. The new M.A. in Humanities Computing will
help form students who not only understand, create, and manage
multimedia and technological projects, but also understand the
critical and intellectual traditions of Humanities scholarship.
Please find enclosed a poster and brochures that outline the
programme, which should provide interested students with the
information they need to make an informed decision. To be most
widely considered for funding, applications to the programme should
arrive no later than January 7, 2002, although we will continue to
review all applications after this date.
Please circulate the posters and brochures to interested departments,
institutes, and potential students. Thank you for your support
of this new and exciting endeavour.
Yours truly,
Nasrin Rahimieh
Associate Dean (Humanities)
Faculty of Arts
6-14 Humanities Centre
University of Alberta,
Edmonton, Alberta
T6G 2E5
Tel: (780) 492-9132
Fax: (780) 492-7251
@ CURSO INTENSIVO DE VERANO. GUIONARTE. BUENOS AIRES.
============================================
GUION y Dramaturgia
Son tres veces por semana.
Los martes y jueves: Guion. Los miercoles: dramaturgia.
Siempre a las 19.30 Hs.
Solo 12 participantes.
GUIONARTE
Primera Escuela Argentina de Guion y Creatividad. Desde 1991.
Declarada de Interes Nacional. (Ministerio de Educacion y
Cultura).
Charcas 4453 (1425) Ciudad de Bs.
As.
Tel/Fax: 4774-6698 - 5401.
Info: guionarte@...
@ ONLINE DEGREE PROGRAMS IN INTERNET AND INFORMATION STUDIES. THE
SCHOOL OF MEDIA AND INFORMATION, CURTIN UNIVERSITY OF TECHNOLOGY,
PERTH WESTERN AUSTRALIA
============================================
The School of Media and Information, Curtin University of Technology,
Perth Western Australia is delighted to announce an innovative suite
of programs at undergraduate and post-graduate levels. These
courses are designed for those interested in becoming qualified in
the field, and for information professionals who wish to broaden
their career options by further study.
The Internet Studies Graduate Program (Certificate, Diploma or
Masters) gives you knowledge needed in your current or planned
professional life, via a richly contextualised, critically aware
understanding of the
growth, uses and application of the Internet. You will add specific
Internet knowledge and skills to your existing proficiencies and be
well-positioned to range across many management, operational and
policy areas concerning the Internet.
The newly developed Master of Information Management is streamed to
allow students to select the areas most valuable to their career
prospects: - Librarianship, Corporate Information Management,
Internet Studies and
Knowledge Management. This coursework masters is designed for
completion in 18 months full-time but is available in a
part-time mode. Exit points are available at the Graduate
Certificate and Graduate Diploma levels.
The Bachelor of Arts (Internet Studies) is your opportunity to be
part of the digital new world. Your studies will help you to develop
a rich array of skills and knowledge relating to internet design,
virtual communities, government policy, cyberculture, and the use of
the Internet for effective communication.
The Bachelor of Arts (Librarianship and Corporate Information
Management) will prepare graduates for careers as librarians and
corporate information managers for public and private
organisations.
This course is available full-time over three years but is also
available in a part-time mode.
All degree subjects may be studied by distance and flexible
learningmodes through web-based delivery in English and access to the
Web is essential.
Applicants must satisfy Curtin University of Technology's entry
requirements including English language competency. The
granting of advanced standing is possible and applicants' previous
study and work
experience will be assessed on this issue.
School of Media and Information, Curtin University of Technology
Tel:- 61-8-9266 7215
Fax: - 61-8-8266 3152
Email: SMI-enquiries@...
WWW: http://smi.curtin.edu.au/
@ CICLO DE WORKSHOPS SOBRE NOVAS TECNOLOGIAS DE IMAGEM E
SOM
============================================
Ate o dia 28 de fevereiro os interessados em direcao de
fotografia, desenho animado para cinema e pos-producao de
imagem e som digital podem se inscrever para o VIII CICLO DE
WORKSHOPS NOVAS TECNOLOGIAS * BRASIL PARA CINEMA E TELEVISAO.
Organizado ha oito anos pela Stein Producoes, o projeto visa
informar e reciclar estudantes e profissionais do meio
audiovisual.
Ministrados por alguns dos mais reputados profissionais do
mercado audiovisual brasileiro, os workshops oferecidos acontecem nos
meses de marco e abril em Sao Paulo. No total, sao oito
segmentos, incluindo ainda producao de cinema, direcao de
arte, assistencia de direcao e continuidade, assistencia de
camera de cinema e eletrica para cinema.
Entre os profissionais que ministram os workshops estao o
diretor de arte Luiz Fernando Pereira, o fotografo Alziro Barbosa,
a diretora de producao Eliane Bandeira e Jose Augusto de
Blasiis, considerado o maior especialista brasileiro em novas
tecnologias da imagem.
Regulamento e fichas de inscricao podem ser solicitados pelo tel.
(011) 6959.6245, pelo e-mail steinprod@... , pelo site
www.steinproducoes.com.br
ou no escritorio do evento, Rua Dr. Zuquim 1902 sala 9, Santana,
Sao Paulo (SP), cep 02035-022 (de segunda a sexta-feira das 9h30
as 18h00). O valor de cada inscricao e de R$
300,00.
A programacao do VIII Ciclo de Workshops Novas Tecnologias
* Brasil para Cinema e Televisao e o seguinte:
Direcao de
Fotografia - 4 a 8 de marco - coordenado por Alziro Barbosa;
Assistencia de
Camera de Cinema - 13 a 17 de marco - coordenado por Andrea
Scansani;
Assistencia de
Direcao e Continuidade - 18 a 22 de marco - coordenado por
Eduardo Aguilar;
Desenho Animado para
Cinema - 25 a 29 de marco - coordenado por Joaquim Tres Rios
e Joaquim Santana;
Pos-Producao de
Imagem e Som - 1o a 5 de abril - coordenado por Jose Augusto
de Blasiis e equipe;
Producao de Cinema
- 8 a 12 de abril - coordenado por Eliane Bandeira;
Direcao de Arte -
15 a 19 de abril - coordenado por Luiz Fernando Pereira;
Eletrica para Cinema
- 22 a 28 de abril - coordenado por Toni Gorbi.
O VIII CICLO DE WORKSHOPS NOVAS TECNOLOGIAS * BRASIL PARA CINEMA E
TELEVISAO tem o co-patrocinio de RPJ Estudios, Quanta Locadora
de Equipamentos e MegaColor. A iniciativa conta ainda com o apoio
cultural da Central de Locacoes, Laboratorios Curt & Alex,
Alltech Projecoes, Revista de Cinema, Estudio T, Gorbitec e
Motion.
Sugestao para Entrevistas:
Stein (Coordenador Geral do Ciclo)- tel (11) 6959.6245
lescorel@...
steinprod@...
@ MASTER OF ARTS IN MOVING IMAGE ARCHIVING AND PRESERVATION. NEW YORK
UNIVERSITY AND GEORGE EASTMAN HOUSE.
============================================
This two-year course of study will provide prospective moving image
archivists with an international, comprehensive education in the
theories, methods, and practices of moving image archiving and
preservation. The curriculum will cover all aspects of moving
image
archiving, including: Film History/Historiography and Film Style;
Conservation, Preservation and Storage; Legal Issues and Copyright;
Laboratory Techniques; Moving Image Cataloging; Curatorial Work and
Museum Studies; Programming; Use of New Digital Technologies; and
Access to Archival Holdings.
The first year will be based in the Department of Cinema Studies at
New York University in New York City. Along with course work,
this year of the program will entail visits to, and collaboration
with archives, museums, and laboratories in the New York City
area. The first year
will be followed by a 6-8 week student summer internship
placement.
The second year will be based at the L. Jeffrey Selznick School of
Film Preservation at George Eastman House in Rochester, New York.
Students must complete 48 points of coursework over the two years.
Students complete and defend a final thesis project in the second
year while at George Eastman House.
The degree is awarded by New York University in collaboration with
the L. Jeffrey Selznick School of Film Preservation at George Eastman
House.
For applications and information, please contact:
The Office of Graduate Admissions
Tisch School of the Arts
New York University
721 Broadway, room 801
New York, New York 10003-6807
Ann Harris
NYU-Cinema Studies Department
Film Study Center and Archive
721 Broadway, room 606
New York, New York 10003
ah8@...
phone: 212-998-1606
fax: 212-995-4061
@ ONLINE COURSE ON INFORMATION AND COMMUNICATION TECHNOLOGIES FOR
DEVELOPING COUNTRIES
============================================
For those of you who might be interested in the International
Digital Divide and related efforts in developing countries....
The next session of my course on Information and Communication
Technologies for Developing Countries will start January 14 and end
April 6, 2002. The course is delivered through a combination of a
Blackboard Course Site on the web, a CD-ROM and an email-based
discussion list. Participants do not need to have good access
to the web, but a reliable email address and CD-ROM drive on their
computer are required. The course is delivered in English,
although when specific readings are available in other languages, I
try to indicate so.
The goal of this course is to familiarize participants with key
concepts and issues related to the potential and real impacts of
information and communication technologies on the social, economic
and political development of the less developed countries of Asia,
Africa and Latin
America.
There are ten weekly modules:
1) What is this course about?
2) Understanding the digital divide
3) Addressing the digital divide
4) ICT applications in Education
5) ICT applications for Health
6) E-commerce
7) ICT applications in Agriculture and the Environment
8) ICTs for e-governance, democracy and human rights
9) In Depth Case Study: Greenstar and Telecenters
10) ICTs for Development Knowledge
The final 2 weeks (weeks 11 and 12) allow participants to finish
their
individual or group projects and continue ongoing email
discussions.
The course is offered through the USDA (United State Department of
Agriculture) Graduate School (http://www.grad.usda.org). For
more information and/or a copy of the syllabus, email me at
barbara.fillip@....
Tuition: US$254
Registration online through the USDA Graduate School web site: Go to
the Course Catalog. The course code is PUAP2270. Ignore
the fact that the site says the course is offered in the Spring
because it will run this Winter as well.
If you encounter difficulties registering or would like further
information, let me know by email. Thank you very much!
Barbara Fillip, Ph.D.
Research Consultant
Web site: http://members.bellatlantic.net/~vze2mjvc
Email: barbara.fillip@...
@ CURSOS Y TALLERES 2002 CELCIT. BUENOS AIRES
============================================
TALLERES DE VERANO
Iniciacion actoral / Teresita Galimany
6 de febrero al 27 de marzo, miercoles de 19,30 a 22
El texto en accion / Teresita Galimany
4 de febrero al 25 de marzo, lunes de 19,30 a 22
Creatividad actoral / Carlos Ianni
7 de febrero al 28 de marzo, jueves de 19 a 22
Temas de actuacion y direccion / Juan Carlos Gene
5 de febrero al 26 de marzo, martes de 19 a 23
TALLERES DE FORMACI N Y PERFECCIONAMIENTO
Direccion teatral y puesta en escena / Juan Carlos Gene
4 de abril al 28 de noviembre, jueves de 10 a 13
Temas avanzados de interpretacion / Juan Carlos Gene
2 de abril al 26 de noviembre, martes de 19 a 23
3 de abril al 27 de noviembre, miercoles de 19 a 23
Iniciacion actoral / Ernesto Claudio y Teresita Galimany
1o de abril al 25 de noviembre, lunes de 19,30 a 22
Creatividad actoral. Taller con montaje / Carlos Ianni
6 de abril al 14 de diciembre, sabados de 10 a 13
Iniciacion teatral para adolescentes / Cora Roca
Marzo a diciembre, sabados de 16 a 18
Iniciacion teatral para chicos / Cora Roca
Marzo a diciembre, sabados de 14 a 16
TALLERES INTERNACIONALES
El trabajo secreto del actor / Veronica Oddo (Chile)
8 al 19 de julio
Tecnicas corporales para interpretacion / Veronica Oddo
(Chile)
5 al 16 de agosto
TALLERES ESPECIALES
Introduccion a la dramaturgia / Marita Foix
Solicitar entrevista a <mailto:maritafoix@...>
Informes e inscripcion: CELCIT. Bolivar 825, Buenos Aires
Telefonos: (5411) 4361-8358 y 4362-2347. e-mail:
<mailto:correo@...>
Horario de inscripcion: lunes a viernes de 18 a 22
El CELCIT en Internet
Toda la informacion sobre las actividades de la institucion,
todas nuestras publicaciones -que podes bajar sin cargo alguno-,
convocatorias a premios, becas, concursos, festivales, etc. en:
<http://www.celcit.org.ar/> Suscribite alli a nuestro
boletin digital El CELCIT en accion
@ CURSO DE GUION DE TELEVISION Y DE RADIO (REDACCION DE LIBRETOS) A
CARGO DE LUIS BUERO
============================================
dos opciones distintas: presencial y por mail 1) la presencial
es a realizarse en la sede de a.p.t.r.a. a partir del 8 de enero,
aqui van los datos y tiene un costo unico de 80 pesos pagaderos el
dIa de comienzo. Dura solo un mes. Son 8 clases. No se requiere
experiencia ni conocimientos previos sobre el tema.
Ejercitacion intensa. Se otorga certificado de asistencia.
Interesados consultar al 4942-4512 / 4943-3487 / 4856-4026 /
4857-3439 o a la direccion de mail:
luisbuero@... /// luisbuero@... ///
aptra@...
datos del docente: guionista /periodista docente de la materia
guion en tea imagen, en la univ. de moron, y en la univ. de
belgrano. es autor del libro historia de la television
argentina contada por sus protagonistas, editado en 1999 por la univ.
de moron (dist. la crujia) que obtuvo una mencion especial de aptra
en la entrega de los martIn fierro 1999. algunas obras: *
televisivas: la familia benvenuto (comedia, telefe, 1991-1995)
comunicado pop (magazine juvenil, atc, 1997) un milagro de cristo en
la quebrada (documental, canal 2, san luis, 1994) el laboratorio del
dr. pipeta (sketches comicos infantiles educativos, tv quality, 1999)
colaboracion autoral en los rodriguez (sketches comicos, telefe,
junio 1998) y en seooras sin seoores (sketches comicos, telefe,
octubre 1998). * radiales: el tiempo que viene (periodistico,
fm comunidad, 1996). * literarias: principes y medias lunas
(1971) cuentodisea (1975) el ltimo otooo (1982) faja
de honor de la sade 1983 historia de la television argentina contada
por sus protagonistas 1951/96 (universidad de moron,
1999) * periodisticas: diarios: la nacion - clarin
(calles de bs. as.) - la voz del interior - la prensa - tiempo
argentino - la razon - .poca - norte- publimetro - diario 16
(espaoa) revistas: flash - uno mismo - cosmopolitan - nuestra -
clarin viva - clarin ciudad digital - autoclub - sex humor
- para ti - luna - todo es historia - magazin semanal - leedor. com
(internet) - p gina digital (internet) - mujerweb.com (internet)-
aglia.com (internet), sensibles del sur (bariloche/internet),
etc. * discograficas: para mama, actor hugo arana (rca
victor, 1976) * cursos y seminarios dictados: facultad de
filosofia y letras u.b.a. - facultad de ciencias exactas y
naturales u.n. (cordoba) - circulo de la prensa (de rosario) -
carolina cable color (de san luis) - canal 3 de santa rosa (la pampa)
- circulo de prensa de rafaela - sindicato argentino de tv capital
y filial santa fe - canal 10 de cordoba - asociacion de periodistas
de la television y radiofonia argentinas - escuela superior de
periodismo - asociacion argentina de actores - centro cultural borges
- universidad nacional de villa maria (cordoba) - centro de
trabajadores argentinos (docentes de la rioja) - centro de estudios
sociales (cordoba), universidad de ciencias sociales y empresariales
- universidad de flores (estrategias de comunicacion) -universidad
blas pascal de cordoba - universidad
austral
programa curso/seminario. guion de programas televisivos y
radiales objetivos:
S conocer los fundamentos
teoricos del proceso de construccion del guion. su importancia basica
y primordial como exposicion inicial de las ideas y de todo discurso
audiovisual y radial.
S iniciar al alumno en su tarea
de creador de producciones audiovisuales para la television, en sus
distiontos tipos de estructura y generos, con originalidad y a la
vez criterio comercial.
S profundizar las diferencias
entre el lenguaje literario y el dramatico, proponiendo desde
pequeoas pero intensas y variadas pr cticas del discurso
ficcional e informativo hasta lograr un primer proyecto de programa
de cada genero por alumno. unidades tem ticas (contenidos
minimos) unidad 1 el guion televisivo del 1951 hasta hoy.
incidencias en la forma y tematica de guiones en las distintas etapas
marcadas por cambios tecnologicos, politicos o institucionales.
diferencias entre el libreto televisivo con: el cinematografico, el
texto teatral, el guion radial. lenguaje literario y lenguaje
dram tico. estructura b sica del guion, la narracion fragmentada
en bloques. unidad 2 las distintas formas narrativas en la
television (ficcionales: telenovela, miniserie, serie, ciclo de
unitarios, ciclo comico en sketches///no ficcionales: documental,
noticiero, magazine, periodistico de opinion y debate, talk shows,
reality shows, shows musicales y de variedades, programas de
concursos y entretenimientos, etc.). el rating., su historia, formas
de medicion, sus significado comercial e incidencia en la
comercializacion y valores de segundos en pesos en ciclos de
television abierta. su influencia en las formas narrativas. la
television en internet. unidad 3 los formatos, sistema
americano, dos columnas. oque quiero contar? como contar con
im genes prescindiendo del audio. el corte por escenografia,
indicaciones sobre detalles de escenografia, utileria, vestuario,
maquillaje, iluminacion, relacionados con el argumento de los textos
de ejercitacion. formas tecnicas en la transicion de
im genes, conmutacion instant nea, disolve, fade, sobreimpresion,
etc. pequeoas narraciones audiovisuales, el guion publicitario y el
videoclip. unidad 4 el lenguaje del sonido, ruidos, tema
musical, di logo. caracteristicas del di logo televisivo.
di logo dram tico y di logo comico. los generos
(tragedia-comedia/origenes del humor-el drama en la television
argentina). unidad 5 los generos periodisticos, noticiero y
magazine. rutinas o guiones de continuidad. formas y criterios de
distribucion de noticias y secciones. copete, cronica, el relato en
off. el refritado o reduccion de cables de agencias de noticias para
boletines o copetes. fuentes de la informacion. diseoo de
produccion de un magazine. el documental. superobjetivo y objetivos
parciales, puntos de vista, implicancias esteticas, eticas e
ideologicas, formas del lenguaje segun el target destinatario y medio
de difusion, tipos de documentales. etapas de elaboracion.
investigacion previa, trabajo de campo, recopilacion de informacion y
sistematizacion. eleccion de entrevistados, testimonios, lugares.
borrador de guion o rutina previa, estructura base, linea
argumental intencional. modos de contar en la edicion. unidad 6
el personaje, definicion, caracterizacion, protagonista y
antagonista. opuestos y estereotipos, puntos de identificacion
p blico/personaje, la construccion del personaje y su tratamiento
segun el genero, formato, horario de emision, el conflicto y su
importancia como n cleo de la estructura dram tica. unidad
7 la idea, la historia, la trama. narrador omnisciente, testigo y
protagonista. la progresion dram tica, introduccion, nudo y
desenlace en la estructura del guion televisivo, dividida en bloques
con cortes comerciales. argumento, escaleta y guion final.
presentacion integral de un proyecto televisivo por escrito. la
creacion original y la adaptacion literaria a television.
unidad 8 el humor, definiciones, distintas formas narrativas,
sit-coms, sketches, gags. g.neros, comedia humoristica, farsa,
grotesco, absurdo. el costumbrismo, la denuncia social. el sketch en
nuestro pais, distintos tipos de sketches, la idea de un conflicto
sin resolucion, mensaje, espacio y di logo pie-remate. la
caricatura o imitacion burlona de personajes p blicos.
lo paradojal en el chiste, los sketches de rutina y los de
personajes. unidad 9 el guion en radio, generos radiofonicos,
magazine y radioteatros. boletin, falshes inf., documentales en
radio, el sketch y el comic. guion europeo y americano.
**************************************************************
2) opcion por mail, da 3
posibilidades segun que el participante tenga o no experiencia
anterior o haya hecho cursos. un curso y dos talleres por
internet- via mails 1)curso de guiones para television y radio ///
2)taller de guiones humoristicos para television y radio 3) taller
de guion para exalumnos (genero a eleccion del
participante) consultas a
luisbuero@... luisbuero@...
4856-4026 4857-3439 no existe entidad intermedia, es personal
directamente con el docente. ver detalles a continuacion
************************************************************** 1 ) curso intensivo de guion
(para television y radio) por internet. dos meses. sin requisitos de
conocimientos previos. docente luis buero consultas a
luisbuero@... luisbuero@... costo. 80
pesos se envia recibo y material de ejercicios por correo y por
mail., el curso es personal, comienza cuando usted se anota, son ocho
envios como minimo de clases con ejercicios y archivos adicionales.
el programa es igual al del curso presencial.
************************************************************** 2) taller de redaccion de
libretos humoristicos en television (comedia de
situaciones y sketch comico) 8 clases, dos meses, 80 pesos.
contacto permanente semanal por mail para el desarrollo de trabajos
de comedia y sketch. contenidos minimos:
S historia, significado y
concepto de la palabra "humor".
S la comedia seg n los
griegos, el teatro romano, el frances y el espaool. el sainete
criollo.
S sit-coms en horario de
proteccion al menor, estructura, caracteristica, personaje
principal y protagonismos compartidos, multiplicidad de
conflictos, la linea "nudo, desarrollo, desenlace"
en la media hora de la tv. americana y en la hora de cinco bloques
nacional. concepto de comedia en serie, historias unitarias y
conflictos que permanecen fijos. la emocion y la reflexion
dram tica en el humor de observacion.
S sketches de rutina y de
personajes. protagonista permanente y antagonista fijo o variable,
idea del conflicto sin resolucion. concepto de s tira, farsa,
vodevil, grotesco y absurdo. ejemplos de obras de la historia del
teatro. el di logo pie-remate y el slogan final.
S duracion dos meses.
envios de material y correcciones; escritura permanente de
di logos, comedias y sketches comicos para television y radio.
S consultas a
luisbuero@... S o
luisbuero@...
************************************************************** 3 )taller de guion para
exalumnos de cursos de guion de carreras o seminarios
afines. objetivo: que cada participante desarrolle
un proyecto personal (idea y gui"n del programa
presentaci"n) costo sesenta pesos. .
duraci"n: cinco encuentros por mail (minimo) uno por
semana, duracion cinco semanas. se envIa factura y
certificado de asistencia.
------------------------------------------------ en todos los casos el certificado de
asistencia es personal porque no hay institucion intermedia.
convocatoria de textos de pequeno formato
El 28 de enero dara comienzo el nuevo Taller- Montaje, brindado por
Ruben Szuchmacher en Casa de America, Madrid. En el mismo se
trabajara la problematica de la puesta en escena y de la
actuacion de los textos de la "nueva dramaturgia". Este
Taller culminara con representaciones publicas en el marco del
Festival de la Escena Contemporanea, a realizarse durante el mes de
febrero en aquella ciudad.
Por lo tanto solicito a todos aquellos autores que esten
interesados que envien sus textos (breves, de no mas de 10
paginas) a esta direccion de e-mail:
Ruben Szuchmacher
<mailto:rusz@...>
con el fin poder hacer una seleccion de textos adecuados para el
Taller.
Muchas gracias a todos
Ruben Szuchmacher
fuente: "Mauricio Kartun" <moka@...>
@ OFICINA DE VIDEOARTE E V DEOCRIACAO
Aulas com Vicente Duque Estrada
ESCOLA DE ARTES VISUAIS - PARQUE LAGE
Ate 6 de fevereiro, continua o curso que e uma introducao no
universo das videoinstalacoes, videoesculturas,
pesquisando a linguagem do videoarte
atraves das obras de consagrados realizadores (como Bill Viola e
Nam June Paik, etc).
Alem de auas teoricas os alunos desenvolvem atividades praticas
e sao incentidaos a produzir seus proprios projetos pessoais,
visitacao a exposicoes de artistas, assim como producao
de um trabalho para apresentacao no final do curso.
Com 18 anos de experiencia em video, o professor Vicente Duque
Estrada, desde 94, vem desenvolvendo oficinas de video com jovens
na favela da Rocinha, assim como cursos de audiovisual para
professores de artes.
Lecionou na Escolas de Artes de Aix-En-Provence, na Universidade de
Rennes e no Instituto Mediterraneo de Arte/Franca. Assistente de
direcao da Serie Globo Ciencia 2000. Direcao de videos
sobre prevencao contra AIDS para Ministerio da Saude.
PROGRAMA DA OFICINA
Porque foram os artistas plasticos os pioneiros do video?
O curso tem como proposta uma introducao ao universo das
video-instalacoes, video-esculturas e do video de
criacao.
Explorar o video e seus interfaces com as artes plasticas e
visuais.
Pesquisar seus elementos narrativos e a linguagem audiovisual,
discutindo o papel do cinema experimental no videoarte e o dialogo
com outras tecnologias
como a TV, computadores e sistemas interativos.
Apresentar um panorama sobre a historia e as tendencias do
video como arte contemporanea.
Pesquisar as tecnicas e elementos do videoarte, trabalhando a
criacao e o desenvolvimento de projetos individuais e
coletivos.
Programacao dos conteudos:
1. Introducao:
Anos 20, a invecao do moderno. DADA e os surrealistas. Pop-arte,
Fluxus. A
invencao do "environment art".
O aparecimento do video e suas relacoes com a arte moderna. Os
artistas
plasticos e o video
2. A linguagem:
O video e sua relacao com cinema, TV e as outras artes. Tempo e
duracao.
Enquadramento e espaco. A montagem e a narrativa.
3. Os pioneiros:
Um panorama dos primordios e seus codigos. O video
performance.
4. A evolucao:
Video-instalacao e video-esculturas. O video ocupa o
espaco e provoca o
espectador. Pesquisar os elementos das obras espaciais e interativas.
NAM
JUNE PAIK
5. Os artistas:
Investigar as linguagens e tecnicas do video. Desvendar as
varias tendencias
e propostas. Bill Viola. Gary Hill. Francisco Ruiz Infante, etc.
6. As novas fronteiras:
Computador, internet, codificacao digital e novos dispositivos
tecnologicos
tem transformado a comunicacao com equipamentos da era espacial.
Por outro
lado, as artes plasticas e visuais estao cada vez mais
contaminadas por
"ferramentas" de outras disciplinas como a comunicacao
social ou a robotica,
indicando que realmente estamos diante de novos questionamentos e
fronteiras
para as artes em geral.
Discutir essas questoes, pensar o trabalho individual de cada aluno
e a
eventual possibilidade de elaboracao de projeto em grupo sao
propostas da
oficina.
Informacoes adiconais:
PARQUE LAGE (inscricoes): 2538-1879 ou 2537-7878
Vicente Duque estrada (info-curso): 2537-3753
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
FIN/FIM
P R O @ R T E C L I P
S
Boletim Eletronico do Projeto ProArte Brasil
Ano 6 N.48+49 1/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
PARTE 1: BOLSAS DE ESTUDO / BECAS DE ESTUDIO
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
@ CALL FOR PROPOSALS: INFODEV CORE GRANTS
============================================prazo/plazo/deadline: 01/02/2002
InfoDev is pleased to announce the next review of proposals for
funding in Spring 2002. These are core program grants and do not
include Country Gateway, E-Readiness or iCSF grants. We will be
reviewing all proposals received since the last round of reviews in
June 2001. The deadline to submit a proposal will be February 1,
2002. Final decisions will be posted on the website by March 15,
2002.
As with the last batch review, we will continue to use a review
process which will involve both infoDev staff for the initial
screening and an external panel of peer reviewers knowledgeable in
the areas of the proposed projects. During the peer review, all the
proposals that make
the initial screening will be evaluated to compete for funding. You
may check our website two weeks after the deadline to see if your
proposal has been declined or will go to the peer review.
We have a new online submission form which can be found at
<http://www.infodev.org/projects/apply.htm> We recommend that you prepare and review your proposal
offline before submitting it online to ensure quality and expedite
the review process. Again, the deadline to
submit a proposal is February 1, 2002.
Roshani Kothari
Partnership Coordinator
OneWorld U.S.
http://www.oneworld.net/us
202-454-5644
@ BOLSAS DE APOIO A PESQUISA DA FUNDACAO ALEXANDER VON
HUMBOLDT
============================================prazo/plazo/deadline: n/c
Publico-alvo:Cientistas com doutorado, altamente qualificados, com
ate 45 anos de idade, provenientes de paises em
desenvolvimento
Duracao06 a 12 meses
InformacoesFax: (49-22)883-3212
E-maillu@...
Webhttp://www.avh.de
@ BOLSAS DA UNIVERSITAT BREMEN PARA POL TICA DE DESENVOLVIMENTO
COM FOCO NA ORGANIZACOES NAO-GOVERNAMENTAIS
============================================prazo/plazo/deadline: 15/10/2002
DescricaoPos-Graduacao com tematicas relacionadas a paises
em desenvolvimento.
PromocaoUniversitat Bremen
InscricaoAte
15/10/02
E-mailenro@...
Webhttp://www.enro.uni-bremen.de
@ BOLSAS DE ESTUDO DA FAPESP
============================================prazo/plazo/deadline: n/c
DescricaoBolsas voltadas para a formacao e o aperfeicoamento de
pesquisadores de alto nivel, indispensavel ao desenvolvimento da
ciencia e da tecnologia no Estado de Sao Paulo
PromocaoFAPESP
BolsasIniciacao cientifica,
aperfeicoamento, mestrado, doutorado, pos-doutorado,
capacitacao tecnica. No exterior, bolsa para pesquisa
(pq-EX)
Webhttp://www.fapesp.br
@ BOLSAS CAPES DE ESTUDO NO BRASIL E NO EXTERIOR
============================================prazo/plazo/deadline: 05/02/2002
DescricaoPrograma
Demanda Social(DMS), Programa de Fomento Pos-Graduacao(PROF),
Programa de Suporte a Pos-Graduacao de Instituicoes de
Ensino Superior Particulares(PROSUP), Programa de Professor
Visitante(PPV)
PromocaoCAPES
BolsasEstagio
pos-doutoral, bolsa de doutorado, bolsa de doutorado sanduiche,
programa de aperfeicoamento em artes no exterior (ApArtes)
Apoio para EventosPrograma de Apoio
a Eventos no Pais (PAEP), Programa de Apoio a Eventos no Exterior
(PAEX)
ProgramaFomento:
Programa de Apoio a Pos-Graduacao
Webhttp://www.capes.gov.br
@ BOLSA PARA PROJETO DE INCUBADORA DE COOPERATIVAS TECNOL GICAS DA
UNICAMP
============================================prazo/plazo/deadline: n/c
Descricao36 vagas
-Curso de Formacao Especial(100 horas)
Experiencia direta em cooperativas populares
PromocaoIncubadora
Tecnologica de Cooperativas Populares da Unicamp (ITCP)
Publico-alvoUNICAMP-Biologia,Ciencias
Sociais, Economia, Educacao/Pedagogia, Educacao Fisica,
Eng. de Alimentos
DescricaoA proposta
basica deste programa e oferecer oportunidade de visita ao
Canada, por periodo minimo de tres e maximo de quatro
semanas, a professores universitarios brasileiros interessados em
desenvolver cursos com conteudo canadense.
Webhttp://www.iccs.ciec.ca
@ BOLSAS DE MESTRADO DA COMISSAO FULBRIGHT EM DIVERSAS REAS
============================================prazo/plazo/deadline: n/c
DescricaoMestrado
PromocaoComissao Fulbright - Ano Academico 2002/2003
reasCiencias
Humanas e Sociais
ModalidadesEducacao Fundamental:
Avaliacao, Indicadores, Medidas, Politica e Tecnologias
Educacionais; Estudos sobre os Estados Unidos-Cultura, Governo e
Historia Norte-Americanas; Politicas Publicas e
Administracao Publica; Cidadania Participativa; Direitos Civis;
Midia e Democracia; Exclusao, Pobreza e Violencia
Urbanas;Marketing Social.
InformacoesTel.: 55(61)
364-0776, 55(61) 364-3185
E-mailfulbright@...
@ PROGRAMA FULBRIGHT/TURNER DE BOLSAS PARA EDUCACAO A DISTANCIA
============================================prazo/plazo/deadline: n/c
PromocaoComissao
Fulbright
ObjetivoPromover o
desenvolvimento da educacao no Brasil, especialmente a
educacao a distancia, tendo como referencia inicial o Canal
FUTURA
Duracao12 meses, ou seja,
uma combinacao de seis meses em programa academico e seis meses
de estagio na Turner Learning, em Atlanta
ModalidadesComunicacao (jornalismo) ou
Educacao
InformacoesTel.: (+55)21 292-7117 R.2089 ou
220-0068
E-mailfulb@...
@ PROGRAMA FULBRIGHT/CAPES DE DOUTORADO
============================================prazo/plazo/deadline: n/c
PromocaoComissao Fulbright
ObjetivoProporcionar a
estudantes de doutorado no Brasil a oportunidade de complementarem a
pesquisa de tese em instituicoes norte-americanas
InformacoesTel.: (+55)21 292-7117 R.2089 ou 220-0068
E-mailfulb@...
Fulbright - Comissao para o Intercambio Educacional entre os
Estados Unidos e o Brasil
E-mailfulbright@...
Webhttp://www.info.lncc.br/Fulbright
@ PHD EM ESTUDOS COMPARATIVOS DA FLORIDA ATLANTIC UNIVERSITY
============================================prazo/plazo/deadline: n/c
InformacoesTel.: 561-297-3803; Fax: 2752
Webhttp://www.fau.edu/divdpt/schmidt/phd.html
@ PROGRAMA DE BOLSAS PARA PESQUISA E CRIACAO ART STICA DA JOHN
SIMON GUGGENHEIM MEMORIAL FOUNDATION
============================================prazo/plazo/deadline: n/c
Publico-alvoIntelectuais e artistas
ObjetivoApoiar intelectuais e artistas em suas
atividades de pesquisa de forma a melhorar a qualidade da
educacao e a pratica profissional e artistica
InformacoesJ.S. Guggenheim Memorial Foundation, 90, Park Avenue, New
York - NY, 10016 - USA
Webhttp://www.gj.org
@ AUX LIO PARA DOCENTES UNIVERSIT RIOS E JOVENS PESQUISADORES
(P S-GRADUACAO) CENTER FOR INTERNATIONAL MOBILITY - CIMO
============================================prazo/plazo/deadline: n/c
RequisitosTer menos de 35 anos de idade
ObjetivoOferecer auxilio para gastos
com moradia e hospedagem a docentes universitarios e alunos de
pos-graduacao em universidades finlandesas
InscricaoEm qualquer epoca do ano
E-mailcimoinfo@...
Webhttp://www.cimo.fi
@ PROGRAMA DE BOLSA PARA PESQUISA 2002 - 2003FUNDACAO ALEXANDER ONASSIS
============================================prazo/plazo/deadline: n/c
reasCiencias Humanas, Ciencias
Politicas, Direito, Economia, Arquitetura e Artes
PeriodoOutubro/2002 a
Setembro de 2003
Informacoes(003 01)
37 13 000 Fax (003 01) 37 13 013
E-mailpubrel@...
Webhttp://www.onassis.gr
@ BOLSAS E CURSOS OFERECIDOS PELO GOVERNO DO JAPAO. AG NCIA DE
COOPERACAO INTERNACIONAL DO JAPAO (JICA)
============================================prazo/plazo/deadline: n/c
reasDiversas
Webhttp://www.cer.mre.gov.br
@ CONVOCACAO DE BOLSISTAS NIKKEIS (DESCENDENTES DE JAPONESES)
(JICA)
============================================prazo/plazo/deadline: Aceitas durante todo o ano e
as entrevistas sao feitas no periodo de setembro a
novembro
PromocaoJica-Japan International Cooperation Agency
DataAceitas durante todo o ano e as entrevistas sao
feitas no periodo de setembro a novembro
InformacoesTel.:
+55(21)2251-2655
E-mailjpn@...
@ "FELLOWSHIP PROGRAM" (JICA)
============================================prazo/plazo/deadline: n/c
DescricaoO programa oferece a
oportunidade a academicos, pesquisadores e artistas estrangeiros de
reconhecida capacidade, de serem convidados a realizar no Japao
atividades de pesquisa, investigacao e producao, entre
outras
Publico-alvoAcademicos e pesquisadores, doutorandos, artistas,
especialistas em patrimonios culturais, especialistas em
administracao
BolsasBolsa de 02 a 12 meses no Japao para pesquisa
ou coleta de dados (inscricao individual).
InformacoesFax:
+55(11)3266-3562
E-mailjpn@...
@ CINEFONDATION: CANDIDATURAS PARA A RESIDENCE D'ARTISTES
============================================prazo/plazo/deadline: 31/5/2002
Este projeto tem por objetivo ajudar e apoiar jovens e talentosos
realizadores estrangeiros que preparam um longa.
Condices p/candidatar-se:
1.ter realizado um ou mais curtas, ou um longa de ficcao;
2.saber exprimir-se em ingles ou frances;
3.preencher um formulario de candidatura (disponivel via o site
www.festival-cannes.org);
4.enviar uma copia em VHS dos filmes realizados;
5.enviar o argumento ou roteiro do projeto de longa;
6.04 fotos de identidade e 01 foto de passaporte;
A Residence existe desde o ano passado e acolhe seis jovens
realizadores apos selecao.
Caracteristicas:
I.alojamento no coracao de Paris por um periodo de quatro meses e
meio;
II.uma bolsa no valor de aproximadamente US$ 700,00 / mas;
III.acesso gratuito a um grande numero de salas de cinema;
IV.curso de frances (opcional);
V. participacao na programacao da Cinefondation (coletivos ou
individuais) /
consultar o site: www.festival-cannes.org
Duas selecoes por ano:
Proxima data: 31 de maio 2002
Envio das candidaturas:
Festival de Cannes
Cinefondation
99, Bd Malesherbes
75008 Paris / France
Caso queira mais informacoes contactar:
Sylvie de Perras
Diretora da Cinefondation
Tel: (33.1) 45.61.66.01
residence@...
P R O @ R T E C L I P
S
Boletin Electronico del Proyecto ProArte
Brasil
Ano 6 N.48+49 1/2002
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
pro@rte clips es una iniciativa mas a favor de la democratizacion de
las comunicaciones.
tiene como objetivo la divulgacion de novedades, eventos, cursos,
becas de estudio, ofertas de trabajo y oportunidades de reciclaje
artistico y profesional dentro del contexto de las artes
audiovisuales y escenicas, medios de comunicacion y nuevas
tecnologias.
los clips que componen nuestro boletin electronico provienen de
listas de discusion, newsgroups y forums con base en la internet, y
son reproducidos en version original, tal como circulan en el
cyberspace.
agradecemos su cooperacion en la divulgacion de estas informaciones
para personas y organizaciones sin acceso a correo electronico.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
MEMO
>>>>>
Hola amigos!
regresamos com una edicion doble del boletin despues de unas
merecidas vacaciones.
Disculpen la congestion en sus mailboxes!
Un gran abrazo y que el 2002 sea un ano de paz, salud y realizaciones
para todos ustedes
Patricia Martin
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
INDICE:
>>>>>>
PARTE 1: BECAS Y AYUDAS DE
ESTUDIO
@ call for proposals: infodev core grants
@ bolsas de apoio a pesquisa da fundacao alexander von
humboldt
@ bolsas da universitat bremen para politica de desenvolvimento
com foco na organizacoes nao-governamentais
@ bolsas de estudo da fapesp
@ bolsas capes de estudo no brasil e no exterior
@ bolsa para projeto de incubadora de cooperativas tecnologicas da
unicamp
@ faculty enrichment program. canada
@ bolsas de mestrado da comissao fulbright em diversas areas
@ programa fulbright/turner de bolsas para educacao a distancia
@ programa fulbright/capes de doutorado
@ phd em estudos comparativos da florida atlantic university
@ programa de bolsas para pesquisa e criacao artistica da john
simon guggenheim memorial foundation
@ auxilio para docentes universitarios e jovens pesquisadores
(pos-graduacao) center for international mobility - cimo
@ programa de bolsa para pesquisa 2002 -
2003fundacao alexander
onassis
@ bolsas e cursos oferecidos pelo governo do japao. agencia de
cooperacao internacional do japao (jica)
@ convocacao de bolsistas nikkeis (descendentes de japoneses)
(jica)
@ "fellowship program" (jica)
@ cinefondation: candidaturas para a residence d'artistes
PARTE 2: CURSOS Y
CAPACITACION
@ cursos de cinema e video em cuba. fevreiro - dezembro 2002
@ dell'arte summer workshops 2002
@ posgrado en teoria y critica del arte contemporaneo (2a
edicion) eina, escola de disseny i art. escola de doctorat i de
formacio continuada (universitat autonoma de barcelona)
@ tempo glauber. departamento de cursos de cinema (rio de janeiro)
@ master of arts degree in humanities computing. faculty of arts at
the university of alberta.
@ curso intensivo de verano. guionarte. buenos aires.
@ online degree programs in internet and information studies. the
school of media and information, curtin university of technology,
perth western australia
@ ciclo de workshops sobre novas tecnologias de imagem e som (stein
producoes, sao paulo)
@ master of arts in moving image archiving and preservation. new york
university and george eastman house.
@ online course on information and communication technologies for
developing countries
@ cursos y talleres 2002 celcit. buenos aires
@ curso de guion de television y de radio (redaccion de libretos) a
cargo de luis buero
@ oficina de videoarte e videocriacao. escola de artes visuais
- parque lage. rio de janeiro
PARTE 3: OFERTAS DE TRABAJO
@ assistant director. alliance of artists' communities. rhode island.
usa
@ immediate need for spanish-speaking persons. international
academic assistance program. mexico
@ development associate. global education partnership (g.e.p.)
@ development associate. the eastwest institute
@ executive director. progreso latino.central falls, rhode island,
usa
@ position available immediately for
graduate student intern. the benton foundation's communications
policy program (cpp)
@ concurso publico para professor em cinema e video. uff-universidade
federal fluminense
@ project manager. sasi foundation. pakistan
@ international coordinator. casa xelaju. quetzaltenango,
guatemala
@ education program officer. aga khan foundation u.s.a
@ marketing director. costa rica rainforest outward bound school
@university of michigan at ann arbor.
school of art & design -tenure-track faculty positions+visiting
faculty positions
@ programme specialist .unesco. addis ababa ethiopia
@ department of radio-television-film.the university of texas at
austin - tenure-track position.
@ visiting faculty fellowships.the civic education project
(cep).central/eastern europe and eurasia
@ one-year sabbatical replacement in cinema studies. roy h. park
school of communications. ithaca college (ny)
@ operations coordinator. egrants.org. san francisco, ca.
@ assistant manager of corporate and foundation relations.
professionals for nonprofits, inc. ny.
PARTE 4:
OPORTUNIDADES
@ chicago underground film fund 2002
@ talleres de peliculas en construccion. rencontres cinemas
amerique latine de toulouse / festival internacional de cine de san
sebastian
@ videotage hosts a five-person study trip to the gwangju biennale
2002 in korea
@ projeto forum de ciencia e cultura da ufrj (rio de janeiro)
@ videoteca del sur de nueva york abre sede en la habana e
invita realizadores latinoamericanos a participar con sus obras
@ call for submissions: disclosure, a journal of social theory
@ residencias para artistas. asociacion para la promocion del
desarrollo humano, la educacion y el arte / costa rica
@ call for submissions: journal of film and video -special issue on
screenwriting
@ collaborations for a book on video poetry
@ call for video indymedia newsreal
@ ecrire le son du monde...? appel a projets de production
radiophonique
@ teatroxlaidentidad: convocatoria 2002
@ fundacion antorchas (arg). ayudas para artes visuales /
multimedios / literatura
PARTE 5: NOVEDADES EN LA WEB
@ novo informativo no sitio da mostra br de cinema - mostra
internacional de cinema em sao paulo
@ lista de interes iberoamericana de arte, nuevos medios, ciencia y
tecnologia. [iberoamerica-act]
@ new mailing list for the discussion of media arts practice
and theory [empyre]
@ script market news: tips for aspiring screenwriters
@ russian archives on the internet: the 20th century through soviet
eyes
@ launched french-cinema.com
@ rebra - rede de escritoras brasileiras"
@ ja esta no ar o sitio mais completo sobre o expressionismo feito no
brasil:
@ servicio de noticias agencia doc. e tudo verdade
mercart -site de arte conetemporaneo
@ red internacional de mujeres (rim) da asociacion mundial de
radios comunitarias amarc
@ biblioteca arca de papel - biblioteca del instituto cubano del
libro.
@ cuatro gatos - revista electronica de literatura infantil
@ juegos para la cooperacion y para la paz
@ usina do roteirista
@ new email service: sara - scholarly articles research alerting
@ read notify- send certified e-mail and track your messages
@ daypop - current events, breaking news and weblogs
@ way back machine - surf the web as it was
@ an international discussion list on bridging the digital divide
[digitaldivide]
@ nuevo portal de internet dela real academia espanola con
acceso directo al diccionario
@ curtaocurta: site brasileiro de curta-metragens
@ shortvillage: portal italiano dedicado al cine breve:
cortometrajes, documentales y animacion.
@ forum for the exchange of ideas and information about the use of
free software in developing countries
PARTE 6: PREMIOS Y
CONCURSOS
@ iii premio atv pilar miro para guion de telefilmes
@ proyecto corto canal plus
@ convocado el iii premio nacional narciso mendoza, de poesia para
ninos. mexico
@ convocado el ii certamen villa de torrecampo (espana) de narrativa
corta.
@ premio internacional para pesquisa em alfabetizacao
@ ii edicao dos premios unesco no brasil
@ convocado el concurso literario internacional plumas digitales, de
poesia y narrativa breve.
@ premio de ensayo casa de
america-fondo de cultura economica
@ convocatoria de la fundacion daniel langlois 2002. canada.
@ concurso de guiones de musicales
PARTE 7: CONGRESSOS,
CONFERENCIAS Y OTROS EVENTOS
@ call for papers: beyond the boundaries: challenges of leadership,
innovation, integration, and technology. global business and
technology association (roma, italia)
@ call for session proposals: crossroads2002. (tampere, finland)
@ call for papers: international conference on pervasive
computing (zurich, switzerland)
@ chamada para trabalhos e participacao: inter-sociedade de artes
eletronicas. isea 2002 (nagoya, japao)
@ primer congreso de escritoras centroamericanas (managua,
nicaragua)
@ 2nd conference on the economics of information and communication
technologies ( mannheim, germany)
@ vii jornadas de historia de las mujeres y
ii congreso iberoamericano de estudios de genero (salta,
arg)
@ call for papers: internet research 3.0: net / work / theory
(maastricht, the netherlands)
@ third wave feminism international conference (university of exeter,
uk)
@ convocatoria para xii encuentros abiertos de fotografia 2002.
buenos aires
@ international conference on computers in education (icce 2002)
auckland, new zealand
calendario internacional de congressos e conferencias:
PARTE 8:
FESTIVALES DE CINE, VIDEO Y NUEVAS TECNOLOGIAS
PARTE 8.A CONVOCATORIAS DE FESTIVALES INTERNACIONALES
@ festival internacional de cine sobre arte y
biografeas de artistas 2002
@12o festival internacional de curtas
@ 5o festival mundial de animacao
zagreb, croacia
@ festival internacional de animacao de stuttgart
@ uncipar 2002 - 24o jornadas argentinas de cinema e video
independentes
villa gesell, argentina
@ d.film - festival itinerante de cinema digital
itinerante
@ ifliks
@ anarchy
@ new venue
@ 4o festival internacional de curtas metragens de bh
@ e tudo verdade - 7o festival internacional de documentarios.
rio de janeiro e sao paulo
@ ii ecocine - festival nacional de cinema e video ambiental. sao
sebastiao, sp
@ festival do cinema brasileiro de miami
@ acontecendo ate dia 20/01:sundance film festival
@ sundance online film festival
@ telluride film festival
@ european media art festival 2002
PARTE 8.B CALENDARIO DE DE FESTIVALES
INTERNACIONALES
PARTE 8.C LISTA GENERAL DE FESTIVALES CON INSCRIPCION ABIERTA
PARTE 9:
OTROS EVENTOS
@ listas de festivales de teatro
@ ii encuentro hispanoamericano de video documental indendiente
contra el silencio todas las voces (mexico)
@ forum social mundial 2002 forum mundial do audiovisual 2002 (porto
alegre, brasil)
@ encuentro en humahuaca. centro internacional de
investigacion en artes escenicas, plastica, musica y
literatura. . (jujuy - argentina)
@ convocatoria decima bienal de fotografia 2002 (mexico)
@ encontro internacional "erotismo e representacao da mulher
na cultura latino-americana e caribenha". casa de las americas.
(habana)
@ campus euro-mediterraneo de cooperacion cultural. vilanova i la
geltru (barcelona)
@ iii encuentro nacional de investigadores de la comunicacion en
bolivia - aboic
@ encontro sobre restauracao e preservacao. grupo
estacao, consulado geral do mexico e espaco unibanco
(rio de janeiro)
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>++++++++++++++++++++++++++++++++++++++++++++
El Proyecto ProArte Brasil es una coalicion virtual dedicada a
promover el reciclaje profesional, el intercambio cultural y el
acceso democratico a las nuevas tecnologias digitales.
++++++++++++++++++++++++++++++++++++++++++++>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Proyecto ProArte Brasil - Buzios-
caixa postal 112372
28950-000 Buzios-RJ
Brasil
telefax: 5524-26291493 celular: 5522- 92530903 / 92171620
directores:
Patricia Martin - patriciamartin@...
Alfredo Calvino - alfrec@...
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
para cancelar su subscripcion al boletin envie un mensaje en blanco
a:
<proarteclipsESP-unsubscribe@gruposyahoo.com.ar>
Sin conexión 
Enviar correo